Dining

Joey Ryan, Kenneth Pattengale, The Springs Standards and Meg and Dia at The Studio at Webster Hall

Joey Ryan comes to NYC a few times a year. If we’re here too, you can bet we’ll make it to one of his shows. Even though we love seeing him solo, this time he was touring with Kenneth Pattengale as well. The two of them make magic together, so we run rather than jog to see them whenever we can.

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Last night included an interesting first, one I completely support and was impressed by. For many of the shows we go to, it’s hit or miss whether an artist (even the headliner) will actually get an introduction. Most times, the lights dim and people start to clap when they notice the band coming on stage. Occasionally, there might be an announcement over the PA. Rarely, someone from the club will come on stage and make a more formal introduction.

At 8pm (show time), Dia, of Meg and Dia came on stage. She introduced Joey Ryan and Kenneth Pattengale. She did it in a completely humorous, sarcastic manner, which might have confused (or offended) people who misunderstood or don’t get that kind of humor. I don’t think there were many in the audience who missed the real meaning.

The more important thing here is that the headliner bothered to come on stage, to let their fans know how highly they thought of the opener. I haven’t seen that before and I’d love to see It happen more often. Occasionally, a great opening group gets little respect from a crowd who is there primarily to see the headliner. Perhaps they would pay more attention if they realized that the headliner chose the opener for a reason! Bravo Meg and Dia!

Joey and Kenneth performed seven songs, alternating their material with each singing lead on the songs they wrote. Joey started and ended the set with Kenneth performing the even numbered songs.

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Both are very good guitar players. Joey mostly finger picks and Kenneth is a masterful flat-picker. They blend beautifully. The same is true of their voices. Harmonies are gorgeous. Each has a wide range. Each tends to sing very high when they’re harmonizing for the other, and lower when they’re singing lead.

In his signature style (making it worth coming to a show even if you listen to their CDs and EPs constantly), Joey (and Kenneth as well) is just plain funny. Completely deadpan delivery (and soft-spoken to the point of having to strain to hear him at times). I believe that Joey could have a career in comedy if he wanted it. He was most definitely on last night (not that I recall ever seeing him off).

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The crowd was extremely enthusiastic for them. There’s no doubt that we weren’t the only people there who know and love Joey and Kenneth’s music, but I also suspect that aside from them being able to win people over on their own, having Dia come out to give her fans the word had to nudge some to pay more attention. Their set lasted around 35 minutes.

After a pretty quick turnaround (a little less than 10 minutes), the second of the three groups took the stage.

The Spring Standards have been on my list for nearly a year and it just hasn’t worked out in my schedule to catch them. We saw them perform at the New York Sings for Haiti Benefit in January. They did two songs and had a minimal setup. I was extremely impressed and I wanted to see/hear more.

Last night was nothing like the Haiti Benefit. The fact that they were able to set up in under 10 minutes was quite impressive given all the gear that they had on stage. Nothing minimal about their set this time.

Standing left-to-right on the stage (for the most part, though the two James’ switched sides a number of times):

James Cleare played the acoustic guitar, electric bass, drums, harmonica and sang (lead and harmony). Excellent all around.

Heather Robb (apparently an actor as well as a member of this group). Heather played the drums, double-decker electric keyboards, glockenspiel and sang (lead and harmony). She also had a melodica out, but if she played it, I missed it. She too was excellent all around, though her voice sounded a bit strained at times (markedly different from the Haiti benefit, where her voice was the highlight).

James Smith (no good individual link, so I linked to a good but old photo of him) played electric bass, acoustic guitar, trumpet, drums and sang (lead and harmony). Another excellent performance all around.

Updated: I had the two James reversed originally, even I was pretty sure I was wrong. The photos at ContactMusic are mislabeled and I incorrectly followed their lead. :-( Thanks to the commenter who pointed out my error!

All three are talented multi-instrumentalists. They all drum standing up, playing other instruments during the same song. Typically, two of them are drumming on the same song (e.g., James Cleare will be using the kick drum while playing the electric bass, as Heather plays the snare, bass drum and cymbals while mixing in the keyboards or glock).

Joining them for at least half of their numbers (standing/sitting behind them) was their Tour Manager, Noah Goldman. Noah played pedal steel guitar, bass, acoustic and electric guitars (possibly something else).

The energy level they put out is incredible. Everything about their performance is fun. Due to the big sound (loud, but clear) and the amazing amount of visual distractions (eye candy) to pay attention to on stage, I can’t say that I registered more than a handful of their lyrics, here and there. As such, their songs aren’t (yet) memorable to me.

They finished up their set in a big way. First they invited Joey and Kenneth to join them. They performed I Shall Be Released by Bob Dylan. Joey sang the first verse, followed by each of The Spring Standards singing a verse. Kenneth played electric guitar (first time I’ve seen him do that). Many people in the audience (myself included) sang the chorus with them (we were invited to). Gorgeous version of an old-time favorite song!

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Immediately after, they invited up the entire Meg and Dia band (five members) to sing a high-energy song. There were 11 people on stage for this number. The Spring Standards did all the singing, with everyone else banging away at something (part of the drum set, a tambourine, etc.), making a big sound.

They were on stage for roughly 45 minutes.

I was more intrigued by the initial (mellower) Haiti performance, but there’s little doubt in my mind that this group is filled to the brim with incredibly talented people who mesh really well together. I want/need to explore them more.

Roughly 20 minutes later, the headliners came on stage.

We were really wiped out and would have loved to have just bolted, but I really wanted to get a sense of Meg and Dia.

We stayed for two songs. I’m impressed with their voices. I was impressed with their musicianship as well, but in general, it was just a bit too loud. Great energy and rhythm. I would see them again, but I was glad to get off my feet and hit the sack before midnight.

Speaking of getting off my feet, this was a standing-only show (yes, there are a handful of seats along the side and back). I stood the entire time. Standing for people like Joey and Kenneth is simply ridiculous. That kind of a mellow sound should be savored from the comfort of a chair.

The Spring Standards have the energy and sound to drive people to their feet, but I know that I would prefer to see them in a seated show as well. Meg and Dia can definitely generate the more dance-crowd kind of feel, so I’m not surprised that they would play a room that is standing only. Independent of whether the music fits, we will always prefer venues that are seated.

We attended with three other people (and unexpectedly met two other friends at the show). Before the show, the five of us had a lovely dinner around the corner from Webster Hall (our first time there) at Apiary (also a first for us). Another winning night out! Smile

P.S. Lois dropped her camera on Saturday night and it was acting up a lot last night. Given that today is Cyber Monday, there is a new camera in her very near future. So, the shots above are the last ones you’re likely to ever see from her old, trusty Canon PowerShot 1100 IS. May it rest in peace. This, plus Lois’ vantage point in the few seats in the back, explain the lack of photos.

Girlyman and Red Molly at City Winery

This show was announced over six months ago and the minute it was, I grabbed tickets. It was a long wait and it was well worth it. We even got to see Girlyman three weeks ago in Birmingham, which only enhanced our anticipation of last night’s show.

It is the rarest Girlyman show that we attend alone. We want to share our joy and grow their fan base whenever we get a chance. Last night was no exception. We had a party of seven, four of whom were experiencing Girlyman and Red Molly for the first time.

Girlyman opened with an energetic Paul Simon cover. This already set the tone for an unusual evening. I don’t think that in the nearly 20 times that we’ve seen them perform they’ve ever opened with a cover. Lois and I are sensitive to the opening song (of all bands that we love, not just Girlyman) because it often determines whether newcomers are leaning forward or backward for the rest of the show. So, opening song jitters overcome with flying colors (ours, not theirs), check! Smile

My next fear was locale-based. City Winery is beyond gorgeous. The food and wine are excellent. The sound is generally excellent too. But, the place is large and many people sit at the bar or off to the opposite side of the stage. Every other show I’ve been to at City Winery has had too many loud talkers during the sets (amazing sets at that!). It distracts from the show.

Thankfully, even though the place last night was packed, it was full of Girlyman and Red Molly fans. That meant whisper quiet during nearly every song, and raucous noise between them. Exactly as it should be! Venue enhances show rather than distracts, check! Smile

Any additional fears to overcome? Nope, good, only enjoyment left. One last note, earlier this week someone adjusted Lois’ camera in order to take pictures of some close up items. Lois didn’t readjust the settings, so nearly every photo she took last night was blurry. I’ll post a very few just to give you a sense of the layout. The camera is now back to normal.

Girlyman has such a large catalog to select from. They mix it up frequently, which is one of the reasons that seeing them often is invigorating. Of course, it means that something you’re desperately in the mood for on a given night might not be delivered. No worries, the entire catalog is fantastic.

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The tuning songs last night weren’t quite up to par (less rhymes, shorter, fewer), but the general banter and interaction among the band was superb. I had the warm fuzzies throughout the set.

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When they got to the request section, it was complete bedlam. It sounded like 200 of the 300+ people there were screaming at the same time, at the top of their lungs. I can always make out at least a dozen distinct titles being yelled at any show. I couldn’t make out a single title last night, because I think that over 50 songs were being yelled out.

The band didn’t seem to hear them either. When there was a break for a second, quite a number of people coordinated their screams for Everything’s Easy (the title track of their latest CD). The band seemed willing to play it, given that it was the only one they could be sure of.

But, in another clever, coordinated, premeditated move, a handful of people sitting right in front of the stage held up sheets of paper with the word Angel printed on them. This created a memorable set of events.

Angel is one of Doris’ new songs on the latest CD. It’s a beautiful song and I understand why this group came prepared to lobby for it. But, it’s one of the few songs in Girlyman’s catalog that they haven’t practiced together in a while. They were checking with each other on the stage whether any of them remembered it well enough to perform it. No one (including Doris) exuded confidence!

It was impressive that they love and connect with their fans well enough to at least try performing the song. There were flubbed chords and a few missed words as well, but it still sounded great and showed their courage to deliver what people wanted to hear rather than just what they could guarantee would be a flawless performance.

What makes it more impressive is the fact that Girlyman returned to offering live recordings of last night’s show after stopping the practice over a year ago (we cherish the many live shows that we purchased from them). As they noted on stage, anyone who wanted to listen to them butcher Angel over and over could now do so, by purchasing last night’s show. We do, so we did! Smile

Rather than leave it at that, they also performed Everything’s Easy, ensuring that one of the requests was performed as people expected it.

They introduced two new songs, one of which we heard in Birmingham (and fell in love with instantly). That one was The Person You Want (Me to Be) by Ty. The other, which they said was only the second time they’ve performed it, was Supernova by Nate. Supernova was a big hit at our table!

They closed the show with Postcards From Mexico in the same fashion that they did in Birmingham, but the size of the crowd at City Winery made it more of a spectacle (in the best sense of the word). They split the crowd in thirds, according to vocal range. We sang the chorus with them. It’s complicated, because the three parts have different words and different melodies (they don’t all start on the same beat either!). It sounded pretty darned good from where I was sitting. When I get my live CD in the mail, I’ll get a better sense of the full effect.

They performed a one-song encore, bringing Red Molly out to join them for Through to Sunrise. Cool! Five part harmony on one of our favorite songs (Abbie Gardner of Red Molly didn’t really join in the singing, but she played a mean Dobro solo that was double the normal length of the traditional Banjo solo that Doris plays). Bravo!

In total, they were on the stage for just under two hours, a super healthy (and welcome) set, considering there was a top-notch opening act as well. They correctly thanked City Winery for allowing them to do that!

We also count Red Molly among our favorite performers. Earlier this year, they decided to start touring more and that caused Carolann Solebello to leave the group (in July). Some groups can’t survive the transition to a new core member.

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In a not-so-small irony, the group selected Molly Venter to join them. (Get it? Red Molly now has an actual Molly in the band?)

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I’ll admit to being a bit nervous as to whether the character of Red Molly would remain intact, even if Molly Venter was a talented solo performer. That remained true even though someone I trust told me that she knew Molly well and that she was very much up to the task.

She was and is! Molly has an excellent voice, plays the guitar well and her voice blends beautifully with Laurie MacAllister and Abbie Gardner. She also brings her songwriter cred to the group, something that I think will be a big win for Red Molly (who performs more covers than most groups that we like this much).

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The first of the new songs is a lullaby written by Molly Venter which was amazing. I definitely need a recording of it, STAT! The second is a song she recorded on her own in 2008 that Red Molly has arranged for their trademarked three-part harmony. Gorgeous!

Thankfully, their 40 minute set included the ever-heavenly a capella cover of Susan Werner’s May I Suggest. If any song would be the test of Molly Venter fitting in, that would be it. Check (again). Smile

We arrived at 6pm to enjoy a terrific meal, including City Winery’s own wine. It’s exciting to sit at a table of vegetable lovers. We had two orders of the brussels spouts (yes, we all loved them!) and the cauliflower was heavenly too. Main dishes were all devoured as well.

We hung around after the show catching up with the band, getting their updated poster signed by all and mingling with friends who also attended the show. Another amazing evening in the books, more on the way (including tonight).

Girlyman at Workplay

Earlier in the week I said we’d finish off our Birmingham trip with a surprise. Seeing Girlyman perform at Workplay on Sunday night topped off an already incredible week of family, friends and fun (henceforth known as the 3 F’s). Smile

Anyone who has read more than a few of my posts knows how I feel about Girlyman. For the rest of you, here’s a brief summary. I tend to rank music (in my mind) in terms of whether I could listen to it over and over, forever, if I were stuck on a deserted island with nothing but that band’s music (and, I guess, some form of electricity, solar would probably be abundant).

There are at least 100 bands that I could be happy listening to over and over, with no other music to fill the rotation. That speaks to my general love of music, and the fact that there is so much great music to be enjoyed in the world. But, if I got to choose in advance which music to be stuck with forever, I would not hesitate to pick Girlyman. That answer hasn’t changed since the day I discovered them in August 2007.

Girlyman just completed their first UK tour a couple of weeks back. Nate returned home two weeks ago, but the girls made a week of it in Paris and returned early last week. Unfortunately, Doris brought back a European cold with her. She was worried whether her voice would hold out. Thankfully, it did, extremely well!

They opened with EZ Bake Ovens (a number of my friends count that as their favorite Girlyman song!). Nate sings a verse solo, then Ty, then Doris. When it came to Doris, she whispered the first line or two. Uh oh, I thought that she had lost her voice completely!

Fortunately, the sound engineer just had her mic off (or too soft). He noticed the problem and with a very loud crack (like someone plugging in an electric guitar), Doris’ voice came alive. It wasn’t her normal voice, but it was pretty cool (and really good) nonetheless. It wasn’t quite nasal, a bit more chesty and rounded off. Perfectly in tune. She wisely controlled the volume, not quite belting out the rage in Storms Were Mine.

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The set list was superb! Of course they didn’t play some songs I wanted to hear, but they didn’t play a single song that I didn’t want to hear either. What’s a fan to do? Winking smile In fact, in Girlyman’s large catalog, there is only a single song that I find boring. Lois is the only one who knows which it is. She also happens to disagree with me on that one. Smile

We were treated to some UK road trip banter. We now all know why they use 220v over there. You’ll have to attend an upcoming show to find out for yourself. Winking smile Speaking of banter, Nate and the gals did a fantastic tuning song to More Than Words by Extreme. When they were asking for requests, after hearing more than 20 different titles, someone yelled out Do More Than One. So, More Than One was born, to the tune of More Than Words. Excellent!

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There are always a few surprises at a Girlyman show. This one had them inviting the audience to sing the chorus of Postcards From Mexico (three separate parts) with them. Depending on our vocal range, we were singing with Nate, Ty or Doris. I sing out loud in the car to every one of their songs, so getting to sing out loud with them was a hoot. The guy to my left had a great voice. He harmonized (a fourth part!) with them at the song’s crescendo. Bravo!

Ty debuted a new song (likely called The Person You Want Me to Be). Absolutely gorgeous. After the show, I went over to her to tell her how much I loved it. In the car ride home, Lois bugged me many times asking me how she could get her hands on a recording of the song.

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Ask and ye shall receive! I just got a Google Alert on Girlyman with a link to a YouTube video of that song, played the night before we saw them, at Eddie’s Attic, in Decatur, GA. Thanks Donna, you made Lois’ day and my life got simpler at the same time. Smile

The Person You Want Me To Be

JJ is an excellent drummer, always. One of the things that makes her excellent is always playing the appropriate accompaniment to a given piece. Since many of Girlyman’s songs are very mellow, JJ is correctly understated in most of her drumming with the band. Then, they sneak in Young James Dean and JJ lets loose. Fabulous, each and every time. The second the song is over, rather than enjoying the accolades the crowd is giving Ty (and Girlyman in general), Ty immediately turns to JJ and points out how amazing she is during that number. I couldn’t agree more! Smile

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As exhausted as they were and as sick as Doris was, they put on a terrific show. For those of you who are keeping track, Sunday night was our 16th Girlyman show. We have tickets to see them at City Winery (with the amazing Red Molly co-billed) on November 17th.

This blog is appearing 24 hours later than normal. We hit the road at 7am Birmingham time yesterday intending to stop in Northern VA for the night (at which point I might have blogged). Instead, we pushed on (like the whimsical people that we are), through torrential rainstorms in PA, making it back to NYC at 11:30pm. Only 15.5 hours in the car. No big deal…

We had invited a number of people to join us for the show. We ended up only purchasing four tickets, for our godson (David), his fiancée (Rebecca) and us. We were given another special surprise when Rebecca’s parents, one of her brothers and his girlfriend also purchased tickets and joined us (the eight of us dominated the front row!).

The brother and his girlfriend had to run out when the show ended (the life of students with papers due). The rest of us hung around to say hello to the band (always a treat).

Before the show, the eight of us dined at Silvertron Café. I heeded the advice of the locals and got the mini-steak sandwiches. Wow! We all had a great meal, putting us in the perfect mood to enjoy a great show. Can’t wait to do it again! Smile

Jesse Terry and Marjory Lee at a House Concert

We became aware of how many house concerts there are only a few years ago. There have been a few that we really wanted to attend, but scheduling or illness confounded every one, until last night.

Our friends (stay tuned for how we met them at the end) hosted a house concert featuring one of their favorite artists. We were thrilled that we were able to attend.

Jesse Terry is an incredibly talented singer/songwriter/guitar player. He was (until recently) based in Nashville. That might make you think he’s pure country. You’d be wrong. He crosses a number of genres, effortlessly. During one song, I could swear I was listening to James Taylor (the feel, not a clone). On another, Lois leaned over to me and whispered “Jackson Browne”. Oh yeah, he’s also a little bit country. ;-)

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Lois described Jesse to me as “a painter and a poet”. Poet is obvious, but by painter, she meant that his lyrical imagery is vivid. She cried during two of his songs. Here are YouTube videos of each:

Not to overwhelm you with YouTube videos, but this one is worth watching as well (then I’ll leave you alone). Jesse met his fiancée on a cruise ship in the South Pacific (I’m sure the setting had nothing to do with their falling in love ;-) ). Back in the states, in the famous Bluebird Cafe, she was in the audience when he sang this song (which he wrote for her) and then proposed to her in front of the audience. She was at the house concert last night and is as lovely a person as you can imagine, so we completely understand their mutual attraction/admiration/love:

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Jesse was wonderful on every song (including the three covers he did), but he’s particularly masterful at love songs and deeply sad ones. He tended to finger-pick the slower ones, beautifully. His guitar play in general was very good. His voice is excellent with good range. Excellent personality (both on and off the stage).

While we attend shows in all types of venues (including the dreaded Madison Square Garden), we really prefer intimate shows. Well, last night redefined intimate (in the best possible way). I often mention that a performance was acoustic. That’s technically correct, but in most cases, while the instrument is acoustic, it’s still amplified.

Last night was 100% acoustic, and the vocals weren’t mic’ed either. We had front row seats, but I’ll bet that the one guy who insisted on standing in the back of the room (yes, he was offered a seat), could hear every note and every word as perfectly as I could. Perfect. No sound engineer to muck it up (don’t jump on me, most do a great job, but some screw it up so bad you wonder how they got the job).

I was nervous for a second, because Jesse plugged a cord into his guitar, so I thought he had a small amp tucked away somewhere. It turned out he was just plugging in to an auto-tuner pedal. Whew. :-)

I’ll come back to the actual ending of the show after I cover the opening act.

Our hostess for the evening is an incredible woman (her husband is awesome too, but what I’m about to tell is all her, so I want to give credit where credit is due!). Years ago, she discovered Jesse Terry accidentally, on MySpace, clicking on his link from another artist’s page. She instantly fell in love with his music and reached out to contact Jesse. She has followed his career and become his friend ever since that fateful night.

While in Key West for the annual singer/songwriter festival, she discovered the woman who opened for Jesse last night. She befriended her as well and told both of them that they needed to meet and get to know each other. That eventually happened, and our hostess was indeed correct, they became friends. That they ended up playing a show together, in our heroine’s home, was beyond fitting!

Marjory Lee sang and played acoustic guitar (as above, 100% acoustic, with Marjory even tuning by hand, shudder ;-) ). Our friend warned us about Marjory’s voice and she was correct. It’s gorgeous! Power when she wants/needs it, subtlety when that’s called for, range and perhaps most interesting, an ability to change styles and gears effortlessly.

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Marjory was equally at home singing softly in the upper registers as she was belting out a soulful rendition of The Dock of the Bay, adding a gritty gravelly voice, sung in the lower registers.

She accompanies herself very nicely on the guitar. Completing the package is her stage presence. For such a young woman, she has an easy rapport with the audience. As with Jesse, that’s true both on and off the stage.

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Circling back to the end of the show. During both of their sets, a number of people called out for them to sing a duet. They each joked that they had planned to work up something together for quite a while, but never got around to it. That (apparently) didn’t let them off the hook.

When Jesse was wrapping up, people again called out for them to do something together. Marjory joined Jesse and they sang The Dock of the Bay (mentioned above) alternating verses, with Marjory occasionally venturing some harmony on top of Jesse (very well done!).

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Then Marjory sang Michael Jackson’s Billy Jean with Jesse singing a few key parts. As with another cover that Marjory did during her own set, she successfully got most of the audience to sing the chorus with her. She/they did a great job bringing the evening to a wonderful close.

We purchased both Jesse and Marjory’s CDs.

Here’s Jesse’s Set List, not followed to a T:

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Back to how we met our friends. We’ve been to 13 CMA Writers Series shows at Joe’s Pub. CMA = Country Music Association. I wouldn’t be surprised to find out that our friends have seen more of them than we have. In all of our times at Joe’s Pub, we have always been seated at a table for two, or at a table for four, but with the other two people attending with us.

The one exception was one CMA show where we were seated at a table for four next to this couple that we instantly had a rapport with. The next time we attended a CMA show, Lois spotted them on line and called out for them to join us. We sat together while we ate, but ended up watching the show from different spots. Ever since then we’ve maintained an active email and Facebook friendship.

Last night was excellent, but I can’t say that I didn’t feel badly or guilty. We paid way too little for the value of the show, even after buying the CDs. But that’s not the bad part. Our hostess cooked for two (or three?) days. It was one of the most incredible meals I’ve ever had. The meal alone was worth more than we paid for the show and the CDs, but of course, it was free. Guilty pleasure. All I can say is that I was not even slightly exaggerating when I told our friend that she should be a professional caterer. Awesome!

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There were a ton of desserts as well. I grabbed some (store bought, but also incredible) but we didn’t hang around. During the intermission our host asked me if we were driving back to the city after the show. He asked whether we could take Marjory (and her friend) back with us, which we were delighted to do. Another friend of theirs took the train out from Manhattan so we took her along with us.

Having another hour to get to know Marjory and her friend only cemented our feeling that she was a very special person (all three of our passengers are!) and it enhanced an already special evening all the more.

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In a not-so-small irony, we are already scheduled for our next house concert this Thursday (from zero to two in five days). This time, in a complete stranger’s home, so we’re branching out. I’ll report on that on Friday, as usual.

The Downside Risk at Wings Theatre

Last night we attended the opening of The Downside Risk at the Wings Theatre. Our friend Shannon Black was one of the actors in it, and we enjoyed her performance in Next Stop, Nightmare (written and directed by her husband, Jason Black). This is a limited run show, eight performances through September 11th, so you still have time to go see it.

On the page linked above is the following quote:

Bill Svanoe’s play has been labeled the “Death of a Salesman for the Computer Age.”

I would say that’s accurate. Bill totally captures the life (lives) of people who are on the road selling non-stop. Of course, there is a toll on everyone around them, families, friends, customers, acquaintances, etc.

At intermission, the three of us (we attended with a friend) predicted the two major plot twists. We were correct. I wasn’t even slightly disappointed to have been correct. In fact, those were two of the more interesting and poignant scenes in the play. I was glad not to be shocked by a trick, but rather moved by a well-written, well-acted realistic turn of events.

It was opening night, so there was some shakiness expected. While there were a few tiny flubs (quickly and well repaired), I was surprised by how few, so a shout-out to the cast for working so hard to get it right the first time out of the gate.

In general, that cast was pretty good, though there was noticeable variability between the best and worst of them. If you read my post about Next Stop, Nightmare, you already know how highly we think of Shannon, so let me call out a few of the other actors.

Both Lois and I agreed that the best performance was delivered by Zade O’Blenes. While Zade was on stage for quite a bit of the play, she was not a central character. Yet, whenever she was in the scene (one very dramatic one in particular), she was incredible.

Geoff Schuppert played the lead. Geoff was in nearly every scene, so his ability to maintain focus and passion throughout was extremely impressive. A very few times his role felt a tad over-acted, but given how long he was on stage, and what a powerful performance he gave, I feel a bit guilty sharing that.

Matt Klane played another central character and was believable throughout in a role that could be very tricky to play correctly.

There were a number of other good performances in supporting roles.

The play lasted 1:50, including a 10 minute intermission. We enjoyed it, but with some quality editing, it could probably be shortened by 10-15 minutes and be improved at the same time. Still, a very solid show, worth catching, if you want to be pulled into a world many of us see only peripherally.

Lois took very few shots because she didn’t want to distract the actors (it feels totally different to a musical performance). Here is one good shot of Shannon (we were very close to this part of the stage) and part of the long line of actors who took a well-deserved curtain call:

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The friend we went with lives a block away from the theater. When we suggested we grab dinner before the show, he recommended Malatesta Trattoria which happened to be exactly across the street from the theatre.

We had an incredible meal there and got to relax and catch up with a good friend. The only thing to be forewarned about (I was, so it wasn’t a problem for me) is that this place is cash only. The restaurant staff couldn’t be nicer or more helpful. Two of us had the Swordfish (which was one of the specials of the day) and was awesome. I also highly recommend the latte.

Vienna Teng, Alex Wong and Joey Ryan at Highline Ballroom

Last night was very special on many levels. At the top of the list was seeing Vienna Teng perform in NYC (at the Highline Ballroom) for the last time in a while (she’s off to grad school later this month!).

Even though Vienna tours the US and Europe regularly, we have come to rely on the fact that NYC was her (temporary) adopted home and we had so many opportunities to see her here over the last year. (We also saw her perform in Atlanta, Birmingham and Norfolk.)

We’re thankful that we made the time to do it, without taking for granted that we could see her whenever we wanted. Her shows will be few and far between over the next three years, but they will happen, and anyone who gets the chance to catch one better do it!

Vienna’s voice and piano playing are magical and last night was no exception. She can soothe the savage beast or impassion the near lifeless.

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In addition to a few typical songs that Vienna invites the crowd to join in on (more on that later), she added Antebellum to the list, inviting us to join her or Alex in their respective parts. I could swear that the majority of the crowd selected Alex’s part (perhaps because it’s easier, or perhaps because Alex admonished us to “Choose Wisely”). :-)

While Vienna often introduces songs, last night felt different. She knew she wouldn’t have many more opportunities to connect with the very large crowd so she introduced nearly every song and shared stories with great warmth. (Highline seats roughly 450 people, and there were very few empty seats. It was the first show we’ve been at where people were sitting in the Highline balcony as well!)

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One story that she shared was going to a Karaoke night with a group of non-musician friends. She and her friend sang A Whole New World from Aladdin. She described the inevitable Karaoke Key Nightmare, where the music is simultaneously too high and too low for your vocal range.

Many songs later (I think it was during 1BR / 1BA, but don’t quote me), 2/3’s of the way through the song, she and Alex broke into a full-on rendition of A Whole New World! Their harmony was fantastic and the entire bit was both wonderful and funny at the same time. Of course, after the song, Alex complained that Vienna chose his Karaoke key. Actually, to quote him more accurately, he said she chose his coming into puberty range. :-)

Alex Wong (the Alex in the above paragraph) joined her as he has for nearly all of the performances we’ve been to. In addition to being Vienna’s touring partner, co-writer on a few of her songs and producer of her amazing CD Inland Territory, Alex is also 1/2 of The Paper Raincoat.

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On the set list, which I reproduce below for Vienna’s many fans, there is an entry labeled (Alex). Vienna lamented that she would really miss seeing The Paper Raincoat and asked Alex to pick one of their songs to play. People shouted out many songs. Probably the one most loudly requested was In the Creases. Technically, not a Paper Raincoat song, but co-written by Alex Wong and ambeR Rubarth (who are The Paper Raincoat), so it qualifies.

Alex chose to do Don’t Be Afraid. He too introduced the song with a short, but meaningful anecdote. Vienna sang perfect harmony with Alex.

Toward the end of the show Vienna said that she wanted to deviate from the set list and get Alex to play another song. Once again, lots of requests from the audience. Alex chose a song of his that he performed with his original group, The Animators, Help is on the Way. We’ll all need it for the withdrawal we’ll be feeling from Vienna’s absence. :-(

AlexWongHelpIsOnTheWay

Ward Williams joined them for the entire show (as he does on most of their tours). Ward sang beautifully with Vienna on a few numbers and played cello or electric guitar on all the numbers. As I’ve said before, Ward is a top-notch musician who always enhances any show he’s a part of!

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Update: Lois asked me to say how funny (and quick) Ward is, so here goes. For one song, Vienna asked us to take our keys out. She directed us when to jingle our keys and when to stop (like wind chimes). Alex used his Harry Potter Wand (aka: Waterphone bow) to direct people to make whooshing sounds like the wind itself.

Vienna joked that Ward was left out of the directing. Without missing a beat, he offered that when he put his right arm over his head (in a ballet-like pose), the audience should let out a blood-curdling scream! After testing us once before the song, he sprung the actual arm movement late in the song, and the audience did indeed scream on cue (good paying attention folks!). Vienna definitely got a kick out of it, as did the rest of us. :-)

I’ve never seen a weak Vienna performance, so raving about last night shouldn’t be taken to imply that other shows weren’t incredible (they all have been!). That said, perhaps it was the poignancy of knowing that it would be a while, making me listen even more acutely, Vienna was in perfect voice last night. The clarity and power were mesmerizing.

As promised, here is the set list:

SetList

As you can see, she ended the set (a long and satisfying one) with Grandmother song. She asked the entire audience to stand for it and we turned the song into a 400+ person party! When they left the stage, we all remained standing until she came back out, this time solo.

Vienna dedicated the song, 1000 Oceans by Tori Amos, to us. We were both choked up. I am still speechless this many hours later, but thankfully, I can still type! ;-)

All I can say in return/response is that the amount of joy and personal/spiritual growth that Vienna and the too-many-to-mention other Indie artists that we have come to know and love have given us, fuels us daily! Thank you Vienna, and all of you (you know who you are!).

After 1000 Oceans, both Alex and Ward returned to the stage and they performed two more numbers. The last one was Soon Love Soon, sung by the entire audience in three-part harmony! Here is Vienna directing the right side of the audience:

ViennaTengDirectingAudienceWardWilliams

Including the encore, they were on stage for 100 minutes. As vivid as the memory is at the moment, I miss it already.

When we bought the tickets (many moons ago, when the show was first announced) there was no opening act listed. What a phenomenal surprise to found out it was another of our favorites.

Joey Ryan performed solo, singing and playing acoustic guitar. In addition to always nailing his sets (with and without accompaniment) he was even funnier (and more self-deprecating) than he usually is (and he’s always funny!). He had everyone in the crowd laughing and chuckling, within seconds of stepping on the stage.

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Personally, I can’t imagine how terrifying it must be to come out to an un-warmed-up crowd who is eating, drinking and conversing loudly. To do that solo, acoustically and not be the headliner, even more so.

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Yet, like I noted above, within seconds, Joey had the place whisper quiet, with everyone hanging on his every word. He owned not only the stage, but the entire place. I’m humbled by that ability, and enjoy being a part of it each time I experience it.

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Lois asked me if I’d call out for Broken Headlights. I didn’t need to. Joey invited Vienna and Alex on stage to sing it with him. Gorgeous, both the song (always) and their arrangement and harmonies.

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The Highline Ballroom is a wonderful venue. Doors open two hours before show time and they have excellent food (and drinks). Because of that, we wanted to celebrate with friends and share the great music. We bought seven tickets and squeezed all of us in to a table for six.

We had an excellent meal, including way too many desserts (that Lois forced on us, and of course didn’t partake in). Here is a photo of a very small portion of the desserts we all shared:

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In what had to be the universe speaking to us (though I didn’t find this out until this morning!), I ordered a glass of Shiraz. Then someone else in our party ordered the same thing. The waitress asked if we wanted a bottle instead and I said yes. Then she said that they had a special on a different bottle of Shiraz, one that wasn’t available by the glass. I ordered that. It was really good!

This morning, when I looked at the bill, I saw the name of the wine:

Flying Piano

A totally fitting thing to be drinking during a Vienna Teng show, no doubt! ;-)

We all hung around after the show to tell Vienna, Alex, Ward and Joey how amazing they were and what a special night it was. The same group (including Joey) will be performing tonight in Fairfield, CT, tomorrow at the Philadelphia Folk Festival and Saturday in Silver Spring, MD. Do yourself a favor and go to one of these shows, time is running out…

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The Persuasions at BB King

Lois and I love a cappella. We love harmony in all forms and it doesn’t get purer than a cappella. When we each saw that The Persuasions were performing at BB King (we both get the weekly email newsletter) we were interested in going (we’ve never seen them).

A friend of ours was vacationing up the East Coast, and told us that he would likely have some time to hang with us when he spent a couple of days in NYC. He called Wednesday night and we asked him whether he would be interested in seeing The Persuasions. Indeed he was.

The group was formed in 1962 and released their first studio album in 1970. Two of the original members are still performing with the group! One of them is Jimmy Hayes, who sings the deep bass parts. He’s absolutely amazing. Both Lois and I couldn’t wait to praise him to each other when we hit the street.

When all five of them sing together, the sound is incredibly rich, whether they are singing the words together (normal harmony), or whether some or all of them are mimicking instruments or doo wop sounds.

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Going for the music alone would be worth it. Fortunately, that’s not the only reason to go, though we had no idea what we were getting ourselves into.

I would guess that the majority of the audience were giant The Persuasions fans, having seen them perform before (likely many times for a good proportion of the crowd). Aside from being adoring fans (in the best sense), they knew the individual performers, and the group knew many audience members as well.

The Persuasions don’t just perform, they entertain! On at least a third of the numbers one of the members of the group ventures into the audience (usually the other original member, “Sweet” Joe Russell, but both Raymond Sanders and Jayotis Washington did as well). The song becomes highly interactive at that point, with great unpredictability.

SweetJoeRussell

Dave Revels sang slightly more leads than the rest and did a wonderful job throughout the set.

At times, Joe (or the others) will simply sing to a member of the audience (often acting out the lyrics). Just as often, they will hand the microphone to someone and get them to sing (often the lead!). No one was bad, but a few were pretty darn good, with two people singing like real professionals!

LadySingingWithThePersuasions

In one awkward moment (awkward for me, because I’m a complete geek!), Joe was singing to a woman. They each had an arm around the other. The woman was in heaven, and she handed her iPhone to her husband and asked him to take a photo. Even though Joe held the pose while he sang to the woman for nearly two minutes (that’s an eternity folks!), the husband couldn’t figure out how to snap a photo on the iPhone. He was aiming the LCD screen at them, and was nearly as frustrated as his wife. He did not get the photo. :-(

The Persuasions perform a wide variety of music. Hearing oldies from my childhood brought rushes of wonderful memories back in an instant. Seeing the beaming faces of the other audience members (all ages!) turned those memories into a shared experience, making it more special than simply tuning into an oldies radio station.

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Here’s the set list, so you can get a sense of the breadth and see how many of your old favorites are there:

SetList

The one song you won’t see on there is what they performed during the encore (yes, they were forced to come back out for an encore), In the Still of the Night. Saying that they performed it is a bit of a misnomer. They actually participated in the performance, which was dominated by the audience.

They invited anyone in the audience who wanted to sing it with them on stage to come on up. Amazingly, roughly 20 people went up.

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Jayotis Washington came into the crowd and asked people whether they knew the song (the intro was already being doo wop’ed on stage), and I was one of the people he stopped in front of!

I said no (even though I knew it well), because I had no intention of singing into the microphone. The guy at the table next to me (a huge fan and friend of the band) accepted, and sang the lead for a good part of the song. He was incredible (one of the two I mentioned above). The entire song was quite a spectacle (in the best sense of the word).

After it was over, Lois went on stage to get the set list. When I looked up, she was hugging each member of The Persuasions. I looked away for a second, then looked back. The stage was empty. Lois disappeared behind the stage with them. I told our friend that I would likely be forced to wait 24 hours before calling her in as a missing person. ;-)

She came back out without the set list itself, but with the photo (shown above), and some more memories. :-)

On to the food. BB King is comfort food and it’s always really good. Last March (2009) we were there for a Jerry Jeff Walker show, and our god-son-in-law ordered the Mac & Cheese. It’s so rich he couldn’t finish it and the rest of us all dug in and were blown away. Last night I ordered it for myself for the first time. Just as good. Thanks Chris, if it wasn’t for you, I wouldn’t know what I was missing! :-)

When we were watching the coming attractions our friend told us that we shouldn’t miss The Toasters, who will be at BB King on October 29th. Here’s hoping he can make it back to NYC to join us for that show as well!

HadarChris

ambeR Rubarth at Highline Ballroom

amber Rubarth is an extraordinary singer/songwriter. I’ve written about her many times. Here is the post about her CD Release Party at Joe’s Pub. Last night she headlined the Highline Ballroom and created another exceptional performance (a DVD of the show will be available later this year!).

Highline Ballroom is the biggest stage and room we’ve seen ambeR in to date. She nailed it both with a full band (eight people on stage at one point) and solo, owning the room at both ends of the spectrum.

She opened with the core of the full band, performing Full Moon in Paris from her current CD, Good Mystery. Throughout the set, musicians came and went in a fluid transition to create the right sound for each number.

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The core band consisted of:

Tony Maceli on bass (upright and electric). I’ve written about Tony many times, including the above-referenced show at Joe’s Pub. He’s consistently wonderful on the bass, and was the musical coordinator for the New York Sings for Haiti benefit at City Winery. He’s tireless and a positive addition to anyone he’s performing with.

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Dave Eggar on cello. I’ve written about Dave twice before. He’s beyond awesome. He does things with/on the cello that you don’t typically see others attempt, let alone nail, including playing it across his knee like it was a guitar. He plays effortless leads on the cello that are as mesmerizing as great lead guitar solos.

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All of that would be impressive enough (like I said, we felt that way from the first time we saw him) but last night was even more amazing. He’s never played with ambeR before, and rehearsed with her for the first time just 24 hours before show time. That would be fine if he were playing some light background role. He was not. His parts in each song were the highlights of the instrumental sections, and ambeR had a tough time containing her joy every time he thrilled the crowd!

Sarab Singh (ambeR introduced him as Sar Singh) played the drums. While we were somewhat disappointed that Adam Christgau wasn’t there last night (one of our favorite drummers, and normally drumming for ambeR and The Paper Raincoat), ambeR has excellent tastes in drummers all around. At her CD Release show Billy Hawn played (excellent).

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Sar was fantastic at the Haiti benefit, so I didn’t worry in advance whether he’d be good. Thankfully, he was great, not just good. He has the same sensibilities that Adam has, knowing exactly how to deliver not just the right beat, but the right touch, including all the right sound effects (cow bell, rims of the drums, etc.) at the exact right moment.

I’m pretty sure Adam will be playing with Ian Axel tonight at Joe’s Pub, so we’ll get our fix then, and we can now safely add Sar Singh to our list of drummers who will enhance any performers show!

In addition to the above core, Threeds played on at least three numbers (coincidence? I think not!) ;-) and they were awesome, as always. They are an integral part of the ever-wonderful In the Creases and Edge of My Seat.

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Paul Brill came out to sing with ambeR on three numbers as well (including playing the part of Alex Wong on In The Creases).

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David Fallo joined for one number on viola.

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I mentioned above the fluidity of getting people on and off the stage. With eight people on stage for Edge of My Seat, ambeR transitioned to just two, she and Dave Eggar for Rough Cut. Dave was spectacular on every number, but this one truly highlighted him, as he carried every second that ambeR wasn’t singing (and of course, supported her voice and guitar even when she was singing!).

Dave then quietly stepped off the stage and ambeR debuted a solo number called Lonelier Self (that might just be the short version, or working title). A gorgeous song that had all eyes and ears focused on ambeR. I doubt there was a single person there wondering where the rest of the band was.

After a one hour set, capped off with a Tom Waits cover (sung with Paul Brill), ambeR came out for an encore. She performed Washing Day (a song she co-wrote with Adam Levy). Joining her were Dave Eggar and special guest star Ian Axel (who has his own show tonight at Joe’s Pub).

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We hung around a bit afterward to catch up with some folks, and to buy a couple more of ambeR’s CDs to give as gifts. An absolutely fantastic night out!

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Opening the show was Cara Salimando accompanied by Julia Sinclair. Cara is a 17-year-old singer/songwriter. She played electric piano on all but one number, where she finger-picked the ukulele quite beautifully. She has an excellent voice, but still has some work to do to smoothly hit some of the higher notes. She’s young, it will come in time, I’m sure.

CaraSalimando CaraSalimandoUkulele

Julia Sinclair accompanied her on every song, playing half on the cello and half on the guitar. She also sang harmony a bit, not enough if you ask me. She plays the cello very well (though there was a slight buzz on the bass notes). I was more impressed with her guitar play. She’s an excellent complement to Cara. The set was exactly 30 minutes.

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After resetting the stage, Kaiser Cartel came out. Kaiser Cartel is a duo comprising Courtney Kaiser and Benjamin Cartel (however did they come up with the name of the band?). They’re a reasonably straightforward rock ‘n roll band, putting out a pretty big sound for just two people (though they were joined for two or three numbers by someone who’s name I thought was Jeff Kraft, but now I’m sure that’s wrong).

Here’s a picture of the guy whose name I’m not remembering, sorry!:

Kraft

Courtney has an exceptional voice. She mostly played the acoustic guitar, but it was also connected to a muff pedal so she created some classical electric guitar sounds. She also played what seemed like a one-handed accordion. She played with her right hand and used the left to pull the bellows part in and out. She also played a glockenspiel, but with an electric device (looked like a cross between a grouting tool and an electric toothbrush!) so she got a fast ringing sound (like a telephone!) every time she struck a key!

CourtneyKaiserGuitarCourtneyKaiserOneHandedAccordionCourtneyKaiserGlockenspiel

Benjamin has a nice voice and harmonized well with Courtney. He played drums and acoustic guitar. One some songs he only played the drums. On the others he played the guitar, but continued to play the drum line with his foot. It contributed to their big sound for just two people.

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Nina Lee on cello joined them for two numbers. She’s excellent!

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For their last number they did something very cool. Courtney asked the crowd to be as quiet as they could. They then came off the stage and walked throughout the entire audience (covering a very large room) and sang a song (Benjamin played the guitar, unplugged of course) stopping at practically every table and singing a line within a few inches of the people sitting there. It was pretty powerful to be so up close and personal.

KaiserCartelInTheCrowd

They were on for roughly 45 minutes before ambeR came out. If you want to help them fund their new CD, the info is below (click any picture in this post to enlarge it):

KaiserCartelNewCD

When we were heading down in the cab I tweeted a friend asking if she’d be there. She showed up a little later with her friend and they were able to join us at our table right up at the stage so we had some good times and good food before the show started. They bought CDs from ambeR too and the four of us shared a cab home after the show.

Closing with a pet peeve. I’ve written too many times (here we go again) about how rude some people can be when they speak loudly during a performance. That happened a bit last night too (not too bad for such a large room). But, what shocked me was that the worst offender last night was a performer. We’ve seen this person on stage once before (no names) so it was doubly shocking that they would ever treat someone in a manner that I can only imagine would annoy them if it happened during their show. Oh well…

ambeR Rubarth, Ian Axel, Greg Holden and Joey Ryan at Tin Angel

ambeR Rubarth is very good about disseminating information about upcoming shows once they’re set. When she tweeted a couple of months ago that she would be appearing in Philadelphia at Tin Angel with Ian Axel, Greg Holden and Joey Ryan on January 22nd, 2010, we grabbed tickets.

A month later ambeR announced that she, Greg and Joey would be performing on three consecutive weeks at Rockwood Music Hall in a January Residency. Rockwood is way more convenient, and we though we’d get to see them at least once. Amazingly, we couldn’t contort ourselves enough to make any of those shows, including the last one this past Thursday when Ian Axel guest starred as well.

No worries, we were set for last night, and had been to Tin Angel once before and knew we liked the place.

The gang of four had a bit of trouble with their GPS so we were actually seated right next to the stage as they scrambled in (about 25 minutes before show time). They did their sound checks and disappeared into the green room to catch their breaths for a few minutes.

Only six minutes late (7:36pm), they came back on stage and announced that they would be playing the show in the round, taking turns doing songs. We have grown particularly fond of that format from all of the CMA Songwriters shows that we attend at Joe’s Pub.

Greg Holden kicked it off with Joey Ryan doing a song we really love. They debuted the song on YouTube and I can’t tell you how many times we’ve listened to it, but it’s dozens (we sing it out loud in the car a lot).

GregHolden

After that the order was Ian Axel, ambeR Rubarth, Joey Ryan and back to Greg again, etc. Each of them knows all of the music of the others so well, that there was quite a bit of support during most songs (harmonies, Ian playing piano for the others and the others playing guitar for Ian). They all sing harmony beautifully.

We’ve seen a number of our favorite keyboard players on real pianos and on electronic keyboards. While a good electronic keyboard and a good sound system can sound nearly identical to a top piano, the obvious difference is that the electronic keyboard can mimic other instruments, or create a more synthesized sound in general.

Last night highlighted a much more significant difference between the two. Greg was about to play one of his songs and Ian was set to accompany him on the piano (electronic variety). Greg turned to Ian and apologized, telling him that he was going to play it one fret down from where they normally do.

I’m sure that there are piano players out there who can transpose a piece in their heads, and nail it. It’s not something I would want to even consider. Ian just smiled and said “No problem!”. He made one tiny adjustment on the keyboards, and transposed electronically, while being able to play in the key he was familiar with. Do that on a real piano! :-)

They performed four songs each and one all together at the end, making a total of 17 numbers (a superb set, lasting just under 110 minutes!). Song selection was wonderful all around. Now that I’m thinking about it, they might have played five each, for a total of 21, but I wouldn’t swear to it (at least not in court).

Each of them has wonderful stage presence. Greg got the audience to sing along on two of his numbers (including Bar on A, the last one that all four of them did together). Ian felt that he was rambling in introducing a song and said “Perhaps I shouldn’t talk.” The crowd resoundingly implored him to keep talking! :-)

Here they all are singing Bar on A:

IanAmbeRGregJoeyFinale

ambeR asked for one request, got three separate responses (In the Creases from Lois, Rough Cut and Novacaine). All three choices are awesome, and Lois withdrew her request and ambeR played Rough Cut (one of two songs she played using Ian’s keyboards, which makes me more confident that they played five songs each).

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Ian knocked us out as he has from the first time we saw him. For his third number he played his current sensation, the title cut from his new CD called This is the New Year. You can lift your spirit by watching this YouTube video of This is the New Year. It has over 39,000 views already (Lois swears she doesn’t account for more than 1,000 of them) ;-) though she has sent the link to everyone she knows, and all of these views are just in one month!

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Greg Holden sang the part that Chad Vaccarino normally sings. Greg did a fantastic job, but I admit that my ears are attuned to hearing Chad’s voice in that spot, and it took me a few seconds to adjust.

Our friend @HappyBee3 saw the show the night before in Rockwood and told us that she was moved to tears when Ian sang Say Something. Last night he performed it too, on the ukulele (like he did the night before), but ambeR, Greg and Joey all sang harmony with him. The song is moving enough, but with 4-part harmony, all the more!

ambeRGregIanJoey

After Ian sang Gone (another moving song), Lois was nearly in tears (notice the trend from the night before?). Then Amber took to Ian’s keyboards and performed a song we hadn’t heard her play live before, and Lois achieved real tears. They all joked that Joey better pick a more up-beat song. He asked whether a song about cancer would qualify? In other words, lots of deeply emotional lyrics last night.

Joey Ryan is the only one that we hadn’t seen perform (he’s based in L.A.). He has a really beautiful voice, with an extraordinary range for a guy. He sings in the lower registers when it’s his song (for the most part), but he hits incredibly high notes, very cleanly, when he harmonizes with Greg and ambeR.

JoeyRyan

Joey plays the guitar beautifully, finger picking a storm. He writes complex lyrics that I’ll have to listen to a number of times until they’re ingrained. Toward that end, we bought both Joey’s brand new EP, Kenter Canyon and his previous full-length CD, With its Roots Above and its Branches Below. I’m listening now while typing this. Lovely! :-)

We already own Greg Holden’s CD and EP, and Ian’s EP and CD, and ambeR’s CD/EP and The Paper Raincoat EP/CD as well. :-)

Lois picked up a second Ian Axel T-Shirt last night. She was wearing her green one and bought a purple one.

While all four have great stage presence and are all pretty funny, I have to give a shout out to Joey for being the driest of them. He delivers his wit so soft-spokenly, so understated, expressionless (most times), that you might be tempted to think he was being serious. Don’t fall for it! He’s just flat out clever, funny and quick!

We didn’t worry whether it would be worth the long round-trip drive. What we couldn’t be sure of was how great this particular show would be. It was excellent in every respect.

All four of them were on for each of their songs, all four meshed together perfectly. The venue is intimate. The sound was perfect, with one notable exception. For a good part of the evening, they couldn’t get the feedback from ambeR’s guitar pickups to stop. It wasn’t that distracting for us, but ambeR was a trooper for plowing through it!

The audience was exceptional as well. They knew these artists well even though none are from Philly, were quiet during the songs but really loud and long in their applause after each number. They also lined up at the merch table afterward to buy stuff and say hi. It felt good to be part of it. Thanks Philly fans, you too made the drive worthwhile!

But wait, there’s more!

The drive down was spectacular. We were bathed in a stunning and seemingly never-ending sunset.

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We ate dinner at Serrano, the excellent restaurant below Tin Angel. If you have a dinner reservation, they hold a table for you at Tin Angel above. The food and service at Serrano is so good (both times we were there) that we wouldn’t consider going to Tin Angel without dining at Serrano first.

Lucky for us, we’ll see all four of theses wonderful musicians this Monday night (Jan 25th) at City Winery, where they are part of a spectacular lineup of indie artists who are putting on a benefit to raise money for Haiti.

New Thanksgiving Tradition

Last year I reported on our first-ever trip to Birmingham, AL, for Thanksgiving with our godson David. It’s now officially a tradition, which is likely to extend at least through next year. Once again, the real parents went north and spent Thanksgiving with Laura and Chris.

We repeated the general pattern from last year, but there were enough differences that are worth mentioning. Last year we spent Tuesday night in Durham, picked Wes up early Wednesday, and drove to Birmingham. In doing so, we got caught in horrendous Atlanta traffic, where we moved less than 1/4 of a mile in one two hour period.

In order to avoid that, we picked Wes up on Tuesday afternoon, and drove a few hours to Gastonia, NC, hoping to pass through Atlanta before the crush. That worked, as we had perhaps a 20 minute delay in Atlanta this time. But, it afforded us another surprise.

We got to meet Wes’ dad for dinner at a Sonny’s BBQ right outside of Charlotte. He’s a great guy and a wonderful host (he wouldn’t even let us leave the tip, and believe me, we tried hard!). The food was outstanding but the company was better. I spent most of the time chatting with Wes and his dad, and Lois split her time talking to us and to two lovely young ladies who were visiting from Texas.

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We arrived in Birmingham at 1:30pm and checked into a Hampton Inn. David was still working at the hospital, so Lois and I logged on and caught up with email. Wes wasn’t feeling too well, and he sacked out on the big chair in the room. We tried to be quiet, not necessarily all that effectively.

David called at 4:30 to say he was on his way home, and we met him there at 5pm. After a hug (or two), we headed for dinner at P.F. Chang’s. We had a truly spectacular meal there (not that we’ve ever had a bad meal at any Chang’s). Shortly after returning to David’s, the old folks called it a night and let the kids catch up (Wes stayed at David’s, as he did last year).

DavidWesHadarPFChangs

Last year, David worked the morning of Thanksgiving, but was home by noon. This year he was on a 30-hour call (in the ICU), so weren’t going to see him until Friday afternoon. That alone accounted for the biggest difference in the schedule from last year, when David was on a 30-hour call from Friday morning through Saturday afternoon.

After watching a bit of pro football with Wes on TG day, we headed for TG dinner at McCormick and Schmicks, one of the few places open in Birmingham on TG day. We moved our reservations up from 6pm to 2pm. The restaurant is gorgeous, everyone there (including our waitress) was gracious, efficient, and in excellent spirits (even though they had to work on TG day).

McCormickAndSchmicksBirminghamAL

Last year, we had TG dinner at Ruth’s Chris and we all opted for steak rather than a traditional meal (which was available). Without discussing it in advance, both Wes and I decided to order a traditional TG meal, taking advantage of the fact that we were going to Ruth’s Chris on Friday evening this year. It was superb. As good as the turkey was, all of the surrounding trimmings were incredible.

WesHadarTGDinner

Lois and I had the best cappuccinos of our lives as well, but not without a moment of hesitation. When we ordered the cappuccinos, we were asked a question we had never heard before: “Do you want them wet or dry?”

Huh? We asked what the difference was, and were told that wet was more milk, less foam, and dry was less milk, more foam. We took them wet, and you already know what we thought of the result. :-)

InsideMcCormickAndSchmicks

For the rest of the weekend, Lois proceeded to mis-pronounce the name of the restaurant, in a dozen different ways, always substituting a different second name after McCormick (which she got right every time). After seven different attempts, the one that seemed to stick with her (and which Wes and I started repeating consistently) was “McCormick and Schlitz”! ;-)

It was this year’s version of Obie Snoods. If you don’t know what that inside joke means, then your life doesn’t revolve around my blog. Shame on you! ;-)

Hint: type “Obie Snoods” into Google or Bing and click on the first link!

We stopped at CVS on the way back to the apartment and picked up a few items, including two DiGiorno pizzas. We watched football the rest of the afternoon, worked a bit on the laptops and indeed ate some pizza later that night. A very relaxing day highlighted by a truly wonderful meal.

On Friday morning, Lois and I did what any good godparents would do. We drove to Hoover, AL to the nearest Costco and shopped for David to stock up every nook and cranny in his apartment and fridge. Success. David actually beat us back to the apartment, and was able to help us carry the bounty upstairs.

We ate the rest of the DiGiorno for lunch and then settled in to watch Alabama beat Auburn in the Iron Bowl (Roll Tide!). When the game was over we were joined by David’s friend Rebecca and the five of us headed over to Ruth’s Chris. We had a very private table in the atrium, probably because most people were somehow involved with Iron Bowl travels or festivities.

DavidRebeccaWesLoisHadar

Another great Ruth’s Chris meal, with lots of laughs, very unhurried by our excellent waiter. We were there over two hours, including forcing dessert on everyone (OK, everyone except for Lois, who can resist the mightiest of dessert forces!). After dropping the kids back off, we said a quick goodnight and headed back to collapse in the hotel.

AmazingRuthsChrisBreadPudding

David was off on Saturday. We picked David and Wes up and had brunch at V. Richards. Another excellent meal! Better yet, outdoors! Last year, a cold rain prevailed throughout the TG weekend, and it was miserable to be outdoors. This year, nearly 70 degrees. If I get a vote for next year’s weather, I choose to duplicate this year’s, not last…

DavidHadarWesAtVRichards

From there we headed to Vulcan Park and walked around a bit. Of course, we made it back to the apartment in time to watch the Florida game, ensuring a battle of the wills between David and Wes the following week in the SEC Championship game, now history. I’ll leave that topic alone, to not inflame the bad feelings any more than necessary…

VulcanParkSignBirminghamAL VulcanParkBirminghamAL

When that game was over, we headed back to Hoover, AL, straight to the Sprint store. We bought David an HTC Hero (Android phone) for Christmas/Birthday. We’re now officially Android buddies since I got a Droid as a gift a week earlier (I’ll be blogging about that separately, likely tomorrow).

From the Sprint store we headed to Jim ‘N Nicks for dinner where we met up with Rebecca. The meal lived up to my expectations of my previous Jim ‘N Nicks meal in downtown Birmingham, even though the atmosphere in the downtown one is dramatically more upscale.

I was wearing one of my 100 Python T-Shirts, and one of the waiters (not ours) walked by and said “Python Rocks!”. It does, and you never know where you’ll find a fan! :-)

After dinner we scurried over to the movie theater and caught a late showing (by our standards) of Blind Side. All five of us enjoyed the movie thoroughly.

On Sunday morning David was back to work bright and early. We picked Wes up and headed to Briarwood Presbyterian Church for the 10:55am service. Rebecca was playing in a brass quintet that was being featured throughout the service (she plays French Horn). They played their first-ever public performance in the earlier service. If there were any glitches to be worked out, they pulled it off by the time we heard them. They were wonderful!

RebeccaFrenchHorn

The church is one of the most magnificent that I’ve seen, and the congregation couldn’t have been friendlier or more welcoming. In a surprise, David got off work earlier than he expected, and joined us just minutes into the service.

BriarwoodChurchInside

Here’s a very small world side story. When we were driving back to David’s from our Friday morning Costco run, I noticed a stunning building on the opposite side of the highway. It was labeled “Comprehensive Cancer Center”. I asked David about it, and he said that he didn’t know about that particular building.

When we returned from the movies the next night, we drove the same route, and when I pointed the building out to David, he said that he was pretty sure it was part of the UAB Hospital system (an outpost).

Well, it turns out that it’s at the base of the Briarwood Presbyterian Church grounds, so we drove right by the front door of CCC on the way in and out. When I mentioned it to David originally, I had never heard of Briarwood, hadn’t met Rebecca yet, and therefore had no idea that I’d be visiting that Church on Sunday…

After the service we drove to Firebirds restaurant (in three separate cars) and had yet another wonderful meal. One of the most flavorful burgers I’ve had in a while! After the meal we said goodbye to Rebecca who was off to play another service in Jasper, AL that evening. Not bad to have three gigs on your first day in a new brass quintet! :-)

The boys headed back to the apartment, and we headed back to Costco (right around the corner from the restaurant) to replenish the incredible amount of Propel that the boys had gone through in just two days!

We hung around the apartment until dinner time, when Lois and David went out to pick up Dave’s Pizza. Wes talked us all into trying Pepperoni and Jalapeño pizza. It was a little hotter than he recalled his previous encounter, but it was quite good nonetheless. :-)

Again we left on the early side, especially knowing that we were aiming for a very early start the next morning.

We arrived at David’s at 6:40am to pick up Wes, just in time to say goodbye to David on his way to the hospital. We drove to Atlanta in non-stop rain (nearly blinding at times). We stopped for brunch in Atlanta and met some friends at a really cool out-of-the-way place called Sun In My Belly. A great meal, with great company and an hour and twenty minutes later we were back on the road.

With a very few breaks in the rain (notably, including the two times we had to walk in the Sun In My Belly parking lot!), we drove the rest of the way to Durham to drop Wes off, then drove the remaining 3.5 hours back to Fredericksburg.

Another fantastic Thanksgiving weekend. We’re already looking forward to next year! :-)