Gallery Bar

Another theSetNYC Show

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Three weeks ago, we attended our first theSet NYC show, documented here. While the show was a little choppy, we really liked the place, Le Poisson Rouge (specifically, the Gallery Bar). We think the people behind theSet are wonderful, and we believe in their vision for showcasing upcoming talent.

So, when I saw that they had another show scheduled in the same place last night, and I knew that it was our only free night in an 11-day run of social commitments (all fun, so don’t feel badly for us), instead of using the one night off to collapse (a very tempting choice), I really wanted to support their efforts.

Oh, and the fact that the Kobe Sliders (Sloppy Joe’s) and Spicy Tuna Roll (and the Edamame for Lois) were beckoning to me, didn’t hurt either. 😉

While there was a nice crowd the first time we attended (July 6th), it was a holiday weekend (duh) so I shouldn’t have been surprised (pleasantly!) that there were probably nearly twice as many people last night. It will still comfortable in the space, but it was much closer to a practical limit than the first time.

There were also more performers last night (nine in total), but again, the host Kai Raziq (the only repeat from the last show) kept things moving along very nicely.

Since I’ll cover each artist separately, in at least one paragraph, this will be another long post. For those who are more interested in my overall impression of the night, and theSet NYC in general, I’ll get that out of the way now, so you can skip the individual comments, and my summary.

To repeat from my intro above, I really like what theSet NYC is doing. We thoroughly enjoyed last night’s show (more than the first one), even though there were definitely some lulls in the action (low points).

It’s not fair to judge or criticize any of the performers by the same standard you’d use if you went to see a full set by a professional comedian or singer, especially one you’d pay top-dollar for. The point of these shows is to see up-and-coming talent, hear something fresh (hopefully), and watch people try to hone their craft.

So, bottom line, a very entertaining evening that we’ll be sure to repeat again!

Last general note about theSet. They go out of their way to create a safe atmosphere for the performers. We love that! It’s OK not to like a performer or their material. It’s not OK to heckle them, be rude in other ways, disrupt their performance, or ruin other people’s opportunity to enjoy a routine you might not be enjoying. Bravo for that!

Normally, we put up at least one photo of each performer. For whatever reason, every picture Lois took last night came out so dark, that I decided not to post any, since each performer is  linked and you can see a ton of information about them (including photos). Sorry.

Last night there were seven comedians and two singers. I’ll cover the comedians first, in a block, in the order that we liked them (like last time), then the singers (so don’t assume that all seven comedians were better than either singer).

Harrison Greenbaum closed the show, but we both considered him the most consistently funny and polished. Tons of self-deprecating humor. Very comfortable delivery. Interacts with the audience well. He clearly already performs at a professional level.

He finished the show with a magic trick that was clever, engaging, funny, and left the crowd laughing hard (and a little amazed) as they walked out. theSet was correct to put him up last!

Dan Nainan bills himself as a 100% clean comedian. Lois prefers that greatly. I don’t mind stooping to a lower level, if the muck ads comedic value. Most often it doesn’t, so I admire Dan (and the likes of Jerry Seinfeld) who have to work a little harder to make us laugh, without having the shock value to work with.

For the most part, Dan was terrific. Like Harrison, he’s already a pro, no doubt. The difference in the ease in delivering the lines between a pro and an amateur is painfully obvious.

He took one trip off the rails (in our opinion only, as the audience was going crazy for it, so keep that in mind!). He did a George Bush imitation. He had it down pretty well, and the few lines were funny enough. But, because he’s an easy (and in our opinion a tired) target, Dan continued too long. Making fun of different words that Bush flubbed isn’t a new joke, so after a few, that’s enough.

He had an opportunity to be let off the hook. One of the security walkie talkies interrupted him in mid-routine, and he stopped to comment on it. Then he said “Where was I?”, and after a pause, jumped right back into the Bush routine.

As opposed to Harrison, to us, that meant Dan peaked earlier, and ended on a weaker note, which isn’t the way to leave your audience. Still, we’d happily go see him again. He’s funny, and has an excellent delivery!

Sam Morril has a completely self-deprecating style. For the most part, his material is fresh and funny. On occasion, his delivery is a bit inconsistent. Sometimes, total comfort to great effect, at other times, reasonably awkward. Even in the awkward moments, you can see the content peek through, but if Sam raises his game just a bit, he has what it takes material-wise.

Sean Donnelly was very different than Sam, but essentially as good overall. Lois’ instinct was to list him above Sam, barely, and mine was to list Sam first, barely. Sean opened the show, which can be brutal or great. You don’t have to be better than anyone else, yet, but you also don’t have a warmed-up crowd, and you have no clues as to what they like and don’t like.

From that perspective, Sean did an excellent job. He too is very comfortable on the stage, and has a quality delivery for the most part. Like Sam, a few times, he lost focus and had a little trouble getting back on track. He’s not afraid to engage the audience, and was reasonably adept at it.

For the most part, his routine was quite clean. So, when he launched into one vulgar joke, he got a little more mileage out of the f-word, since he hadn’t used it yet. The joke itself was reasonably funny. Ironically, while his use of the f-word was in context, and not gratuitous, it was also totally unnecessary.

There were many other words that would have substituted well (I think better), and added euphemistic color to the joke. Oh well, I don’t write ‘em, I just judge ‘em. 😉

Nore Davis is an inventive, comfortable comedian, who loses his way a little too easily. I’ll give two specific examples in a minute, but first I’ll make the generic point. Nore’s delivery is terrific. He has command of the crowd, and has a smooth delivery that was consistent. His content is pretty funny. So, what’s the problem?

When he came on stage, he had that quality that immediately grabs your attention. When he started his routine, he (and we) realized that there was a ton of reverb left on the mic, since he followed a singer. The person handling the sound (Pim, filling in for Leo) had stepped away, so Nore was on his own.

While waiting for Pim to return, he made a very funny, and very vulgar ad-lib (about feeling like he was trapped in a cavernous vagina). It was funny, so I’m fine with that. But, he couldn’t help himself (in my opinion), and he pushed the joke too far, and ended up saying and doing some over-the-top crude things to keep that one clever (and quick!) line alive…

One more example. He told an excellent joke about getting a portable CD player for his birthday (the very last one every sold, and he told that part really well too!). He said that everyone made fun of him because he could only carry around 12 songs at a time, all from the same artist. Even grandma laughed at him, telling him that she had 15,000 songs on her new iHear hearing aid!

Funny, right? Indeed! And, his delivery was flawless. We were laughing our heads off, until he couldn’t stop himself from immediately saying “what a bitch!”. He then cursed grandma a bit more. Bottom line, that is for shock value only, hearing someone calling their grandma a bitch. It didn’t add a single thing to the already wildly successful joke!

Anyway, not to beat it to death, but he overuses that specific word, along with other (potentially) equally offensive ones. Yes, yes, it makes me sound like a prude, but like I said already, the vagina ad-lib was hilarious (until he pushed it too far).

I wouldn’t be a bit surprised to see Nore Davis become a very big name in comedy in the years to come (even if he doesn’t change his act), but, if he finds a slightly cleaner style, I’ll bet his appeal will be that much broader.

Brandon Greenspan has some clever material, buried in a consistently poor delivery. His style is self-deprecating, so it’s possible that he tries intentionally for a specific delivery style (like Woody Allen does, or Steven Wright), but in my opinion, it isn’t working (or it isn’t deliberate). He simply comes across as not self confident, and easily distracted on the stage.

Both he and the next comic had to refer to their notes a few times. That’s really not a big deal, but we’re talking about 7-10 minute sets here, which isn’t all that much to memorize, so either he/they aren’t working hard enough to prepare, or they’re overly nervous (I’ll have a bit more to say about that in my summary).

To repeat, I think he’s a clever guy, with some interesting comedic insights, which felt fresh (so he’s writing interesting material at home), but he needs lots of practice delivering it. For that, shows like last night are perfect. I would see him again, willingly, so I don’t want you to read this and think it was hard to take.

Scout Durwood was not originally listed on the schedule for last night’s show. On the other hand, two other comics were listed that didn’t show, so getting Scout at the last minute was good for their lineup, timing-wise. Unfortunately, as you see her listed last on our list, she didn’t add too much to the comedy…

I would have listed her above Brandon, but Lois felt more strongly about the order than I did, so I swapped them (like I did in the last review when Lois felt strongly about one of the comics).

Like Sam above, her delivery is inconsistent. On some jokes, she’s a complete pro (delivery-wise). On some, she comes across as a rank amateur. She too needed to consult her cheat sheet. Again, no biggie, but she looked at her sheet before telling a single joke! Really? Couldn’t she have snuck a peek right before stepping on the stage?

She told a few funny jokes, and quite a number that just lay there. She has the style to be a lot funnier, if she works on her consistency, but I don’t know whether she has enough material to fill more than these 10-minute slots.

On to the singers, then a summary.

Sarah Nisch sang and accompanied herself on an acoustic guitar. She did two numbers, both originals. She has a really good voice. Both songs were good (though both of us vastly preferred the second one, which Sarah described as a bit more uplifting, rather than the first, which she described as wrist-slitting inducing). 😉

Sarah plays the guitar reasonably enough (mostly strumming, straightforwardly), but, oddly enough, it didn’t work for me at all in terms of accompanying her voice and lyrics. In other words, her guitar playing was more of a distraction.

Still, she’s a talented singer/songwriter, and I’m sure Lois and I would be happy to catch her again at one of these shows.

Jamie Alimorad sang, backed by a CD playing through the speakers. Before I cover the performance, I want to compliment Jamie’s stage presence. Since Leo wasn’t there to operate the laptop and the sound system, there was quite a bit of trouble getting the background CD to start, and when it did, it was a whisper in the background. Jamie never lost his cool, and even though he isn’t a comedian, he handled himself and the situation well, and kept the crowd relaxed and interested.

Unfortunately, I don’t have all that much else to say that is very complimentary. He has a pleasant enough voice, but he did two covers, starting with Bryan Adams Summer of 69. If his voice were spectacular, OK. But, everything about his performance was more Karaoke than professional singer. Good Karaoke, to be sure, but compared to all of the other original works (Sarah included), it felt completely out of place. Sorry Jamie…

I realize that many (most?) who get this far will simply label me/us as prudes, and say that we simply don’t get the humor in raunchy jokes. If you knew me, you’d know how ridiculous that is, but I totally get how I’m coming off.

One of my all-time favorite comedians is Buddy Hackett (I can recite dozens of his jokes verbatim, including some very long routines). They are mostly filthy (dick jokes, etc.). Not only do the jokes kill me each time I hear them, I love telling them, so I have no trouble delivering those words. But, they are integral to the jokes, not gratuitous.

A number of the comedians we’ve seen at the two theSet shows used their words as crutches. What happens in that situation is that the audience is focused on the crutch, not the joke, or the person. If a person walks into the room on actual crutches, you’re less likely to remember other things about them, because it steals your focus. The same is true in comedy.

So, while I’m but one voice, I’ll continue to hammer away to these very talented up-and-coming comedians, that they need to hone their craft better by concentrating on the actual joke, not on using vulgarity for the pure shock value of it. Follow my advice or not, it’s your careers. 😉

As for theSet, one of the things that the host (Kai Raziq) has done at both shows (repeatedly) is attempt to get anyone from the audience to come on stage and tell a joke, a story, anything. His point is that it’s harder than it looks, even for 30 seconds, and of course, he’s right!

In the first show, no one took him up on the offer, even though he tried hard. Last night, no one took the bait either, for the first few times that he tried to get someone on the stage. Then finally, one woman got up for 30 seconds. She had no idea what to do, but turned it into an amusing physical bit. We all appreciated her courage and effort nonetheless.

I don’t really have a need, nor even an interest to try that out, but out of curiosity, one of these days, I might just have to find out how awful/hard it is to stand up there, and perhaps I’ll be a bit less harsh on the real comedians after I do that. 😉

theSet NYC at Le Poisson Rouge

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A month ago, I posted about a wonderful weekend that included catching Altar Boyz at New World Stages. As a result (I assume) I received an email from Pim, a member of the team that founded theSet NYC.

theSet NYC is a great idea. Collect a group of talented performers and promote a show featuring a bunch of them on the same night. The idea is to give these people an alternative to the grind of a pure open mic night. Pim used to do standup comedy (and might again in the future), so he was well aware of the difficulties of getting the appropriate breaks.

For the performers, it typically means a slightly longer set (roughly 15 minutes each) and a (hopefully) friendlier crowd. For the audience, it typically means a (slightly) more vetted group of performers (no one who just mustered up the courage five minutes ago to get up on the stage), and also a friendlier atmosphere (not oriented toward heckling, etc.).

theSet NYC aims to put on a show once a month. They use a number of venues, one of which is the lounge at New World Stages, which is how I guess Pim ended up finding me.

One of Pim’s roles is blogger outreach. Once he connected with me via email, he invited me to attend their next show, which was last night, at Le Poisson Rouge (LPR), in the Gallery Bar (downstairs, they also have a more traditional club upstairs). The show fit with our schedule, so we decided to attend.

Pim

Pim

Most of the shows have been free to date (including last night), though there’s no guarantee of that in the future. We arrived at 7pm (the show started at 8pm) because we intended to eat (and drink) at Gallery Bar first.

You can check out the menu to see the eclectic range of food and drink offered there. Lois had the Edamame. She raved non-stop while she was eating them. I had the Spicy Tuna Roll (absolutely incredible), and the Sloppy Kobe Joes. Folks, I do believe that this is one of the most delicious things I’ve ever eaten. Not quite a hamburger (because it’s not pressed together in a patty, since it’s a sloppy joe), and with a sauce that’s spicy (not hot, flavorful!) and fantastic.

If theSet NYC did nothing else for us, it introduced us to a place that we will return to for the food alone, no doubt! In addition, the lovely bartender made me a perfect Chocolate Martini. Thanks!

Gallery Bar Bartender

Gallery Bar Bartender

On to the show. Lois asked me to cover the performers in the order that we liked them, rather than in the order that they appeared. Seems fair enough to me, so here goes (I think we are in basic agreement on the order, but I’m not double checking with her, so technically, this is my personal order):

Evon Campbell was the most consistently funny of the comedians (which dominated last night’s show). He has a very relaxed style which relaxes the audience. He is then easily able to catch the audience off guard with very clever jokes that aren’t easy to predict (the best kind). Here’s a three minute video of him from a previous theSet NYC show (he didn’t repeat a single line from this clip last night!).

Evon Campbell

Evon Campbell

Arthur Carlson had the most professional delivery of the group last night. Here’s a clip of a bit he did last night as well. He was more in control of the audience than the rest, and appeared more comfortable and self-assured on stage than the rest. I’ll have a more general note at the end, in which I’ll have some more to say about Arthur.

Arthur Carlson

Arthur Carlson

Kai Raziq hosted the evening. He didn’t actually do any specific routines, but his style on stage was engaging, and we all chuckled at nearly everything he said, even though he wasn’t telling any jokes per se.

Kai Raziq

Kai Raziq

Alec Sobel held his own reasonably well. He too has a professional quality to his delivery. Here is a link to a five minute video that will give you a good sense of his style and genre. At the bottom of the page is a link to a different video that is a little less adult in nature (not much, but perhaps a little cursing removed).

Alec Sobel

Alec Sobel

Matt Rittberg was close behind Alec in my opinion. While he too has a pretty good command of the stage, he relied a bit too much on sexual jokes, and isn’t quite expert enough to walk that kind of tight rope. Here is a page with a variety of videos of Matt’s routines which includes stuff the seems cleverer than most of the material he did last night.

Matt Rittberg

Matt Rittberg

I’m going to present the next two performers (the only musical ones last night) in the order that Lois preferred them. For my taste, I would swap them, but I’ll predict and respect Lois’ choice.

Adontay sang two songs last night. The first was a cappella and we both enjoyed it more than we thought we would when he first started. Adontay has a very nice voice, and the song was pretty good too. Unfortunately, he didn’t carry that through to the second number. In that one, he had a soundtrack (played off of a laptop). The song wasn’t as good (in our opinion) and was a little too long. When the soundtrack ended, he continued a cappella, and to our ears, rambled off key and out of tune. He has a lot of talent, but he needs significantly more polish and practice.

Adontay

Adontay

Stephanie Carlin sang and played acoustic guitar. I think she has an excellent voice, plays the guitar well enough, and has a reasonable amount of stage presence. Unfortunately, neither of us was drawn to her two original songs. They brought her back on stage at the end because two of the scheduled performers didn’t show up, and we somewhat preferred the two covers she did then (a medley of Hit the Road Jack and Moondance). The raw talent (at least in the voice) is most definitely there, but the performance and musical selection isn’t our personal cup of tea.

Stephanie Carlin

Stephanie Carlin

Ranked last in both of our opinions, but opening the show (which made for a tense few minutes when we thought the rest of the night would be like this) was April Brucker. Her delivery last night was completely flat (close to zero energy). She started with very crude sexual jokes about her roommate, and then brought out the roommate (from a suitcase), a puppet called May.

April Brucker

April Brucker

April describes herself as an Inappropriate Ventriloquist. That’s an incredibly apt description. She’s a reasonably talented ventriloquist, and she’s beyond inappropriate. I’m sure that the college boys laugh like hell at that kind of shock you humor.

I can’t reconcile her lack of energy last night with this video. In the video, she has tremendous energy, but the same crude humor. At the four minute mark, she introduces May, so you can get a sense of that part of the act last night as well.

I have explained in a number of posts how much I love comedy (and laughing) in all forms, even crude ones. Lois isn’t as forgiving of pure crudeness, which she (correctly) equates with comic laziness. In other words, it’s easier to get a laugh by shocking your audience (especially if you’re female) than by actually being clever.

Jerry Seinfeld is one of the most successful comedians of all time, and he never resorts to cursing. He doesn’t resort to much sexual innuendo either, and when he does, it’s high level enough to be acceptable even if kids are in the room.

If I wasn’t sitting with Lois, and analyzing in my head the fact that a crude joke probably just rubbed her the wrong way, I would enjoy the crudeness a bit more myself. Still, fundamentally, I agree with her that it’s a cheap way to get a laugh.

That said, I mentioned above that I would circle back to Arthur Carlson. He had two routines that were 100% sexual in nature. One was actually gross (if you attempted to visualize it). Yet, I laughed like hell at both (even the gross one), and even Lois chuckled at the gross one, and liked the other one a lot.

There were three things that made us/Lois react differently to Arthur’s sexual jokes than to most other such references:

  1. His delivery is so professional that you’re listening to a true joke teller, not someone just trying to deliver a crude one-liner.
  2. Both jokes were very inventive. The punch lines weren’t predictable, so it wasn’t shock value that made you laugh, it was the imagery and the comedic absurdity of what he was saying.
  3. It was a change of pace for him. Since he was able to tell a bunch of clean jokes too, telling a clever sexual joke caught the audience more off guard than when they are coming at you one after another.

While this isn’t really Lois’ idea of a perfect night out, we both had a really good time, and would recommend catching a theSet NYC show to anyone who is interested in seeing fresh talent, in good quantity, in reasonably contained sets (in case any one performer isn’t to your liking), in a very pleasant and supportive atmosphere. If it’s in the Gallery Bar at Le Poisson Rouge, then we can recommend the food and drink very highly as well!

Thanks again to Pim for reaching out, and to Leo (the producer of the show) for making it happen!

Leo

Leo