Tony Maceli organized and hosted another Full Vinyl show last night at Rockwood Music Hall Stage 2. I opened my post about the previous show with the following:
Tony Maceli is one of the top bass players in the NYC indie music scene. Some months ago, he started organizing a regular mega-show called Full Vinyl. Last night was the first one we were able to attend, so I don’t know whether we’ve missed one or two. I also don’t know whether the format is always the same (or going to be). This show was at Rockwood Music Hall Stage 2.
Now I know. Last night was #4, so we missed two of them before hopping on the train. If we’re physically able, we’ll never miss another one. Last night’s show was simply fantastic, on every level.
It’s a touch ironic to say that. The theme was Yacht Rock. Not that the songs that fall under that heading aren’t awesome (they most definitely are, well nearly all of them are), but clearly, there’s a tongue-in-cheek phenomenon going on when kids (yes, the oldest musician on stage was a kid to us) select that music to highlight.
That said, whether they, or the large crowd at Rockwood were singing with any condescension, I certainly couldn’t tell. The party started instantly with Footloose, and never slowed down until the big finale. So many audience members were singing their hearts out to every song, so this wasn’t a trip down memory lane that left them in the dust.
An excursion before I dive into the show itself. At the last Full Vinyl show, Tony swore on stage, quite a bit.
Sometime after the show (days, weeks, I don’t remember exactly), we ran into Tony and got to chat for a while. He brought up the cursing and said that although he loves to curse, and does it all the time, even he felt that he was over-the-top at the show. We didn’t disagree.
He had a very interesting suggestion. He offered that at the next show, he’d put a dollar into a tip jar every time he cursed. If he made it through any speech without cursing, we’d put a dollar in. At the end of the night, all of the money would be given to the Rockwood staff. (To be 100% accurate, he offered that he’d keep doubling his $1 each time he cursed.)
We agreed. At last night’s show, both sides happily remembered the wager and rules. We gave our waitress a $20 bill in exchange for $20 singles. We started out with an empty glass. We ended up with a large bucket (the normal Rockwood tip jar).
Tony expanded it to include any performer on stage who was game to toss a buck in if they cursed. Martin Rivas cursed just for the heck of it, and immediately tossed $1 in.
Tony offered the audience the chance to participate if they wanted to toss money in to reward the lack of swearing. People did indeed come over to our table and toss money in! When an audience member at the table next to us cursed, she immediately felt self-conscious and reached into her purse and tossed $1 into the bucket. Cool!
Tony didn’t curse a single time during the show (proving that he can control it completely). Right before the finale, he came out with a number of singles in his hand. After letting out a few expletives, he tossed all of the singles in the bucket. Aside from the release, he clearly wanted to participate in the additional tips to the staff and this was the best way to accomplish that.
When the show was over, Lois presented Erin (who happened to be our waitress the entire evening) with the bucket on behalf of all of the performers and audience members who chose to participate in the challenge. I don’t know how much others chucked in, but I just counted six singles left from our $20, so at least 14 times, we (or more properly Lois) thought that the performers behaved well enough to be rewarded (even if the reward was going to someone else).
I judge the experiment a complete success. It was Tony’s idea and he deserves full credit.
Something that deeply annoys/affects us is the often constant talking (at volumes that are not to be believed!) that goes on in the audience, even by obvious fans and friends of the performers. Lois thought that it might be interesting (albeit perhaps impossible!) if we had a challenge whereby talkers were shamed into putting $1 in the jar every time someone pointed them out. Somehow I doubt we’ll pull that one off as smoothly as we did the cursing challenge, but I would love to see it happen.
Back to the show…
Loosely following the format I established last time (ain’t precedent grand?), I’ll post the set list first, then the lead singers for each song, then the infinite (no hyperbole here!) band members immediately thereafter. Where someone was a singer and a band member, I’ll note that.
Tony decided to have fun with the set list, giving most people one or more nicknames for their first names. For most, he used their real last names, which made it a tad easier on me. Thankfully, I figured out who Michael McMinkoff was.
As with the first show, Tony Maceli kicked it off. I already told you that they shot out of the gate with a bang. Now you know who led the charge. In addition to playing a lot of bass, Tony played the trumpet on at least two numbers.
Zach Jones sang from behind the drums. He was great. He also drummed on a bunch of numbers (look for Jones throughout) and was awesome. I had to look around people to see who was drumming on the finale (Africa by Toto), because the drums were so rich and tasty. Surprise, it was Zach! (I say surprise in mock, obviously, since I think so highly of Zach’s play that I wasn’t surprised. But, every drummer last night was incredible, so it really could have been any one of them and I would have believed it!)
Zach also stepped out from behind the drums to sing some background vocals.
Misty Boyce sang wonderfully. Not quite the barn-burner that caused me to describe the aftermath of her song at the last show as “we were all reduced to a puddle”. Misty also played the keyboards on some songs.
Deena Goodman was exceptional. I’ve only seen Deena sing once before, at a Livestrong fundraiser, 2.5 years ago. I praised her mightily that night. She did a lot of charity work and then I heard she returned to get a graduate degree, so I wasn’t surprised not to see her performing. Perhaps she needs to rethink that!
Adam Minkoff was amazing (hence earning the only double-nickname, since Tony believes he’s very faithful to Michael McDonald). Adam also played bass and I even saw him wield an electric guitar.
Julia Haltigan continues to impress every time we see her (which will continue to be frequent if she keeps up this level of performing). That said, she’s playing tonight, but I’ll be typing away at this while she’s doing that.
Charlene Kaye did a great job, also playing lead electric guitar for her own number! In addition to singing lead on Go Your Own Way, Charlene also sang backup on a number of songs.
Emily Long was wonderful on her number. Like most of the other lead singers, she returned to sing on the finale.
Greg Mayo sang lead on Private Eyes. There was a delay in starting the song for a wardrobe change (calm down folks, this wasn’t a wardrobe malfunction). Greg left the stage while Tony explained that Greg needed to get a special jacket from the green room. Greg emerged wearing a leather jacket that was originally owned by Daryl Hall. I wrote about the jacket, and the song (Private Eyes) when Greg performed it at his last Greg Mayo Band show.
He was great then, and again last night, but it was really cool to see him perform it on lead guitar last night, whereas he was behind the piano at his last show. Of course, Greg also played electric and acoustic guitar (amazingly, as he always does) on many other numbers.
Casey Shea was once again wonderful. Once again (consecutive shows now), he descended into the audience to serenade a woman within inches of her face. This time, he sat down (last time he lay down on the table). It was the same woman though, Lois. So, to see whether she was his target, or just convenient, I’m going to have to have her sit in the balcony next time Casey sings. We’ll see if he climbs up there to sing to her. If so, I’ll know what the deal is.
Casey also sang backup on some other songs.
Brian Collazo (of Live Society) thrilled (as he always does) when he sang lead. He was also one of the primary backup singers on many songs, and he was oh-so-tasty on each and every one.
Patrick Firth sang wonderfully while playing the keyboards. He was also the primary keyboard player on most of the numbers (though he did relinquish it occasionally). The relinquishing was perhaps reluctant. On one number, he hung around and played the top of the double-decker keyboards while his replacement played the bottom.
Morgan Paige didn’t sing lead, but she joined Patrick to sing on Sailing. Since I didn’t notice her on stage for any other numbers, I’m mentioning her here.
Josh Dion ripped it up again, vocally and on the drums. How anyone can watch him perform and not be mesmerized is beyond me. Of course, I shouldn’t assume that there’s anyone who isn’t mesmerized, so my hypothesis might just be incorrect.
Martin Rivas sang his way into our hearts. In addition to singing lead, Martin was on stage as much (perhaps a bit more) than Brian Collazo was, singing with everyone else. He played some tambourine too (as did a few others that I failed to note above).
That leaves the big finale, where most of the singers took a turn at the mic. In a small-world twist, two posts ago I mentioned that The Vanity Belles performed Africa by Toto during their set (which was on the same stage, a few hours earlier). Their acoustic version was fantastic. To end the night with a stage full of people, supported by a top band, performing the same song, was an interesting contrast. Both versions were amazing, even though they were totally different.
On to the band. I’ll mention them in the order that they appear on the set list. If you pay attention, many of them played on multiple songs. I won’t repeat anyone who is mentioned above.
Dan Tirer on electric and acoustic guitar. I’ve only seen him once before, at the last Full Vinyl show. Must… see… more… of… him… He’s so good!
Matt Simons on saxophone and electronic keyboards. At the last show, Matt played only the keyboards. That’s great, but if you really want to add some awesome sauce to the mix, make sure you catch Matt on the sax, he’s incredible. One one number, he was the only brass. On another, he and Tony played together, with Tony whipping out his trumpet. More, please!
Andrea Longato on electric guitar. Holy smokes, what a nice surprise. I’ve only seen Andrea once before, when he played with Carley Tanchon in February. I was blown away that night and I’m happy to have gotten a taste again last night.
Matt Basile on electric bass. Another in a string of great NYC bass players who never disappoint.
Jamie Alegre on drums. Jamie always delivers. For me, that’s usually when he’s playing with Derek James. He was great at the last Full Vinyl show as well.
Steve Dawson on acoustic and electric guitar. I can’t say that I really made out his acoustic guitar (tough to hear it over all of the other instruments), but I can tell you that his spirit (demeanor) fit in perfectly. He was having a blast (like the rest of them were), as we all were too.
Rob Calder on electric bass. Excellent! My first time hearing Rob.
Spencer Cohen on drums. Spencer is fantastic, whether he’s on drums, percussion or cajon. Last night, it was the drums.
Scott Chasolen on electronic keyboards. He’s a great pianist, no further information required! I mentioned above that Patrick Firth hung around to play the keyboards with someone else. It was Scott.
Ignore the next name on the list, as Mark Marshall didn’t end up making it to the show…
Ben Zwerin on electric bass. Another stellar performance from Ben.
Tommy Diehl on drums. My first time, won’t be my last. He did a great job.
Rebecca Haviland on electronic keyboards and vocals. Rebecca backed Charlene Kaye on Go Your Own Way, singing (great) and playing the keys (also great).
Rob Jost on electric bass. Another winning performance.
Robert DiPietro on drums. Again (as with the last Full Vinyl), a superior effort on the drums.
Ryan Vaughn on percussion and drums. Ryan is always one of the most masterful percussionists. In addition to playing on a number of songs, he was joined on percussion by Josh Dion for the finale, complementing the already-mentioned drumming of Zach Jones. Ahhhhhh.
Oscar Bautista on electric and acoustic guitar. I had already gotten to enjoy a full set of Oscar earlier, when he played with The Vanity Belles. When they were setting up for Full Vinyl, I saw Oscar and Greg Mayo on stage at the same time, tuning and sound-checking their guitars. What a lineup of guitarists, independent of the others who I have already oohed and ahhed about.
Seth Faulk on drums. Man, it’s been way too long since we’ve seen Seth play. Over three months to be precise. It’s not our fault. He was on an extended tour across the country and just recently returned.
Chris Anderson on electric bass. As with Oscar, we enjoyed a full set of Chris’ play with The Vanity Belles earlier. You can never get enough Chris, so having more of him in the same evening was fine in my book!
Kenny Shaw on drums. Kenny wore sunglasses, so he might have been trying to hide from me. It’s been roughly two weeks since I’ve seen him play, which is an unusually long stretch for us to go without Kenny. Fantastic job on the drums!
Tom Welsch on electric bass. Tom was superb. It was my first time seeing him.
Paul Amorese on drums. Another tremendous performance!
I think that’s everyone. Someone will spank me (and I’ll gladly update this) if I missed anyone.
A few group shots:
We got home around 2am. I have to say, I was still really energized and was not at all hoping the show would end. On the other hand, I went to bed at 2:45 and woke up at 7am (and have been up since), so the candle can’t be burned at both ends every night, no matter how much fun it is at the time.