Tony Maceli

ambeR Rubarth at NAU NYC

In yesterday’s post I mentioned that ambeR Rubarth had just returned to NYC from a long tour. She didn’t take any time to rest up, following her guest appearance at Alex Berger’s show with a show of her own last night.

ambeRRubarth

Amber was accompanied by Tony Maceli and Adam Christgau, and the three of them performed an excellent 50 minute set at the NAU NYC store.

TonyMacelli AdamChristgau

The band was set up in the corner of the first floor of the store:

BandSetup

I’ve written about all three a number of times, and all of my previous praises applied to last night’s performance. In addition to loving the entire set, ambeR played Wish We’d Gotten Drunk which we had never heard her play live before (it’s on her new CD), which tickled both of us.

Toward the end of the set, I was thinking that I was really in the mood to hear Novacaine (from her New Green Lines CD). A minute later ambeR announced that she was going to play one last song. It was Novacaine. Bingo! :-)

Rather than repeat how awesome ambeR is (there, I did it anyway), I’m going to use the rest of this post to discuss the venue and the life of a musician, rather than this particular show.

The link above is to a particular store. The chain is NAU, an eco-friendly clothing company. Prior to yesterday, I had never heard of this brand.

In case you hadn’t heard, times are tough all over for a lot of people. Retailing and musicians are near the top of that list. Discretionary spending is hard to come by. How do you get by, or even flourish, in such times?

Creativity and hustle!

I’ve written about a number of creative things that ambeR and The Paper Raincoat have done to promote themselves and get their CDs pre-sold and then actually sold. Being willing to sing in a clothing store is creative as well, but more importantly, it’s true hustle.

It shows that ambeR won’t miss an opportunity to connect with existing fans, broaden her fan base (after all, eco-friendly shoppers are probably a high overlap with the type of people who would be attracted to ambeR’s music) and keep her name associated with cool initiatives.

It gets even more interesting (to me) from NAU’s perspective. First, the particular store itself. Officially, it’s called: NAU Pop-Up Shop in NYC. Basically, they took an empty space in SoHo, did some super-fast renovation, and opened a store on a temporary basis. Yes, temporary!

I usually associate these temporary stores with seasonal goods, usually Halloween items. Here, it appears to be an opportunistic and very creative way to create buzz, entrench the brand, and of course, make some sales along the way.

NAU-NYC

This store opened in early November, and will be closing on New Year’s Eve! So, how does a retailer maximize their investment over such a short period of time?

Creativity!

They turn the space into a happening, causing people to show up that would otherwise not even be aware of the store’s existence, let alone go out on a frigid winter night to shop there.

They do this by announcing regular store hours that end at 7pm each night. Then, on many nights (but not all), they have local musicians, artists, and other complementary functions, scheduled from 7-10pm. This causes buzz associated with their brand, but it also causes others (the artists, musicians, organizations) to market and bring people into the store.

Amber tweeted that she’d be at NAU. We (and other fans) showed up (happily). At the same time, an organization called Green Drinks International was holding one of their get-togethers in the downstairs lounge.

Drinks (presumably for the Green Drinks gathering) were supplied by Sixpoint Craft Ales. People who came for the Green Drinks meetup ended up hearing ambeR. People who came to hear ambeR tasted their first Sixpoint Ale.

While NAU achieved some brand building at the least, hopefully, they sold more merchandise during hours that they otherwise would have been closed (certainly, the cash registers were ringing up sales throughout the evening, and the flow of people browsing the racks of clothing was steady).

The point is that in these tough times, if you stick to tried and true formulas, you’re best case scenario is a decline in business. If you are creative, and hustle, you might fail, but you’ve improved your odds of success at the same time.

Kudos to all involved in last night’s endeavor. May they all prosper as a result!

P.S. Speaking of hustle, Adam Christgau ran out to play with another group in the Village. This time, instead of drums, he was going to play bass. No rest for the weary (and talented!). :-)

Alex Berger at Rockwood Music Hall

We’ve seen Alex Berger perform twice before, but last night at Rockwood Music Hall was our first time seeing him headline a full set with a full band. The show started at 11pm, which is way past our bedtime, but Alex is well worth today’s exhaustion.

AlexBergerEntering

After the show we finally got to meet another friend and fan of Alex, and she said exactly what I was thinking: “Alex is an old soul!” So true.

Alex has a great voice, plays the piano wonderfully, and writes beautiful songs. Most are from a throw-back era of great jazz singers who wend their way through heart-tugging lyrics and sophisticated melodies, highlighting their vocal and musical chops along the journey. Hence the term “old soul”.

AlexBergerPiano

Alex has completed work on his soon-to-be released CD Snow Globe, but still needs some help in getting the final package put together and delivered to his eagerly awaiting fans.

We’ve already helped by being the first to pre-order the CD and then being first to contribute when he announced the final push on his Kickstarter Page. As of this minute, he’s less than $600 from his goal of $3,173 to get the CD released. Please help out, however much you can. 11 days left to make this a reality!

Last night Alex was accompanied by a very talented group of musicians. Sitting left-to-right on stage:

Marika Hughes on cello. I am pretty sure that Marika also plays on the Snow Globe CD, so seeing her perform live added a bit more excitement to finally getting our hands on the CD in a few months. She was wonderful throughout the set.

MarikaHughes

Tony Maceli on electric and upright bass. Tony is wonderful. This was our third time seeing him perform, the other two times were both in support of amber Rubarth. He has the right touch on the bass and complements whoever he is playing with.

TonyMacelli

Adam Christgau on drums. I’ve written about Adam many times, the most recent time being his performance this past Friday night at Canal Room in support of Ian Axel and Greg Holden.

AdamChristgau

As always, Adam proved my thesis last night, that he can play any style to match the performer he’s accompanying. Alex’s Jazzy/Bluesy set called for an entirely different drumming style than Ian Axel’s energy-laden pop-fest. Adam is always up to the task!

Alex brought two very special guests on stage with him. Amber Rubarth came up to sing a duet with him. Gorgeous! She just got back into town that day after a long tour down the East Coast and into the mid-West. I am impressed that she had the energy to come out that late and sound so good!

ambeRRubarth

In a small-world coincidence, we just got our copies of amber and Adam Levy’s new EP in the mail yesterday. We listened to it right before heading to Rockwood. Nice timing! :-)

Martin Rivas joined Alex for the last two numbers of his set. Martin played guitar (really well!). That freed Alex to leave the piano tucked in the corner of the stage and come out and just sing the last number. It was great!

MartinRivasGuitar

AlexBergerSinging

Alex joined in a tradition of baking cookies and brownies for his holiday audience. Martin Rivas has been doing this for a while (I think) and the two of them baked up a storm for all of us. Lois was kind enough to let me sample (devour) some, and they were awesome! I bet the place would have been even more crowded if people knew what they were missing in the dessert department! ;-)

Cookies2Cookies3 Cookies1

It’s not clear whether Alex had to pay Adam in cash. It appears he would have happily performed for cookies and brownies. ;-)

AdamCookie AdamBrownie

Alex has a lot of fans. The place was packed, on a cold Monday night during a holiday week, for an 11pm show. Well done!

When Alex’s set was over, Martin Rivas took the stage. We really wanted to stay and hear him, but alas, we were turning into midnight pumpkins, and had to run out to hit the sack. We’ll look for a Martin Rivas show as soon as possible.

MartinRivas

ambeR Rubarth at Rockwood Music Hall

If you’ve read anything I’ve written in the past six months, then you know that Lois and I can’t get enough of ambeR Rubarth, whether she’s playing solo (and releasing amazing solo albums) or doing her part in the incredible duo, The Paper Raincoat. So, when an opportunity arises to see her live, it would take a team of wild horses to keep us away.

Last night she played two separate shows, 8pm at Rockwood Music Hall and 10:30pm at Gallery Bar a few blocks away. Given how exhausted we are from all of our running around, we intended to see only the Rockwood show, and we succeeded. :-)

Joining ambeR on stage were The Paper Raincoat regular drummer, Adam Christgau and the wonderful bass player who accompanied ambeR at Joe’s Pub for her CD Release Party, Tony Maceli. In the post about her CD Release Party, I noted:

Last night’s show was one of the best concerts we’ve ever attended!

AdamChristgauAmbeRRubarthTonyMacelli

ambeR was wonderful last night at Rockwood in every song in the set, and the crowd was loudly appreciative in their applause (and whoops) after each one. For all but two numbers, she played beautiful finger-picked guitar. On the others she played the grand piano. She’s wonderful on both instruments.

In a slight departure from past shows, she asked the crowd if she could play one of her favorite cover songs. Do you think anyone objected? ;-)

ambeRRubarthSinging

She performed a solo version of Bob Dylan’s Just Like a Woman. While remaining totally true to the original, ambeR still made it her own. It was fantastic. You could have heard a pin drop in this extremely crowded (and tiny) bar, people were so rapt in attention. When she was done, yet another intense burst of applause.

ambeRRubarthTonyMacelliambeRRubarthTuningAdamChristgau

They were on stage for 45 blissful minutes. After the set, there was a very long line of people wanting to buy her CDs. Exactly as it should be!

Rockwood Music Hall is very small, but a completely wonderful place to see live music. Most sets are one hour, including setup, so perhaps 45 minutes of music. As such, there isn’t usually the concept of an opening act (there are exceptions), so other performers are playing before and after the act you might be interested in seeing. The shows are free. There is a one-drink minimum, and a suggestion of $5 per act to place in the tip jar.

The only other time we were at Rockwood, it was to see the alter ego of The Paper Raincoat, a.k.a, Cardboard Bikini. That was a 10pm show, and it was more packed than a sardine can. Thinking that this could happen for ambeR as well, I decided to check out who was on before her, to see if we would like to get there earlier both to enjoy more music and to hopefully snag two of the few seats.

Chris Kasper was listed from 7-8pm. I checked out his MySpace page and really liked what I heard. That made me want to get there in time to hear his entire set. Unfortunately, other tasks during the day conspired against the best laid plans. We arrived at 7:20 and Chris was in mid-song.

ChrisKasperSinging

The other part of the plan worked to perfection. There were a decent number of people there, but it wasn’t nearly full and we were able to get two seats up at the stage right in the middle (our favorite spot). I don’t know if it’s because Chris is from Philly and perhaps not well known in NYC, or it was just the earlier hour (noting that our only other time there was for a 10pm show).

Accompanying Chris was Ross Bellenoit on guitar and some harmony.

RossBellnoit

We were drawn to Chris (and Ross) even before he finished the song we just walked in on. He has a soulful, almost wispy voice (not wimpy, a little gravely, in the interesting sense!). He writes sophisticated lyrics which are beautifully constructed, triggering a rush of interesting images the minute you hear them.

He plays guitar very well (though for the most part, he deferred to Ross on the leads). They also played a cover of Help On the Way by the Grateful Dead, where their guitar leads were in perfect harmony between each verse. Awesome!

ChrisKasperGuitar

Ross played exceptional leads on an acoustic guitar on every song. The audience clapped after a couple of Ross’ leads (and wanted to every single time), but no one wanted to miss the next verse that Chris was singing either. At one point, Chris had to stop, and prompt the audience to do what they badly wanted to do (after a particularly good lead). Very classy!

Ross sang harmony a few times. He was actually good, but I only know that because we sat about five feet from him. He didn’t step up to the mic, so he was more of a whisper in the background.

After the set, Lois purchased three of Chris’ CDs. Two are his directly, and the third is from a band call Lowlands that Chris was part of for a while, called Bark & Twine. We listened to all three this morning, and like them all a lot. This is not a knock on Chris as a solo artist in any way, but we both really loved the Lowlands CD, it meets all of the criteria we have for things that get to us immediately.

RossBellenoitChrisKasper

Anyway, a very nice surprise, with the bonus that we had seats for ambeR’s entire set. Chris definitely benefited from being on before ambeR in terms of possibly picking up new fans. From the minute we walked in, a steady number of people kept coming in throughout his set, with the intention of being settled in for the ambeR show.

By the time his set ended, the place was nearly full (though not sardine like). The rest of ambeR’s crowd clapped just as enthusiastically for Chris and Ross as we did, and I hope they too will support him and look him up in the future.

When we got up to leave after ambeR’s set, we bumped into Jason (who we met at the Livestrong Fundraiser) and a friend of his, who happened to also be at the Brad Paisley show the night before. We chatted briefly, and headed out before the next act started to play.

ambeR Rubarth at Joe’s Pub

I am being respectful, and writing ambeR Rubarth the way she capitalizes it herself, so no, I didn’t make a mistake. :-) She is soon to release a new CD, Good Mystery, and last night had a CD Release party show at Joe’s Pub in NYC, which we attended. You can hear some of the songs from that CD and a few from her previous work at her MySpace page.

In addition to her solo career, ambeR is also part of a duo called The Paper Raincoat. I wrote about them extensively when we accidentally discovered them opening for Colin Hay at the Canal Room. We were extremely impressed with both ambeR and Alex Wong (the other half of The Paper Raincoat).

Right after that show, I friended both of them on MySpace, as well as The Paper Raincoat. I’ve since followed both ambeR and The Paper Raincoat on Twitter: @ambeRRubarth and @Paper_Raincoat respectively. As a result, I saw a Tweet that ambeR was releasing a new solo CD. I was aware that The Paper Raincoat is also releasing a much anticipated CD, and now I know that their release party will be at Joe’s Pub, on October 6th at 9:30pm, and we bought tickets to that last night!

We pre-ordered the new CD (in a Collector’s Edition!) immediately, and bought tickets to the show. We knew there would be surprise guests, but we didn’t realize just how many.

OK, the intro has already been too long. So,  I have to skip to the bottom line first, before I lose all of you, and then I’ll add a lot more detail.

Last night’s show was one of the best concerts we’ve ever attended!

Read that again, especially if you know us. We attend a ton of live shows, so it’s not like we just went gaga because we finally saw someone perform in person!

To make the above statement even more amazing (to me), ambeR (and friends) were on stage for just about an hour (not a very long show by any measure), and yet, it was completely satisfying, in every regard. Of course, I would have loved another hour or two (or three, or four), but I didn’t feel let down in any way whatsoever.

On to the specifics of the show. For the most part, ambeR had three people supporting her throughout most of the show. Tony Maceli on bass, Austin Nevins on electric guitar and Billy Hawn on drums. I’ll cover them all after I gush some more about ambeR.

First and foremost, ambeR Rubarth is a superb songwriter. On any level that you want to take that statement. Her lyrics are moving, clever, authentic, wonderful. Her melodies are varied, interesting, lovely, terrific.

Her guitar playing is excellent (she could do a solo show, accompanying herself on the guitar, and we would be completely satisfied). She is an incredible pianist (again, she could perform a solo show, accompanying herself just on the piano, and we would be completely satisfied).

ambeR Rubarth Guitar

ambeR Rubarth Guitar

ambeR Rubarth Piano

ambeR Rubarth Piano

And yet, with many people on the stage at the same time, the arrangements were fantastic, complex, harmonious, subtle, effective, etc. ambeR arranged the entire show, except for the part that Threeds participated in, which they arranged. Add producing/arranging to the long list of strengths/talents that she possesses.

Finally, her voice. It’s lovely, with good range, and excellent delivery of the appropriate emotion at the appropriate time. She can be wistful, soulful, smokey, vulnerable, flirty, bluesy, jazzy, rock ‘n rolly and certainly, fully folksy. And, given her songwriting talents, she most certainly exercised all of the above during her set.

Tony Maceli was spectacular on the upright bass, playing a number of styles, including using a bow, and even slapping with the bow to achieve a sound I wasn’t used to hearing with a bass. He also played the electric bass on at least one number. He’s a star!

Austin Nevins was solid all night. I suspect he’s better than I realize, as he played more of a supporting role. He was very good, a perfect fit of what was expected of him last night, just not flashy enough for me to really get a sense of how good he is when he lets loose.

Billy Hawn was wonderful on the drums (including Djembe). He was tucked in the far right corner, diagonally opposite us, so I couldn’t see him except for a glimpse now and again, but his beat was excellent, and he never overwhelmed the mostly mellow sound throughout the show.

It doesn’t end there. ambeR promised a bunch of surprise guests and she delivered. I already mentioned Alex Wong, who joined on the first song, and then on a few more toward the end, including the encore.

Amber Rubarth and Alex Wong

Amber Rubarth and Alex Wong

Opening the show was a trio called Threeds. I’ll come back to them later. For now, I want to mention that all three of them came back on stage to play with ambeR during her second number, and they were great (as was the song, and the arrangement that included Threeds!). For two other numbers, Katie Scheele of Threeds joined alone. They/she added a wonderful dimension to ambeR’s set.

Paul Brill joined to sing harmony on one number. Very nice.

Austin Nevins - Amber Rubarth - Paul Brill - Tony Maceli

Austin Nevins - Amber Rubarth - Paul Brill - Tony Maceli

Vienna Teng joined for a stunningly beautiful version of In the Creases. Alex Wong, who co-wrote the song with ambeR before they formed The Paper Raincoat, joined as well. The three took turns singing lead (Alex kicked it off), and all three harmonized together. Vienna played the piano (her specialty).

Vienna Teng

Vienna Teng

Ironically, the night before, Vienna Teng was the headliner at the Highline Ballroom. We’ve never seen her live. I discovered her through The Paper Raincoat, and really wanted to see her perform. I tried to rearrange our schedule to make it there on Thursday, but couldn’t pull off the minor miracle. I was so happy to get to see and hear her (however briefly) last night, as I now know I need to go out of my way to ensure I see one of her full shows!

Rosi Golan joined to sing with ambeR on two numbers (including the encore). I admit that I simply couldn’t hear her differentiated from the rest of the sounds (she only sang harmony, never lead), so I don’t have an opinion. Sorry!

Adam Levy (pronounced Levee) closed the show with ambeR, just the two of them, performing a song they co-wrote. Lovely. Adam is a good guitarist, and has a very good voice as well. He also returned to sing during the encore.

Amber Rubarth and Adam Levy

Amber Rubarth and Adam Levy

Chel O’Reilly joined for the encore, to sing along with the all-star cast. I couldn’t make out her voice individually either, so nothing really to report. Sorry.

Austin Nevins - Chel O'Reilly - Adam levy - Rosi Golan - Tony Maceli - Alex Wong

Austin Nevins - Chel O'Reilly - Adam levy - Rosi Golan - Tony Maceli - Alex Wong

Simply a stunning show, all around. Kudos to everyone involved, in particular, the extremely talented ambeR Rubarth!

Threeds opened the show, and played a varied 20-minute set. Threeds is three oboists, Kathy Halvorson, Mark Snyder and Katie Scheele. In addition to the oboe, Katie also played the English Horn. I was impressed by the breadth of styles they covered in such a short set, all extremely well done. They are very tight together, and their music delighted the crowd.

Threeds

Threeds

It was an incredible treat to have them come back on stage with ambeR and have them add such richness to the otherwise rich sound that ambeR and her crew and guests produced!

Thank you all for an evening we will never forget!

In addition to the performers all putting on such a great show, last night was one of the best audiences we’ve been part of. Bravo to all of you as well! :-)