Kenny Shaw

Rebecca Haviland and American Idol Rejects Show at Rockwood Music Hall

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I’ve written about Rebecca Haviland quite a number of times, each time glowingly. That said, the most songs we ever saw her perform in a row were three, at a recent Backscratch show. We’ve wanted to catch a full set for a long time and nearly pulled it off twice. It finally happened last night at Rockwood Music Hall Stage 1.

Rebecca played mostly originals, with two excellent covers thrown in for good measure. I was impressed with her set list, because it showed her voice off over a number of genres and volume levels.

RebeccaHavilandSinging

You shouldn’t have to ask, but for you insistent types, yes, Rebecca excelled at all of them, on every song.

She chose to play every number accompanying herself on electric guitar (very nicely). We’ve seen her play keyboards twice before and she impressed me mightily both times, so we still have that to look forward to in a future set.

RebeccaHavilandGuitar

Rebecca was accompanied by some of the best NY-based musicians (we count them among our favorites). I’ll cover them in a minute. Halfway through the set, she dismissed them all. She played a spanking brand new song, solo. It’s so new, that she decided to restart it a few seconds in, to get into the right rhythm.

It’s either called Pain and Pleasure, or Pleasure and Pain (though on the set list, it’s marked as “Sing”, which I doubt means that she needed to remember to use her voice, so I’m not really sure). Winking smile

Aside from really liking the song (and enjoying the intro Rebecca shared with us), I loved the fact that the guitar was so minimalist (almost dark/brooding), that this song was basically Rebecca, raw. The voice, lyrics and emotions, all delivered without any other distractions, other than a hauntingly simple guitar background.

On to the band, left-to-right on the stage:

Greg Mayo on keyboards (grand piano and electronic) and vocals. Can I praise Greg more than I have in the past? It’s a difficult assignment, but I’ll be sure to work hard at it. Last night’s keyboards were wonderful, including solos on both piano and organ. Greg’s harmonies were excellent on many of the choruses as well. We’ll save more Mayo Hype for when he’s front and center. Smile

GregMayo

Chris Anderson on electric bass and vocals. Chris continues to impress more each time we see him (and that’s especially hard, since we seem to see him multiple times each week). I’ve mentioned recently that Chris has a good voice (something we didn’t discover until we saw the Big Apple Singers). Last night, in addition to quality bass play, Chris sang a lot of harmony with Rebecca (even more than Greg did). When the three of them sang together (on every chorus that Greg was singing), it was a complete delight.

ChrisAnderson

But, beyond playing the bass and singing, Rebecca mentioned that she writes some of her songs with Chris. I am guessing that would explain why Chris sang more harmonies with Rebecca than Greg did last night, considering that he likely knew the newer songs better.

Kenny Shaw on drums. This was the second night in a row seeing Kenny play the drums (the previous night was with The Thang Band over at Stage 2). What a contrast! (You’ll need to read this post to understand why). Aside from Kenny’s excellent play during Rebecca’s set, I got to tell him afterward how much I enjoyed The Thang experience.

KennyShawSettingUp

Kenny asked me whether I got a copy of their EP after the show. I said no. I turned away to say something To Chris Anderson and when I turned back, Kenny handed me the EP. I admit to not being quick on my feet. I took it, profusely thanking him, but my normal instinct would have been to pay for it. I don’t know whether they were charging for it the night before, but I’ll find out and make it right the next time I see Kenny. In any event, thanks!

After playing solo, Rebecca brought the band back out and sang a super-soulful, bluesy version of Black Dog by Led Zeppelin (she performed it at Backscratch as well). She then announced that she had two more songs.

After finishing the first, the house music and lights came on. Everyone was confused (band and audience alike). It took a minute to sort out, but the lights dimmed, the music went off, and Rebecca a flourish. Whew! It ended up feeling like an encore. Winking smile

An excellent set, delivered with an excellent band, by an exceptionally talented person. Thanks Rebecca!

RebeccaHavilandSetList

When the set was over, we headed next door to Stage 2 (like I did, sans-Lois, the night before).

Caleb Hawley (a mind-bogglingly talented individual) organized an American Idol Rejects Show. Aside from the kitsch factor, I can’t imagine missing an opportunity to see Caleb perform. There were other incentives to attend, covered below in the order they appeared.

CalebHawley

Caleb was on this season of American Idol, progressing a few rounds before finally being ousted (I don’t watch the show, so I can’t give a more technically accurate description). Winking smile

We saw him perform at a house concert in VA, that was over-subscribed and needed to be moved to a larger venue. To say that he blew us away would be an understatement. Since we knew/know nothing about American Idol, it had nothing to do with his new-found fame. Talent, that’s all he needed to win us over, instantly.

Caleb played all but one song on the electric guitar last night (the other was acoustic). At the house concert, he played an acoustic guitar. If you read about that night, you know I thought he was masterful on the acoustic. Let’s add an equal amount of praise for his skills on the electric. In addition to a bit of normal electric guitar play (using a pick to play fast leads), he also does his signature mixture of finger-picking, strumming and leads.

Caleb performed 1/2 a dozen songs (give or take), all accompanied by a full band (all of whom I’ll mention after I get to the remaining Idol Rejects). He was an excellent MC as well (note all of my previous comments on his stage presence). We’ll return to Caleb at the end, but he was also part of the house band (the guitar player, natch) for the rest of the guests.

Brian Collazo was a contestant on Season 2, so this wasn’t a Rejects from 2011 Idol show. Brian was nearly as equal a draw for me as Caleb was. As with Kenny Shaw above, I saw Brian perform the night before at Rockwood 2 (the set before Kenny’s), with his band, Live Society. If you clicked through to my coverage of Kenny’s set with The Thang, then you either read the beginning about Live Society, or you need to go back and read it now! Winking smile

BrianCollazo

Brian sang three songs and nailed every one of them. One was a Live Society number (that they played the night before on the same stage). As good as it was, and with top-notch musicians backing him last night, they couldn’t match how intimate the Live Society band (and backup singers) are with this number. Last night == Great. The night before == Awesome! Smile

CalebHawleyCraigMeyerBrianCollazoMartinRivasBrianKilleen

Devyn Rush was up next. She was on Idol this season, making it to Hollywood before having her dreams shattered. I don’t know if her situation is currently resolved, but in Googling her, I found this article that shows that chasing your dreams can have negative consequences besides not achieving them directly.

DevynRushSinging

This was the first time we’ve heard of Devyn, but not likely the last. She performed three songs, one at the center microphone and two at the piano. She sings really well and played the piano beautifully.

Lois was particularly impressed with her energy and stage presence. Reading the front page of her site (linked above) makes me feel that she’s an incredibly nice/good/kind-hearted person, so that the sweetness that comes across on stage is not an act.

While I was impressed with her performance in general, I’ll need to see her in a different setting to know what I really think of her. I wasn’t drawn to the particular song selection.

Devyn wrote a short blog entry about the show which you should definitely read! At the bottom of that post are links to three YouTube videos from last night. The first is when she sang at the mic, the second, of one of her two songs at the piano and the third was the finale with all of the guests on stage (I haven’t gotten to the next and last guest yet). If you watch the first two, you can make up your own mind about Devyn. Keep in mind that while the video quality is quite good (kudos to the videographer for having a very steady hand!), the sound quality is what you get from a hand-held and there’s a reasonable amount of crowd noise (I’ll say more on that at the end).

Jerome Bell was the next and last guest. Even though we don’t watch Idol, in a small-world coincidence, we’ve actually seen Jerome Bell perform two songs at Rockwood 2 before. He performed a set there on April 27th, 2011. We came to see Rosi Golan perform the next set and arrived early enough to catch the end of Jerome Bell’s. It was crowded beyond belief (Jerome has a lot of loyal fans, deservedly so).

JeromeBellSinging

Jerome performed a number of songs last night, including a Stevie Wonder cover (which he crushed) and his own hit, Collide, co-written with his Idol roommate Chris Medina while they were still in competition. That was one of the two songs we heard last time too. We enjoyed it as much last night as we did the previous time. You can purchase the song on iTunes, the link is in the article above.

In addition to the full band that everyone else employed, Jerome had his two regular backup singers join him on stage. After the show he named and thanked them, claiming that he always forgets to introduce them during the shows. He said their names clearly, and I thought I’d easily remember them (or be able to find them with a quick search), but, of course, neither happened. Sorry. They definitely added both flair and excellent harmonies to Jerome’s performance.

(I just watched the entire video embedded below, and right before the 7-minute mark, Jerome introduces them! Devin Snow and Steven Cutts [sp?]. Yay!)

JeromeBellStevenCuttsDevinSnow

Jerome is appearing tonight (Friday, May 27th, 2011) at 10pm at Rockwood 1.

On to the band (finally), left-to-right on the stage:

Patrick Firth on keyboards (grand piano and electronic). Patrick is always excellent, last night was no exception. In fact, he took a couple of great solos (one was unexpected, when Caleb’s pedal board failed briefly and Patrick quickly stepped in).

PatrickFirth

Most electronic keyboard players keep a Mac (or another laptop, but it’s almost always a Mac) right beside the keyboards. In a post about Candy Dulfer, I joked that Thomas Bank was checking his email on his Macbook Pro during the show. He dropped me an email (seriously!) letting me know that wasn’t the case! Winking smile

We sat right behind the piano, so I could clearly see what was on the screen. Now I understand completely. The laptop program showed a keyboard on the screen. Apparently, if the keyboard player forgets what note to play, they can look over at the simulated keyboard on the laptop and cheat. Sort of like the old Player Piano days! Winking smile

PatrickFirthPiano

Craig Meyer on the drums. Always great, both listening to his excellent drumming and watching his never-ending smile, which will lift the spirits of even the most depressed person on earth (let’s find that person, so I can test my theory soon!).

CraigMeyer

Martin Rivas on tambourine, shaker and vocals. Martin was mostly a percussionist last night (singing harmony on one, or possibly two songs). I couldn’t resist joking with Martin after the show that I had no idea he was hiding his talent with the shaker until last night (I’ve seen him wield a tambourine before). At times, he even hit the tambourine with the shaker. How creative is that? Smile

MartinRivas

In significantly more important Martin Rivas news, his birthday is tomorrow (Saturday) and he’s throwing us (the world, not Lois and me) a party at Rockwood 2, 10pm. Come join us (this time I mean Lois and me) to hear him serenade us on his birthday!

Brian Killeen on electric bass and vocals. We’ve seen (and written about) Brian many times. He’s a consistently excellent bass player who hasn’t let us (or more importantly the people he supports) down. I learned something new about Brian last night. He can sing! I don’t believe I’ve ever seen him open his mouth even to speak. He sang a bit of harmony on some of Caleb’s numbers.

BrianKilleen

For the finale, Caleb called Brian, Devyn and Jerome back up to reprise Jerome’s triumphant cover of Let’s Get it On by Marvin Gaye from his American Idol audition. The third video linked in Devyn’s blog is of this finale (all nine minutes of it!). I’m including it here, for those who didn’t bother to click through. Again, forget the audio quality, but enjoy the atmosphere and imagine it in high fidelity. It was a blast! The song actually begins at the 1:00 mark.

Finale of American Idol Rejects Show at Rockwood Music Hall Stage 2

If you watched the whole thing, you may have a partial sense of how funny Caleb is. If you didn’t watch it, then you might be wondering about the thumbnail above, where Caleb’s shirt is off. You can skip directly to the 4-minute mark to see why he took it off and what those tattoos on his belly are. Winking smile

Greg Mayo also jumped on the stage during the finale. I was on the opposite side of the room, so I didn’t see whether he had an instrument, sang, or was up there just to lend some moral support. No matter what, Greg enhances anything he’s around, so thanks for jumping in, no matter what role you played! Smile

After the show, I made a beeline to the stage to introduce myself to Brian Collazo. I also got to meet his significant other (or should I say better half) that I mentioned in yesterday’s post (she was the blond that sat two to my left). Here are the three of us (Lois insisted we pose):

BrianCollazoHisGF-Hadar

I have a lot to say about the crowd but I think I’m going to turn it into a full, separate post, because I had some insights that have previously eluded me. If our current schedule holds, I might be able to get that post out on Tuesday. With some luck, perhaps I’ll work on it after blogging tomorrow about the shows we will see tonight:

Abby Payne and Chris Ayer, 7pm and 8pm at Rockwood 1. Come join us in kicking off the Memorial Day Weekend off with some awesome music tonight! Smile

Live Society, The Thang and Chelsea Lee at Rockwood Music Hall

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I’ve seen Live Society once before when they opened a Benefit Concert at The Bitter End. They were awesome. Ever since then, I’ve followed them and have been trying hard to get to one of their shows (they play reasonably frequently). Unfortunately, it just didn’t work out.

I was reasonably sure it wouldn’t work out last night either. We had tentative plans. Late in the afternoon, they got moved to Monday night, so I was suddenly free and quite happy about it. Lois was wiped from our consecutive late night escapades (captured in posts yesterday and the day before), so she stayed home. In a serendipitous turn, our friend (and extraordinary singer!) Amy Rivard was working in our neighborhood. She agreed to keep me company and we headed down together. We caught a set at Rockwood Music Hall Stage 1 first, but I’ll cover that at the end of the post.

Live Society was playing next door at Stage 2.

If you read my thoughts on Live Society in the previously linked post, you won’t have many surprises in what I’m about to say. They were awesome, again. Since the last time was clearly in the context of a Soul Revue, let me at least state that Live Society is an R&B/Soul/Funk band, and a darn good one.

Update: There are a number of corrections/clarifications and filled-in items below. All of the updated information was provided by the all-knowing, all-seeing Sam Teichman. Thanks Sam! 🙂

Brian Collazo is the front man and lead singer. He also played the acoustic guitar on a couple of songs. He has a great voice and an exceptional stage presence. It’s hard to take your eyes off of him during the show, except that you have to (and do), because there’s a ton of additional talent to pay attention to on stage with him.

BrianCollazoSingingBrianCollazoGuitar

Jason Vargas on vocals. Jason sang lead on one song (smooth as silk) and incredible harmony on all the others (with a lead verse thrown in here and there for good measure). He’s a got a smile (and a wink) that melts the ladies hearts (I was surrounded by women, not that there’s anything wrong with that!). I could swear that every time Brian refers to him he calls him “Jay Vegas”, which might be his nickname, but hey, I’m old, and perhaps I’m just doddering and not hearing it correctly. Winking smile

JasonVargas

Kevin Collazo rounds out the vocal part of the band. While he doesn’t sing lead on any songs, his harmony is strong and an integral part of the group. He and Jason are also somewhat like original Motown backup singers, in that they physically move in unison (often enough to notice) and make gestures (like hearts, with their hands) to match the lyrics. Very nicely executed. Here is Kevin, singing with Brian:

BrianCollazoKevinCollazo

John Kaiteris on electric guitar. John is a superb guitar player. He also writes many of the songs that Live Society records and performs. Simply an incredibly talented individual, even though he doesn’t open his mouth on stage (he let’s his fingers do the walking and talking). Winking smile

JohnKeitaris

Erik Perez on drums. Excellent! This type of music is so beat-heavy that even a decent drummer could bring the overall experience down if they don’t handle the transitions perfectly. Erik does. Problem solved (or actually, never created!).

ErikPerez

Anthony Candullo on electric bass. Solid job throughout the set. A relief (for me) from the night before, where the bass players were overwhelming in their volume. Anthony’s bass blended in just right. Note that Anthony’s name is linked, but the others aren’t. That’s because I can’t find a good link to each of them as individuals. I guess it’s “Go Team!” for Live Society.

AnthonyCandullo

Scott Harper on tenor saxophone. Scott is listed as a regular member of the band, but I didn’t mention him at the Benefit Concert. So, either I messed up badly, or he wasn’t able to make it that night. In any event, Scott did a terrific job last night on a number of tasty leads. Horns might not be a requirement for this type of music, but they sure are welcome on every single note they play.

Update: Sam confirms that while Scott is the regular sax player for Live Society, he did indeed miss the Benefit Concert, so I didn’t mess up reporting on that show (though I certainly have on many others).

ScottHarper

At the benefit concert, they had a special guest keyboard player, Patrick Firth. Last night a different special guest sat in on keyboards.

Jeremy Baum on electronic keyboards. Very nicely done throughout the set.

JeremyBaum

Amy and I both enjoyed the set so much that in addition to signing up for the mailing list (not really necessary since I follow the band and Brian Collazo on Twitter) we also both bought their current EP (they are recording a full-length CD as well). We were both very happy to support the band (tip jar as well) but I’ll admit publicly that I was surprised that a 5-song EP was $10. Hopefully, they’re putting the money to good use, they’re worth it. Smile

Sitting to Amy’s left was a beautiful blond (hey, I already mentioned that I was surrounded by women). It turns out that she’s Brian’s girlfriend (though it sounds way more serious than that, not that I should be putting words in Brian’s mouth!). He noted that last night was their three-year anniversary of making their relationship official. He also noted that she was very kind to be supportive of him for booking a show on their anniversary. Smile

When I first noticed the Live Society show, I also saw that another band was playing the set after them, that I had never seen, but heard interesting things about. Unfortunately, when I thought I couldn’t make it out last night, I promptly forgot about anything other than Live Society. When I showed up at Rockwood, at 8:35, I didn’t realize I’d be staying as late as I did.

Before Amy and I headed into Rockwood 1 we bumped into Chris Anderson on the street. If you never read this blog and don’t see live music in NYC, I’ll forgive you for not knowing that he’s one of our favorite bass players. We saw him the two previous nights, playing with The Big Apple Singers on Monday and with Ian Axel on Tuesday.

Chris mentioned that if we could, we should seriously consider sticking around to catch the set after Live Society. Of course, that jogged my memory that my original intention was to do just that. Amy couldn’t hang that late so she left right after Live Society was done.

The Thang Band is a nearly indescribable group/experience (experience is the better word). First, let me note that I can’t believe that they were able to grab the domain name at this late date in the Internet world. Amazing that everyone else let that go! Winking smile

Of course, I never let indescribable things stop me from describing them, so here goes my best effort.

What happens when you cross/mix the following?

  • Awesome musical talent
  • Incredible showmanship
  • Irreverance2 (that’s squared, not a notation that you missed Note #1 above)
  • Crazy amount of liquor consumption on stage (impressive whether it was real or fake)
  • Something between R and XXX rated themes and innuendo
  • Near-male-burlesque! (OK, not so near, but you’ll understand when you see photos below)
  • An audience of the who’s who of the NYC indie music scene
  • An audience who knows the above and insists that the boundaries be pushed further!
  • Theatrical choreography

Before I answer, while I give you time to imagine it yourself, I’ll note that if I had more time now (I don’t), I could list at least another 1/2 dozen bullet points. Suffice it to say that I was delighted that Lois stayed in, since some of it would have made her squirm, making me more self-conscious as well. This is a show that needs to be enjoyed with complete abandon.

OK, time’s up, what do you get if you mix the above?

Something that could and should be a long-running off-Broadway show, like The Fantasticks, which generated cult-like following, or the Rocky Horror Picture Show (again, for the effect it had on its fans). Not that The Thang is anything like those shows. It’s really a night of inanity and insanity, in song, performed by incredibly talented people.

If you were a blind foreigner, who didn’t understand a word they were singing, and couldn’t see their acting out the words for you (while they are playing and singing!), you would describe the show to your friends as some of the best Rock ‘n Roll you’d heard live in a while. The level of musicianship is top-notch.

If you were a prude, you wouldn’t have the guts to describe it to anyone, and you wouldn’t have a lot to describe, because you’d probably have left after a few minutes. Winking smile

So, since it’s still relatively indescribable, I’ll just say that there’s a lot of sexual innuendo, delivered with a giant dose of tongue-in-cheek (see what I did there?) Winking smile deliciously executed. In fact, rather than saying it’s like The Fantasticks, I really should have described it as one of the better SNL (Saturday Night Live) skits you’ll ever see, because rather than being performed by fake musicians making fun of real musicians, this is performed by real musicians, making fun of fake musicians who make fun of real musicians.

Now you might understand what the Thang refers to in their name…

As you will see in the photos below, the band had an outfit. I need to point it out to you, because if you don’t look carefully enough, you’ll think they weren’t even on stage (they are, after all, wearing camouflage). Smile

TheThangBand

A quick shoutout to the members of the band:

Paul Maddison on electric guitar and co-lead vocals. Paul was excellent on the guitar and vocals! I’m listing him first because he’s the reason I wanted to see them. I had no idea (not until they walked onto the stage) what I was in for. In other words, while Chris Anderson (and others) told me I should see them, I thought it was just going to be another local band that I would like.

PaulMaddisonSinging

I had seen Paul before, twice, supporting the Greg Mayo band. I was interested to see what he would be like front-and-center. Now I know. Winking smile In a not-so-small irony, one of the first words out of Paul’s mouth on stage was a (very friendly) jab at Chris Anderson. He followed it with “See what happens when you don’t stick around for the show?”.

Dan Golden on keyboards and co-lead vocals. A match for Paul in many ways. They were totally in sync and seemed to feed off each other. The two of them drank what appeared to be huge swigs of vodka from their own bottles in the middle of the set. If it was real liquor (and I suspect it was), it was an impressive amount, considering they still hit every note afterward (and they probably started off drunk, considering that one of their songs is called I’m Still Drunk!).

Update: Sam informs me that they were drinking water on stage, but that all bets were off once the show was over. OK, maybe. Or, they got to him after reading this, and told him to make sure I change it, before their parents got the wrong idea of what they were doing with their time! Sam is clever enough to have thrown me a bone about Kenny Warren (see below) and Scott Harper (see above) to make it all seem a bit more legitimate…

DanGolden

Rob Pawlings on electric bass and vocals. If you look at the photos, you’ll notice that the band are wearing gaudy necklaces. The only one that looks different is Rob’s, because, apparently, his alter-ego is named Bobby Bananas. Excellent on the bass, excellent on the vocals and Rob/Bobby led the male burlesque part of the evening.

It’s hard to see, but just over Paul’s fingers and guitar is a Banana on a gold chain, hanging from Rob’s neck (in the first photo):

RobPawlingsRobPawlingsSinging

Dave Freedman on electric guitar. Dave did an excellent job on both rhythm and lead guitar playing. At the end, he and Paul Maddison took simultaneous leads in harmony with each other. Awesome, but could have been longer.

DaveFreedman

Kenny Shaw on drums, vocals and some very dry banter. If I understand correctly (just from some quick Googling), Kenny Shaw started this Thang, originally called ShawThang! That shocked me, because I’ve seen Kenny perform with the Greg Mayo Band a couple of times, and he comes off like the most sedate, normal person you could imagine. Clearly, he has a sick, twisted mind that required an outlet. Thankfully, he found one that the rest of us could enjoy with him! Smile

For the last two numbers, a trumpet player jumped up on the stage and sang as well (so he obviously knew the songs). There was too much going on for them to stop and introduce him, so I don’t know who he is.

Update: Sam informs me that it was Kenny Warren. Kenny has a long association with The Thang Band and was also the original trumpet player with The Greg Mayo Band.

OK, I know most of you don’t believe a word I said. This won’t be proof, by any stretch of the imagination, but it should open your mind to some possibilities. It’s a two-year-old video of one of their hit songs, Lipstick on My Booty. Last night, the performance was way more visually descriptive than the video below:

Lipstick on My Booty by The Thang Band

I left chuckling, and once again glad that Lois missed it. Winking smile

Circling back to the beginning of the evening. Amy Rivard was one of a number of friends who was out with us the previous Wednesday to see three sets at Rockwood 1. The first set that night was Chelsea Lee.

As with Live Society, I knew that Chelsea was playing again last night but also thought I’d have to miss it. Once I knew I could make it, I asked Amy if she wanted to head down earlier and catch Chelsea Lee again. She was interested.

ChelseaLee

The set, again accompanied by Wes Hutchinson and Spencer Cohen was close (if not a copy) of the previous week. That’s fine, as I thoroughly enjoyed it last week, as I did again last night.

WesHutchinsonSpencerCohen

If there was one complaint, it was that it was a short set. That made for a more relaxed evening, but I would have preferred to listen to more of Chelsea. She’s still very young, so I have no doubt that the material will continue to be written and the sets will get longer in time.

In addition to Chelsea repeating an excellent performance, the same could be said of both Wes and Spencer. The three are well matched. Last week I purchased Chelsea’s 5-song EP. I have listened to it a number of times this week and I have enjoyed every single listen.

Chelsea will be back next week, this time at Rockwood 2, on Tuesday (May 31st), at 7:30pm, in a ticketed show, opening for Greg Holden who is having his CD Release Show that night.

Since the set was short, I had the time to introduce myself to Spencer and tell him how much I enjoy his percussion.

Another excellent night out. My heartfelt thanks to all of you people who spend your lives honing the skills required to entertain me! Smile

Backscratch 13 at Rockwood Music Hall

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Given how awesome last night was, I’m still a little in shock that I missed the first 12 Backscratch sessions. This was the second time it was held in Rockwood Music Hall.

Here’s the concept: gather a bunch of musicians. Each plays three songs. Traditionally (or so the legend goes) each played one original song, one well-known cover and one cover of another of the evening’s musicians, which they were each assigned at random! Now, it’s often two originals followed by the backscratch.

It’s great for many reasons (just come to the next one, June 27th, and make your own list of reasons to keep coming!).

Since there were so many people performing last night, I’ll be really brief (ha ha, I didn’t believe it when I first wrote it, but now that I’m proof-reading, I know it’s a lie!). Winking smile Refer back to the first line for how much we enjoyed the three-hour show: awesome!

Shwa Losben opened the show on vocals and acoustic guitar. I had never heard of him. Excellent! After playing two originals (both wonderful songs) his backscratch was an Alexa Wilkinson song (Alexa was new to us too, more on her later).

ShwaLosben1ShwaLosben2

Scott Chasolen on vocals and keyboards. Another one we hadn’t heard of. Also excellent! I loved both of his originals. His backscratch was a Matt Simons song (I’m Already Over You). We’re big fans of Matt and Scott did him proud (IMHO).

ScottChasolen

Scott performs with two others and they are known as the Scott Chasolen Trio:

Adam Minkoff on electric bass and light harmony. Very nice job.

AdamMinkoff

Josh Giunta on drums. Excellent. A lot of eyes were on Josh during a fair amount of Scott’s set. No good photo of Josh, sorry.

Sierra Noble on vocals, acoustic guitar and violin. We’ve seen Sierra Noble backing up both Rachel Platten and Martin Rivas (back-to-back sets on the same night). I am aware of how much her fellow musicians respect and love her, but that night, while she did a fine job, I didn’t see the light. Last night, headlining the three-song set, I got it. She has an incredible voice. She writes beautiful songs.

SierraNobleGuitarSierraNobleViolin

Sierra was accompanied by Martin Rivas on acoustic guitar and a lot of harmony, Chris Anderson on electric bass and light harmony and Craig Meyer on the drums (Craig is the co-founder of Backscratch with Martin Rivas).

ChrisAndersonCraigMeyer

Not much else needs to be added. But, let’s add an anecdote (actually two!) anyway. Her backscratch was a Chris Ayer song. Sierra was expecting Greg Mayo to show up in time to perform it with her (and Martin, Chris and Craig). Greg must have been held up in traffic. Somehow, that threw Sierra off a bit.

While she did a great job on the parts that she got out (did I mention she has a great voice?), she also lost it (laughing) a number of times (including dropping the lyrics on the floor). The mood was light in the room and everyone got a kick out of it, including Chris Ayer. Sierra correctly noted that Chris is a poet and that it was difficult to sing his song because she hadn’t graduated from college (could be a joke, but it was an honest homage to how wonderful Chris’ lyrics are!).

The other one is a small world story. I’ve written a number of times about a great singer/songwriter, Jesse Terry. We’re going to see him again twice in May, once in Rockwood (next week) and the week after at a house concert (where we first saw him). Appearing with him at both shows is a friend of his, Michael Logen. Jesse has told me how much I am going to like Michael. One of Sierra’s originals was co-written with Michael Logen. Martin sang Michael’s part in gorgeous harmony with Sierra.

Martin Rivas on acoustic guitar and vocals. Martin opened with Raise Me Again. That song gets to me every time (including last night). His second song was a new one (excellent!). Rachel Platten was standing behind us and she couldn’t resist singing some soft harmony with Martin (wonderful).

MartinRivas

Pick up Rachel’s new album, Be Here (released today!), it’s fantastic!

For his backscratch, Martin drew Bess Rogers. He played Come Home. In case that wasn’t good enough (it was!), he morphed the end into a song that most people in the audience recognized, but I believe were still caught completely by surprise!

Bess Rogers is in the final four days of a very successful Kickstarter project. You should watch the video on her Kickstarter page to see how records are made. Martin performed that song (perfectly) and everyone was blown away (especially Bess). You still have a chance to contribute to Bess’ record. Stop thinking, just do it. Smile

Chris Ayer on acoustic guitar and vocals. Chris played Graduate and Stranded (two of our favorite Chris Ayer songs). Throughout the evening (3+ hours), there was generally a background noise of some people talking steadily at the bar. Occasionally it was annoying, most of the time it was reasonably white noise. When Chris played Stranded (a relatively long song), you could have heard a pin drop (as it should have been for every song by every performer!).

ChrisAyer

On Graduate, Chris was accompanied by Matt Simons on keyboards and Chris Anderson on electric bass. On Stranded, Matt accompanied and Chris Anderson left the stage. For his backscratch, Chris Ayer played a Sierra Noble song solo. Wow! Not just Chris’ performance, but Sierra’s song. Chris didn’t even look over at his sheet music. Sierra was standing a few people behind us and she sang some soft harmony with Chris (that most probably couldn’t hear, but I could). It was amazing!

Bess Rogers performed two new songs (acoustic guitar and vocals) accompanied by her husband, Chris Kuffner, on acoustic guitar (Chris also sang harmony). Both songs were hits with the crowd and I assume (but don’t know) that they will both be on Bess’ new CD. Bess drew Rebecca Haviland for her backscratch.

BessRogersChrisKuffner

Rebecca Haviland on electric guitar, keyboards and vocals. Rebecca honored the original spirit of Backscratch by performing an original, a well-known cover and a backscratch. Let’s get out the most important thing first, Rebecca has a phenomenal voice. She plays the guitar well. She really shines on the keyboards. For her cover, she chose Black Dog by Led Zeppelin. If you didn’t know the title, or recognize the words, you would never have known it was a Led Zeppelin song. She (and her band) made it completely their own, a slow, soul/funk version.

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On those songs Rebecca was accompanied by Greg Mayo on keyboards (yes, he eventually showed up), Chris Anderson on electric bass and Kenny Shaw on drums. All were great, as we’ve come to expect.

RebeccaHavilandGregMayoKennyShaw

For her backscratch, Rebecca switched to the piano and Greg to the electric guitar. She played a Martin Rivas tune with such heart and soul (joking in advance that she had to change it up a bit, since Martin is the king of soul!). Greg played a couple of long guitar solos. If you’re read this space before, you know that this excites and soothes me at the same time. I will never get enough of Greg Mayo’s guitar play. Thank goodness he showed up! Smile

RebeccaHavilandPianoGregMayo

Alexa Wilkinson on acoustic guitar and vocals. I’ve been following Alexa on Twitter for quite a while but have never seen her perform. We had planned to catch Mercy Bell, Julie Peel and Alexa at the Living Room a long time ago, but I got very sick and we never made it. Alexa has a wonderful voice and accompanies herself on the guitar very well. I enjoyed both of her songs. For her backscratch, she drew Shwa. Alexa has a relaxed and funny stage presence in addition to her musical talents.

AlexaWilkinson

Matt Simons closed the show on keyboards and vocals. He too reverted to the original spirit. After his original song, he played one by Death Cab for Cutie. He was accompanied by Greg Mayo on electric guitar and Chris Anderson on bass and Kenny Shaw for his original number. For his backscratch, he drew Scott Chasolen (who had drawn him, as did Sierra/Chris). He did a fantastic job (making me want to hear more Scott originals).

MattSimons1MattSimons2

Even though we didn’t get home until 12:20am, it was well worth it.

Martin Rivas and Greg Mayo Band at Rockwood Music Hall Stage 2

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There was an all-star triple-header lineup at Rockwood Music Hall Stage 2 last night. Robbie Gil at 9pm, Martin Rivas at 10pm and the Greg Mayo Band at 11pm. I was committed to seeing Martin and Greg, but I was really looking forward to catching Robbie’s set as well. The best laid plans… I’ll end the post with why/how I missed Robbie’s set (again).

Lois didn’t make the show (see why at the bottom). All complaints about photo quality go to me, but I was also further away, so there was little I could do. As you’ll see below, tons of people on stage, some were basically out of view for much of the show.

As is typical for a big lineup Saturday at Rockwood, three things could be counted on:

  • Capacity crowd (great on most levels, crappy on a few)
  • Sets starting late (due to setup time and fans insisting on longer sets than scheduled)
  • Awesome music

Martin Rivas had a full(er) band. He opened the show with seven people on stage, but after three (or four?) numbers, he brought out a horn section as well, bringing the number of people on stage to 10. That was a new record for the number of people on stage at the same time at Rockwood for a show that I was at. Later on, Martin had two separate guests join, setting the new record at 11.

MartinRivasChrisKuffnerMartinRivasBrassSection

This was a typical Martin Rivas show:

  • Incredible energy from every band member
  • Incredible energy from every audience member
  • Lots of Soul, Funk and Rock, sprinkled with other stuff
  • Generosity from Martin, giving solos to (nearly) every band member (no bass solo)
  • Freshly baked cookies passed around the audience (Lois, no worries, amazingly, the cookies never passed me, so I didn’t have to show any restraint!) Winking smile
  • Pins passed around the audience (Sam Teichman made sure I got one, but he did not make sure I got a cookie, or Lois secretly got to him and he made sure I didn’t!)
  • Spirits lifted

Given how many people played across these two sets, I’ll get right to it, left-to-right, front-to-back on the stage, supporting Martin:

Patrick Firth on electronic keyboards and vocals. They lifted the grand piano off the stage (one of the cool sights at Rockwood 2). Patrick was his usual excellent self, including a few great solos.

PatrickFirth

Chris Kuffner on electric guitar and vocals. Another fantastic performance from an all-around star. I’ll have a couple more things to say about Chris when I get to the other guitarist, Greg Mayo.

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Ryan Vaughn on percussion. If you can bang it or shake it, Ryan was doing it.

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Craig Meyer on drums. Craig is always wonderful. We saw him a week ago supporting Rachel Platten. The difference in styles (including the drum kit itself) between that type of performance and last night is dramatic. Craig handles it all. He was such an integral part of the upbeat sound keeping everything hopping. (No photo, sorry!)

John Liotta on the baritone sax. Excellent. He was more prominent in the next set, but held his own in this one.

JohnLiotta

Wayne Tucker on trumpet. Wayne was terrific. He took a couple of solos, including one where he played a few notes staccato at very high speed for a few bars, very tasty, adding to the funk sounds beautifully.

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From my vantage point, it appeared to me that Wayne’s right cheek was bruised with a shiner the likes of which I hadn’t seen for a very long time. Every time he puffed his cheek to play, I winced on his behalf. You’ll have to stick around (or skip ahead) to the next set to find out how wrong I was. Smile

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Dan Voss on tenor sax. This was our first time seeing Dan play. He was excellent. One of the people I was standing with told me that he’s a real pro. I have no reason to doubt that from last night’s performance!

DanVoss

Brian Killeen on electric bass. Another extremely solid performance from Brian. Martin’s full band sound requires a very solid bottom to keep things going and Brian and Craig are well matched to deliver.

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Greg Mayo on electric guitar and vocals. I can’t get enough of Greg’s guitar play and last night was no exception. Every time he stops his leads, I wait impatiently for the next one. He and Chris Kuffner trade off the leads, each with their own excellent style. On a few numbers (most notably the closer), they took independent simultaneous leads (very different from each other). It was mind-blowingly satisfying.

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Chrissi Poland joined Martin to sing lead and harmony vocals. Chrissi has such a wonderful and powerful voice and is so well-suited to soul music. Their duets are a real crowd favorite. When she was on stage, there were 11 performers. Since the record is for shows I attend, I am the sole arbiter (and counter) of who holds the record. Martin actually looked at me and asked if this was the record. Indeed it was. Smile

ChrissiPolandBrassSection

Rebecca Haviland joined Martin to sing lead and harmony vocals. Like Chrissi, Rebecca has a very big voice, also suited to soul (among many other genres). She was great (as she always is). The record stood at 11, since Chrissi and Rebecca were not on stage at the same time.

MartinRivasRebeccaHavilandMartinRivasChrisKuffnerRebeccaHaviland

Martin had a number of family members in the audience, including his sister and aunt. His aunt might be his biggest fan. She kept flying out of her seat, singing, clapping over her head, screaming and dancing. You’d think she was a teen with the energy she displayed.

When the set was over it was difficult to stand in place. People were coming and going, pushing and shoving (not in a mean way, it was necessary simply to get through the crowd). The person I was standing with spotted two people leaving their seats 1/2 way across the club. She headed there to see if it was just temporary. Amazingly, when she got there, the seats were still available. It took me a while to work my way through (rather around) the crowd, but she held the seat for me. To quote her: “It’s nice to sit!”. Amen! Smile

The Greg Mayo Band is a relatively recent discovery for us, but they made our favorites list instantly, so we were really looking forward to this set. To remove any mystery, they remain high on our favorites list.

The core band consists of eight members. Last night, Greg had a few special guests, one of whom played on every song making the minimum number of people on stage nine.

The similarities with the prior set are the basic style of music (Greg’s band concentrates on Funk and Soul, with some good old fashioned Rock as well). The differences aren’t huge, but they’re noticeable and material. Martin’s sets are very guitar heavy (three of them on the stage at all times) and Greg’s set is very piano centric (they brought the grand piano back down for Greg to play and he played electronic keyboards as well).

The other difference is that Martin rarely has a horn section and Greg always does. The horns were a wonderful addition to Martin’s set, but they are extremely integral to Greg’s sound, much more highlighted with more and longer solos. Finally, Greg has a full-time female voice to sing harmony with, while Martin’s regular vocalists are male.

This show was billed as a Valentine’s Day extravaganza, which will become important in a minute.

Let’s cover the band, again left-to-right, front-to-back.

Rebecca Haviland on vocals. I have a single complaint about Rebecca’s role in the Greg May Band: give us more Rebecca! She does sing some lead, but not enough. She and Greg sing so beautifully together, but there too she takes a back seat and doesn’t sing as much harmony with Greg as I’d like.

RebeccaHavilandSinging

The above is meant to compliment Rebecca. Greg has a wonderful voice and I can listen to him sing alone all night. Together is better, it’s that simple. Smile

Erik White on tambourine (and mic-less vocals!). Erik was a special guest. He was the original guitarist in the Greg May Band. He projected energy on stage throughout the show, singing with Greg even though he didn’t have a mic (except for one song when the brass section walked off the stage and Rebecca shared her mic with Erik). He played some seriously good tambourine. He wasn’t just a prop.

ErikWhite

John Liotta on baritone sax. Highlighted a bit more in Greg’s set, John did a wonderful job.

Wayne Tucker on trumpet. Another excellent job. Since we moved to seats that were behind the piano, I had a very different vantage point on what I had thought was a terrible shiner on Wayne’s right cheek. It turns out it was a large red heart (looked like it was drawn in red lipstick). Made sense with the Valentine’s Day theme, but I missed it during Martin’s set. I was glad Wayne wasn’t injured after all. Winking smile

WayneTuckerHeart

Matt Simons on tenor sax. Matt is another incredible musician. We just saw him perform a few days earlier in VA, playing electronic keyboards and singing. Last night, he was master of the sax (I love his play!). Come to Rockwood 2 this Saturday night (2/19/2011) at 11pm for a 90-minute set which Matt is headlining (with guest, Chris Ayer). It’s a longer set than usual, so that we can all celebrate Matt’s birthday at midnight. Smile

MattSimons

Kenny Shaw on drums. Kenny keeps up perfectly with the upbeat tempos of the Greg Mayo Band. Well suited to this style of music.

KennyShaw

Chris Anderson on electric bass (and probably some vocals, but I only caught a few glimpses of Chris). Chris is one of our favorite bassists. He too played in the same VA show that Matt did a few days ago, but that night he played upright bass. We’ll see him again this Wednesday when he plays with Ian Axel for his CD Release Show. Another performance that is perfectly suited to this band and coupled tightly with Kenny Shaw’s drumming. (Horrible photo, sorry!)

ChrisAnderson

Paul Maddison on electric guitar and vocals. Paul did a very nice job, taking a well-known lead on one of the covers. He also sang well. The Greg Mayo band doesn’t highlight the guitar that much so I look forward to catching Paul in one of his other projects (most notably Julius C).

PaulMaddison

The above was the core band last night. Greg brought up another special guest very early in the show.

Matt Abatelli on tenor sax. Matt was a founding member of the band but doesn’t appear to play with them regularly any longer. Matt Simons stepped off the stage to make way for Matt Abatelli (apparently, you have to be named Matt in order to qualify to play the tenor sax in this band!). Winking smile (No photo, sorry!)

Given his stature with the band, Greg chose a song to highlight Matt right from the get-go. Matt (Abitelli) didn’t disappoint. He wailed on the sax and I look forward to catching him again in a longer set.

Greg’s birthday was 6 weeks ago. You can only imagine his surprise when Rebecca announced that the band bought him a special gift, albeit a little late. She asked us all to sing Happy Birthday to Greg (which we did) and asked Greg to open the gift and show it to us. It was a bag of custom guitar picks. On one side, it said “Greg Mayo”. On the other, “How you doin’ y’all?”. Perfect! Smile

GregMayoBeerGregMayoBirthdayGift

After a very satisfying set, Greg announced that if we made enough noise after his next (and last) number, they would do an encore to give a proper sendoff to two of the musicians who played the earlier set. You shouldn’t have to ask whether there was enough cheering to keep them on stage.

Both Patrick Firth and Ryan Vaughn are leaving shortly for an extended tour to Russia, supporting John Forte. Greg wanted to give them a proper sendoff.

He called both of them on the stage. Ryan took control of the full drum set. Kenny Shaw moved over to play percussion (exactly what Ryan did the set before). Patrick just took to a microphone to sing (lead and harmony). If that was it, that would have just tied the record for 11 people on stage at the same time.

PatrickFirthVocals

Records are meant to be broken, even if they were set just an hour earlier. Greg also called up Martin Rivas to sing and Matt Abatelli on the sax (this time, Matt Simons stayed on stage!). Uh oh, that smashed Martin’s record with 13 people on stage! Well, technically, there were only 12 people on stage, because Paul Maddison played the entire song standing on his amp! Yes, it was that jam packed on the stage and he’s that much of a rock star. Winking smile

Martin looked over to me and said “Oh well, at least I held the record for a bit…”. Indeed, he ousted Alex Berger before being ousted himself.

Earlier, Sam Teichman told me that during the second Soul Revue Benefit (which we missed because we were out of town), they had either 13 or 14 people on stage at the same time (he’s going to send me a video to prove it). I don’t doubt him, but this record doesn’t count if I’m not there, so, nice try Sam! Smile

Here is Greg’s set list:

GregMayoSetList

Circling back to why I missed Robbie Gil, again…

Four of us had an absolutely incredible meal at The Green Table in the Chelsea Market. Organic food that was delectable, served by people who we enjoyed interacting with.

OrganicBeefOrganicRoastChickenCrabCakes

Lois wasn’t feeling too well even before dinner, but it was early enough for her to push herself. After the meal, she grabbed a cab home. Two of us got into a car and headed east to Rockwood. Cross-town traffic was slow so it took a bit longer to get there than expected. Then we circled a few times looking for a non-existent spot. Eventually, the driver forced me out of the car so I could get in line for Martin’s show (Robbie’s was a distant memory).

I waited outside for over 30 minutes (yes, it was very cold). Robbie’s set was packed to the gills (no pun intended) and it appeared from the outside that they were tearing the house down. I am determined to catch his set one of these days, sooner rather than later.

When the show was over, a little after 1am, there were a dozen people looking for a cab, with none available. I eventually walked over a mile and while waiting for the bus (for quite a while) finally caught a cab the rest of the way home. I walked in the apartment at 2:10am. Yippee. I loved the entire evening/night (with the exception of the 30 minutes waiting in the cold), but I’m too old to be acting like a kid.

Greg Mayo Band at Rockwood Music Hall Stage 2

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Another day, another post that’s 24 hours late, another day of two posts (this one being the first).

Everyone knows the expression: Be careful what you wish for, you might just get it.

Let’s add a new one: Be careful what you wish for, you might just think you’re getting it, but get something wildly different than you expected, and be completely blown away (in the positive sense) in the process.

Perfect, just rolls off the tongue. Winking smile

Regular readers know that I’m working my way through a mental music bucket list, mostly local performers who I have a burning desire to see perform full sets. Most come from seeing them support other artists and recognizing their enormous individual talent. The rest come from trusting other people who tell me “You have to see so-and-so”.

Greg Mayo has been way up on my list since I saw him support Martin Rivas at a benefit for the Gulf on July 30th, 2010. I have seen Greg a number of times since then, always in a supporting role, always on the electric guitar.

GregMayo

We see a lot of excellent local musicians, including a lot of fine guitar players. In my opinion, Greg is the best of them. His buttery smooth leads are flawless and always interesting. I had heard that he also headlines his own band/shows as The Greg Mayo Band. I knew that I wanted to see him bust loose even more, expecting guitar explosions extraordinaire.

When I saw that Greg was playing at Rockwood Music Hall Stage 2 (a simply fantastic place) I knew I was going. When I saw that it was at 10pm (normally a bit later than we like to go), I was doubly excited, because I badly wanted to see the show at Rockwood 1 from 8-10pm that I wrote about yesterday.

So, bottom line, you all want to know how amazing Greg Mayo was on the guitar, right? Well, your guess is as good as mine, because Greg didn’t touch a guitar during his show. If I had done any research at all, I would have known that. Now go back and read our new rolls-off-your-tongue expression: BCWYWFYMJTYGIBGSWDTYEABCBA(ITPS)ITP!

Greg played the grand piano and electronic keyboards, fantastically. He sang, amazingly. In general, he and his big band put on a killer show that was completely unexpected (to me, not to his fans).

GregMayoKeyboards

I would describe Greg’s music as Rock-N-Soul, with a good measure of Big Band thrown in. I noted recently that the most people I’ve seen on stage at one time at Rockwood 2 is nine (Alex Berger’s show). Greg only had eight in his band, so the record still stands, but it was quite a huge sound.

I love most instruments, so I always feel silly when I say things like: “I love the guitar”, etc. But whenever an extraordinary musician plays an instrument, I am compelled to not only recognize that musician, but the fact that the instrument they are playing has its own special qualities that stir something in me that other instruments stir in different ways.

Ever since I was obsessed with music as a teenager, good brass sections (even good brass soloists) can reach somewhere inside me and get to places that other instruments don’t typically reach (though other instruments reach me in different, often more interesting ways!). As an example, for years, Chicago was my favorite rock band, partially due to their brass section.

I can keep going with background, but let’s skip all that and mention each person in the band, they all deserve their own shout-out! Standing left-to-right (stacked) on the stage:

Rebecca Haviland on vocals and tambourine. Gorgeous voice. Perhaps a bit under-mic’ed, but nonetheless a wonderful addition to Greg on the harmonies, with a reasonable number of leads for Rebecca as well. Her dancing and energy added to the color and impact of the set.

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Matt Simons on tenor sax. From Greg’s website, it seems that Matt is not Greg’s normal tenor sax player. That appears to be Matt Abatelli. I can’t speak to the other Matt’s sax skills, but let me heap some crazy praise on Matt Simons, who I didn’t even know played the sax to begin with!

MattSimons

If you clicked on the link above about yesterday’s post at Rockwood 1, then you know that I’m a big fan of Matt Simons’ own work (solo and in conjunction with Chris Ayer and Morgan Holland). I had only seen Matt play keyboards, very well. His sax solos were killer. Now I need to find out what other instruments he plays. Awesome!

(Now an apology that I will correct later. I heard the trumpet player’s name clearly on Saturday, so this isn’t Greg’s fault, but since I’m late in posting this, I’ve already forgotten it, and it wasn’t his regular trumpet player. I sort-of remember Tony as the first name, so I’ll use that as a placeholder, until I get the right name.)

Wayne Tucker played the trumpet. Kenny Warren is listed as the normal trumpet player on Greg’s site. As with the Matts above, I assume Kenny is great, but I know that Wayne is! He didn’t take as many solos as Matt Simons did, nor were they as long, but he was great in his play throughout the set.

Wayne Tucker

John Liotta on baritone sax. John was excellent as well, making for the brass section trifecta! Seriously, these three guys rocked it hard!

JohnLiotta1

Kenny Shaw on drums. As you might imagine, a sound this big requires quite a good drummer to keep everyone charging (including the audience!). Kenny didn’t disappoint. OK, that wasn’t positive enough, he did his job wonderfully!

KennyShaw

Chris Anderson on electric bass and vocals. I wrote about Chris in yesterday’s post, as he, like Matt Simons, did the same 5-foot walk from Rockwood 1 to Rockwood 2. While Chris played the upright bass in support of Morgan Holland, he was an integral part of the big sound of Greg’s band on the electric bass and of course, singing background vocals as well. Chris always delivers on the bass (always). For the huge sound that Greg’s band produces, Chris was at the top of his game. The bass was quite loud and easy to pick out, even though I couldn’t see Chris at all from my seat.

In addition to changing instruments, Chris also changed outfits, since Greg likes the band to dress up. Smile

ChrisAndersonSuit

Paul Maddison Erik White on electric guitar and vocals. Paul was playing the instrument that I expected Greg to be playing, so he had a tall order to fill in my mind. He did an excellent job, but the music isn’t really oriented to overly-highlighting the guitar (though there were enough cool licks to satisfy).

Paul Maddison

On one number, Paul was playing a riff that sounded exactly like a Doobie Brothers number. I turned to Lois and said exactly that. One second later, the song morphed, and Rebecca Haviland indeed sang two verses of a Doobie Bothers song before morphing back into the original number. Cool!

Like the set at Rockwood 1, Rockwood 2 was jammed for Greg’s set. Not only that, but the energy carried a number of people to dance (in very close quarters), and to jump up and down when Rebecca did it on stage. The floor was shaking like there was a train passing underground. That’s something we all experience at Joe’s Pub (where the underground train is real!), but this was a first at Rockwood for me. The joint was literally jumping!

We’ll be back for Greg’s next show at Rockwood 2 on February 12th and you should be too!

So, who was on before Greg’s set at Rockwood 2, opposite the completely mobbed show that I attended at Rockwood 1? None other than Beatle progeny Sean Lennon!

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While we were settling in for Greg’s show, Sean and his band were breaking down their equipment on the stage. Yes, he was packing up, being a regular musician. He stopped and allowed us newcomers to take some close-up photos as well. I didn’t hear his music, but I got the strong sense that he’s grounded and nice. So wonderful to see!

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