July 30th, 2011:

Jesse Terry with Greg Mayo at The Bitter End

I rarely post the night of a show. Since we got home early and we’re swamped tomorrow, I’m happy to get my thoughts down while they’re fresh.

There are a growing number of musicians whose shows we do anything we can to catch.

Jesse Terry has been on that list since the first time we saw him, September 5th, 2010. We’ve seen him six times since then, plus tonight, makes eight in total. Each of those shows has been a solo effort on Jesse’s part. For the most part, others were on the same bill, performing in the round or separate sets. Occasionally, one of the others would sing with Jesse on a song.

JesseTerrySinging

He’s great solo, and he works well harmonizing with others.

When Jesse announced the show at The Bitter End and listed Greg Mayo would be accompanying him on the entire set, those of you who know me have to realize that my heart skipped a few beats. Independent of Jesse, Greg Mayo is firmly on the above list of people I go out of my way to see as often as possible. Read to the end to see the next two (really three) times I’m sure I’ll be seeing him! Smile

Let’s cover the set list first, then the collaboration. Jesse travels a lot (he’s a road warrior touring musician). He recently returned from a week of entertaining the troops in Greenland and got closer to the North Pole than most of us will. Time at home is precious for two reasons: 1) He’s been married for just under eight months, so time with his wonderful wife is a priority and 2) He gets to write.

JessTerry

He’s been on a tear lately and it showed in his set tonight. He played two songs (Scenic Route and Bitterroot Valley) that were written in the past week (or two?). He played other very recent songs (e.g., Pearl Diver). In fact, while one of his staples was on the set list, it’s the only song on it that he didn’t play, Noise (do yourself a favor and check it out!).

SetList

So, in addition to adding a full-time sideman in Greg, Jesse was stretching his wings and breaking out super fresh material in public (likely for the first time in a number of cases). If he, or any of you are wondering whether he needs to take them back to the drawing board, wonder no more, they came off really well!

JesseTerryGuitar

If anyone has to ask what I think of Greg Mayo, then it’s a certainty that this is your first visit to this blog. Welcome! Smile

Greg has so many things going for him that it would be unfair to list them all here (if I could even articulate everything) given that this was Jesse’s set and songs. For this purpose, there are four things to note (which is why Jesse picked him):

  • He’s an amazing guitar player
  • He’s incredible on keyboards
  • He sings extremely well (harmony and lead)
  • His sensibility as a sideman is up there with the best

Greg played on every song with Jesse. He sang some harmony, not on every song. He played roughly half the numbers on the piano (guess what percentage he played on the guitar?). Winking smile

GregMayoPiano1GregMayoPiano2GregMayoGuitar

The collaboration worked extremely well. I checked with the judges (me) and they scored an 8.5 (out of a possible 10). The Russian judge penalized them (probably out of jealously). Winking smile

GregMayoJesseTerry

Seriously, as good as they were, if they ever play together again, I personally guarantee it will be better, even if they do nothing different. Here’s why:

  • They played it a bit safe (IMHO). Those of you in the audience who saw Greg for the first time have no idea (literally) how good a guitarist Greg is. His play tonight complemented Jesse wonderfully, so I don’t have the slightest quibble with what he played, but neither of them wanted to take a chance on opening up Greg’s play the first time out (again, my opinion, neither of them said anything to me!).
  • Greg was a bit more open (aggressive, in the positive sense) on the piano, but not on every song.
  • There were way too few harmonies, because the ones they did, were wonderful.

How do I know they don’t need to work hard to improve, just play together again? Two reasons:

  • They’re both so professional, they now already intuit exactly what the other will do, and more importantly can do, and they will trust each other more, without even needing to plan it in advance!
  • The last two songs on the set were by far their best collaboration (Only a Pawn and The Runner). On both, Greg sang more harmony and with more power. Both had Greg on the piano, highlighted more. I believe that it’s proof of my previous point. Even within this first set, their comfort and confidence with each other grew rapidly.

Let’s put the 8.5 in perspective. Each of these guys can bring it half speed and be better than most other performers. Neither did that and Jesse delivered his usual A game. The collaboration brought it up a notch. There are a few more notches to crank up further.

I’m already anticipating the next time. In the meantime, you can join me in appreciating everything that Greg Mayo has to offer when he’s front and center.

This coming Friday, August 5th, 11pm, Rockwood Music Hall is a Greg Mayo show. The very next night, August 6th, 11:15pm, next door at Rockwood Music Hall Stage 2, is a new group called The Crab Apple Singers (a rejiggering of The Big Apple Singers). Greg will be playing lead guitar and singing a bunch at that show, along with a phenomenal band.

If that’s not enough Greg Mayo for you (it’s not enough for me!), then you can come earlier on Friday. Same place, Rockwood Music Hall, 9pm, the amazing Rebecca Haviland is performing (what a voice, playing terrific songs). Greg plays the keyboards in Rebecca’s band. Nice bonus, since we’d show up for Rebecca even if Greg wasn’t there. Smile

John Schmitt Birthday Show at The Living Room

I seem to be saying this a lot lately: Musicians tend to play on or near their birthday, throwing a party for their fans, even though it’s work for them. That trend continued last night.

John Schmitt celebrated his birthday (and noted that two members of his band/guests had birthdays one day on either side of the show) by playing at The Living Room. He had a full band and some special guests.

JohnSchmitt

We don’t need an excuse (like a mere birthday) to come see John Schmitt. If we can make it, we’ll be there. In fact, during the show, he announced that he’s playing Rockwood Music Hall Stage 2, this coming Thursday, at 7pm (also a full-band show). It’s his first time at Rockwood 2, and we’re already committed to being there (you should come too!).

Let’s review why we go see John as often as we can:

  • fantastic voice
  • excellent guitar player
  • terrific band (though he’s superb solo)
  • wonderful songwriter
  • as nice a human being as you could want to meet!

All of the above were there in spades last night.

One of the major differences was no paper set list. John splurged on a new iPad. He had it sitting on a music stand. Since we couldn’t walk away with a set list (I was a little offended that John wouldn’t hand over his iPad for us to take home!), Winking smile we insisted on taking a picture of the iPad with the set list open:

iPadSetList

That’s not the complete list, it’s the songs the band played on. John played at least two songs solo, mid-set, one of them being Ave Regina (more on that later). The other was about his grandfather, called Me and the Chief.

Since all of the song titles above are abbreviated (except the last one), you’ll have to work a bit (or already be a John Schmitt fan!) to figure out the full titles.

I’ll spare you the trouble on the second to last one, listed as Val. That’s actually a song called Valerie. Amy Winehouse covered that song, apparently one of her more famous covers. John wanted to play it as a tribute to Amy, trying to be true to her version.

Let’s mention the band first, then the special guests. Left-to-right on the stage:

Mike Sutton on drums. Here’s what I wrote the only other time I’ve seen Mike play:

Mike Sutton on drums (sorry, couldn’t find a good individual link to Mike). Recall what I said above, that I was expecting Stephen Chopek on drums. I was impressed with Mike’s play, but I need to hear more to form a better opinion.

OK, now that I’ve seen him twice, I can safely say he’s a very good drummer. Toward the end of the set John highlighted him a bit, calling: “Mike, take them to Church!”. Winking smile

MikeSutton

Pasquale Chieffalo on electric bass. Excellent all around bass play (both times that we’ve seen him).

PasqualeChieffalo

John’s regular keyboard player is Greg Barbone. I really like him. He was out-of-town, and recommended a friend of his who recently moved here from LA (or was just visiting, if I misunderstood).

Eddie Wiernik on grand piano. He was superb throughout the set (I bet he had very little rehearsal time, he’s clearly a pro!). John highlighted him a number of times (showing a lot of faith in the new guy). Even when he wasn’t highlighted, he was solidly supporting and enhancing the sound.

EddieWiernik

John sings a few of his songs with fabulous harmonies, often supplied by a number of female vocalists. Last night he brought up someone who was new to us.

Jessica Norland is a singer, actress and dancer (Lois got her business card after the performance, that’s how I know about her other talents). She has an excellent voice and equally impressive stage presence. She sang harmony and lead on Two Souls. We’re both looking forward to seeing/hearing Jessica again.

JessicaNorlandJessicaNorlandJohnSchmitt

Barnaby Bright is an incredible group (duo), comprised of a married couple. We’ve seen them once before, at Jammin’ Java, in a show that also featured John Schmitt, headlined by Chris Ayer. I have been kicking myself ever since that our schedule has collided with the many times that Barnaby Bright have performed.

Becky Bliss (1/2 of Barnaby Bright) came up to sing Going Back. She sang lead on one verse and harmony throughout. I already told you how badly I want to see Barnaby Bright again, so I shouldn’t have to tell you how good Becky sounded, but I will. She was great. Smile

BeckyBlissBeckyBlissJohnSchmitt

Speaking of Going Back, John is raising money to professionally record that song. He needs your help. If you’re already a fan, donating $5 will get you a digital copy of the new song when it’s released. But, if you don’t own John’s CD, Ophelia, you should consider donating $15, which will get you downloads of that CD plus the new song when it’s recorded. Just do it!

Nathan Bliss (the other 1/2 of Barnaby Bright) joined on that song as well. He played the banjo and was given a couple of leads. Nathan is an outstanding musician (with an excellent voice, that he didn’t use last night), but I admit that the banjo (an instrument I love) felt out of place on that song. I’m publicly voting that John not employ it on his recording of Going Back.

NathanBlissBanjo

Later, John invited Nathan back on stage to play the saxophone (I believe on the final number, Musical). Nathan blew everyone away. I told you he’s an outstanding musician. He played sax with John at Jammin’ Java, but it was only the two of them on stage. He was great then, but with the full band behind him he could really open it up (without overwhelming John alone). I loved catching the looks on the faces of those around me. Priceless!

NathanBlissSaxophone

An incredible set, thanks John.

MikeSuttonPasqualeChieffaloEddieWiernikJohnSchmitt

Above, I mentioned that I would have more to say about Ave Regina. At Jammin’ Java, Becky joined John to sing harmony on that song. It was extraordinary. I fell in love with the song on the spot (and I love it even when John sings it solo, like he did last night). But, since Becky was obviously there, I couldn’t help asking John why she didn’t sing it with him.

He said that they didn’t have time to rehearse it (it’s been a while since the Jammin’ Java show). Man, I can’t believe that these artists are such perfectionists and feel the need to rehearse before playing for us. Winking smile Oh well, next time! Smile

If you already forgot my calls-to-action above, you have two tasks:

  1. Donate to John’s Going Back project
  2. Come see John perform this Thursday (8/4/2011) at Rockwood Music Hall Stage 2, 7pm

Now go enjoy the rest of your day. If you want to enjoy it even more, come join us tonight at 7pm at The Bitter End, to see the wonderful Jesse Terry, supported by the extraordinary Greg Mayo.

Chris Ayer at Rockwood Music Hall

Chris Ayer just returned from touring the UK and Europe. We missed him while he was gone, though it might sound protectionist if I publicly admit that we didn’t want to share him with the rest of the world. Winking smile

Matt Simons, one of Chris’ partners-in-crime toured with him, but wasn’t in town last night, so Chris played the set solo.

Most of the set consisted of new (and new-ish) songs. It doesn’t matter. Chris is such a great songwriter, that his old stuff holds up (don’t ask him to agree to my opinion!) and his new stuff is amazing.

ChrisAyerTuning

A few days ago, a friend asked us what we were doing Friday night. We told him that we’d be at Rockwood Music Hall at 8pm to see Chris. We told him he was welcome to join. His parents were visiting for the weekend and we told him they were welcome too. We decided to have dinner together beforehand.

Over dinner, the three of them asked us about Chris. I described him as:

  • amazing songwriter
  • excellent guitar player
  • wonderful singer
  • complete package, whether he’s playing solo or with a full band, both experiences are worth catching

Whenever we praise someone like that, no matter how heartfelt, I worry that it will be taken as hype by the listener. Even worse, I then get nervous if we’re all about to see that person perform, because I end up listening more critically, worrying whether the others will agree with my description.

No need to worry. Chris was awesome as always. In addition to the five of us, another two friends joined, with one of them bringing her friend as well. There were eight of us, four of whom had never seen Chris perform. They were all transformed into new, instant fans, within two songs.

Our friend’s dad turned to me and said “He’s as good as you said he would be!”. Whew! Smile

Our friend said to Lois: “Chris is a poet!”. Ha! I’ve written that exact phrase a couple of times in blogs. Here is how I defined poet in a post about Chris in May:

There are a ton of great lyricists out there. Substantially fewer of those are also poets. Great lyrics can tell a great story, have catchy rhymes or phrases and therefore clearly are the foundation of great songs. Poets create all that, but in addition, they emblazon images in your mind. Their turns of phrases are like Van Gogh’s brushstrokes. Many great songwriters achieve poetry on occasion. Poets achieve it regularly and prolifically. Chris is one such poet.

Chris writes his set list out on his arm. In our traditional fashion, I show it to you from our perspective (upside-down) and his (so that he actually knows what he’s going to play):

ChrisAyerSetLlistChrisAyerSetLlistFlipped

He might have to start writing past his elbow (on his biceps), because last night he had to ask the audience for a song to play in addition to the full set list. Someone called out Snakeskin Heart and he obliged, beautifully.

Chris delivered exactly the experience we described he would. We didn’t doubt it in advance, but that doesn’t mean I don’t get a twinge when we’ve given the hard sell to newcomers.

Circling back to dinner. After a wonderful meal, we headed out to catch two cabs, only to be stopped by an apocalyptic rainstorm. We waited in the doorway to the restaurant for 25 minutes. When it slowed to a hard drizzle, we walked an avenue block and were lucky enough to catch two cabs within five minutes.

Chris must have been nervous whether the rain would keep people away. Here’s what he tweeted shortly before the show began:

Dear show-goers this evening; think of rockwood as an ark, that will carry us from flooded peril! Bring your twin.

There was a very nice-size crowd there, but I don’t think I saw any twins. Perhaps the other halves were (foolishly) at Rockwood 2 (next door). Winking smile

The dad and I walked in at 7:57pm. Good timing. Smile

Scott Chasolen at The Living Room

We’ve seen Scott Chasolen twice now, both very briefly. The first was at Backscratch 13 when he performed three songs (two originals) with his trio. The second was when he played piano on one number supporting his very talented wife, Mighty Kate (Katy Pfaffl). That was enough to put him on my list.

He played The Living Room last night, with a starting time listed at 11pm. I’m not sure we would have gone that late, but we were already going to see John Schmitt for the 10pm set there, so I was sure we’d stay. John’s set started 30 minutes late, pushing Scott’s back as well.

Scott is a wonderful piano player. He played both grand piano and organ/synth. He has an excellent voice. He played old and new songs as well as at least one cover. They ranged from slow ballads to synth-infused up-tempo jazz. At the core, Scott’s trio is a modern jazz sound.

ScottChasolen

Supporting Scott were the same people that were at Backscratch 13 with him.

Adam Minkoff on electric bass and harmony. Adam is an excellent bass player and has a nice voice, complementing Scott. Adam also sings lead on his own sets, but they rarely start before midnight, so we haven’t had the pleasure of catching him yet.

AdamMinkoff

Josh Giunta on drums. Josh is really fantastic. I thought so the only other time I saw him (at Backscratch). Here’s what I said that night:

Josh Giunta on drums. Excellent. A lot of eyes were on Josh during a fair amount of Scott’s set. No good photo of Josh, sorry.

The was meant to imply that his drumming was that good, but perhaps some people were staring at him for his good looks. Winking smile

JoshGiunta

Seriously, check him out. One of the things that I kept (foolishly) thinking was that he has an advantage because he’s so tall. His arms are so long that he appears to require less effort to reach the cymbals, etc.

Mark Marshall joined for one song on electric guitar. Scott joked that it would be interesting to see Mark play a song he’s never heard before (implying that they hadn’t rehearsed together). It took Mark a while to join in, so perhaps Scott wasn’t kidding. Once Mark got a feel for the song, he took a couple of very sweet leads, and complemented some of Scott’s great piano play with short bursts of guitar play as well. Very well done!

MarkMarshall

Here’s Scott’s set list (which he deviated from slightly):

SetList

Even though our eyes were drooping, we hung in there until the end. Got home around 12:40am, but didn’t get to bed until 2am. Will be dragging a bit today…