Kenny Chesney

Keith Urban and Carrie Underwood at Madison Square Garden

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Lois and I have never watched a complete episode of American Idol, and the only time we’ve even seen a reasonable portion of one was at our godson’s apartment, the night that Jordin Sparks won.

So, we didn’t know Carrie Underwood from that show (though, of course, we knew of her). We fell in love with her when she released her first CD, and have loved pretty much everything she has done since then as well.

When I saw that she was opening for Keith Urban at Madison Square Garden (MSG), I grabbed two tickets for us, a while ago. We aren’t all that familiar with Keith’s music (though we obviously hear his more popular stuff on the Country channel on XM Radio). We figured that at best, it would end up being a bonus like Kenny Chesney was (when we really went to see Pat Green and Sugarland!), and at worst, we’d know to avoid Keith in the future.

I wrote about that night here, and as you can see (or already know), we were blown away by Kenny’s performance. 🙂

We were both marginally surprised that Carrie opens for Keith. She couldn’t be much bigger on her own, winning award after award, and selling CDs like crazy.

Last night’s show was scheduled to begin at 7:30pm. As I’ve written a number of times before, MSG usually runs like an on-time train. It’s a pleasure to know in advance that you won’t be sitting around for hours wondering when the show is going to start.

Oh well, the best laid plans… Last night was a wild exception to the norm. At 7:35pm (already five minutes late, no biggie yet) they put up a very big screen, with a digital timer on it, counting down from five minutes. You could feel the excitement in the crowd, as people focused on the counter. So, the show would only be 10 minutes late, but, you had five minutes warning, so, not too bad.

When the clock hit 10 seconds left, people started to clap and get really excited. When it hit zero, the lights went out. Typically, the music would start (in the dark), almost instantaneously. Unfortunately, nothing, for more than 30 seconds. A few minutes later, some yellow lights above the stage came on, but were facing out toward the crowd. It was masking the stage, so perhaps this was part of the show.

Nope. A few seconds later, the normal background music (from the speakers, not the stage) started up. No way the show was about to start. A few minutes later, the rest of the house lights came back on. No announcement, which was very disappointing. Then the digital timer came back on with five minutes again. Much less excitement in the crowd this time, as most people ignored it.

This time, the crowd waited until the countdown was at five seconds before starting to clap and cheer. When the lights went off this time, indeed, the music started in the dark, a few seconds later. When the stage lights came on, Carrie wasn’t there yet. As you started to hear her voice, they started showing videos on the very large screen behind the stage. Intermixed with desert scenes (including snakes), were snippets of Carrie, looking like she was walking through the video onto the stage. It was strange, but sort-of cool too.

Instead of her magically appearing from the video screen, after a bit, she emerged front and center stage, rising slowly from underneath. The crowd ate it up.

Let’s get the mundane out of the way. Carrie Underwood is stunningly beautiful. Of course, if you didn’t know that already, then you don’t own a TV, have never glanced at the cover of a magazine even casually, or have very strange taste. 😉

(As with all the photos in the this blog, click on any one of them to see a larger version):

Carrie Underwood on the RunwayCarrie Underwood on the Runway 2

Carrie has an exceptional voice (duh, that’s probably true of most Female Vocalist of the Year winners). Her songs are really good as well, and the selection last night was excellent. Her band is obviously top notch as well. All that said, with the lousy acoustics (in general) at MSG, she wasn’t the best fit for the arena. Don’t get me wrong, her talent was obvious to everyone there. In addition, Lois believes that Carrie was working through a cold (and I think she’s right).

One of the problems (acoustically) is that Carrie’s voice is loud, clear and she hits lots of very high notes as well (with lots of power!). At MSG, it was simply piercing. Not her fault, as hitting the notes is exactly what she’s supposed to do. Still, it was on the painful side at times, not just because of the volume.

She has great stage presence, but even though the crowd loved her, it wasn’t the same energy (not even close) that we’ve seen with other performers at MSG. I was very surprised.

One thing that was very different from all other opening acts that we’ve seen at MSG (and most other places), was the staging. Normally, the opening act does everything in as muted a fashion as possible, in order to avoid any upstaging of the main act. Since Carrie is a legitimate headliner (in my opinion at least), she had way more glitz than any other opening act we’ve seen before.

There were two floating screens on either side of the stage, tall and thin, that mostly showed her live, so that people sitting far away (like us) could see her up close and personal. Behind the stage, where the counter had been, was a large screen showing videos in the background. She also changed her outfit four times, making five separate outfits during her show.

To recap, she came on at 7:50pm and played for exactly one hour. She then came back for a very nice encore, going off the stage at exactly 9pm. So, she was on for 70 minutes in total, after the 20 minute delayed start.

There was a 30 minute intermission, while they prepared the stage for Keith Urban. For the first time ever (in our personal experience), the effort was entirely visible to the crowd. Usually, they hang a very large black cloth to cover up all of the activity.

While we were killing time, we were chatting about how great Carrie was, but how horrible it was to see her at MSG (she really belongs at Radio City Music Hall, which would complement her strength amazingly well!). Lois said “I’m done with MSG, this is the last time I want to see a concert here.” I completely understood her feelings, but felt bad that certain acts would be shut off to us (e.g., Rascal Flatts).

At exactly 9:30pm, the lights went off, and the mood in the crowd changed dramatically. The second the first note on the guitar was heard, a bunch of people starting standing and going crazy (that didn’t happen for Carrie at all), unfortunately, including the two women sitting in front of us…

I won’t be able to do justice to the slick way they used the giant video screen behind the stage to introduce the first song, but trust me, the effect was mesmerizing, creative, and very cool.

When they finally lit up the stage, and Keith (and the band) were all out there (rocking their hearts out!), the crowd was in a complete frenzy. I was pretty sure it would be just like the Kenny Chesney show, but I was wrong. 😉

Kenny’s show is a party, and he’s the guest of honor. He loves his fans, and it couldn’t be clearer, but it’s not really about the music (at least, not the one show that I was at). The music that night was great, and his band is exceptional, but it still isn’t/wasn’t about the music (to me).

That’s different with Keith Urban. In addition to the reason I mentioned above, about wanting primarily to see Carrie, I was curious about Keith, because my godson saw him two years ago in Washington, DC, and told me that he puts on a great show, and that he’s an incredible guitarist. So, I was definitely curious.

Props to my godson, as he was correct on both scores. Without a doubt, Keith Urban is one of the greatest entertainers I have ever seen.

Let’s start with something I really can’t explain. He (and his band, obviously) pretty much overcame the horrible acoustics at MSG as best as can be expected. There’s something about their sound that works in that place. As nuts as we are for Rascal Flatts, they did not overcome the problems, but we loved them despite that. Some part of it has to be the emotional connection with Keith. You are so sucked in, you aren’t distracted by the acoustics.

Perhaps the most brilliant touch last night was the simplicity of the staging. Both Kenny and Rascal Flatts had amazing technical displays, and wonderful uses of them. Still, on some level, they are a distraction from the band, and the music.

Keith had a giant screen behind the stage. For all but two or three numbers, it showed the live action on the stage (of course, mostly Keith himself). For a venue like MSG, it made all the difference in the world. Now, no matter where you are sitting, you see him (or whomever else they are highlighting) larger than life, including every facial expression, and guitar lick. It was fantastic.

Keith Urban on the Big Screen

I mentioned facial expressions because there is such a warmth and sweetness about him that is completely infectious (in fact, that’s true of the majority of his band as well), and if you weren’t in the first few rows, you wouldn’t connect to that unless they projected it so clearly.

Most of the repertoire last night was driving hard rock. It probably qualified as Country (for the most part) because of the themes and harmonies, but from a musical point of view, hard rock it was. But, he’s a very talented and varied musician, and he switched gears a number of times, including a few acoustic guitar numbers, and at least two numbers with him playing piano!

He has an excellent voice (I hadn’t appreciated that as much before last night), which somehow, wasn’t ruined by MSG either.

Here’s another example of simplicity. As I mentioned in this post (and showed photos as well), Rascal Flatts did some cool numbers on a rotating center stage, that had a special bridge which was raised and lowered at various times to give them access. It was way cool. Last night, Keith had a circular center stage as well, but there was a permanent runway connecting the two, and he used the runway effortlessly, all night.

Keith Urban AloneKeith Urban on the Runway and Big Screen

During one set, the core members of the band (six I believe) were on the center stage, and it was a little mellower, closer to us, and amazing!

Keith Urban on the Circular Stage

While the entire band was superb, I feel the need to specifically call out the drummer, Chris McHugh. I had never heard the name before, but obviously, I’ve heard him before. If you look at the page I linked to, I own at least four of the albums he’s played on, and I saw the movie Cars as well. I don’t know how he finds the time to eat given how much studio work he puts in, but he’s so amazing, that I understand why all of these superstars want him!

Keith Urban with Chris McHugh

Two final examples of Keith connecting with the crowd. Toward the end of the show, he walked off the stage into the crowd. Not just a few feet, but way into the crowd, and then up into the stands! Of course, he was mobbed by back-slappers, etc., and yet never missed a beat of playing his guitar, or singing. (I’m not sure Nicole Kidman should see this next photo.) 😉

Keith Urban in the Crowd

Then, when he was jamming with one particular group of people, he took off the guitar, took a marker from one of his helpers, signed the guitar, and gave it to a couple. Because of the giant screen, we could see every nuance of the gesture. The woman looked like she died and went to heaven. Keith continued to sing, ran back to the stage, grabbed another guitar, and rocked out the rest of the song on the runway.

The second example will have to wait so it can be delivered in the correct order. 🙂

Keith played for 100 minutes before saying goodnight. That alone is longer than most acts play, especially when the opening act plays for 70 minutes! In addition, the energy level they all put out (but him in particular!) was so high, that keeping it up for that long can’t be easy. So, when the lights went out, Lois said: “Surely, he isn’t coming out for an encore, right?”

I laughed, and said: “No way he doesn’t come back out!”

He did, for a solo on the piano, in a beautifully moving song that he sang for his wife, as a Valentine’s Day tribute (she’s apparently back home in Australia at the moment). Then the entire band joined him, and they did at least three more numbers. The encore lasted 20 minutes (sweet!), so that he was on for a total of two hours, which put the end at 11:30pm!

Keith Urban on the Piano

Near the very end of the show, they set off a number of confetti canons simultaneously. Here’s a fuzzy shot (larger than the rest) to give you a sense of the mayhem. 😉

Keith Urban Confetti

After the show, nearly every single one we’ve ever been to, the lights go out, and the artist is gone (after the encore that is). The house lights then quickly come up, indicating to the audience that they should get out! 😉

Last night, when the encore was over, the lights never went off. After the band collected together in front of the stage to take a group bow, they all stuck around and kept thanking the crowd. Then, even when the rest of the band was long gone, Keith kept walking around the stage and the runway, and thanking every section that was still around. There was no way we could even consider leaving before him.

It was very moving for both of us. There was a humility to his actions that was overwhelming.

So, I have no idea whether we’ll ever be back at MSG for a concert or not, but we’re not likely to be able to duplicate this experience without seeing this type of crowd interaction, on this scale.

Did I love it? Absolutely! Am I a Keith Urban fan now? Yes, at least for his live performances. I’m not really sure I’ll run out and buy his CDs, but I might. Do I prefer him (specifically, this show!) to Girlyman or The Wailin’ Jennys? (not just another gratuitous plug) 😉 Definitively, no!

There is an intimacy that comes with seeing people like Girlyman and The Jennys in a small venue that can’t be described accurately to someone who hasn’t experienced it. Aside from that, I actually prefer (reasonably strongly) the music and lyrics that both of those groups create to the more general Country music songs (which I love as well, but not as much, and differently).

That said, I am still amazed/impressed by how close Keith got to creating a sense of intimacy in a cavernous place like MSG.

Rascal Flatts at Madison Square Garden

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Last night we finally saw Rascal Flatts at Madison Square Garden (MSG). I have written a number of times about the company that owns MSG (and also Radio City Music Hall and The Beacon Theater). That company is a subsidiary of Cablevision. They run their concerts like clockwork, and I think that is extremely customer friendly.

Actually, The Beacon Theater is an exception. Both MSG and Radio City are like on-time trains. The Beacon is more relaxed (in the bad sense), and often starts the shows pretty late.

Last night started at exactly 8pm (as announced), with Kellie Pickler. We were far enough away that I couldn’t appreciate her beauty. Her voice is good, and the songs are good enough. That said, given the lousy acoustics of MSG, there was nothing special about her performance, or her group’s. I was impressed that many of the people in our section sang along to every word of her songs, so the draw last night wasn’t exclusively Rascal Flatts.

She performed eight songs, for 36 minutes, and was definitely a hit with the crowd.

After a 24 minute break, the lights went off at exactly 9pm.

Like I said above, we were extremely far from the stage. In fact, exactly opposite the stage. For all I know, we were in the exact same seats that we were in for the Kenny Chesney show. Smack in the middle of the floor, there was a large round stage with the words Rascal Flatts on it. Before Kellie came on, Lois conjectured that perhaps Rascal Flatts would perform there. I was sure she was wrong, because there was no access to that area.

It wasn’t used during Kellie’s performance, and we both noted that the people sitting at the seats on the floor behind that structure seemed like they got ripped off, since seeing over it to the real stage appeared to be obstructed.

After the lights went off at 9pm, we started to hear the music without seeing the band yet. When the lights came on (to the crowd’s frenzy), the three guys in Rascal Flatts (RF) were emerging (rising) from the circular center stage. The rest of the band (five other musicians) were on the main stage. The crowd went nuts, and suddenly, our seats weren’t so bad. The previously awful seats on the floor, were now front-row good.

They sang one song in that configuration, and toward the end of the number, a very large bridge came down from the ceiling, connecting the circular center stage with the main stage. They each walked (one at a time) over the bridge, while continuing the song, and ended it on the main stage. Holy moly, it was amazing! Then the bridge went up, and they covered the center stage again, and all was back to normal.

Here’s a shot of them after the center stage was up and lit. You can see the bridge clearly behind the stage. Click the photo to enlarge it:

Opening Number from Rascal Flatts at MSG

They are absolutely amazing performers, and the symbiosis with the crowd is at least as good as it is with Kenny Chesney’s shows (which are legendary). As I’ve said before (and even earlier in this post), the acoustics at MSG are horrible. Every single note on the bass guitar literally shakes the floor and the seat you’re sitting in. Guitar solos are piercing (not in the good sense).

None of that mattered last night. If you were there to hear music, in silence, it would be disappointing (though I doubt that RF is capable of disappointing!). But, I would describe last night (as did they) as more of an amazing party, than an acoustical event where you come just to hear the music. For this kind of show, you come to be part of the music. Lois described it as an old-time revival meeting.

Gary LeVox (the lead singer) has an absolutely incredible voice. We’ve known that, but it’s also powerful enough to be able to overcome the horrible acoustics, reasonably well. In other words, he was absolutely amazing last night.

That said, he was particularly sensitive to the fact that the crowd wanted to sing every single word of every single song along with him. He began most songs singing relatively softly, in order to let you hear the crowd pretty clearly. Then, as the song built momentum, he would raise his volume and show you what makes him so special.

All three of them have wonderful personalities and interacted with the crowd in delightful ways. After a bunch of amazing numbers, the bridge came down again. At the time, all three RF guys were on the main stage. But, when the circular stage came up, there was a drummer with a drum set on it. Joe Don Rooney and Jay DeMarcus went across the bridge to join the drummer. When the light faded on the main stage, Gary LeVox was left on the other side.

Jay DeMarcus normally plays bass, but on the center stage, he played an electric piano, extremely well. The three guys (Jay, Joe and the drummer) played two or three numbers, that were much mellower, but excellent nonetheless. Then the bridge came back down, and Gary joined them. They played a bunch of numbers. The center stage rotated very slowly (in both directions!), so that everyone could see every one of them, from every angle.

Here’s a shot of the three of them plus the drummer, playing a set on center stage (click to see a larger photo):

Rascal Flatts plus Drummer on Center Stage

Then the bridge came down again, and the three of them went back to the main stage. They continued doing smash hit after smash hit. Other than chatting occasionally to the crowd, there were almost no breaks between songs. When they finally said goodnight, they had played for 94 minutes. The lights stayed off, so we knew they would be coming back for an encore (how could they not?).

Here’s a shot of the entire stage. You can see that they had giant screens where they showed videos, stills, colors, etc. If you look closely on the top left quadrant, you can make out the bridge that’s hanging in the air (at least the steps on either end), and on the bottom of the black blob on the left, are a person’s legs hanging down. I believe he’s the bridge operator. Again, click to enlarge:

Rascal Flatts at Madison Square Garden

Immediately after they started the last song of the evening (the last one before the encore, that is), 10 Marines in full dress uniform marched on to the stage, and stood in a line behind the band. The crowd started to clap loudly even before Gary encouraged them to, at which point essentially the entire crowd stood up and gave a giant ovation to the Marines, who saluted back. I can’t begin to tell you how unusual it is in NYC, and I don’t know if it’s more Country Music Fans in this case, or respect for the choice that Rascal Flatts made, but it was heartwarming nonetheless.

When the lights came back on, Gary was alone rising from the center stage again, but you could hear one or two instruments on the main stage, which was still dark. He started singing one of their signature tunes, Here’s To You (which I predicted to Lois they would do for the encore). When the song began to build, the bridge came back down, the lights came on the main stage, and he crossed over (slowly, singing to all the people on either side of the bridge along the way).

After that, they played another number. The crowd stood for the entire encore (many people stood for the entire concert, but thankfully, no one who was immediately in front of us in our section).

When we left, Lois said that it was the greatest concert she’d ever been to. I totally understand her enthusiasm, but disagree on the terminology only. As far as concerts go, it’s going to be really hard for me to ever agree that any show at MSG will even come close to hearing someone like Girlyman play an intimate club like Joe’s Pub. That’s not just a gratuitous plug for Girlyman, but a contrast to listening to a concert rather than participating in a party.

It was an awesome night, period, regardless of the acoustics.

Now I have to explain just how magical a night it was for Lois. I’ve written often about The Wailin’ Jennys. We’ve seen them twice live, and like Girlyman, their concerts were both better than the Rascal Flatts one (in my opinion, with the caveats about terminology mentioned above). We’re seeing them again on April 8th at Joe’s Pub (we haven’t seen them there yet), and I literally am on pins and needles with excitement, looking forward to that night.

To continue, Lois really fell in love with them the second time we saw them live, at Gravity Lounge in Charlottesville, VA. Joe’s Pub will be almost as intimate, so we know we’re going to love it. Since then, without a doubt, she plays the Jennys on the iPod in the car, more than any other artist. Still, she plays many others as well.

The one unfailing truth though has been that as we get to within 10 minutes of our house in Westchester, for at least two months now, 100% of the time, Lois always plays Heaven When We’re Home. It captures the spirit we both feel about coming home to our house, which we don’t get to spend as much time in as we’d like.

This morning, we drove back from the city to the house. She played Rascal Flatts songs the entire way, up until we hit the driveway, when she turned off the iPod. I was stunned, no kidding. Clearly, she had RF on the brain, and the Jenny’s couldn’t get through! 😉

Pat Green, Sugarland and Kenny Chesney

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Another long one…

Last night Lois and I saw Pat Green, Sugarland and Kenny Chesney at Madison Square Garden (MSG) in NYC.

We don’t own any Kenny Chesney albums, and don’t know his music well at all. I have heard many times that he gives one of the greatest shows, but that alone wouldn’t have necessarily gotten me to buy tickets, especially as far in advance as we did. I believe that Kenny Chesney was the top touring artist in 2006, but for sure was the top Country touring artist then. He is currently projected to be the top Country touring artist in 2007, and the second overall, to the Police.

Regardless of whether we should have wanted to see Kenny Chesney, we both really wanted to see Pat Green and Sugarland. Lois has loved Pat Green from the first song she ever heard of his. I think he’s great too. I am nuts about Sugarland. Lois likes their music, but Jennifer Nettles grates on her a little like fingernails on a chalkboard. She appreciates the beauty and power of her voice, but can’t stand what appears to be an overly put on twang. Just listen closely to any word she pronounces that rhymes with “life”. I can’t do it justice, but it comes out like: “laaaaaaaaayyyyyyyyyyyyf”. Anyway, it doesn’t bug me in the least, nor distract from her absolute brilliance as a singer.

So, we were both instantly committed to going to this show, and we considered finding about about Kenny Chesney to be a likely bonus, rather than the actual draw to go. We bought the tickets well in advance, and tucked them away in our trusty drawer.

We walked from the apartment to MSG and got there a little before 7pm. Since the primary purpose of MSG is to house the Knicks (basketball) and Rangers (hockey), seeing a concert there can be less than ideal. We didn’t want to sit on the “floor” (though tickets were available), since it’s flat, and typically everyone in front of you stands the entire time, forcing you to stand too (keep in mind, we’re old folk). So, I purchased tickets directly opposite the stage, about 1/2 way up the arena. From a broad perspective, these are/were good seats. But, practically speaking, they are nearly a city block away from the stage (given the oval nature of the arena), so the performers look a little larger than ants.

I have written before about the group that owns MSG, Radio City Music Hall and The Beacon Theater. They run their concerts like well-oiled machines, starting with the marketing and finishing with the actual schedules of the concerts. I am incredibly impressed with everything they do. To begin with, they send two emails, spaced a few days apart, reminding you about the upcoming show, and giving details (like starting time, order that the artists will be appearing, etc.). Very nice touch.

Since they run their shows like an on-time train (if only they owned an airline!), we knew that Pat Green would be hitting the stage at exactly 7:30pm, not a minute later. Indeed, he did. He played 5 songs, and was on from just about 1/2 an hour. He was great. I didn’t recognize 3 of the 5 songs, which were likely off of his new album (Cannonball) which we own, but I haven’t listened to yet. The other two were wonderful, including his biggest hit, Wave on Wave, which he closed with. It was incredibly well done, and the audience went wild for it, singing along the entire song. He had tons of energy and was super jazzed to be in front of such a big crowd in NYC (specifically at MSG), and kept repeating that throughout his set.

After exactly a 15 minute intermission, Sugarland came on. They played for 45 minutes and played hit after hit. I knew every song, and delighted in every song. Not only do they sound great, but their energy is incredible as well, and Jennifer Nettles gives an excellent show. She dances and prances and basically engages the audience extremely well. And, of course, there’s her voice. 🙂

As good as both Pat Green and Sugarland were, to me, MSG is not nearly as good a venue to see these types of groups as the other places we typically frequent. It’s not just that it’s large, but given that it’s a sports arena, it’s gigantic, there is no carpeting, etc., so sound just bounces around the place. That forces them to really crank up the volume. Of course, while that solves some of the problems, it creates new ones, including reverberation, piercing notes, etc. It can really be quite unpleasant at times. This is no fault of the bands, nor likely even of the people working the sound board, just a fact of life in these kinds of arenas. Given how many fans Kenny Chesney has, he can’t realistically come to NYC and play a smaller venue, unless he does what The Allman Brothers Band did, and play for a few solid weeks at a place like the Beacon Theater…

For both Pat Green and Sugarland, there was a giant drape behind the stage showing the cover of their current albums. On either side of the stage was a very large screen showing the highlighted performer (live) at that time. So, even though people were small on the stage (from our seats), you could always see what the current soloist (vocal, guitar, drum, etc.) was doing, reasonably clearly. It was nicely done.

Both bands were really excellent as well, though because of the acoustics, it took effort to pick out individual instruments.

After a 20 minute intermission, things started happening. I’m not trying to be mysterious, we really didn’t know exactly what was going on because they dropped another drape in front of the stage during this intermission, so whatever they were doing behind it, was invisible to most of the crowd. During the other down times, they played pretty good music (a very wide range, not only Country). All of a sudden, it started sounding like the band (Kenny’s) might be playing live (but a tad subdued) behind the big curtain. Not sure, but after the fact, I think not!

Anyway, they started with an interesting set of videos on the aforementioned large screens on the sides of the stage. The excitement was certainly building. Then, the video switched to a (likely) live feed labeled KennyCam. So, from backstage, you (supposedly) were seeing everything Kenny was seeing, but of course, you never saw Kenny himself. It was definitely cool, if a touch on the cheesy side as well, since it dragged out for quite a while (MSG is pretty darn big after all).

When he showed up on stage, they dropped the drape from the front, the crowd erupted maniacally. The entire stage had been transformed into a multimedia showcase. There were even larger screens (at least 4) behind and above the stage, and they were utilized to perfection! On occasion, they showed live scenes, on occasion music video style action, and on occasion just very heart-warming stills or videos of scenes that seemed to go with the current song. Truly brilliantly done.

Even though I don’t know his music (in the sense that I don’t own his albums, and therefore specifically listen to him multiple times), I recognized the vast majority of his songs (even many of the words). This is a testament to how much radio air time he gets, since Lois and I often listen to Country on XM Radio (as previously reported). I characterize most of his songs as fun, in the style and sense of Jimmy Buffet. Kenny’s sound is much larger. He has a huge band, including 4 horn players, multiple lead guitarists, and I’m reasonably sure there were two drummers on the stage as well. They were extraordinary musicians, and somehow, rose above most of the acoustics problems of the evening. Don’t ask me to explain how.

Kenny is a breathtaking performer. Pat Green and Sugarland had seemingly infinite energy, but you have to trust me when I tell you that they didn’t even come close to how much running around Kenny does on the stage. It’s 100% for the benefit of the fans. He does everything he possibly can to connect with as many individual fans as he possibly can. He shakes hands, gives high fives, etc., whenever he gets the opportunity. He never stops smiling, and seems to care deeply about the audience and their enjoyment.

As opposed to some who choose to be political on the stage (in either direction), he made one very simple statement: “There are a lot of problems in the world. We can’t possibly solve them tonight, so let’s enjoy the music and have a good time.” Amen!

I might have thought in advance that he was particularly beloved by humans of the female persuasion. I would have been wrong. The guys in our section were insane for him. Many were dancing throughout the show. All knew every word to every song, and belted them out as loudly as you can imagine. It was actually fun being surrounded by people who clearly idolize the performer they came to see. The energy was contagious in a way that both Lois and I (independently!) described as “being in a revival meeting”. It had the same kind of genuine fervor.

For me, I don’t think Kenny has such a great voice. There’s nothing wrong with it, and perhaps he missed a note here or there because of the physical energy he puts out. That said, it didn’t make the slightest difference. There was a pure joy throughout the show, that is in some ways indescribable.

I would sum it all up with one word (but you have to pick the word) 😉

Extravaganza or Spectacle

Here’s what I really think going to his concerts is all about, and I think he’s well aware of it, and his fans are too, even if it’s not conscious on their part:

A Kenny Chesney concert is an opportunity to come sing your favorite songs with Kenny himself!

Seriously, 90% of the crowd sang every word of every song with him, as loud as they could, and Kenny encouraged every bit of it, often stopping to sing and pointing the mike into the audience. It was like being invited into his living room for a sing-a-long, with 15,000 of his closest friends.

At one point he said that he had taken his gang out to the Yankee game the night before, and sat in the 10th row (the Yankees beat the Red Sox that night, in fact, they swept this week’s series). Shortly after telling that, he brought out Roger Clemens on to the stage, and then Johnny Damon. I think there was a third Yankee as well, but I didn’t catch his name. The crowd went berserk! During the song (that they sang with Kenny!), Roger pulled up his son from the crowd. It was a wild scene in the audience, and at the end of the song, they strapped a guitar to his son (who seemed a little overwhelmed), and it was as cute as you could imagine.

The encore was one of the more unusual (and fun) that I have ever seen. When they came back out, they did a fantastic number (sorry, I don’t know his music well enough to drop the right name here). After that, the band played without Kenny (a fantastic song as well, with each taking wonderful solos). Kenny spent the time thanking/saluting the crowd, and signing dozens of autographs on hats, programs, etc. He was like a machine, and the fans were eating it up. It was a true celebration of the evening between the star and his adoring fans.

So, we had a great time, and enjoyed the Kenny Chesney concert way more than either of us thought we would, in particular, in a venue that was less than perfect for music. Bravo!