The Vanity Belles (Carrie Welling and Jessi Rae Waltz) finished up their month-long residency at Arlene’s Grocery with a bang! It was crowded (mobbed actually), it was rockin’, it was awesome. If you missed it, I feel sorry for you (seriously).
This was the last of four consecutive Monday performances throughout February. We missed the first two (darned work/travel nonsense), so I can’t tell you anything about them. We did catch last week’s show. For the geeks among you, let’s display the link this way:
Not that this wasn’t completely fresh (it was), even though there was an 88.89% overlap in the set lists. The differences were large enough to make this a very different show than last week (including something as simple as completely varying the order of the set list!).
There was a different guest, the regular keyboard player was back, and the Belles themselves seemed to be feeding off of the frenzied crowd. Or, perhaps it was the $5 Country Cosmos (created especially by Arlene’s for this one night) that fueled them (and many others).
If you don’t understand the drink name above, the Belle’s self-titled genre is Cosmo-Country. So, take a Cosmopolitan (the drink), twist it a bit to be sassy like the Belles, and you have a Country Cosmo.
There was one song swap from last week’s set list (independent of the complete change in song order). Last night they played Till I’m Me.
This is a very recent song which they wrote and recorded live in order to get it on their upcoming CD (after the real studio recording had already been wrapped up). Wow, awesome song. I’m very glad that I’ll have it when the CD comes out. Oops! When I Was With You was the new song, Till I’m Me was new for this set, but is already on last year’s EP.
The ladies each played an instrument on Bottle, as they did last week. Once again, they crushed the song.
There was only one change to the core band, though both of last week’s guests played instruments as well. I’ll save the very special guest for after I say a few words about each core band member, left-to-right on stage:
Patrick Firth, the normal keyboard player for the Belles, was back in the saddle. He’s always great, whatever group he plays with. I was a few feet from the keyboards last night, so in addition to hearing Patrick’s fine play, I got to watch him work, close up.
When he relinquished the keyboards on Bottle, so that Jessi could take over, Patrick stood near the drums and played the tambourine.
Oscar Bautista on electric and acoustic guitars, and mandolin. Oscar is always superb on the guitar. Last week I described his long solo as having a jam band feel. Last night it may have started out that way, but it took on more of a rock god type lead, and Oscar obviously realized the crowd felt that way. He stepped out from the back and finished up the lead front and center stage. It was a huge crowd-pleaser.
On one number, Oscar played the mandolin. Considering I love the mandolin, and love Oscar’s play, this was a real treat for me.
Zach Jones on drums. If you’ve read this space recently, then you know I’ve been raving about Zach a lot lately (in fact, my most recent post was all about his band The Stone Lonesome). Of course his drumming was amazing last night (it always is). He even played the snare with his bare hands during one song, bringing out a bongo-like sound.
Chris Anderson on electric bass. As with Zach, I’ve been raving about Chris a lot recently. Unlike Zach, I’ve been raving about Chris for years (I only first heard Zach last July). Chris impresses every time, that is all.
Cameron Mitchell on acoustic and electric guitars. Just like last week, Cameron took on the rhythm guitar duties to complement Oscar’s lead and mandolin play. Once again, a wonderful job!
Brian Collazo (lead singer from Live Society) was the special guest last night. We could listen to Brian sing all night, every night. Amazingly (and achingly), it’s been five months since we’ve seen him sing, when he guested with the Belle’s Manager (I’ll get to him in a minute). It’s been eight months since we’ve seen a full Live Society show (also at Arlene’s), and we’ve been trying hard (with near misses along the way) to get to one.
Brian sang on No Regrets (amazingly) and on Recently (which Rebecca Haviland sang with the Belles last week). It only made us want to see Brian and Live Society all-the-more.
Patryk Larney has his own musical career (check him out, fall in love, and donate to his current Pledge Music campaign!). In addition to that, he manages the Belles. One of the 1,873 jobs that managing them entails, is being The Bucket Man at their shows. The Belles prepare treats for their audiences, and wrap them in The Vanity Belles goodie bags (genius, and delicious). He carried around a bucket filled the goodie bags last week and last night, handing them out to greedily awaiting fans.
In an homage to the tireless Patryk, I’ve written the chorus to an as yet unwritten song called Bucket Man (sung to the tune of Elton’s Rocket Man):
And I think it’s not gonna be so long
Before these goodie bags are taken home
And ripped apart and eaten up with joy
Oh no no no, he’s a Bucket Man
Bucket Man, handing out the treats for everyone
Ben Morgan, last week’s keyboard player (filling in whenever Patrick Firth can’t make it), was in the audience enjoying himself as much as the rest of us were.
Manish Gosalia once again documented everything in a way that only he does. I was right up against the stage, so I noticed (for the first time) that Manish also had a camera set up at the back of the stage which he controlled with a remote. A meticulous master, now captured from the other side of a lens as well:
Last week I mentioned someone named Jack. This time I’ll add a photo. Next time, who knows what I’ll reveal…
Finally, the set list: