Jerry Fuentes

Derek James at Rockwood Music Hall

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Derek James headlined Rockwood Music Hall at midnight last night.

DerekJamesSinging

Q: When you’re his self-anointed #1 fan, and he’s listed at midnight, and you would do whatever you can to see him perform, what drastic action do you take?

A: Nap!

Yes, good plan, I did indeed nap yesterday afternoon and it paid off big-time. It was so crowded at Rockwood that I had to stand for the entire set (somewhat rare nowadays, especially for a midnight set). That turned out to be a blessing. I wasn’t falling asleep, and I couldn’t stop moving to the rhythms anyway.

The set was perfect! I’d be thrilled to have that exact set repeated (on demand) any time I could. Any further description will detract from the actual experience, though I’m going to do it, if only for my own memory (I’ll know how much better it was than your interpretation of my words). Winking smile

I’ve seen Derek quite a number of times, across a multitude of lineups, acoustic and electrified. Not all combinations of The Lovely Fools (the generic name for Derek’s band) work as well as others. I honestly thought that the original (at least original from when I discovered Derek), Roy Gurel and Assaf Spector would not be topped.

The most recent iteration (which I think is Derek’s default, go-to band), came really close. Close enough for me to honestly stop pining for Roy and Assie to return. There was one change in that band last night, due to the bass player, Mike Tuccillo, being on the road supporting Jenny Owen Youngs. I am thoroughly happy with Mike’s play (supporting Jenny as well as Derek), but I admit, I was even happier with the replacement.

Derek was great on the guitar and his vocals were crystal clear. I’ve complained a time or two that at Rockwood 1, sometimes Derek’s vocals get washed out a bit. His energy was high, which was important, because it would have been difficult to satisfy the anticipation and enthusiasm in the room if he wasn’t totally on.

DerekJamesGuitar

Derek was supported by an extraordinary band, left-to-right on stage:

Jerry Fuentes on electric guitar and vocals. I’ve just recently written about an excellent performance by Jerry of his own music (which you can support at his PledgeMusic page). Jerry is a fabulous guitar player, and Derek’s music highlights it just the right amount. Jerry also sings a bunch of harmony with Derek, wonderfully!

JerryFuentesJerryFuentesGuitar

Chris Anderson on electric bass and light vocals. Chris substituted for Mike. As many bassists as I see and like, there’s little doubt that we see Chris more often than any other. In fact, we just saw him earlier that evening supporting Burlap to Cashmere, a group we discovered only because we’ll go see anyone Chris is playing with!

ChrisAndersonDerekJamesChrisAnderson

So, if Derek had called me to suggest someone to fill in for Mike, I wouldn’t have hesitated to say Chris. Derek didn’t call Sad smile but he made the right decision anyway! Smile Chris was fantastic! Like with Jerry, Derek’s music highlights the bass player dramatically. Assaf was so good at this particular role that I was afraid anyone else would be a letdown. Chris did not let me down.

ChrisAndersonHavingFun

Jamie Alegre on drums (again, no good individual link). If you believe me that Derek’s music brings out the best in a guitarist and a bassist, then you better believe me that the drummer is critical to the sound. Jamie’s beats were rocking the crowd throughout.

JamieAlegreJamieAlegreDrums

When the set was over, the lights were off and the band was already unplugging. The last thing they were expecting, or looking for, was an encore. The crowd had a different notion entirely. They were chanting one more song, repeatedly. The sound engineer (Drew) gave Derek the go-ahead, and they plugged back in. Derek said that this would be a crazy number and everyone better dance.

DrewTheSoundEngineer

Well, I can’t say that everyone danced, because I know all I did was sway. But, I can attest that a few people started dancing seriously (and vigorously) right near me, and that turned into a full blown conga line. Rockwood 1 is tiny to begin with, and it was so crowded you had to be careful not to hit your neighbor if you took a deep breath. And yet, somehow, a reasonably long conga line made a couple of back-and-forths in there. It was a thing to behold.

Dancing

Most of the staff at Rockwood (both rooms) are wonderful people. Good at what they do, but nice and interesting as well. At the very top of that heap is the person who served us the very first time we set foot in Rockwood, back in 2009!

Christina Shipp is an actress as well as an efficient contortionist, working her way through the Rockwood crowd to serve drinks, pick up the empties, pass around the tip jar and generally make the entire experience more pleasant for everyone in the room. It may sound silly, but Lois and I look forward to seeing her as much as we do seeing whatever artist we are showing up for. After all, we’ve had a three-year relationship with Christina. Smile

ChristinaShipp

Bed at 2am last night, but no worries, the nap saved the day (or night as the case may be!).

Here’s the set list (encore not included):

SetList

Here are a few of our friends hanging out with us outside of Rockwood, waiting for Derek’s set to begin:

KevinSamTeichmanTerry

Man, next to Rebecca Haviland, my head is a giant melon:

RebeccaHavilandHadar

Tony Maceli Full Vinyl Tribute to Talking Heads and Alanis Morissette at Rockwood Music Hall Stage 2

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That title is a mouthful. Just typing it out has taken the wind out of me. But, it’s descriptive and accurate, so I’m going with it.

Note: There are no photos in this post yet. We’re running to Rockwood now for a 6pm show and I barely finished the words. Tomorrow morning I’ll add in a ton of photos and tweet the link out again, for those that might want to revisit the post to see it in its correct glory! I’ll delete this paragraph when I update the post with the photos.

Tony Maceli is one of the top bass players in the NYC indie music scene. Some months ago, he started organizing a regular mega-show called Full Vinyl. Last night was the first one we were able to attend, so I don’t know whether we’ve missed one or two. I also don’t know whether the format is always the same (or going to be). This show was at Rockwood Music Hall Stage 2.

TonyMaceli

It was such a massive (fast moving) show, that I would be doing an injustice to multiple people if I tried to cover it the way I do normal sets. Most importantly, I’d be doing myself the massive injustice of sitting here and typing for the next few days. In other words, it isn’t going to happen.

I’ll give a high-level description, call out a few people (which is no slight on anyone that doesn’t get a separate shout-out), then do my best to at least give a link to every person who was on stage. There’s little doubt that I’ll miss someone, or not be able to identify someone (or their site). No omission is intentional, and whenever someone (cough, cough, Tony?) corrects me (public corrections are fine), I’ll update the post to reflect it.

The format last night was Talking Heads first (lead singers were all boys, with one very notable exception). To close out the Talking Heads portion, all lead singers return to the stage at the same time and each sings a piece of the finale, the uber-famous Psycho Killer. Each individual number had numerous band members swapping in and out on each song.

PsychoKillerFinale

Michelle Cassilas was the sole female lead singer during this part of the evening. She’s the head of the band Ursa Minor, writing their songs, singing lead vocals and playing guitar. She can certainly rock it out, so having her in the boys portion of the evening was just fine.

Here’s the set list for the Talking Heads portion. The order wasn’t strictly maintained because a few people (Jerry Fuentes and Derek James in particular) were still playing their set next door when it would have been their turn:

SetList1

Under each song you’ll see the band members that were slated to play (at least their last names). The first name listed was the primary lead singer for that song.

One male singer couldn’t make it due to illness (if Tony said who it was, I missed it). A last minute substitute was recruited, the amazing Robbie Gil. He’s not listed on the set list, because I think Tony already knew about the illness before he printed the sheets. I might be remembering this incorrectly, but I think that Robbie sang Burning Down the House, which has Greg Mayo listed as lead singer (which would have been a second lead for Mayo).

Tony Maceli opened the show. I missed most of his song because I was next door watching Jerry Fuentes and Derek James (I already posted about that show). A friend texted me when this show began and I waited until Jerry and Derek finished their current song to scoot over. I caught the last full verse of Tony singing.

TonyMaceliSinging

I then heard Tony sing a full verse during Psycho Killer. Folks, I’ve heard Tony sing before (rarely) and I praised him. Those previous times were nothing compared to last night. He really opened up his vocals and did a fantastic job. Perhaps he decided to put on these shows just to give himself a vehicle to sing for the rest of us. If that’s the case, I approve. Smile

On to the second half of the show. This time, the ladies were in control and the subject matter was Alanis Morissette. The format was the same, including all of the lads joining for the finale, Ironic, but you’ll notice that three of the woman sang two different songs on the lead. Here’s the set list for the ladies:

SetList2

I was never a Talking Heads fan, though songs like Psycho Killer are burned in my memory (was anything else played on the radio when that first came out?). Watching these people playing those 11 songs did not change that. For the most part, those songs don’t do it for me at all. But, watching these people play those songs (or practically anything), was truly thrilling. I don’t say that just because I love most of them (as people as well as musicians), but because the performance was simply that good. I still wouldn’t want to listen to any of it at home, without the energy in the room.

The Alanis Morissette portion, totally different story. Even though my eyes were droopy and I was yawning,  the second half was amazing, each song. It wasn’t that the women performed it any better than the men (they didn’t, both groups nailed their parts). It’s just that Alanis Morissette is a dramatically better songwriter for my taste.

Here’s the photo of the ladies’ finale:

IronicFinale

We left Rockwood at 2am (sheesh). Not for one second did I consider leaving early.

Before listing out as many people as I can find, I want to write out some incredibly subjective, almost silly thoughts. Not because I want to (or believe I can) sway anyone’s opinion. I just want to remember exactly how I felt and this is the best way. One more caveat. There wasn’t a single weak performance last night (seriously, I’m not sparing anyone’s feelings, you just have to trust me on that). So, by calling out anyone, it would be a major mistake on your part to assume that there was a vast difference between the people I’m mentioning and the people I’m not.

Last time, the following observations are entirely my personal opinions. I’m not casting them as facts. If these people delivered a level-10 performance, then the worst of the rest delivered a 9, with the average being 9.5+.

Josh Dion was the most thrilling male performer. When his song was done, I turned to anyone in my vicinity and said “Josh can only be described by one word: Excitement”.

JoshDion

Misty Boyce was mind-boggling in her lead, but she was also the primary harmony vocalist with both the males and females. She also played keyboards and melodica. I’ve seen Misty sing background with Bess Rogers before, and I’ve wanted to see her own sets (and came really close twice, including earlier this week), but this was my first time seeing her take center stage. She grabbed it and didn’t let go until we were all reduced to a puddle.

MistyBoyce

When her song was over, my friend leaned over and said: “Hard to imagine that she isn’t going to blow up one of these days!” (my friends and I are obviously gangsta, holla, in case you mistook that for being a bad thing!). Winking smile

Finally, let’s try to get everyone’s full name (with links if I can find them). I’ll do the male leads first, then the female leads, then the band members. And…… GO:

Tony Maceli, already covered. He also played bass on many of the songs, always his forte.

TonyMaceliBass

Greg Mayo, in addition to singing lead, Greg played electric and acoustic guitars on a majority of the numbers. He sang the most harmony by a male (even on the Alanis set). Even when he wasn’t singing in the mic, Greg was silently singing every word of every Alanis Morissette song. He’s clearly a big fan!

GregMayoSingingGregMayoElectricGuitarGregMayoAcousticGuitar

Scott Chasolen, in addition to singing lead, played the electronic keyboards on that song. He was great!

ScottChasolen

Jerry Fuentes, already discussed above, sang and played smoking lead guitar.

Derek James sang with Jerry Fuentes as part of Jerry’s number.

JerryFuentesDerekJamesMasonIngram

Michelle Casillas, also mentioned above. Great! (I’m going to stick with great, so no one reads into me trying to simply mix up my superlatives.)

MichelleCasillas

Chris Cubeta, I’ve heard about Chris for a while now, mostly as a producer (he produced the upcoming The Vanity Belles CD). This was my first time laying eyes on him and I was very impressed with his voice and guitar play. Misty Boyce sang harmony with him in near-lockstep. They sounded great together.

ChrisCubeta

Update:

Daniel Lanzetta was not listed on either set list, so I missed him the first time I posted this. When I added the photos, I realized my error. He joined Chris Cubeta and did the spoken parts of Once in a Lifetime (of which there are many).

DanielLanzetta

End Update.

Zach Jones, in addition to singing lead, also drummed for a good bit of each set. This is the first time we’ve ever seen Zach hatless. It turns out, that contrary to popular belief, he doesn’t get his superpowers from his hat, because he was great without it yesterday, both singing and drumming. Smile

ZachJonesSingingZachJonesDrumsZachJonesGuitar

Josh Dion. Already asked and answered! I’ll just mention that he was drumming while he was singing, but if you’ve heard of Josh Dion, then you probably guessed that already (you couldn’t have been sure, because he’s great on the keyboards too!).

JoshDionPaulAmorese

Robbie Gil, also mentioned above. Great!

RobbieGilSpencerCohen

Casey Shea not only was great (see, I’m not varying my adjectives in this section), but he also came off the stage, laid down on a table in front of it, and serenaded a woman within inches of her face. Let me think who that was… Oh yeah, it was Lois! Smile

CaseySheaCaseySheaJamieAlegreMattBasilePatrickFirthMistyBoyceCaseyShea

On to the female leads (remember, three of them sang twice, so their list will be shorter):

Jamie Rae, sang lead on two songs. She’s listed as Raeya on Tony’s set list. I think she recently started a new solo project under that moniker. Great!

JamieRae

Misty Boyce, I want to repeat what I said above, but I’ll restrain myself.

MistyBoyceMelodica

Lelia Broussard, sang lead on two songs. She also danced around a bunch and raised the already high energy level higher as a result. Great!

LeliaBroussard

Charlene Kaye, in addition to singing lead, also sang harmony with a few others. Great!

CharleneKaye

Emily Long, sang lead, and was one of the people that Charlene Kay sang with. The two of them are in a Guns N’ Roses cover band called Guns N’ Hoses. Emily was great!

EmilyLong

Mighty Kate (Katy Pfaffl), sang lead on one song. What a change-up from her own music which we saw just this past Monday (here’s my post raving about her). Great!

MightyKateMightyKateMistyBoyce

Julia Haltigan, sang lead on one song. She too was great! She was recently at Rockwood for her own set, and will be again next week, but beside that, she’s performing soon at The Kennedy Center in Washington. No biggie, I’m sure. Winking smile

JuliaHaltiganJuliaHaltiganSteveWilliams

Dallin Applebaum, sang lead on two songs. Great!

DallinApplebaumDallinApplebaumZachJones

Onward, to the unsung (get it?) folks who supported the above, in the most amazing fashion (I’m not going to repeat the ones who sang, but separately played an instrument on many other songs):

Patrick Firth on electronic keyboards and light vocals. He really wailed on the synth/organ sounds. Great!

PatrickFirth

Jeremy Goldsmith on electric guitar. We’re about to see him in a couple of hours, supporting Jesse Terry at Rockwood. I’m looking forward to seeing him again, because, wait for it, he was great last night! Smile

JeremyGoldsmith

Brian Killeen on electric bass. I had just seen Brian Killeen kill it on an earlier set supporting John Schmitt (post is here) and got to watch him do it again with this group. Great!

BrianKilleen

Ben Zwerin on electric bass. Great!

BenZwerin

Paul Amorese on drums. Great!

PaulAmorese

Matt Simons on electronic keyboards and light vocals. I just saw Matt Simons on the same set with Brian Killeen, supporting John Schmitt. Great!

MattSimons

Mason Ingram on drums. I’ve seen Mason once before, supporting Alec Gross. He was impressive that night. The music was radically different last night, with Mason being equally impressive. Great!

MasonIngram

Steven Elliot on electric guitar. Great!

StevenElliot

Rob Jost on electric bass. Great!

RobJost

Robert DiPietro on drums. I’m pretty sure they called him Rob last night, but the link says Robert, so I’ll stick with that. Great!

RobDiPietro

Both Robs (Jost and DiPietro) are in Ursa Minor with Michelle Casillas and they supported her when she sang lead.

Matt Aranoff on electric bass. Great!

MattAranoff

Ryan Vaughn on drums. Great! I ran into Ryan at John Schmitt’s set and told him that I personally blamed him for keeping us up way past our bedtime. Meaning, we really like catching sets when Ryan is drumming.

RyanVaughn

Spencer Cohen on drums and cowbell. Yes, Spencer is a master percussionist, including playing a naked cowbell, center stage! Great!

SpencerCohenCowbell

John Kengla on electric bass. Great!

Update: I just looked through the photos and not only can’t I find one with John Kengla, the song he was supposed to play on, Heaven, sung by Zach Jones, has Tony Maceli playing on it. So, no photo, and he might not even have been there. Oops.

Rob Heath on drums. Great!

RobHeath

Dan Tirer on electric guitar. Also great, but I’ll add that this was my first time seeing him, and I was particularly impressed. In fact, Lois, who doesn’t pay as much attention to certain instruments as I do, turned to me and commented on how good she thought he was.

DanTirer

Matt Basile on electric bass. Matt always delivers, great!

MattBasile

Jamie Alegre on drums. Great!

JamieAlegre

Steve Williams on drums. I saw Steve once before, supporting Julia Haltigan. He was great that night and again last night!

SteveWilliams

Jeff Litman on acoustic guitar. Great!

JeffLitman

Wow, can’t believe I got through the list, with or without mistakes. Yay me! Smile

Jerry Fuentes and Derek James at Rockwood Music Hall

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Jerry Fuentes headlined a set at Rockwood Music Hall. We’ve seen Jerry headline only once, over a year ago, so this was a show I’ve been looking forward to for a while.

Jerry’s finalizing a new CD as I type this. In fact, if you agree with me that Jerry’s talent should be shared with a wider audience, you can help by pledging on his PledgeMusic campaign.

What’s Jerry’s secret sauce? Amazing guitar player, excellent voice, unreal energy on stage, catchy songs. Not bad, right?

Jerry played the entire set (or rather the part that I was able to attend, more on that below) on an acoustic guitar. This was the first time I’ve seen him handle one, and it was putty in his hands. Not all lead electric guitarists can make similar magic happen on an acoustic, Jerry can.

JerryFuentes

He played songs from his upcoming CD. I’ve already pledged, so I’m tapping my fingers waiting for it to arrive.

I mentioned above that I’ve only seen Jerry headline once. That doesn’t mean that I’ve only seen him play once. He’s been the lead guitarist for another favorite of mine twice, each time delivering the goods.

Derek James is that person, and Jerry returned the favor by inviting Derek to join him, turning it into a duo show, but still Jerry’s songs.

DerekJames

Derek sang harmony (wonderfully), played the guitar (12-string acoustic) and a synth. I overheard someone in the audience saying the synth was preloaded with Chad Vaccarino’s voice, and only because I heard that, did I believe it to be true when Derek played it. It certainly wouldn’t surprise me.

DerekJamesSetup

I’m Derek James’ self-anointed #1 fan (whether he, or any of his other fans like it!), so it’s always a special treat to go to someone else’s show and get a taste of Derek in the process.

As much as I was enjoying the set, I had posted on the event page in advance that I wouldn’t be able to stay until the end. That’s because there was a blow-out show next door that I wanted to attend. Given the nature of the show, missing a single song meant missing one local superstar or another (and I wouldn’t know who in advance). To make matters worse, Jerry’s set started 30 minutes late.

I still got four full songs in (all excellent) before I got the text that the show next door had begun (thanks to my unpaid spy).

The super extra good news? Jerry and Derek came next door after their set and sang the lead on one of the songs in the blow-out show, with Jerry back on electric guitar. Jerry also accompanied others on the electric on a few additional numbers. Sweet!

Derek James at The Delancey CMJ

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Derek James playing somewhere and we’re in town? That’s where we’ll be. He was headlining a CMJ Showcase at The Delancey on the main stage. We had never been to The Delancey, but now you know why we’ll never be able to say that again.

DerekJames

I’ve written about Derek many times now. The most recent one was a review of his new CD (something I rarely do). The CD is out now, so you can just go buy it (and rate your reviewing skills vs mine). I mentioned in that post that I’d be buying it once it was out. Since we still enjoy physical CDs (luddites that we are), we bought two last night after the show and got Derek to sign one as well. Thanks!

The main stage at The Delancey is quite small (just wide enough to fit the four of them, barely deep enough for each to take a step or two forward or back. The room itself is extremely long and very narrow. I parked myself at the bar directly across from Derek.

The sound guy (sitting immediately to the left of the stage) was excellent, actively ensuring that the sound was right for us and the performers as well (more on that in the next post). That made a world of difference. I’ve complained twice now that at Rockwood 1 (one of our favorite places), Derek’s vocals have been washed out by the volume of the instruments. Not so last night.

CMJ sets tend to be a bit shorter than normal. It stinks when you can’t get enough of a performer, but it’s awesome that they try to have nearly every set at dozens of venues actually start on time!

Derek was supported by his newer set of Lovely Fools (not the ones on the CD). He tours with these guys now and this is the second time I’ve seen them playing with Derek. If you’ve read my previous posts, you know how much I love the original Fools. That will never change, but I publicly admit to be 100% satisfied with the current Lovelies.

Jerry Fuentes on electric guitar and vocals. Jerry is superb on the electric guitar and is a large part of why I don’t mug Derek in an alley for not being able to produce Roy Gurel at every show.

JerryFuentes

Mike Tuccillo on electric bass and vocals. Mike is becoming a staple in our outings. We saw him supporting Jenny Owen Youngs just the night before. The bass play on a Derek James set is a critical part of the sound, and Mike is definitely up to the task.

MikeTuccillo

I mentioned to him after the set that he’s helping me forget Assaf Spector. He noted how different their styles are. True, and like I said above, I will always love the original Fools (Roy and Assie), but Jerry and Mike deliver.

During one song, the three of them (Jerry, Derek and Mike) take identical/simultaneous leads (electric, acoustic and bass, respectively). They nail it (it would be painfully obvious if any of them missed a single note).

Jamie Alegre on drums and vocals. Jamie had to work with a reduced kit (snare, kick, high hat and one additional cymbal) due to the size of the stage. As Derek noted between songs, Jamie kicked arse even with the smaller setup. Great job!

JamieAlegre

Derek noted that when he tours with these guys, people ask whether they are brothers. Look at the mop-tops and beards, and decide for yourself. Smile

JerryFuentesDerekJamesJamieAlegreMikeTuccillo

Look who we ran into at The Delancey. Matt Simons was the person who suggested we go catch Alec Gross upstairs (before the Derek James set) and Chris Ayer was already up there enjoying the show.

ChrisAyerUnknownMattSimons

Derek James at Rockwood Music Hall

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Derek James has magical powers (at least over me). I am a very happy person, nearly 100% of the time. So, lifting my spirits seems like a silly thing to say, since they’re always pretty high (metaphorically speaking). Yet, every time I see Derek James perform (last night, at Rockwood Music Hall, was the fifth time), he does indeed lift my spirits even higher (and I was coming in with a wonderful frozen margarita high, so he had some work to do!). Winking smile

DerekJamesGuitar

Derek’s band is called The Lovely Fools. Sometimes shows are billed as Derek James and sometimes as Derek James and The Lovely Fools. As I noted in my last post, The Lovely Fools aren’t always the same set of folks, though I associate the canonical version of The Lovely Fools as Roy Gurel on guitar and Assaf Spector on bass. Both were at the last show, but neither was there last night.

Last night was a fantastic set, full of toe-tapping, head-bobbing, foot stomping and feel-gooding (Jr.?). Winking smile So, these Lovely Fools are very lovely too (I’ll note the differences below when I tell you who they were). First, the set list:

SetList

The biggest highlight between the shows was that the volume levels on all instruments (including the drums) was perfect. In the last post I lamented that perhaps Rockwood 1 shouldn’t host these types of shows. I noted exceptions to that (so it can be done) and it was awesome to have Derek himself reverse the feeling I previously had.

The biggest disappointment was once again having Derek’s voice be way too low to hear the words. I was right up at the stage, so I probably had the worst of it, sitting under the speakers. I hope the people further back got to enjoy his vocals (and hear the words clearly).

Most guitarists don’t plan for disasters. They foolishly bring guitars with six strings. When one breaks, there are certain notes they simply can’t play. Derek James is a genius. He brought a guitar that had a whopping 12 strings on it. When one of them broke during the set, he was able to play with nearly twice as many strings as those other guitarists do, and still hit every note. Winking smile

Even if all of his strings broke, he could have seamlessly moved over to full-time Kazoo playing. Smile

DerekJamesKazoo

Last night marked the beginning of a month-long, weekly (every Thursday) residency at Rockwood. The first three at Rockwood 1, the last at Rockwood 2, a ticketed CD Release show. Check him (them) out!

The minute I walked into Rockwood, I saw Jerry Fuentes on stage. I asked him whether he just played the set before Derek. He said he was playing with Derek. Sweet, I really enjoyed Jerry’s guitar play when we caught his headlining set back in January.

JerryFuentes

Roy Gurel (the normal guitar-playing-fool) is really amazing. The one disappointing show featured a very skilled guitarist. Unfortunately, playing with Derek James requires a lot more than skill, it requires style. Seriously, there is so much fun (much of it delivered in a nuanced way), that if you’re going to share the stage with him, you better both be infected by the mood and also be capable of spreading it (like a virulent virus).

Jerry Fuentes has the skills (I already knew that), but thankfully, he totally has the style. His leads were fun and tasty. He can Fool me any time he wants.

JerryFuentesDerekJames

Mike Tuccillo on electric bass. Filling Assaf’s (Assie) shoes is no small feat, on the bass in general, and specifically as a Fool. I’ve seen Mike play twice before (at the Soul Revue Benefit and as part of Jerry’s band in the set linked to above), so I wasn’t worried about his bass play. Like Jerry above, Mike fit in really well with the sound.

MikeTuccillo

Kenny Shaw was on drums again (like he was the last time we saw Derek). He was fantastic. The beats in Derek’s songs are so integral to the irresistible desire to shake-your-thang, that the drummer’s role is critical. Every time he hits it, he’s tapping on something deep in your psyche (if he’s doing it correctly). Thanks Kenny (my psyche thanks you too!).

KennyShaw

After the show, Kenny asked me if he was too loud (I was sitting with my back directly in front of the kick drum). I was thrilled to answer No. It really was perfect.

So, with Jerry and Mike doing such a good job, are they perfect replacements for Roy and Assie? No, but I have zero complaints. It’s not so much a difference in skill levels, but rather than Roy and Assie can perform these numbers in their sleep. It’s most noticeable in the reduced harmonies (Jerry sang more than Mike did). Roy and Assie also move in unison (with and without Derek), again, almost unconsciously.

If Jerry and Mike continue to be the main Lovelies, they might get there, but even if they don’t, I promise to never be disappointed if they are the ones on stage when I show up to see Derek perform!

Mike Campbell and Jerry Fuentes at Rockwood Music Hall

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Another day, another very late night, again the need/desire to split the music into two posts.

First up, back-to-back sets at Rockwood Music Hall. The sets were related in that both headliners performed one song on the other’s set, and each had the same special guest appear. Otherwise, nothing remotely similar about the music.

Mike Campbell played his first-ever solo show on November 20th, 2010. I covered it in this post. Last night was his second effort. It was similar in some sense, radically different in others. The similarities were good set selection, good guitar play, nervous banter (perhaps not as much as he did the first time).

MikeCampbell

The differences: much stronger voice (Mike had a bad cold the last time), guest performers (he wanted the first solo show to be about him only, correctly so!).

Mike played a number of songs from the first show, but also added brand new and older tunes to the set.

He called up three different guests, in three different configurations. First up, the headliner of the next set.

Jerry Fuentes joined Mike to play electric guitar and sing a bit of harmony, including leading the audience in a refrain at the end of the song (which was a lot of fun to join in on). It was my first time seeing Jerry (I met him for a second the night before at Mona’s). The song they performed was great (of course, I don’t recall the name now, sorry!). I’ll have a lot more to say about Jerry below when I cover his set.

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A few solo numbers again, then Mike called up the next guest.

Chad Vaccarino joined him to sing a song they co-wrote in June, Days Gone By. When they announced the song, I thought they were about to do a cover of Keith Urban. Nope, just the same title, nothing else similar about the songs.

Here’s a YouTube video of their debut performance of the song last June (it appears to be at a house concert). In the video, Chad is singing lead. Last night, Mike sang lead. In both, Mike played the guitar, beautifully! They should perform this song much more often:

Days Gone By–Chad Vaccarino and Mike Campbell

Immediately thereafter, Mike called Ian Axel to the stage, with Chad staying up there. All three joked about the fact that they were about to perform the song standing up, something they’d never done before. They sang All the Love, co-written by Mike and Chad. It was perfect. The YouTube video below again has Chad singing lead. Last night, Mike nailed the lead, with Chad and Ian harmonizing.

All the Love by Chad Vaccarino and Mike Campbell, guest star Ian Axel

If I understand correctly, Mike arranged the harmonies. After the show, I went up to Mike to tell him how awesome it was. Watching the videos above gave me a new round of re-enjoying last night’s show.

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Mike writes beautiful songs all by himself, no doubt, but his collaborations with Chad Vaccarino are simply amazing.

When Mike was done, Jerry got on the stage immediately. Since Mike had only an acoustic guitar, they had set the stage up for Jerry in advance and there was no transition time at all.

Having never see Jerry before, I had no idea what to expect.

He’s an excellent lead guitarist (smooth, fast and interesting). He has an excellent voice. He also played the harmonica on many of the numbers, something I’m less used to seeing in a rock set than a folk set, but Jerry made it work well.

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I would describe the majority of the set as ballad/anthem style rock. There were a couple of exceptions. If you click on Jerry’s name at the top, his site starts streaming music instantly (not something I think sites should do), so you can get your own sense of his style.

Since Jerry began immediately after Mike’s set, he opened with the one song that Mike joined him on. They sang and played well together. Mike then left the stage and Jerry turned up the heat.

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Jerry was accompanied by two band members for all but two songs:

Mike Tuccillo on the electric bass. I just saw Mike for the first time two nights earlier at the Soul Revue Benefit. He was very good that night, but I couldn’t see him, mixed in among the 14 other people on stage. Last night, I was a few feet away from him and could appreciate his technique a lot more. Very well done.

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Aaron Steele on drums. Aaron is a real hitter (very powerful). That can be a great thing, especially for rock songs. The only problem was that my right ear was perhaps two feet from the drum set, so it took me a while to get used to it. Aside from that, Aaron was impressive. In particular, on the last song of Jerry’s set (not including the encore), Aaron was incredible on the drums, very fast, totally clean, still hard hitting. Also very well done.

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Ian Axel joined Jerry for five numbers. Ian played the piano on all of them, singing on one (or two?). The band sounded pretty full without Ian, but adding Ian’s heart-pounding piano to the mix took it up a notch. This capped off a pretty big day in Ian’s (and Chad’s) life. Earlier, they were featured on the Rachael Ray Show on national TV!

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Ian performed the title song from his upcoming CD (This is the New Year, out in a couple of weeks!). Rachael Ray also posted a bonus song, Girl I Got a Thing, that Ian played for the live audience while the credits were running for the rest of us. Great job!

Two of the numbers that Ian joined on were exceptions to the rock style. One is a brand new song of Jerry’s that will be on his upcoming CD. It’s called Standing in Line. I am not linking to the online video he has of it, because last night’s version was 100x better. Just wait until the CD is out and get it. The song highlights Jerry’s lyrical abilities. He also played it on the acoustic guitar, taking the entire sound down.

He tried to get off the stage, but the crowd wasn’t having any of that. He got permission to sing one more. He and Ian performed it alone. A lovely way to close a very good set.

Jerry is a theatrical performer and the band played quite loud. Rockwood 1 is not the perfect venue for that kind of music, partially due to the sheer loudness in such a small space. I think Jerry can command a much larger stage in a larger venue and be perfectly suited to it.

Once I gave Jerry my compliments, we were off next door (literally) to Rockwood 2. The two posts are really unrelated, so I won’t even link them to each other (like I did last night). If you’re interested in what I did next, you’ll have to use some of your Internet skills to find my next post. Winking smile