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Alison Krauss is Awesome

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Last night Lois and I went to see Alison Krauss and Union Station featuring Jerry Douglas at the Beacon Theater in NYC. We went with our friends who took us to see Harry Connick Jr. at Radio City Music Hall.

We were all looking forward to a wonderful dinner at Ruby Foos first. Of the four of us, I was the only one who had eaten there before, the night of The Allman Brothers Band concert.

Since Lois and I buy our tickets well in advance for most shows, we have a drawer that we keep them in, stacked in the order that the shows will be held. On the day of the show, Lois typically bugs me 10+ times (no, this is not an exaggeration) to make sure I take out the correct set of tickets. I always get annoyed, but we always end up with the correct tickets when we leave the apartment.

Yesterday, for the first time ever, Lois didn’t ask even once if I had taken out the tickets. We got in a cab at 6pm heading to Ruby Foos. At 6:25pm, we were still in the cab, 1/2 a block away from the restaurant, when our friends called my cell. They were running 10 minutes late, and wanted us to order for them. While they were still on the phone, Lois casually asked me whether I had the tickets on me. Of course, I realized instantly that I did not.

Oops. Role reversal. Now I told our friends that we would be the late ones, and that I would call once we were headed back to the restaurant, to see if there was still time for them to order for us. We stayed in the same cab and headed right back to the apartment. When we got there, we asked the driver if he wanted to take us back to the restaurant after waiting 3 minutes for me to go upstairs, and he declined. So, we had a $31.00 cab ride from our apartment, to our apartment…

I grabbed the tickets and we caught a cab to start the entire journey again. At 6:57pm, I called our friends and told them what to order for us. We walked into the restaurant at 7:20pm (the show was called for 8pm). The food was late in coming to the table, around 7:36pm! We asked for the check as the food showed up, and walked out of the restaurant at 7:58pm. The food was amazing (as is the atmosphere there), and Lois and our friends all wanted to return there for a more leisurely dining experience sometime in the future.

Finally, on to the concert. We were seated in plenty of time, and even got to continue schmoozing with our friends for a reasonable time before it started, at roughly 8:20pm.

Alison Krauss has a voice that is nearly as good as Martina McBride (previously reported on by me), but not quite there. One of the few complaints (and yes, I feel silly using that word to describe her stupendous voice) is that she elevates her volume dramatically when she shifts to high notes. She hits them flawlessly, and her voice is crystal clear (at all octaves), but it’s occasionally a tad disconcerting that the volume shift is so pronounced.

While the style of music is eclectic, with a reasonable range, the heart and soul of Alison Krauss’ music is Bluegrass. For 30+ years, I have always liked Bluegrass (and Dixieland as well), but until recently, I never really knew any specific artists. For example, in the past, I used to buy Bluegrass “Collections”, with 20 “hit songs”, for $3 in a bargain bin somewhere. I have a number of those.

As reported previously, after seeing Ricky Skaggs with Bruce Hornsby, and then discovering the Bluegrass channel on XM Radio, I have now come to appreciate specific Bluegrass bands (as well as purchasing a number of their CDs). Ironically, I believe that the real first step in this new discovery was falling in love with Nickel Creek (led by Chris Thile, also previously reported in this blog). I say ironic, because Alison Krauss produced at least one of Nickel Creek’s albums.

I recognized 80% of the songs they played last night from the CDs that I own. I am not crazy about her newest one (and she played 2 or 3 songs from that one last night as well), but I’ve only listened to it straight through once, so perhaps it will grow on me. I can heartily recommend Alison Krauss and Union Station Live (2 volume set) and Lonely Runs Both Ways. They played a bunch of stuff from those CDs, and they were great on all of those numbers.

The crowd was nuts about her and the band, and gave rousing ovations after each and every song (even the ones I could have done without). ๐Ÿ˜‰

Talk about loyalty, most of the band members have been together 16+ years! They also were the award winning music behind the movie Oh Brother Where Art Thou?

They performed two songs during the encore. After the first, they quickly (and impressively) rearranged all of the microphones on the stage, and the entire band (sans piano player) got together in the center in a tight grouping, and played an acoustic number called A Living Prayer from the Lonely Runs Both Ways album (the last song on the CD). If you were in the audience, and didn’t get chills when she sang this song, get thee to a doctor (you can pick which kind) right away! ๐Ÿ™‚

Anyway, another smashing success in our nice run of fantastic concerts. We both look forward to catching Alison and Union Station again (and again). And, we can’t wait to relax with our good friends at Ruby Foos as soon as possible!

Comments

17 responses to “Alison Krauss is Awesome”

  1. Lois Avatar
    Lois

    Read the first part, and you’ll see why men need wives ๐Ÿ™‚ Alison has the voice of an angel, very pure and steady….She’s also generous (highlights all her band member’s accomplishments) and warm.

  2. Lois Avatar
    Lois

    Read the first part, and you’ll see why men need wives ๐Ÿ™‚ Alison has the voice of an angel, very pure and steady….She’s also generous (highlights all her band member’s accomplishments) and warm.

  3. bob Avatar
    bob

    there is a fine line about wife nagging…. if it’s done well as to help guys learn and not forget the tickets – that’s one thing… in that case it’s hadar’s fault for not remembering the tickets – in spite of gentle, helpful and periodic “nags” in the past…..

    however, if nagging is so constant and repetitive – and will take place whether the guy remembers on his own or not – then, why should the guy try to remember – he’ll simply wait for the nag and say “yes dear – I’ll bring the tckets”…. the facts re last night are that Lois forgot to nag Hadar who has been conditioned to act upon nagging….. so, it’s really her fault and she should pay for the extra cab fares…

  4. hadar Avatar

    Exactly. Yay verily! ๐Ÿ˜‰

  5. bob Avatar
    bob

    there is a fine line about wife nagging…. if it’s done well as to help guys learn and not forget the tickets – that’s one thing… in that case it’s hadar’s fault for not remembering the tickets – in spite of gentle, helpful and periodic “nags” in the past…..

    however, if nagging is so constant and repetitive – and will take place whether the guy remembers on his own or not – then, why should the guy try to remember – he’ll simply wait for the nag and say “yes dear – I’ll bring the tckets”…. the facts re last night are that Lois forgot to nag Hadar who has been conditioned to act upon nagging….. so, it’s really her fault and she should pay for the extra cab fares…

  6. hadar Avatar

    Exactly. Yay verily! ๐Ÿ˜‰

  7. Sally Avatar
    Sally

    How is Bob the expert in nagging? It’s not as if I nag is it?

    Glad you enjoyed the concert. Kudos to y’all for taking advantage of some great concerts in the City!

  8. Sally Avatar
    Sally

    How is Bob the expert in nagging? It’s not as if I nag is it?

    Glad you enjoyed the concert. Kudos to y’all for taking advantage of some great concerts in the City!

  9. Alan Avatar
    Alan

    This may be out of chronological order as I clicked on a few of your links but I thought I would recommend two bluegrass records that are exemplary standards of two different styles. 1) Seldom Scene’s “Live at the Cellar Door” and “Old and in the Way” a project with Jerry Garcia, David Grisman, Vassar Clements and others. Both recorded in the early mid-1970s. The Seldom Scene was one of the first bluegrass groups to rearrange “modern” songs in a bluegrass style. The harmonies are superb as well as the instrumentals with a terrific dobro player. Old and in the Way you might be familiar with. It is definaltely bluegrass and some of the musicians actually played with Bill Monroe but it has an incredibly loose feel to it that is hard to describe. There are about three different versions of the album. Start with the original.

  10. Alan Avatar
    Alan

    This may be out of chronological order as I clicked on a few of your links but I thought I would recommend two bluegrass records that are exemplary standards of two different styles. 1) Seldom Scene’s “Live at the Cellar Door” and “Old and in the Way” a project with Jerry Garcia, David Grisman, Vassar Clements and others. Both recorded in the early mid-1970s. The Seldom Scene was one of the first bluegrass groups to rearrange “modern” songs in a bluegrass style. The harmonies are superb as well as the instrumentals with a terrific dobro player. Old and in the Way you might be familiar with. It is definaltely bluegrass and some of the musicians actually played with Bill Monroe but it has an incredibly loose feel to it that is hard to describe. There are about three different versions of the album. Start with the original.

  11. hadar Avatar

    Thanks Alan. I am a long-time Grisman fan (we have tickets to see him next month!) and a life-long Garcia/Dead fan, so that one sounds like a must have. I’m intrigued by the other one as well, so I’ll check that out too. Thanks again.

  12. hadar Avatar

    Thanks Alan. I am a long-time Grisman fan (we have tickets to see him next month!) and a life-long Garcia/Dead fan, so that one sounds like a must have. I’m intrigued by the other one as well, so I’ll check that out too. Thanks again.

  13. Alan Avatar
    Alan

    Though I don’t listen to Grisman much these days. The flute part doesn’t grab me, Grisman was essential to my musical growth in the 70s and 80s. I listened to a lot of bluegrass in those times. There was more live bluegrass in NYC then. Doug Tuchman (I think that was his name) had a series at the Seaport in the summer before it became the “Seaport” and a winter series at NYU in a beautiful theatre on LaGuardia Place that I think has been torn down.

    The David Grisman Quintet album created a whole new genre of music and helped me explore whole new areas and get me to Stephane Grappelli who I adore. I am a lover of swing music in all its acoustic and mostly non-horn variations. Give me a fiddle and any type of guitar playing swing music and I am a hppy camper though somehow Django Reinhardt never grabbed me.

  14. hadar Avatar

    Interesting. When I got my copy of Acousticity, I knew I’d be a life-long Grisman fan. As opposed to you, I also really love horn sections though. ๐Ÿ™‚

  15. Alan Avatar
    Alan

    Though I don’t listen to Grisman much these days. The flute part doesn’t grab me, Grisman was essential to my musical growth in the 70s and 80s. I listened to a lot of bluegrass in those times. There was more live bluegrass in NYC then. Doug Tuchman (I think that was his name) had a series at the Seaport in the summer before it became the “Seaport” and a winter series at NYU in a beautiful theatre on LaGuardia Place that I think has been torn down.

    The David Grisman Quintet album created a whole new genre of music and helped me explore whole new areas and get me to Stephane Grappelli who I adore. I am a lover of swing music in all its acoustic and mostly non-horn variations. Give me a fiddle and any type of guitar playing swing music and I am a hppy camper though somehow Django Reinhardt never grabbed me.

  16. hadar Avatar

    Interesting. When I got my copy of Acousticity, I knew I’d be a life-long Grisman fan. As opposed to you, I also really love horn sections though. ๐Ÿ™‚

  17. […] readers know that both Lois and I are Alison Krauss fanatics (just look at the title of my post when we saw her at the Beacon Theater). I’m also a long-time big fan of Led Zeppelin, and […]

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