July 3rd, 2011:

Chris Ayer at The Living Room

Topping off an extraordinary night of music was one of our favorites, Chris Ayer. For those of you who are new here, you might require proof that Chris is one of our favorites. Luckily, I can provide that.

Two weeks ago we hosted our first house concert. We wanted a solo, guitar slinging singer/songwriter. Without hesitation, both Lois and I agreed that we should approach Chris first. He said yes, and this was the result. Lois and I share a lot of musical taste in common, but we differ a bunch as well, especially at the extremes. So, agreeing on Chris so easily tells you everything you need to know about how we feel about him.

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Back to last night. We had gotten delicious doses of Chris during both Matt Simons’ and Sierra Noble’s sets. You can read about those sets here and here respectively. You can also get a flavor of the band that supported all three sets.

Let’s start with the traditional photos of Chris’ set list, first from our perspective, then his. The twist is that this time, we’ll throw in a bonus of a bit of his guitar as well (no extra charge!):

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He kicked the set off solo, starting with two very new songs. Great start. Both were good, new material feeds the brain, old (great) material feeds the soul/heart.

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Then Chris brought the band up. A quick rundown (probably repetitious for the stauncher readers out there):

Chris Anderson on electric and upright bass plus vocals. Chris switched back to electric for most of the set, but threw in some upright to keep me on my toes, making Sierra’s set the only one that he exclusively played the upright on.

Ryan Vaughn on drums. Once again, superb.

Greg Mayo on electric guitar and vocals. Since I can never say enough good things about Greg, I feel badly (for me!) to make this one so short. Here goes: he was his usual (awesome) self.

Matt Simons on keyboards (grand piano and electronic) and heavy vocals. As I mentioned in the post about Matt, when Chris and Matt sing together, it’s magic, no matter whose song it is or which one is singing lead. No exception on Chris’ set, Matt was perfect.

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Here’s a group shot (where Matt was out of the picture).

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After a couple of songs with the band, Chris brought up Sierra Noble to sing harmony and play some violin. He gave the band (excluding Matt) a break. When Sierra and Matt sang three-part harmony with Chris, everything got cranked up another level (which only made me mad that Chris clearly was holding something back on the earlier stuff!). Winking smile

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Sierra remained on stage when the band returned.

If you know Chris Ayer’s music, then you know from the set list above what a great choice he made last night. He mixed it up with completely new stuff, great older stuff and very recent stuff. He mixed it up with solo, full band, three-part harmony (without the band), etc. If there’s anything in particular that is your favorite thing about Chris, you were sure to have at least a healthy dose of it last night. If you’re like us and love it all, it was a buffet.

In what has become a bit of a tradition at Chris’ shows, he ended the evening with a descent into the crowd to perform Roy G Biv. As he did the last time he played The Living Room, the entire band descended with him. Well, they all did except for Ryan Vaughn who remained at the drums.

Chris (and everyone else) would have none of that. Since the most critical thing Ryan would be playing during Roy G Biv is the cowbell (look up the lyrics if you don’t know why), they teased him about the fact that cowbells are notoriously portable. He didn’t protest too much. He too came into the audience with a few percussion goodies in hand.

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Once Ryan was in, the party could begin. Chris actually kept turning (slowly) in a full 360, to make sure everyone got serenaded head on.

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The rest might be a bit hard to pick out, but here’s one shot that has Sierra in the background and Greg Mayo playing guitar. The highlight of the picture are Matt Simon’s hands, leading the audience in keeping the beat by clapping.

RoyGBivInTheAudience

A fantastic, energetic end to one of our best nights out. From 8pm until nearly midnight, without a single disappointing song, surrounded by friends who enjoyed it every bit as much as we did. It doesn’t get much better than this, but I promise, we’ll keep trying to disprove that! Smile

Sierra Noble at The Living Room

In what is obviously becoming a regular occurrence, we discover new musicians in the following cycle: 1) they perform side-person duties with someone we regularly see, 2) we see some mini-set where they headline a portion, 3) we see them perform a full set of their own, falling madly in love with them directly.

Sierra Noble fits that cycle perfectly, but amazingly, I was indifferent after that first side-person performance (nothing negative). Then we saw her at Backscratch 13. Here’s what I wrote about Sierra that night:

Sierra Noble on vocals, acoustic guitar and violin. We’ve seen Sierra Noble backing up both Rachel Platten and Martin Rivas (back-to-back sets on the same night). I am aware of how much her fellow musicians respect and love her, but that night, while she did a fine job, I didn’t see the light. Last night, headlining the three-song set, I got it. She has an incredible voice. She writes beautiful songs.

Ha! I thought I got it, seriously, I really thought so. Last night, she hit me over the head with a sledgehammer (in the nicest way that one human being can do that to another). Here’s the point: at Backscratch, I realized she wrote beautiful songs. Last night (and now, listening to her CDs) I realize that she’s a phenomenal songwriter, consistently. In other words, she doesn’t just write beautiful songs, they pour out of her!

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At the same time, she has a great voice and style. I don’t feel that it’s necessary to compare any artist to another, but on the other hand, it’s sometimes helpful to get people interested in listening to someone new if they have a frame of reference. For me, Sierra’s voice evokes a mixture of Alison Krauss and Ruth Moody (of The Wailin’ Jennys).

The fact that Sierra and Alison both play fiddle has nothing to do with my comparison, it’s more about their voices. The fact that Sierra and Ruth both hail from Winnipeg may have more to do with the water they drink up there (the three days a year that it isn’t frozen). Winking smile

Sierra played acoustic guitar and the violin/fiddle on most songs and sang without instruments, backed by a full band on the remaining songs.

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Sierra was backed by the same band that played with Matt Simons the set before and with Chris Ayer the next set. I’ll just mention them briefly here, then continue with a few more of the highlights of Sierra’s set.

Left-to-right on the stage:

Chris Anderson on upright bass and light vocals. On the two earlier sets Chris played electric bass. He played the upright exclusively during this set. He’s masterful on both.

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Ryan Vaughn on drums. Excellent (again).

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Greg Mayo on acoustic and electric guitar and vocals. In my last post, I inadvertently said that Greg played both electric and acoustic (already corrected). He didn’t play acoustic during Matt’s set, but did play both on Sierra’s. On the acoustic he did some heavy finger picking (always a treat to see Greg perform varied styles!).

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Sierra also highlighted Greg on the song Bring an Angel, which they co-wrote.

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Sierra brought up Chris Ayer for two songs. The first was her amazing song Human After All, co-written with Michael Logen. We’ve seen Michael perform it twice (both times solo) and now Sierra perform it twice (both times with a male harmonizer). It’s a great song performed both ways, but give me a choice, and I’ll take the harmony every time. Make it Sierra and Chris and my heart will skip a few beats as well. Martin Rivas did an amazing job when he sang it with Sierra at Backscratch 13!

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The second song that Chris sang with Sierra was a song they co-wrote (recently) called Keep it With You. Wonderful, both the song and their performance. Chris added the acoustic guitar during this number.

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In keeping with the title Human After All, Sierra honored a friend and mentor who passed away three years ago today, July 3rd, 2008. She introduced the song saying that in most shows, she plays an upbeat fiddle medley. Instead, in memory of her friend, she would play a song he wrote for her.

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Oliver Schroer sounds like an extraordinary person (and a great musician as well). Sierra performed the instrumental, True Hearts Waltz. I’m impressed that she got through it. Clearly, this was an emotional undertaking for her. Our connection with Sierra grew immeasurably at that moment.

I started the above by relating it to Human After All. That’s what we are folks, whether we like it or not. All too often, we forget loved ones when they’re gone. Perhaps worse (though only on a few levels) is when we don’t have gratitude and love in our heart for people that help and inspire us along the way (noone makes their way through life on their own).

Witnessing Sierra Noble honor Oliver, and much more importantly, do her part in keeping his legacy alive by sharing with it people who didn’t have the privilege of knowing him, made both Lois and me very happy. That Sierra can feel and articulate this kind of human understanding at the tender age of 21 (did I fail to mention her age before?!?!?) is simply extraordinary.

Whew, back to the set. Here is the set list, though I think she might have played an additional song or two after the ones listed here:

SetList

Sierra announced that she has an EP available for purchase at iTunes and that she’s working on a new full-length CD. Given a choice, I will always purchase from Amazon.com over iTunes. Thankfully, Sierra’s EP, Possibilities, is available on Amazon. Not only did I buy it (it’s incredible), but I also discovered that she has a full-length CD from 2005 (she was 15!). I bought that too, Spirit of the Strings. It too is gorgeous.

That wasn’t enough. When I visited Sierra’s Bandcamp Page, I saw that she had a smaller version of the Possibilities EP available for full streaming (and purchase). While it only has four songs vs Amazon’s six, there is a bonus track on Bandcamp that isn’t on the Amazon version. It’s a song she played last night: Coming Home to Say Goodbye (second song on the set list). I love the song, so I had to buy this one track separately as well.

OK, now you all go out and do what I did. Let’s make sure this youngster continues to make music for a very long time!

Matt Simons at The Living Room

We’ve seen quite a bit of Matt Simons in the past few months, but they’ve all been in his exceptional role as sideman for a number of other artists who we follow. It’s been four months since we’ve seen him headline a set. Thankfully, that drought ended last night at The Living Room.

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Matt is a multi-instrumentalist with an excellent voice. When he headlines he always plays the keyboards (piano and electronic). I guess trying to sing and play the saxophone (he’s awesome) presents some logistical challenges (if anyone can solve that problem, I have faith in Matt). Winking smile

Matt opened the show solo with a powerful song (Miss You More) that had everyone stone silent. I laugh at my internal dialog at these kind of moments. I think “who needs a band at all?” Then the band joins, and I think “why ever play solo?”, etc. The real point is that both solo and with a band, Matt (and many others!) get it just right.

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Proving my point, right after Miss You More, Matt invited the band up. This is the same core band that played for the next two sets as well. Two of them played with Rebecca Haviland in an earlier set at Rockwood Music Hall (covered here). In other words, they played for the better part of four hours. Yeomen indeed!

I didn’t spy a set list, which indicates one of three things: 1) there wasn’t one, and Matt just winged it, 2) Matt had one on the piano and purposely hid it from me, or 3) it was written with invisible ink on invisible paper (again, probably to thwart me). Therefore, I can’t easily share with you the titles to all of his songs, though he played a number of them that I love.

The core band, left-to-right on stage:

Chris Anderson on electric bass. Chris also sang light backup vocals. Chris is one of our favorite bass players. Check out my previous post (linked above in “covered here”) for more on Chris, including his singing and songwriting chops.

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Ryan Vaughn on drums. I’ve been writing a lot about Ryan lately, as he’s been drumming more often with the people that we consistently go out to see. Our previous sightings always came when Ryan played percussion (not the drum kit) on Martin Rivas’ sets. Ryan is great and exhibited many different styles across the three consecutive sets last night.

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Greg Mayo on electric guitar and light vocals. I mentioned in the last post about my mind control abilities. On the first song that Greg appeared, he took a fantastic lead (I think he’s patented them, so if don’t want to go to jail, don’t try and copy them!). Before explaining the mind control aspect, I need to digress.

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Having true, committed fans, is one of the hallmarks of the music business. We (yes, we count ourselves as true, committed fans) will do an awful lot to support the musicians we love. Yesterday I tweeted an article that implores musicians to find a way to connect their fans with each other. Here’s a real-world example of the result of that advice.

We attended a fantastic house concert in VA hosted by Lindsie. That night featured Ian Axel, Chad Vaccarino and Mike Campbell. We met Lindsie that night, due to our mutual love of Ian, Chad and Mike. Since then, Lindsie (being a true fan!) came up to see Ian Axel headline Bowery Ballroom and we hung out in front of the stage with her throughout the show. Last night, she came up again to catch these three consecutive sets and again, we sat together. Her friend Ashley (sp?) joined her this time.

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A number of last night’s artists were new to Lindsie, including Greg Mayo. Before Greg took the stage, I turned to Lindsie and told her that Greg is my favorite local guitar player and that she was about to have her mind blown. Finally, back on track, immediately after his lead in the first song, I turned toward Lindsie and rolled my eyes in disbelief at how quickly he proved me correct! Smile

But, while Greg was perfect in his support of Matt on the remaining songs, he didn’t take a real lead again (no complaints). Just as they started Matt’s last song of the set, that thought came to me front and center. Of course, given my mind control powers, Greg took another great lead. Damn. I should have remembered that I probably could have called up as many leads as I wanted throughout the set. Oh well, next time! Smile

Matt called up Chris Ayer to sing and play acoustic guitar a number of times (Chris headlined the 11pm set). The two of them sings so beautifully together, whether it’s Chris supporting Matt on his songs, or vice versa (as happened a bunch in the last set).

On one number, Matt came out from behind the piano and sang, with Chris accompanying him on vocals and acoustic guitar. Gorgeous!

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Matt called up Sierra Noble to sing harmony with Chris Ayer as well. That role has traditionally been filled by Morgan Holland. Since Morgan is returning to CA for a Master’s degree, she won’t be available to sing with Matt and Chris. While Sierra is a star in her own right (and therefore won’t be available often to sing with them), having her join them last night was a real treat.

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For the second to last song, both Chris and Sierra returned (after someone having to go out and find them!). This time Sierra added her violin to the mix!

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I’m a big fan of Matt and always enjoy his sets. But, I’ll definitively claim last night’s set to be the best we’ve seen so far, though doubtlessly it will be topped in the future!

Matt and Chris Ayer both leave tomorrow for a tour of the UK and Holland. Some of the dates/venues can be seen on Matt’s Facebook Page. You can also stream some of his songs there (or on MySpace linked at the top). But, to listen to Matt, I recommend you visit his Bandcamp page. There, you can hear a lot of his songs in their entirety, for free. Then you can buy all of them, or the ones you like best, etc. I love the model where you aren’t buying blind, or off an unrepresentative sample of the song.

Referring back to the “connect your fans” section above, a number of our friends were there last night (which is typical). Let me know if you prefer Kelly or Sam to wear the hat when their picture is taken. Winking smile

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Rachel

Rebecca Haviland at Rockwood Music Hall

We attended a Leave a Lasting Mark benefit show on Thursday. Rebecca Haviland was one of the many performers that night. She performed a version of Carolina On My Mind that captivated the audience. You can read about it here.

Even though we had a jam-packed 48 hours in between, I admit that I was still distracted a number of times, anticipating Rebecca performing a full set at Rockwood Music Hall.

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This was only the second full set that we’ve seen by Rebecca. The first one was five weeks ago. In that post I mis-identified one of her new songs as “Sing”. Looking more closely at the set list (and having Rebecca correct me), it’s called Sins. She didn’t play it last night, so I don’t know why I felt the need to correct that here. Winking smile

Rebecca is in the midst of a writing spree. We all are the beneficiaries of that. Well, all of us who see her perform live. Later today she should be launching a Kickstarter campaign to fund a new CD (I’ll update this post with the link once I get it). Once that gets funded (and it will!), the rest of you who don’t live in NYC or don’t come out for live music, can hear what I’m talking about.

While Rebecca sings a variety of styles (all equally well), at heart, she’s a blues rocker, and a darn good one. Last night’s set was mostly originals (I love every one of them) plus a few extraordinary covers. One of my favorites (it grabbed me the first time I heard it) is If You. The chorus has a recurring “Oh, oh oh oh oh”. At times Rebecca is singing that too, at other times she’s singing over that.

The last time we saw her, she invited the crowd to sing the “Oh, oh oh oh oh” part with her and we all did. Last night, without thinking about it, I started singing it (out loud) with her. I’m pretty sure I was the only one in the audience singing (as we weren’t explicitly invited this time). Even though I was self-conscious for a second, I admit to continuing to sing it each time the chorus repeated. Ha, that’s how I roll (occasionally, OK, rarely). Winking smile

We didn’t snag the set list (I’ll have to talk to my minions about that oversight!), so I can’t share all the song titles with you. In addition to If You, I’m sure Rebecca played Collide With Me and Direction (also new, unreleased) along with at least two other brand new ones.

The two other covers were her signature version of Led Zeppelin’s Black Dog and another Zeppelin number that she morphed into (and back out of) mid-song.

After singing two songs with the band, Rebecca dismissed them and fulfilled my secret wish. She played Carolina On My Mind. For those of us who had seen her perform it Thursday, there was a deep satisfaction in not having had to wait too long to hear it again. For the newbies, I can only assume that their minds were sufficiently blown. In my next post (there will be four today!) you’ll see that I need to use my extraordinary powers of mind control more often (I promise to use my powers for good only).

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Before bringing the band back, Rebecca brought back Chris Anderson. In addition to being Rebecca’s bass player (electric bass last night), Chris is also Rebecca’s primary writing partner on her current project. He’s also been singing background vocals a lot more, thanks to Rebecca prodding him. In addition to singing a lot of harmony last night, Chris also sang lead on one number, kicking off the first verse on his own.

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We got to meet Chris’ parents, who came to hear him serenade his fans:

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After one (or possibly two) numbers performed by Rebecca and Chris alone, the rest of the band rejoined.

Greg Mayo on keyboards and background vocals. Fantastic, as always. I’ll have more to say about Greg in the next three posts.

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Kenny Shaw on drums. After seeing Kenny perform five times in one week, he decided to hide from us. Exactly one month later, we picked up his trail again. He was his usual solid self, complementing Rebecca really well. In particular, when Rebecca morphed into her second Zeppelin cover, Kenny was instrumental in supporting her.

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Sierra Noble was called up as a special guest to play the violin/fiddle on one number, taking a long solo. The sound complemented Rebecca perfectly (though a good violin solo complements a variety of music beautifully). My third post of the night will be about Sierra Noble’s own set, but the other two will mention her as well. Last night was a big ol’ party. Smile

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Before Thursday’s benefit, we reached out to Rebecca and asked her to bring all of her previous CDs for us to purchase. We got two of them at the show (a full CD: Three Thousand Miles and an EP: What I’m Sayin’). As I noted at the top, we had a very busy 48 hours, so I haven’t gotten to listen to either yet (hopefully later today).

Last night, Rebecca brought us the earliest one, Taking Advice From Strangers (from 2003-2004). I’m listening to that one now while typing this. Gorgeous. A bitt Jazzier than much of her current stuff, with as perfect a voice as you could hope for. Lovely lyrics, I’m drifting… a.w..a…y….

Here’s a suggestion for Rebecca: make one of your levels on Kickstarter include all of your past CDs (I suggest $50) so that your more recent fans can find out that your talent is deep, broad, wide, and consistent, for at least eight years, probably more! (Disclaimer: this advice is free, I am not a paid endorser.) Winking smile