Zach Jones

Greg Mayo Band Levon Helm Tribute at Rockwood Music Hall Stage 2

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Greg Mayo Band headlined a set at Rockwood Music Hall Stage 2 last night. The show was on opposite two others that I would gladly have attended, but a week ago I decided that one can’t have enough Greg Mayo in their lives, so with apologies to the others, I was going to see Greg.

GregMayo

Then on Thursday (April 19th, 20120), Levon Helm passed away. Greg announced that Saturday’s show would now feature a tribute to Levon Helm and The Band. Had I chosen one of the other shows, I would have changed my plans to attend this for that reason alone.

LevonHelm

Greg split the show into two parts. The first was five songs written by him and performed by the full Greg Mayo Band (eight people, including a brass section). The second was the Levon Helm / The Band tribute, consisting of six songs with special guests joining on a few.

I was really glad that Greg chose to play some of his own material as well because one of our friends had never seen a Greg Mayo Band (GMB) show and he totally got how awesome they are (and Greg’s songs are!) before the first verse was over. I bet I’ll be seeing him at many future GMB shows. Smile

After playing It’s a Pity (typically the last song of a GMB set), the horn section left the stage and Greg gave a moving speech about Levon and what he meant to Greg, all of his musician friends and many others (including me!).

One of the first things he mentioned was that a few people had told him that everyone was doing tributes to Levon and perhaps he should consider not doing one. Greg had the perfect answer: “You can never have too many tributes to The Band, everyone should do one!”. Amen!

I’ll cover all of the band members below, but the spirit of the tribute deserves mention before the individuals who performed it perfectly.

In the GMB Greg plays the keyboards (last night he played the grand piano exclusively, amazingly, though he typically plays a bunch of electronic keyboards during these shows as well). Greg also plays a ton of guitar in many other bands. A few of those bands (including The Big Apple Singers and it’s various spin-offs and The Narwhals) specialize in songs by The Band. So I have personally witnessed Greg and his cohorts choosing to honor those songs over and over, ensuring that our youngins get exposed to these timeless classics.

GregMayoPiano

There’s another reason that the timing of Levon’s passing was so emotional for Greg. Over the New Year’s weekend, as a surprise gift for his recent birthday, a very special person in Greg’s life took him to one of Levon Helm’s Midnight Rambles. I’m sure it’s a night that Greg will remember for the rest of his life. The fact that it ended up being one of Levon’s last Rambles makes it all the more poignant.

Greg began the tribute portion by inviting up one guest.

Patrick Firth on electronic keyboards and vocals. Patrick joined for most of the The Band portion, including stepping away from the keyboards to sing lead on a verse at center stage. He was great on the keys, always an integral part of The Band songs.

PatrickFirthKeyboardsPatrickFirthSingingZachJonesMattSimonsPatrickFirthSingingZachJones

PatrickFirthRebeccaHavilandChrisAndersonPaulMaddison

Then Greg invited up a couple of guests to sing on a few of the songs.

Evan Watson kicked it off with the lead vocals on the first verse of Up on Cripple Creek. Evan fronts a number of bands, including The Big Apple Singers. He’s as well suited for singing any song by The Band as anyone I know. Evan returned later and took over the electric guitar for one song in addition to singing on others.

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Zach Jones sang a verse on Up on Cripple Creek as well and joining everyone else for a few other songs.

ZachJonesZachJonesSingingZachJonesEvanWatson

Circling back to the band, but first, a few more words about Greg. He’s never disappointed me at any show, whether he’s the star or a sideman. Last night his voice was as good as I’ve ever heard it (I’m tempted to say he was inspired, but that would detract from the fact that his worst is better than most others’ best). His piano play was as good as it always is.

GregMayoPianoSinging

His mic stand failed on one song (I didn’t see how). Armando cut through the crowd with a replacement. While he was swapping one for the other, Greg took the mic and stood up to sing without playing the piano. Of course he was incredible. When the swap was done Greg didn’t replace the mic in the stand until the song was over. Instead, he sat down at the bench and alternated playing the piano with one hand, then the other, switching the mic into the non-playing hand. Great job of making awesome Lemonade from the lemons. Smile

GregMayoRebeccaHavilandJohnLiotta

The rest of the band, left-to-right on stage:

Rebecca Haviland on vocals and tambourine. Rebecca was on stage for every number in the set. She sang a lot with Greg during his numbers, including taking the lead on part of It’s a Pity. Then she joined on every The Band song, including singing a verse on the lead of at least one song. Superb!

RebeccaHavilandSingingGregMayoRebeccaHavilandSinging

John Liotta on baritone saxophone. John played on every GMB number, then returned for half of The Band ones. He took one long lead on a GMB song and wailed a bit with the rest of the brass section on The Band tunes as well. Excellent!

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Josh Reed on trumpet. He was on stage for the same songs as John Liotta (as was the next person, completing the brass section). Like John, Josh took a long lead on one GMB number. Excellent!

JoshReedJoshReedTrumpet

Matt Simons completed the brass section on tenor saxophone. Matt is awesome on the sax, but we don’t get to see him play it often enough, because his own original music (which I love!) is delivered on the keyboards. So, having him play at last night’s show was a very special treat for me.

MattSimonsMattSimonsSax

The brass section alone, then bracketed by Rebecca and Paul:

BrassSectionRebeccaHavilandBrassSectionPaulMaddison

Kenny Shaw on drums. I had to go three days between seeing Kenny playing the drums. Thankfully, the long drought ended with such a great set.

KennyShaw

Chris Anderson on electric bass and vocals. Chris is always great on the bass. He sang a bunch of background vocals on the GMB portion. In addition to singing a verse on the lead in a couple of The Band songs, Chris came to center stage to sing lead on The Night They Drove Old Dixie Down. Fantastic!

ChrisAndersonRebeccaHavilandChrisAndersonChrisAndersonSingingJoshReed

Paul Maddison on electric guitar and vocals. Paul sang a bunch on the GMB numbers. He wailed on the electric guitar more during The Band portion, but was extremely solid during the GMB set. He relinquished his guitar and spot on stage for the number that Evan played guitar.

PaulMaddisonPaulMaddison2MattSimonsPaulMaddisonSinging

Most of the audience sang along to The Band numbers, with quite a number of people singing along to the GMB ones as well. It was a set most worthy of losing one’s voice. Thanks Greg and everyone on stage (and in the audience) for such an incredible, memorable performance!

Here’s the set list:

GregMayoBandLevonHelmTributeSetList

A few extra shots, including one of Greg’s little mascot:

GregMayoMascotGregMayoRebeccaHaviland

Goodnight Levon and thanks for everything!

LevonHelmDrumming1LevonHelmDrumming2

Tony Maceli Full Vinyl Tribute to Yacht Rock at Rockwood Music Hall Stage 2

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Tony Maceli organized and hosted another Full Vinyl show last night at Rockwood Music Hall Stage 2. I opened my post about the previous show with the following:

Tony Maceli is one of the top bass players in the NYC indie music scene. Some months ago, he started organizing a regular mega-show called Full Vinyl. Last night was the first one we were able to attend, so I don’t know whether we’ve missed one or two. I also don’t know whether the format is always the same (or going to be). This show was at Rockwood Music Hall Stage 2.

TonyMaceli

Now I know. Last night was #4, so we missed two of them before hopping on the train. If we’re physically able, we’ll never miss another one. Last night’s show was simply fantastic, on every level.

It’s a touch ironic to say that. The theme was Yacht Rock. Not that the songs that fall under that heading aren’t awesome (they most definitely are, well nearly all of them are), but clearly, there’s a tongue-in-cheek phenomenon going on when kids (yes, the oldest musician on stage was a kid to us) select that music to highlight.

That said, whether they, or the large crowd at Rockwood were singing with any condescension, I certainly couldn’t tell. The party started instantly with Footloose, and never slowed down until the big finale. So many audience members were singing their hearts out to every song, so this wasn’t a trip down memory lane that left them in the dust.

An excursion before I dive into the show itself. At the last Full Vinyl show, Tony swore on stage, quite a bit.

Sometime after the show (days, weeks, I don’t remember exactly), we ran into Tony and got to chat for a while. He brought up the cursing and said that although he loves to curse, and does it all the time, even he felt that he was over-the-top at the show. We didn’t disagree. Winking smile

He had a very interesting suggestion. He offered that at the next show, he’d put a dollar into a tip jar every time he cursed. If he made it through any speech without cursing, we’d put a dollar in. At the end of the night, all of the money would be given to the Rockwood staff. (To be 100% accurate, he offered that he’d keep doubling his $1 each time he cursed.)

We agreed. At last night’s show, both sides happily remembered the wager and rules. We gave our waitress a $20 bill in exchange for $20 singles. We started out with an empty glass. We ended up with a large bucket (the normal Rockwood tip jar).

Tony expanded it to include any performer on stage who was game to toss a buck in if they cursed. Martin Rivas cursed just for the heck of it, and immediately tossed $1 in. Smile

Tony offered the audience the chance to participate if they wanted to toss money in to reward the lack of swearing. People did indeed come over to our table and toss money in! When an audience member at the table next to us cursed, she immediately felt self-conscious and reached into her purse and tossed $1 into the bucket. Cool!

Tony didn’t curse a single time during the show (proving that he can control it completely). Right before the finale, he came out with a number of singles in his hand. After letting out a few expletives, he tossed all of the singles in the bucket. Aside from the release, he clearly wanted to participate in the additional tips to the staff and this was the best way to accomplish that. Smile

When the show was over, Lois presented Erin (who happened to be our waitress the entire evening) with the bucket on behalf of all of the performers and audience members who chose to participate in the challenge. I don’t know how much others chucked in, but I just counted six singles left from our $20, so at least 14 times, we (or more properly Lois) thought that the performers behaved well enough to be rewarded (even if the reward was going to someone else).

Erin

I judge the experiment a complete success. It was Tony’s idea and he deserves full credit.

Something that deeply annoys/affects us is the often constant talking (at volumes that are not to be believed!) that goes on in the audience, even by obvious fans and friends of the performers. Lois thought that it might be interesting (albeit perhaps impossible!) if we had a challenge whereby talkers were shamed into putting $1 in the jar every time someone pointed them out. Somehow I doubt we’ll pull that one off as smoothly as we did the cursing challenge, but I would love to see it happen.

Back to the show…

Loosely following the format I established last time (ain’t precedent grand?), I’ll post the set list first, then the lead singers for each song, then the infinite (no hyperbole here!) band members immediately thereafter. Where someone was a singer and a band member, I’ll note that.

Tony decided to have fun with the set list, giving most people one or more nicknames for their first names. For most, he used their real last names, which made it a tad easier on me. Thankfully, I figured out who Michael McMinkoff was. Winking smile

SetListPage1SetListPage2

As with the first show, Tony Maceli kicked it off. I already told you that they shot out of the gate with a bang. Now you know who led the charge. In addition to playing a lot of bass, Tony played the trumpet on at least two numbers.

TonyMaceliBassTonyMaceliTrumpet

Zach Jones sang from behind the drums. He was great. He also drummed on a bunch of numbers (look for Jones throughout) and was awesome. I had to look around people to see who was drumming on the finale (Africa by Toto), because the drums were so rich and tasty. Surprise, it was Zach! (I say surprise in mock, obviously, since I think so highly of Zach’s play that I wasn’t surprised. But, every drummer last night was incredible, so it really could have been any one of them and I would have believed it!)

ZachJonesZachJonesSinging

Zach also stepped out from behind the drums to sing some background vocals.

Misty Boyce sang wonderfully. Not quite the barn-burner that caused me to describe the aftermath of her song at the last show as “we were all reduced to a puddle”. Misty also played the keyboards on some songs.

MistyBoyceSinging

Deena Goodman was exceptional. I’ve only seen Deena sing once before, at a Livestrong fundraiser, 2.5 years ago. I praised her mightily that night. She did a lot of charity work and then I heard she returned to get a graduate degree, so I wasn’t surprised not to see her performing. Perhaps she needs to rethink that!

DeenaGoodman

Adam Minkoff was amazing (hence earning the only double-nickname, since Tony believes he’s very faithful to Michael McDonald). Adam also played bass and I even saw him wield an electric guitar.

AdamMinkoffMartinRivasAdamMinkoffElectricGuitar

Julia Haltigan continues to impress every time we see her (which will continue to be frequent if she keeps up this level of performing). That said, she’s playing tonight, but I’ll be typing away at this while she’s doing that.

JuliaHaltiganSingingJuliaHaltigan

Charlene Kaye did a great job, also playing lead electric guitar for her own number! In addition to singing lead on Go Your Own Way, Charlene also sang backup on a number of songs.

CharleneKayeGuitarCharleneKayeRobDiPietro

Emily Long was wonderful on her number. Like most of the other lead singers, she returned to sing on the finale.

EmilyLongSingingCharleneKayeSethFaulkEmilyLong

Greg Mayo sang lead on Private Eyes. There was a delay in starting the song for a wardrobe change (calm down folks, this wasn’t a wardrobe malfunction). Greg left the stage while Tony explained that Greg needed to get a special jacket from the green room. Greg emerged wearing a leather jacket that was originally owned by Daryl Hall. I wrote about the jacket, and the song (Private Eyes) when Greg performed it at his last Greg Mayo Band show.

GregMayoSinging

He was great then, and again last night, but it was really cool to see him perform it on lead guitar last night, whereas he was behind the piano at his last show. Of course, Greg also played electric and acoustic guitar (amazingly, as he always does) on many other numbers.

GregMayoElectricGuitar

Casey Shea was once again wonderful. Once again (consecutive shows now), he descended into the audience to serenade a woman within inches of her face. This time, he sat down (last time he lay down on the table). It was the same woman though, Lois. So, to see whether she was his target, or just convenient, I’m going to have to have her sit in the balcony next time Casey sings. We’ll see if he climbs up there to sing to her. If so, I’ll know what the deal is. Winking smile

CaseyShea

Casey also sang backup on some other songs.

Brian Collazo (of Live Society) thrilled (as he always does) when he sang lead. He was also one of the primary backup singers on many songs, and he was oh-so-tasty on each and every one.

BrianCollazoSinging

Patrick Firth sang wonderfully while playing the keyboards. He was also the primary keyboard player on most of the numbers (though he did relinquish it occasionally). The relinquishing was perhaps reluctant. On one number, he hung around and played the top of the double-decker keyboards while his replacement played the bottom.

PatrickFirthPatrickFirthSingingMartinRivas

Morgan Paige didn’t sing lead, but she joined Patrick to sing on Sailing. Since I didn’t notice her on stage for any other numbers, I’m mentioning her here.

MorganPaige

Josh Dion ripped it up again, vocally and on the drums. How anyone can watch him perform and not be mesmerized is beyond me. Of course, I shouldn’t assume that there’s anyone who isn’t mesmerized, so my hypothesis might just be incorrect.

JoshDionSingingBrianCollazoJoshDionTonyMaceli

Martin Rivas sang his way into our hearts. In addition to singing lead, Martin was on stage as much (perhaps a bit more) than Brian Collazo was, singing with everyone else. He played some tambourine too (as did a few others that I failed to note above).

MartinRivasMartinRivasSinging

That leaves the big finale, where most of the singers took a turn at the mic. In a small-world twist, two posts ago I mentioned that The Vanity Belles performed Africa by Toto during their set (which was on the same stage, a few hours earlier). Their acoustic version was fantastic. To end the night with a stage full of people, supported by a top band, performing the same song, was an interesting contrast. Both versions were amazing, even though they were totally different.

On to the band. I’ll mention them in the order that they appear on the set list. If you pay attention, many of them played on multiple songs. I won’t repeat anyone who is mentioned above.

Dan Tirer on electric and acoustic guitar. I’ve only seen him once before, at the last Full Vinyl show. Must… see… more… of… him… He’s so good!

DanTirer

Matt Simons on saxophone and electronic keyboards. At the last show, Matt played only the keyboards. That’s great, but if you really want to add some awesome sauce to the mix, make sure you catch Matt on the sax, he’s incredible. One one number, he was the only brass. On another, he and Tony played together, with Tony whipping out his trumpet. More, please!

MattSimonsSaxophoneMattSimonsKeyboardsMattSimonsTonyMaceliBrassSection

Andrea Longato on electric guitar. Holy smokes, what a nice surprise. I’ve only seen Andrea once before, when he played with Carley Tanchon in February. I was blown away that night and I’m happy to have gotten a taste again last night.

AndreaLongato

Matt Basile on electric bass. Another in a string of great NYC bass players who never disappoint.

MattBasile

Jamie Alegre on drums. Jamie always delivers. For me, that’s usually when he’s playing with Derek James. He was great at the last Full Vinyl show as well.

JamieAlegre

Steve Dawson on acoustic and electric guitar. I can’t say that I really made out his acoustic guitar (tough to hear it over all of the other instruments), but I can tell you that his spirit (demeanor) fit in perfectly. He was having a blast (like the rest of them were), as we all were too.

SteveDawsonElectricGuitarSteveDawsonAcousticGuitar

Rob Calder on electric bass. Excellent! My first time hearing Rob.

RobCalder

Spencer Cohen on drums. Spencer is fantastic, whether he’s on drums, percussion or cajon. Last night, it was the drums.

SpencerCohen

Scott Chasolen on electronic keyboards. He’s a great pianist, no further information required! I mentioned above that Patrick Firth hung around to play the keyboards with someone else. It was Scott. Smile

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Ignore the next name on the list, as Mark Marshall didn’t end up making it to the show…

Ben Zwerin on electric bass. Another stellar performance from Ben.

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Tommy Diehl on drums. My first time, won’t be my last. He did a great job.

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Rebecca Haviland on electronic keyboards and vocals. Rebecca backed Charlene Kaye on Go Your Own Way, singing (great) and playing the keys (also great).

RebeccaHavilandSingingRebeccaHavilandKeyboards

Rob Jost on electric bass. Another winning performance.

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Robert DiPietro on drums. Again (as with the last Full Vinyl), a superior effort on the drums.

RobDiPietro

Ryan Vaughn on percussion and drums. Ryan is always one of the most masterful percussionists. In addition to playing on a number of songs, he was joined on percussion by Josh Dion for the finale, complementing the already-mentioned drumming of Zach Jones. Ahhhhhh.

RyanVaughnTambourine

Oscar Bautista on electric and acoustic guitar. I had already gotten to enjoy a full set of Oscar earlier, when he played with The Vanity Belles. When they were setting up for Full Vinyl, I saw Oscar and Greg Mayo on stage at the same time, tuning and sound-checking their guitars. What a lineup of guitarists, independent of the others who I have already oohed and ahhed about.

OscarBautistaAcousticGuitarOscarBautistaElectricGuitar

Seth Faulk on drums. Man, it’s been way too long since we’ve seen Seth play. Over three months to be precise. It’s not our fault. He was on an extended tour across the country and just recently returned.

SethFaulk

Chris Anderson on electric bass. As with Oscar, we enjoyed a full set of Chris’ play with The Vanity Belles earlier. You can never get enough Chris, so having more of him in the same evening was fine in my book!

ChrisAndersonSinging

Kenny Shaw on drums. Kenny wore sunglasses, so he might have been trying to hide from me. It’s been roughly two weeks since I’ve seen him play, which is an unusually long stretch for us to go without Kenny. Fantastic job on the drums!

KennyShaw

Tom Welsch on electric bass. Tom was superb. It was my first time seeing him.

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Paul Amorese on drums. Another tremendous performance!

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I think that’s everyone. Someone will spank me (and I’ll gladly update this) if I missed anyone.

A few group shots:

BrianCollazoMartinRivasCaseySheaBrianCollazoMartinRivasRebeccaHaviland

PatrickFirthBrianCollazoZachJonesMartinRivas

We got home around 2am. I have to say, I was still really energized and was not at all hoping the show would end. On the other hand, I went to bed at 2:45 and woke up at 7am (and have been up since), so the candle can’t be burned at both ends every night, no matter how much fun it is at the time.

AmyDaveAdamChristgauKevinJason

HadarCaitlinBrianCollazoManishGosaliaKennyShaw

The Vanity Belles at Rockwood Music Hall Stage 2

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The Vanity Belles are a couple of hard-working ladies. Roughly 28 hours before headlining a set at Rockwood Music Hall Stage 2 last night, they were in Charlotte to sing the National Anthem at The Bobcats NBA game:

I’m sure they blew away the large crowd there, but those fans only got to hear one song. We got a full set, with their regular (awesome) band, so we win. Smile

I’ve written about the Belles a lot in the past three months, so rather than repeat all of that, if you’re new to them (or me), please read this post.

As with that show, everything clicked last night. Their voices were great, the band was great, their set selection was great.

TheVanityBellesCarrieWelling

JessiRaeWaltzJessiRaeWaltzSinging

One of the hallmarks of The Vanity Belles (TVB) show is getting baked goods by Jessi Rae Waltz. Given their hectic schedule the day before, she couldn’t pull off her usual magic. Not to worry.

Patryk Larney came up on stage early in the set and read a poem that he wrote about saving the day. Rebecca Haviland held up his fold-out carboard teleprompter. His treat? Hershey’s Kisses, connected in barbell form (a kiss on each end). Patryk used one as a prop to act out the poem. Extremely well done! (Rebecca might have been auditioning to replace Vanna White on The Wheel of Fortune.) Smile

PatrykLarneyBoxOfTreatsPatrykLarneyActingOutPoem

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The Belles often produce a custom video to promote an upcoming show. They did one for last night, around the theme of the opening number, Superman:

The Vanity Belles promote their Rockwood Music Hall show

Sitting one table over from us was none other than the star himself, Superman.

Superman

As is their custom, the Belles picked up their instruments for one song, Bottle. This time, Jessi introduced it and explained where the inspiration came from. Then they nailed it, with Jessi on the electronic keyboards and Carrie on acoustic guitar.

JessiRaeWaltzKeyboardsCarrieWellingGuitar

TVB recently completed a successful Kickstarter campaign. Their new CD will be released in a few months. One of the reward levels was getting them to arrange and record a cover song of your choice. I think that included playing it at a show as well. The person who chose that reward picked Africa by Toto as the song. The Belles did a wonderful version, accompanied by two acoustic guitars.

Great job all around Ladies. On to the always amazing band, left-to-right on stage:

Patrick Firth on double-decker electronic keyboards and background vocals. Patrick never disappoints (as you will see if you read two posts from now, as yet unwritten).

PatrickFirth

Oscar Bautista on electric and acoustic guitars. Oscar thrills at every show. Last night, when taking a lead, he gave a hand motion to the others to take it down a bit. They all complied immediately. He worked the guitar soulfully, building up to a crescendo as the rest of the band followed. One of the songs that he played acoustic guitar on was the Toto cover.

OscarBautista

Zach Jones on drums and background vocals. Another of our favorites (have I mentioned how much I love this band?). TVB has so many driving songs and Zach keeps the action moving at just the right pace.

ZachJones

Chris Anderson on electric bass and vocals. It’s been 72 hours since we’d seen Chris perform (at a house concert in VA), so we were due. Thankfully, since he’s another that always delivers!

ChrisAnderson

Cameron Mitchell on electric and acoustic guitars and vocals. Cameron plays rhythm guitar to Oscar’s lead (for the most part) and does it extremely well. He’s also co-written with the Belles. Typically, Cameron is on acoustic when Oscar is on electric and vice versa. Last night they mixed it up a bit. Cameron opened the show on electric (with Oscar also on electric) and Cameron joined Oscar on acoustic for the Toto cover.

CameronMitchellElectricGuitarCameronMitchellAcousticGuitar

Here’s the set list:

SetList

Last year, we used to consistently be out of town for TVB shows. I’m glad to say we’re in a nice zone at the moment, catching them in a variety of configurations and venues. Keep it up ladies and we’ll keep coming out to see ya. Smile

PatrickFirthCarrieWellingOscarBautistaJessiRaeWaltz

Greg Mayo FUNTIME at Rockwood Music Hall

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Greg Mayo had one of his FUNTIME sets last night at Rockwood Music Hall. This was the third consecutive set that he appeared in (second consecutive one that he headlined), all of which we attended (surprise!). Smile

GregMayo

A Greg Mayo FUNTIME set is a rocking good time (literally). Who knows what you’ll get, other than mostly (all) covers (last night had one original), themed in some way that is only explained at a given show. What you can be sure of is that the musicians will be amazing, and that you’ll find it very difficult to have nearly as good a time as they do.

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Last night’s theme? A musical game of tag! Each of the band members picked specific songs for other band members to sing lead on. Of course, they pick challenging songs for the sheer sport of it.

Greg Mayo played lead guitar and sang. His guitar play was as on fire as it always is, even though he had been playing practically non-stop for three hours before this set began (at 12:10am). That it came after an amazing set where he played piano and keyboards exclusively, and sang his heart out, was a delightful change of gears.

GregMayoGuitar

Patrick Firth on grand piano, keyboards and vocals (and a surprise instrument that I’ll cover in another section!). No need to ask whether he was great on the keys (but if you did, and I just didn’t hear you, the answer is Yes). One of the songs he was assigned, came from the drummer, who made him sing Rosanna (by Toto). There are some pretty darn high parts tucked away in that song, which was the whole point of making Patrick sing it. Everyone had a blast, especially Patrick. Smile

PatrickFirthGregMayoPatrickFirth

Brian Killeen on electric bass, lead electric guitar and vocals. Brian played his usual instrument, the electric bass, exceptionally (as he always does). He sang at least one song on the lead while still playing the bass.

BrianKilleenBass

But, on one song, Greg, Patrick and Brian each rotated one position. Brian took Greg’s electric guitar. Greg sat down at the keyboards. Patrick Firth took up the electric bass (see, I said there was a surprise instrument for Patrick!). Brian couldn’t properly start the song without fully preparing for it. This involved a wardrobe change (not to be confused with a wardrobe malfunction!). Winking smile

BrianKilleenWardrobeChangePatrickFirthBass

Brian stripped off his button-down shirt and played the song in his undershirt. He blasted out quite a number of tasty leads, a few of them were really fast! Even the slow ones were great. He sang wonderfully too.

BrianKilleenGuitar

Brian is typically one of the more self-effacing members on stage, not doing anything to call attention to himself other than playing the bass well enough to call attention to himself. Once he took the shirt off, all bets were off as well. He became the prototypical rock star, and delivered completely! Smile

BrianKilleenRockStar

Without missing a beat, Brian substituted a name from the song with Jay Stolar, who he spotted in the crowd.

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Zach Jones on drums and vocals. Zach was incredible on the drums. There were no slow numbers, so he was working it constantly. Of course he sang great too. I was about 12” from the kick and hanging tom. I was shocked, but every single time Zach struck the hanging tom I felt a rush of air sweep across my arm. Crazy, because the first couple of times I looked to see if someone was brushing against me.

ZachJonesSingingZachJonesDrums

There was also an unannounced special guest!

Ryan Vaughn sat under the sound engineer’s booth, to the far right of the stage (right next to Zach). He was a percussionist extraordinaire on every number. He used shakers, maracas, tambourine and probably other things I wasn’t paying attention to. On at least one song, he used maracas in his right hand (two) and hit the hi-hat cymbal with a drum stick in his left. Zach was also hitting the same cymbal (opposite side) with his left hand, while working the remainder of the drum kit with his right. Awesome!

RyanVaughnPercussionZachJonesRyanVaughnSharingCymbalZachJonesSingingRyanVaughn

We got home at 1:30am, completely wiped, but completely happy. When do we get to do it all over again? (No, seriously, when???)

Greg Mayo Band Hall and Oates Tribute at Rockwood Music Hall Stage 2

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Greg Mayo Band headlined a set at Rockwood Music Hall Stage 2, in a tribute to Hall & Oates. Tributes of any great band are often really fun shows (nostalgia aside, the music has obviously stood the test of time). This one was more than just fun, it was also meaningful. Greg’s dad, Bob Mayo, toured with Hall & Oates for 10 years. Sadly, he passed away way too young, eight years ago.

GregMayoSinging

We’ve been to five Greg Mayo Band (GMB) shows prior to last night. The main reason why I write this blog is to remember specific details of the shows we attend. I just reread the post from the very first GMB show we attended (14 months ago) and was snapped back to that magical night instantly!

All five of the shows we attended were mostly Greg Mayo originals, with a few Soul/Funk covers thrown in because they just happened to be awesome songs. The last show, which we sadly missed, was a tribute to Peter Frampton (I believe). Bob Mayo toured with Frampton extensively, and was one of the big reasons that Frampton Comes Alive is still the best-selling live album in history.

Greg mostly alternated Hall & Oates tunes with his originals. Once or twice he threw in two of his in a row, and two of theirs in a row (just to keep us on our toes).

The Hall & Oates numbers were great, with a big portion of the crowd singing along (many dancing as well). But, I can tell you without the slightest exaggeration, that every Mayo number sounded equally awesome, with a couple of them topping the Hall & Oates ones in terms of crowd fever!

GregMayoPianoGregMayoKeyboards

In case you need proof of the dancing:

DancingHadarSamTeichmanDontAskDontTell

Greg donned a leather jacket (that was a tad on the small side for him). He told us the story of how he came to posses it. It was originally purchased (and worn by) Daryl Hall (yes, of Hall & Oates fame). When Daryl tired of it, he gave it to Bob Mayo. It was too small for Bob, so he gave it to Greg’s mom. She eventually tucked it away in a closet never to wear it again. Greg stumbled on it one day and heard about the jacket’s travels when he asked her about it. A historied jacket makes it’s public appearance on exactly the correct night. Smile

GregMayoLeatherJacket

Please indulge me a commercial break, by not skipping ahead. If you can help, please do, if you can’t, at least read to be aware of what affects these musician’s lives.

Greg Mayo, along with four of the additional seven band members, teaches at Lagond Music School. It’s one of their primary sources of income (heaven knows it’s not from these indie gigs!). As important as it is for them to make a living (so that I can continue to see them perform), they are passing on their skill and love of music to the next generation of people that I will want to go see.

Lagond School of Music (LSM) came upon hard times in the past year, due to a cascading series of misfortunes tied to a fire in a deli below their school (don’t ask for the specifics, it’s truly a horror story). This year, they have had a number of fundraising efforts to try and get back to a steady state.

One of those efforts is actually being promoted by the teachers at LSM, including the five people on stage last night. That’s an IndieGoGo campaign. There are seven days left to help them out, with every dollar helping more than you can imagine. If you want to contribute, please click this link.

Don’t be concerned that they appear to be far from their goal. IndieGoGo allows them to keep whatever is raised, so your donation means something even if they don’t achieve their goal. Since this is only one of a number of initiatives, I’m happy to report that while they have a gap to close, they’re doing reasonably well across all fundraising.

End of commercial, but I will mention it again below, in the context of the individuals who teach there (to guilt you into contributing if you happen to really like that musician, but didn’t click above). Winking smile

Finally, the absolutely incredible band, left-to-right on stage:

Rebecca Haviland on vocals and tambourine (and hot shades). It feels funny to type something as simplistic as on vocals to describe Rebecca’s voice and her contribution to the Greg Mayo Band. On the other hand, if you read this space regularly (as recently as Thursday morning), then you might be bored with me going on and on about Rebecca.

RebeccaHavilandRebeccaHavilandSingingRebeccaHavilandTambourineHotShades

In addition to singing, on one of Greg’s numbers, Rebecca leaned over the piano and held one note on the keyboards, finally sliding halfway down to add a flourish to an amazingly great Greg solo!

GregMayoRebeccaHavilandJohnLiottaGregMayoRebeccaHavilandJohnLiottaHavingFun

John Liotta on baritone sax (and muscle shirt). Still no good individual link (I guess he hasn’t been shamed into creating a site even though I chide him in these posts every time I see him perform). He was great, including a little duel with the tenor sax, which I’ll mention again two people down.

JohnLiottaJohnLiottaBaritoneSaxJohnLiottaMuscleShirt

Josh Reed on trumpet. Josh was great, taking one long trumpet solo that got the crowd hot and bothered. Josh is one of the teachers at LSM. When Lois and I visited the school, we bumped into Josh setting up one of the rooms for a class. We had seen him play before with GMB, but had no idea he taught at Lagond. That day he was sporting a full, bushy beard. Last night he had it trimmed way back. I wonder if his students would have recognized him. Winking smile

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Steven Salcedo on tenor sax (and John Oates impression). This was our first time experiencing Steven. He was extraordinary, taking more of the leads than the rest of the brass section.

StevenSalcedoTenorSaxStevenSalcedoJohnOatesImpersonation

He was the dueler along with John Liotta. Each took leads, then started the classic battle of the saxes (hmmm, somehow, that sounds wrong). Awesome!

SaxophoneDuel

I got to shake his hand and tell him how great he was when he walked into Rockwood 1 before the next set started. I also got to ask him how to spell his last name. Winking smile

When I Googled him this morning, I found out he too teaches at Lagond (or is at least associated with them in some way). Apparently, Greg can keep the band full of great musicians by drawing from nowhere other than Lagond, if he chooses to. Smile

Zach Jones on drums and vocals. Zach just headlined a set we attended on Stage 1, right before this, playing acoustic guitar. Now he was at his more typical drum kit, kicking a** and taking name*. He was filling in for the regular GMB drummer, Kenny Shaw. Kenny seems to be avoiding me this week. I don’t like that one bit, but if someone is going to replace Kenny, Zach would be at the top of my list, any day of the week.

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Chris Anderson on electric bass and vocals (and a dapper outfit). Don’t be bored when I repeat (for the thousandth time) how excellent Chris is on the bass. Instead, let me distract you by saying that Chris also teaches at LSM. It was entirely due to Chris and Greg that we visited the school, were extremely impressed by what we saw and heard, and decided to contribute. Now it’s your turn. Smile

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Paul Maddison on electric guitar and vocals (and neon orange jacket goodness). Paul did his typically wonderful job on the electric guitar. And, drum roll please, Paul is also an instructor at LSM!

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Here’s a shot of Rebecca singing, with the full brass section wailing, along with Paul Maddison on guitar:

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Here’s the set list. The last entry, marked E: SH means, Encore: Sledgehammer, and man, it most definitely was!

SetList

Whatever superlative I use to describe how perfect this set was, would be an understatement. That the word perfect could be considered an understatement, is all you need to know. Get yourself to the April show (the exact date isn’t listed on the Rockwood site yet).

As usual, we didn’t enjoy this music alone:

PaulMaddisonSamTeichmanUnknownTerryUnknownSamTeichmanKristenHadar

Stone Lonesome at Rockwood Music Hall

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The Stone Lonesome headlined a set at Rockwood Music Hall last night. We saw them one month ago, also on a Saturday night at 9pm at Rockwood 1. I wrote a detailed post about that show, which described not just that set, but their music in general. I’m not being lazy, but rather than repeat that, I encourage you to read it if you’re not familiar with The Stone Lonesome and are interested in learning about them.

The show last night was reasonably faithful to the previous one, so I could (almost) just stop now (other than updating the photos), but there was one change in the band and I always have something to say (even if no one wants to hear it), just to remind myself in the future of what differentiated this show from others.

I ended that last post with:

Thanks Zach, Emily (and Greg, Tony and Ryan) for making it a very special set!

This is obviously a subjective remark, but I think that they are continuing to gel. It’s clear from the above that they didn’t need to improve to make me very happy, but the more often a group performs, the more comfort they have with each other, the audience, and the general flow (both during and between songs).

Zach mentioned that he and Emily were dressed nearly identically (as if The Stone Lonesome had some kind of official outfit). That seemed to be correct, until Emily pirouetted to show off the see-through lacy back of her black shirt. Zach gave in immediately. Since he didn’t spin around, I can’t be sure whether he did or did not have a lacy back. Winking smile Emily immediately covered it up, so we might never know…

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Emily wielded a tambourine. I can’t remember whether she did that last month (which is why I’m writing it down now, so I’ll remember!).

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For those that chose not to click through, The Stone Lonesome is made up of two people, Zach Jones and Emily Long. They could show up just the two of them and it would be a fine, albeit pretty mellow set. Instead, they surround themselves with top musicians who create a mix of modern and traditional alt-country sounds.

Last nights band, left-to-right on stage:

Greg Mayo on electric guitar and vocals. This was the first of three consecutive sets where we saw both Greg and Zach perform. The next two posts will detail the sets where Greg’s name was on the marquee, with Zach supporting him. Greg is always great on the guitar.

GregMayo

In addition to taking on the country genre in his play (wonderfully), on one song that Emily was singing lead, I thought I heard some lovely harmony, but I noticed Zach’s lips weren’t moving, so I looked around and noticed Greg was creating a sound similar to a pedal steel guitar, which sounded just like a beautiful vocal harmony.

Zach mentioned that Greg had a new toy. Specifically, he pointed to the Whammy Bar on Greg’s guitar, which Greg employed a number of times (more often in the sound check, once Zach highlighted it). But, perhaps the entire guitar was new, and it just happened to have a Whammy Bar on it.

Does it look like Greg and Zach and having a good time yet?

GregMayoZachJones

Brian Killeen on electric bass. Brian was the one change from last month’s set. Tony Maceli did a great job in February, but March was Brian’s month to shine on bass for The Stone Lonesome. Unlike Greg and Zach, Brian didn’t play on the middle set, but he was back for the final set with an even more front-and-center role, so look for that post later if you want to read a lot more about Brian!

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Ryan Vaughn on drums, cajon, percussion, washboard, whatever you can bang on or shake. Seriously, if you can make noise on it, Ryan can make that noise sound good! More on him two posts from now too.

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I didn’t have the clearest view of Ryan, so I have to thank Sam Teichman for pointing out that Ryan was using two sticks in his right hand to get extra oomph out of the floor tom (including the rim) while beating the cajon with his left.

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It turns out, that Ryan is not Samson. This is the first time we saw Ryan clean shaven in forever. He was still just as good on everything, so he hasn’t been drawing his special percussion powers from the beard. Good to know! Winking smile

As with the prior month, Zach and Emily closed out the show by giving the band a break and hushing the crowd with a duet. Like I said above, they could easily do an entire set without the band, so getting a taste of the more mellow stuff was welcome. Another great set. Another great beginning to an amazing night of music.

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Tony Maceli Full Vinyl Tribute to Talking Heads and Alanis Morissette at Rockwood Music Hall Stage 2

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That title is a mouthful. Just typing it out has taken the wind out of me. But, it’s descriptive and accurate, so I’m going with it.

Note: There are no photos in this post yet. We’re running to Rockwood now for a 6pm show and I barely finished the words. Tomorrow morning I’ll add in a ton of photos and tweet the link out again, for those that might want to revisit the post to see it in its correct glory! I’ll delete this paragraph when I update the post with the photos.

Tony Maceli is one of the top bass players in the NYC indie music scene. Some months ago, he started organizing a regular mega-show called Full Vinyl. Last night was the first one we were able to attend, so I don’t know whether we’ve missed one or two. I also don’t know whether the format is always the same (or going to be). This show was at Rockwood Music Hall Stage 2.

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It was such a massive (fast moving) show, that I would be doing an injustice to multiple people if I tried to cover it the way I do normal sets. Most importantly, I’d be doing myself the massive injustice of sitting here and typing for the next few days. In other words, it isn’t going to happen.

I’ll give a high-level description, call out a few people (which is no slight on anyone that doesn’t get a separate shout-out), then do my best to at least give a link to every person who was on stage. There’s little doubt that I’ll miss someone, or not be able to identify someone (or their site). No omission is intentional, and whenever someone (cough, cough, Tony?) corrects me (public corrections are fine), I’ll update the post to reflect it.

The format last night was Talking Heads first (lead singers were all boys, with one very notable exception). To close out the Talking Heads portion, all lead singers return to the stage at the same time and each sings a piece of the finale, the uber-famous Psycho Killer. Each individual number had numerous band members swapping in and out on each song.

PsychoKillerFinale

Michelle Cassilas was the sole female lead singer during this part of the evening. She’s the head of the band Ursa Minor, writing their songs, singing lead vocals and playing guitar. She can certainly rock it out, so having her in the boys portion of the evening was just fine.

Here’s the set list for the Talking Heads portion. The order wasn’t strictly maintained because a few people (Jerry Fuentes and Derek James in particular) were still playing their set next door when it would have been their turn:

SetList1

Under each song you’ll see the band members that were slated to play (at least their last names). The first name listed was the primary lead singer for that song.

One male singer couldn’t make it due to illness (if Tony said who it was, I missed it). A last minute substitute was recruited, the amazing Robbie Gil. He’s not listed on the set list, because I think Tony already knew about the illness before he printed the sheets. I might be remembering this incorrectly, but I think that Robbie sang Burning Down the House, which has Greg Mayo listed as lead singer (which would have been a second lead for Mayo).

Tony Maceli opened the show. I missed most of his song because I was next door watching Jerry Fuentes and Derek James (I already posted about that show). A friend texted me when this show began and I waited until Jerry and Derek finished their current song to scoot over. I caught the last full verse of Tony singing.

TonyMaceliSinging

I then heard Tony sing a full verse during Psycho Killer. Folks, I’ve heard Tony sing before (rarely) and I praised him. Those previous times were nothing compared to last night. He really opened up his vocals and did a fantastic job. Perhaps he decided to put on these shows just to give himself a vehicle to sing for the rest of us. If that’s the case, I approve. Smile

On to the second half of the show. This time, the ladies were in control and the subject matter was Alanis Morissette. The format was the same, including all of the lads joining for the finale, Ironic, but you’ll notice that three of the woman sang two different songs on the lead. Here’s the set list for the ladies:

SetList2

I was never a Talking Heads fan, though songs like Psycho Killer are burned in my memory (was anything else played on the radio when that first came out?). Watching these people playing those 11 songs did not change that. For the most part, those songs don’t do it for me at all. But, watching these people play those songs (or practically anything), was truly thrilling. I don’t say that just because I love most of them (as people as well as musicians), but because the performance was simply that good. I still wouldn’t want to listen to any of it at home, without the energy in the room.

The Alanis Morissette portion, totally different story. Even though my eyes were droopy and I was yawning,  the second half was amazing, each song. It wasn’t that the women performed it any better than the men (they didn’t, both groups nailed their parts). It’s just that Alanis Morissette is a dramatically better songwriter for my taste.

Here’s the photo of the ladies’ finale:

IronicFinale

We left Rockwood at 2am (sheesh). Not for one second did I consider leaving early.

Before listing out as many people as I can find, I want to write out some incredibly subjective, almost silly thoughts. Not because I want to (or believe I can) sway anyone’s opinion. I just want to remember exactly how I felt and this is the best way. One more caveat. There wasn’t a single weak performance last night (seriously, I’m not sparing anyone’s feelings, you just have to trust me on that). So, by calling out anyone, it would be a major mistake on your part to assume that there was a vast difference between the people I’m mentioning and the people I’m not.

Last time, the following observations are entirely my personal opinions. I’m not casting them as facts. If these people delivered a level-10 performance, then the worst of the rest delivered a 9, with the average being 9.5+.

Josh Dion was the most thrilling male performer. When his song was done, I turned to anyone in my vicinity and said “Josh can only be described by one word: Excitement”.

JoshDion

Misty Boyce was mind-boggling in her lead, but she was also the primary harmony vocalist with both the males and females. She also played keyboards and melodica. I’ve seen Misty sing background with Bess Rogers before, and I’ve wanted to see her own sets (and came really close twice, including earlier this week), but this was my first time seeing her take center stage. She grabbed it and didn’t let go until we were all reduced to a puddle.

MistyBoyce

When her song was over, my friend leaned over and said: “Hard to imagine that she isn’t going to blow up one of these days!” (my friends and I are obviously gangsta, holla, in case you mistook that for being a bad thing!). Winking smile

Finally, let’s try to get everyone’s full name (with links if I can find them). I’ll do the male leads first, then the female leads, then the band members. And…… GO:

Tony Maceli, already covered. He also played bass on many of the songs, always his forte.

TonyMaceliBass

Greg Mayo, in addition to singing lead, Greg played electric and acoustic guitars on a majority of the numbers. He sang the most harmony by a male (even on the Alanis set). Even when he wasn’t singing in the mic, Greg was silently singing every word of every Alanis Morissette song. He’s clearly a big fan!

GregMayoSingingGregMayoElectricGuitarGregMayoAcousticGuitar

Scott Chasolen, in addition to singing lead, played the electronic keyboards on that song. He was great!

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Jerry Fuentes, already discussed above, sang and played smoking lead guitar.

Derek James sang with Jerry Fuentes as part of Jerry’s number.

JerryFuentesDerekJamesMasonIngram

Michelle Casillas, also mentioned above. Great! (I’m going to stick with great, so no one reads into me trying to simply mix up my superlatives.)

MichelleCasillas

Chris Cubeta, I’ve heard about Chris for a while now, mostly as a producer (he produced the upcoming The Vanity Belles CD). This was my first time laying eyes on him and I was very impressed with his voice and guitar play. Misty Boyce sang harmony with him in near-lockstep. They sounded great together.

ChrisCubeta

Update:

Daniel Lanzetta was not listed on either set list, so I missed him the first time I posted this. When I added the photos, I realized my error. He joined Chris Cubeta and did the spoken parts of Once in a Lifetime (of which there are many).

DanielLanzetta

End Update.

Zach Jones, in addition to singing lead, also drummed for a good bit of each set. This is the first time we’ve ever seen Zach hatless. It turns out, that contrary to popular belief, he doesn’t get his superpowers from his hat, because he was great without it yesterday, both singing and drumming. Smile

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Josh Dion. Already asked and answered! I’ll just mention that he was drumming while he was singing, but if you’ve heard of Josh Dion, then you probably guessed that already (you couldn’t have been sure, because he’s great on the keyboards too!).

JoshDionPaulAmorese

Robbie Gil, also mentioned above. Great!

RobbieGilSpencerCohen

Casey Shea not only was great (see, I’m not varying my adjectives in this section), but he also came off the stage, laid down on a table in front of it, and serenaded a woman within inches of her face. Let me think who that was… Oh yeah, it was Lois! Smile

CaseySheaCaseySheaJamieAlegreMattBasilePatrickFirthMistyBoyceCaseyShea

On to the female leads (remember, three of them sang twice, so their list will be shorter):

Jamie Rae, sang lead on two songs. She’s listed as Raeya on Tony’s set list. I think she recently started a new solo project under that moniker. Great!

JamieRae

Misty Boyce, I want to repeat what I said above, but I’ll restrain myself.

MistyBoyceMelodica

Lelia Broussard, sang lead on two songs. She also danced around a bunch and raised the already high energy level higher as a result. Great!

LeliaBroussard

Charlene Kaye, in addition to singing lead, also sang harmony with a few others. Great!

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Emily Long, sang lead, and was one of the people that Charlene Kay sang with. The two of them are in a Guns N’ Roses cover band called Guns N’ Hoses. Emily was great!

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Mighty Kate (Katy Pfaffl), sang lead on one song. What a change-up from her own music which we saw just this past Monday (here’s my post raving about her). Great!

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Julia Haltigan, sang lead on one song. She too was great! She was recently at Rockwood for her own set, and will be again next week, but beside that, she’s performing soon at The Kennedy Center in Washington. No biggie, I’m sure. Winking smile

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Dallin Applebaum, sang lead on two songs. Great!

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Onward, to the unsung (get it?) folks who supported the above, in the most amazing fashion (I’m not going to repeat the ones who sang, but separately played an instrument on many other songs):

Patrick Firth on electronic keyboards and light vocals. He really wailed on the synth/organ sounds. Great!

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Jeremy Goldsmith on electric guitar. We’re about to see him in a couple of hours, supporting Jesse Terry at Rockwood. I’m looking forward to seeing him again, because, wait for it, he was great last night! Smile

JeremyGoldsmith

Brian Killeen on electric bass. I had just seen Brian Killeen kill it on an earlier set supporting John Schmitt (post is here) and got to watch him do it again with this group. Great!

BrianKilleen

Ben Zwerin on electric bass. Great!

BenZwerin

Paul Amorese on drums. Great!

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Matt Simons on electronic keyboards and light vocals. I just saw Matt Simons on the same set with Brian Killeen, supporting John Schmitt. Great!

MattSimons

Mason Ingram on drums. I’ve seen Mason once before, supporting Alec Gross. He was impressive that night. The music was radically different last night, with Mason being equally impressive. Great!

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Steven Elliot on electric guitar. Great!

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Rob Jost on electric bass. Great!

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Robert DiPietro on drums. I’m pretty sure they called him Rob last night, but the link says Robert, so I’ll stick with that. Great!

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Both Robs (Jost and DiPietro) are in Ursa Minor with Michelle Casillas and they supported her when she sang lead.

Matt Aranoff on electric bass. Great!

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Ryan Vaughn on drums. Great! I ran into Ryan at John Schmitt’s set and told him that I personally blamed him for keeping us up way past our bedtime. Meaning, we really like catching sets when Ryan is drumming.

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Spencer Cohen on drums and cowbell. Yes, Spencer is a master percussionist, including playing a naked cowbell, center stage! Great!

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John Kengla on electric bass. Great!

Update: I just looked through the photos and not only can’t I find one with John Kengla, the song he was supposed to play on, Heaven, sung by Zach Jones, has Tony Maceli playing on it. So, no photo, and he might not even have been there. Oops.

Rob Heath on drums. Great!

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Dan Tirer on electric guitar. Also great, but I’ll add that this was my first time seeing him, and I was particularly impressed. In fact, Lois, who doesn’t pay as much attention to certain instruments as I do, turned to me and commented on how good she thought he was.

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Matt Basile on electric bass. Matt always delivers, great!

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Jamie Alegre on drums. Great!

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Steve Williams on drums. I saw Steve once before, supporting Julia Haltigan. He was great that night and again last night!

SteveWilliams

Jeff Litman on acoustic guitar. Great!

JeffLitman

Wow, can’t believe I got through the list, with or without mistakes. Yay me! Smile

Zach Jones Salutes Davey Jones and The Monkees at Rockwood Music Hall

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It’s always sad when people die young. When it brings us together to remember them, their accomplishments, and the joy they brought to many, there’s at least a silver lining. Davy Jones of The Monkees passed away last week, at the young age of 66.

Zach Jones, a staple (and shining light) in the NYC indie music scene, is a life-long Monkees fan. We found out last night that he attended his first Monkees concert while still in the womb (I guess he snuck in without paying). When he heard about Davy’s passing, he contacted Rockwood Music Hall and arranged for a slot at 5pm last night to pay tribute to Davy and The Monkees.

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In addition to assembling the usual suspects of top-notch musicians to join him, he got another Dave Jones to join as well.

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Dave Jones is Zach’s father. It’s too popular a name for me to easily be able to find good links to him, so I’ll just summarize what I think I learned last night. Dave had a band while Zach was growing up. As you already learned above, Dave and his wife (who was also there last night) attended a Monkees concert while Zach’s mom was pregnant, so their love of The Monkees goes back even further than Zach’s.

DaveJonesZachJonesZachJonesParents

Dave sings and plays the acoustic guitar very well. He sang lead on half the numbers and harmony on the rest. He also told a number of stories about Davy and his love of him and The Monkees. He has excellent stage presence. I’m sure I would enjoy seeing him perform separate from this tribute.

DaveJonesGuitar

Zach sang lead on the remaining songs while playing the drums to Monkees perfection. Zach kicked it off with the classic TV intro Hey Hey We’re The Monkees (Here we come, walking down the street…).

ZachJonesSinging

The amazing band, left-to-right on stage:

Greg Mayo on electric guitar and light vocals. Greg was great, nailing a number of very short, but amazingly familiar riffs. On one number he took a long and very fast lead, paying tribute to Michael Nesmith (who we were told didn’t actually play that lead when he was on TV). Greg had to leave right before the last number, because he was supporting Chrissi Poland who was opening for Pat Benatar and Neal Giraldo at Tarrytown Music Hall.

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Patrick Firth on grand piano, electronic keyboards and light vocals. Pat was excellent, taking the most leads, albeit mostly short ones. They were all tasty and Dave called him out a number of times, each to the delight of the crowd.

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Brian Killeen on electric bass. Keeping the bottom going is something Brian always does well. While he didn’t sing, he was definitely into the entire set and an integral part of the sound.

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The crowd wouldn’t let them off the stage when they were done. After a bit of discussion, they decided to repeat the last song, up one fret. Zach tried to convince Tony Maceli to take the tambourine (Tony was there to enjoy the show). Tony declined, but Zach’s sister Natalie Jones took up the challenge. She stood center stage and was quite fancy with the tambourine, showing that all members of the Jones family have the musician’s gene in them. Smile

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It’s no surprise to me that The Monkees music still holds up 46 years later. The only real surprise is that it started out in a completely manufactured way, before taking on a life of its own. Thanks Zach, Dave and company for bringing us all back to relive some wonderful memories!

ZachJonesKristen

Here’s the set list:

SetList

The Vanity Belles at Arlene’s Grocery Final Residency Show

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The Vanity Belles (Carrie Welling and Jessi Rae Waltz) finished up their month-long residency at Arlene’s Grocery with a bang! It was crowded (mobbed actually), it was rockin’, it was awesome. If you missed it, I feel sorry for you (seriously).

TheVanityBelles

This was the last of four consecutive Monday performances throughout February. We missed the first two (darned work/travel nonsense), so I can’t tell you anything about them. We did catch last week’s show. For the geeks among you, let’s display the link this way:

#include last_weeks_show

Not that this wasn’t completely fresh (it was), even though there was an 88.89% overlap in the set lists. The differences were large enough to make this a very different show than last week (including something as simple as completely varying the order of the set list!).

There was a different guest, the regular keyboard player was back, and the Belles themselves seemed to be feeding off of the frenzied crowd. Or, perhaps it was the $5 Country Cosmos (created especially by Arlene’s for this one night) that fueled them (and many others).

If you don’t understand the drink name above, the Belle’s self-titled genre is Cosmo-Country. So, take a Cosmopolitan (the drink), twist it a bit to be sassy like the Belles, and you have a Country Cosmo. Smile

There was one song swap from last week’s set list (independent of the complete change in song order). Last night they played Till I’m Me. This is a very recent song which they wrote and recorded live in order to get it on their upcoming CD (after the real studio recording had already been wrapped up). Wow, awesome song. I’m very glad that I’ll have it when the CD comes out. Oops! When I Was With You was the new song, Till I’m Me was new for this set, but is already on last year’s EP.

CarrieWellingJessiRaeWaltz

The ladies each played an instrument on Bottle, as they did last week. Once again, they crushed the song.

CarrieWellingGuitarJessiRaeWaltzKeyboards

There was only one change to the core band, though both of last week’s guests played instruments as well. I’ll save the very special guest for after I say a few words about each core band member, left-to-right on stage:

Patrick Firth, the normal keyboard player for the Belles, was back in the saddle. He’s always great, whatever group he plays with. I was a few feet from the keyboards last night, so in addition to hearing Patrick’s fine play, I got to watch him work, close up.

PatrickFirth

When he relinquished the keyboards on Bottle, so that Jessi could take over, Patrick stood near the drums and played the tambourine.

PatrickFirthZachJones

Oscar Bautista on electric and acoustic guitars, and mandolin. Oscar is always superb on the guitar. Last week I described his long solo as having a jam band feel. Last night it may have started out that way, but it took on more of a rock god type lead, and Oscar obviously realized the crowd felt that way. He stepped out from the back and finished up the lead front and center stage. It was a huge crowd-pleaser.

OscarBautistaGuitarLeadOscarBautistaAcousticGuitar

On one number, Oscar played the mandolin. Considering I love the mandolin, and love Oscar’s play, this was a real treat for me.

OscarBautistaMandolin

Zach Jones on drums. If you’ve read this space recently, then you know I’ve been raving about Zach a lot lately (in fact, my most recent post was all about his band The Stone Lonesome). Of course his drumming was amazing last night (it always is). He even played the snare with his bare hands during one song, bringing out a bongo-like sound.

ZachJonesPatrickFirthOscarBautistaZachJones

Chris Anderson on electric bass. As with Zach, I’ve been raving about Chris a lot recently. Unlike Zach, I’ve been raving about Chris for years (I only first heard Zach last July). Chris impresses every time, that is all.

ChrisAnderson

Cameron Mitchell on acoustic and electric guitars. Just like last week, Cameron took on the rhythm guitar duties to complement Oscar’s lead and mandolin play. Once again, a wonderful job!

CameronMitchellCameronMitchellElectricGuitarCameronMitchellAcousticGuitar

Brian Collazo (lead singer from Live Society) was the special guest last night. We could listen to Brian sing all night, every night. Amazingly (and achingly), it’s been five months since we’ve seen him sing, when he guested with the Belle’s Manager (I’ll get to him in a minute). It’s been eight months since we’ve seen a full Live Society show (also at Arlene’s), and we’ve been trying hard (with near misses along the way) to get to one.

BrianCollazo

Brian sang on No Regrets (amazingly) and on Recently (which Rebecca Haviland sang with the Belles last week). It only made us want to see Brian and Live Society all-the-more.

JessiRaeWaltzChrisAndersonBrianCollazo

Patryk Larney has his own musical career (check him out, fall in love, and donate to his current Pledge Music campaign!). In addition to that, he manages the Belles. One of the 1,873 jobs that managing them entails, is being The Bucket Man at their shows. The Belles prepare treats for their audiences, and wrap them in The Vanity Belles goodie bags (genius, and delicious). He carried around a bucket filled the goodie bags last week and last night, handing them out to greedily awaiting fans.

PatrykLarney

In an homage to the tireless Patryk, I’ve written the chorus to an as yet unwritten song called Bucket Man (sung to the tune of Elton’s Rocket Man):

And I think it’s not gonna be so long

Before these goodie bags are taken home

And ripped apart and eaten up with joy

Oh no no no, he’s a Bucket Man

Bucket Man, handing out the treats for everyone

Ben Morgan, last week’s keyboard player (filling in whenever Patrick Firth can’t make it), was in the audience enjoying himself as much as the rest of us were.

BenMorgan

Manish Gosalia once again documented everything in a way that only he does. I was right up against the stage, so I noticed (for the first time) that Manish also had a camera set up at the back of the stage which he controlled with a remote. A meticulous master, now captured from the other side of a lens as well:

HadarManishGosalia

Last week I mentioned someone named Jack. This time I’ll add a photo. Next time, who knows what I’ll reveal… Winking smile

Jack

Finally, the set list:

SetList

The Stone Lonesome at Rockwood Music Hall

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The Stone Lonesome headlined a set at Rockwood Music Hall last night. I had it on the calendar for a while, but I was sure we couldn’t make it. In fact, last Monday, I saw Zach Jones (1/2 of The Stone Lonesome) when he drummed for The Vanity Belles and I told him we wouldn’t be able to make this show. Read to the bottom to see what changed.

I’ve been aware of The Stone Lonesome for a while, entirely due to our love of Zach Jones.  The first time we saw Zach was July 2011, and here’s one of the things I wrote about him that night:

The link from his name above is to a group he is in with Emily Long called The Stone Lonesome. They have an album out that Zach sings a bunch on as well and I am really impressed with his voice (listen to the second song, Bridge to Nowhere). I’m sure we’ll be hearing about him a lot and hopefully seeing him a lot as well.

Notice the link on “They have an album”. You can stream it for free to judge for yourself, or buy it for a whopping $5 (or more!).

I would describe them as sometimes traditional country, sometimes new country (more of a rock-tinged country), sometimes closer to just rock. To cover that in a bigger umbrella, let’s just call it Alt-Country. Yup, that feels right to me. Lois and I both really love Country music (go ahead, judge, you’re wrong). There’s not much of it in NYC, so The Stone Lonesome is a wonderful breath of fresh air (as are The Vanity Belles).

Emily Long is the other half of The Stone Lonesome. She has a number of projects, including the one linked to her name, which is her Rock persona. She has a wonderful voice that takes on a number of qualities/character, depending on what emotion she’s sharing with the audience. On roughly half of the numbers she reminded us of classic Cyndi Lauper. She’s also quite theatrical in her delivery, projecting her emotions, taking you on a visual journey.

EmilyLong

Zach sings with a purity that I would describe as sweet (and I don’t mean that in a unmanly way). On a number of songs (in particular the above-noted Bridge to Nowhere), he reminds me of John Denver at his best. In The Stone Lonesome Zach plays rhythm acoustic guitar, quite nicely. In other bands, he’s typically the drummer, one of the best we’ve ever seen.

ZachJones

I don’t know what proportion they each write of the songs (or whether every one is a co-write), so I’ll give them equal credit here. The songs are great (verify the claim, please). Each of them sings lead (typically on different songs, rather than handing it off from verse to verse). In all songs, they blend fantastically for enough harmony to satisfy us.

Last night, they were supported by three of our favorite musicians, left-to-right on stage:

Greg Mayo on electric guitar and background vocals. Two nights after fake-complaining that I didn’t get to see Greg play guitar, I got my wish fulfilled. Greg is awesome no matter what genre he’s playing and he was totally true to the Alt-Country sound yesterday. He was highlighted a number of times. Thanks Zach and Emily for that! Smile

GregMayo

Tony Maceli on electric bass. We love Tony and it was a complete surprise to see him there. He stopped tweeting last September (apparently, 114 lifetime tweets was the perfect number). Of course Tony did a terrific job.

TonyMaceli

Ryan Vaughn on drums, cajon, percussion and washboard. Yes, washboard. It’s been a while since I’ve seen someone break out the washboard. By the crowd’s reaction, I’d say it had been a while for most of them as well and they seemed as pleased as I was to get another taste.

RyanVaughnWashboard

More importantly, Ryan is always a creative drummer/percussionist. He removed one of the toms and replaced the seat with his signature (amazingly beat up) cajon. He’s one of the best cajon players you’ll see, but rather than restrict himself to the cajon, he paired it with the floor tom and cymbal and occasionally the snare as well. When he wasn’t playing the cajon, he used the kick drum instead. A superb job all around.

RyanVaughnCajon

Here’s a shot of everyone (except for Ryan):

TheStoneLonesome

They closed the show by giving the band a break. Zach unplugged his guitar and they each stepped away from their mic. In a 100% unplugged manner, they blew us away and brought a hush to the full house at Rockwood. Awesome job and quite a shift from the rest of the set.

We bought this giant CD at the show. It was black (unusual) and didn’t fit in our CD player, so perhaps they ripped us off. They called it a vinyl edition, perhaps that’s code for doesn’t work. Winking smile (OK, that was a really bad attempt at a joke, sorry.)

The records are numbered, so perhaps one day we’ll be rich off this collector’s piece! Zach’s father hand-drew each cover (I don’t know how well it will come across in the photo, but it looks great in real life). We think that each numbered record comes with a unique story in the included liner notes. Basically, a loving, thoughtful way to package an album that is good enough not to require these (much appreciated!) adornments.

WordsAndWhiskeyFrontCoverWordsAndWhiskeyBackCover

WordsAndWhiskeyLinerNotes

I have a turntable, but I never use it. I have a USB-turntable that I bought specifically to rip my ancient, large record collection. Unfortunately, I was wholly unsatisfied with the fidelity (and process) and stopped after one album. So, I knew I wouldn’t rip this either. We bought it to support them (and force them to sign it). I also bought the digital version so that I wouldn’t have think about ripping this. Smile

Now, how did we attend a show we were sure we couldn’t? On Monday, our schedule for the week seemed set in stone. Starting on Thursday, everything went into a tailspin (but in the best possible way) and we got to reevaluate. We still feel badly about not attending the shows we were originally planning to on Saturday, but both of us were buzzing the whole way home thinking about how happy we were that we ended up seeing The Stone Lonesome.

Thanks Zach, Emily (and Greg, Tony and Ryan) for making it a very special set!