January 26th, 2011:

Dennis Lichtman and Mona’s Hot Four

This post is really a continuation of the previous one, but I was so blown away by my experience that I felt it needed to stand on its own. They link to each other at the appropriate head and tail ends for those that want to read through the night as a single event.

Melissa Tong won the gentle arm twist and we grabbed a cab over to Mona’s.

First, as life-long New Yorkers, it never ceases to amaze me how many facets of the city are not only undiscovered by us, but are actually invisible to us. Mona’s is one such place, but I’ll bet a lot more than $1.75 that it’s one of dozens of such places.

It’s a neighborhood bar, and a very crowded one at that. It feels like two railroad cars. The front room is the bar itself (long and narrow room) and the back room has a pool table and a bit more space to sit. Next to the end of the bar, right where the two rooms meet, is an upright piano (ancient looking). In that tiny space, where you might expect to fit one or two other musicians, an entire music scene is in full gear.

CrowdAtMonas

At one point eight people were jamming at the same time (trumpet, trombone, clarinet, piano, upright bass, two banjos and an instrument I never saw before, some kind of finger steel drum, played brilliantly). There were as few as four playing (when we first walked in) comprised of piano, guitar, upright bass and clarinet. People (musicians) kept coming and going with their instruments strapped on their backs, waiting for their turn to jump in.

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Here’s a fuzzy photo of the finger steel drum thingy. Feel free to comment if you know what it’s called. Smile

FingerSteelDrumThingy

Most of the music was ragtime/Dixieland, with a bit of more mellow jazz thrown in for good measure. To say it was awesome would be to understate it dramatically. The clarinet player was killing me he was so good.

Dennis Lichtman was that clarinet player. When I mentioned that to Melissa, she told me that he doesn’t consider the clarinet to be his strongest instrument. Say what? Now I have to find him and watch him play every other instrument, first ensuring that my seat belt is on and my tray table is locked in its upright position!

Now I have to blow my own mind (and yours, if you are open to that kind of stuff). When I went to dennislichtman.com to link it to his name, I saw that he has a few projects. In addition to his regular jam at Mona’s, he has a group called Brain Cloud. That name sounded familiar. I looked at my open tabs in Firefox and saw that a week ago I opened a tab to the Brain Cloud section of dennislichtman.com, but I haven’t had a chance to read it yet.

Someone (Melissa, Kevin, Alex?, I’m thinking Kevin!) told me that I had to check out Brain Cloud. I dutifully opened a tab with the intent of doing so, then got so busy with shows every night (you can read my thoughts on each one) that I haven’t gotten to it yet. I was clearly destined to know about Dennis and at least one of my friends (sorry that I can’t even remember who told me about him!) knew that was the case.

Here’s a second thing that amazed me about the scene at Mona’s. We normally get really annoyed if people even whisper at the shows we attend. We’re there to enjoy the music and respect the artists. At Mona’s, the context seems different. Yes, there’s a show of sorts going on, and yes, it’s specifically about the music, but no, it’s not a concert, it’s a jam, in a local bar.

The social scene is loud (very loud) and buzzing/humming non-stop. People who really prefer to hear more of the music than hang out naturally gravitate as close to the musicians as they can get, and somehow tune everyone/everything else out. Don’t get the mistaken impression that people who are talking loudly aren’t simultaneously enjoying the music. We too were part of a loud four-way conversation for the first 45 minutes that we were there, but I was also soaking in every note.

Then, when the steel-finger-drum thingy joined the jam, Melissa suggested we get a closer look. I stood in the door-jam between the rooms for the next 30 minutes, away even from the people I came with and soaked up the music for another 30 minutes. At 12:30am, Lois and I decided that we had pretended to be young long enough and we called it a night, though it was really hard to walk away from that music!

We’ll be back at Mona’s, count on it! Smile

Chasing Violet and Michael Daves at Rockwood Music Hall

Once again, Twitter delivers. I’ve mentioned it before, I’ll mention it again, follow the artists that you like on Twitter, you never know when you’ll find out about something that you might otherwise never hear about.

For a few months now, Melissa Tong has been telling me that I need to see Michael Daves perform. Beginning a few weeks back, he has a residency at Rockwood Music Hall every Tuesday night at 10pm. We had an aborted attempt to see him last Tuesday, but were finally able to commit to going last night.

We were sitting around watching TV, resting up for what was going to be a later night than usual (it ended up being even later than we had imagined). I was catching up on Twitter, when I saw a tweet from Rachel Platten (if you read this space, you know she’s one of our current obsessions!):

Whatever. Get it together Platten. Oh and come to Rockwood Music Hall tonight! My new band is playing at 9 ~ it’s free!

Say what? The set immediately before the set we’re already going to be there for is Rachel Platten? How could I have missed this? I didn’t! I went back to check the website and the band listed at the 9pm slot was called Chasing Violet. If you’ve learned anything in these posts, it’s that many (most?) of these NYC-based musicians have at least one side project, some have a dozen!

Listen to the five songs available on the Chasing Violet link above and if you don’t love them, I’ll immediately refund the money you spent on my advice here! Winking smile

We happily accelerated our plans and showed up at Rockwood exactly at 9pm. The place was crazy mobbed as Ed Romanoff was packing up his equipment from an obviously very successful set. As people left we got to squeeze in and even (luckily) grab two seats.

Chasing Violet is Rachel Platten and Nick Howard. Nick is a Brit (we won’t hold that against him). Winking smile In a small world story, I was introduced to Nick by Alex Berger on December 7th, 2010, when we all attended an Ian Axel show at Mercury Lounge. Nick was charming and funny and we had some good laughs (all at Berger’s expense, in front of him). Winking smile So, I was now even more intrigued to hear Chasing Violet (though Rachel was draw enough).

RachelPlatten

This was their first-ever public show. The songs are great, their voices amazing. For a first show, considerably polished. The flubs (of course there were flubs) were turned into very light-hearted moments that enhanced the show. Each is charming in their own right and together even more so.

ChasingViolet

One big surprise was hearing Nick sing after hearing him talk (even at the show, not just when I met him in December). With one exception, Nick sang in an alto register, often taking the higher harmonies and Rachel does not have a deep voice. He hits the high notes so crisply, but when he speaks, it’s a more normal male baritone. Quite interesting.

NickHoward

They joked a number of times about how this would likely be their last show as well. That’s not true, as they’re already listed at Rockwood on March 8th at 9pm (once again followed by Michael Daves). Of course they’ll get better with each show, but they might lose some opportunities to make us laugh along the way.

I’m so glad that I found out about this show and that we were able to make it in time. I would not have been happy to hear about it after the fact.

NickHowardRachelPlatten

Back to why we were originally going to Rockwood to begin with, Michael Daves!

Michael played acoustic guitar and sang solo (with the exception of one surprise guest). He had his own microphone with him (the kind you see in a studio, with a shock mount). I’ve never seen anyone have that kind of mic at Rockwood before. Amazingly, I’ll bet $1.75 that for whatever reason, the mic was not playing through the PA. In other words, it didn’t matter that he brought (or even had) a mic at all. His guitar wasn’t plugged into an amp either, he was raising it to the mic to play.

Did it make a difference? Not in the least! He sings so powerfully, and with a serious bite in his voice, that it carried cleanly throughout the room. His guitar was a bit softer, but since it wasn’t competing with any other instruments or voices, it was easy to hear as well.

He’s a superb guitar player. I had no doubt of that going in, since I became aware that he regularly plays with Chris Thile. Chris wouldn’t play with a musical slouch.

MichaelDaves

Michael’s set consisted of traditional Appalachian-style bluegrass/roots music (since I’m not familiar with him, I don’t know if all of his sets are this style or not). I’m mildly surprised that a place like Rockwood gave him a long every-Tuesday residency, since this isn’t the most popular music in NYC.

We like most kinds of music, in particular bluegrass (though typically, the more full-band bluegrass sounds). So, it was definitely a treat to see his particular picking style. He was capable of mixing a flat-picking lead with a strumming rhythm, at the same time. Sort of accompanying his own leads. Sweet.

Toward the end of his set, in a complete surprise to everyone (including her), Michael called up Melissa Tong (our reason for being there to begin with!) to sing a song with him. It was the best song in his set (IMHO). Melissa has a lovely voice (though she doesn’t sing often enough). Because the mic was off (no one has proven to me that I am wrong yet, so my $1.75 goes unclaimed) Melissa had to sing louder than she normally does. Bravo, more Melissa! Smile

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When the set was over we bumped into Rebecca Haviland and got to tell her in person how amazing she was on Monday night at the Soul Revue Benefit.

Lois and I probably could have just fallen asleep right there at Rockwood. Melissa gently twisted our arms to extend the evening a bit longer and head over to Mona’s for their amazing Tuesday night jams. We had no idea what we were in for, but we agreed.

Continue reading about our experience at Mona’s, which was amazing enough for me to want to make it a separate post.