Barns at Wolftrap

Girlyman and Coyote Grace at The Barns at Wolf Trap

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It’s been a little over six months since we’ve seen Girlyman in concert. Any longer than that and I start to twitch. Those of you who know me know I am unabashed in saying that they are my favorite group. For me, that’s quite a statement given how much live music we see (and love!) and how long they’ve held first place (4.25 years and counting!).

Seeing them perform at The Barns at Wolf Trap is always a joy. The place is gorgeous, the acoustics wonderful and the 400-seat venue is always full of people who love them as much as I do (many are more vocal at the performance than I am, so you might mistakenly believe that they love them more). Winking smile

Here are shots of each (so that you know who’s who) taken after the show:



We didn’t spot JJ after the show, but here’s a photo of her on stage:


So, why are they so special?

  • All three songwriters (I’m unaware of whether JJ Jones, the drummer, writes any songs), Ty, Doris and Nate are amazing on their own. They often collaborate (probably after one has gotten a song a certain distance) and produce even better efforts (one example is Easy Bake Ovens).
  • Collectively, their body of work is quite large for a group that’s only been together for 10 years (five CDs and counting, with the sixth already in pre-order). I think one of the reasons is that they all write great songs, so they have three times the output that a group might have when they have a lead creative.
  • They produce exquisite albums that can be listened to non-stop on repeat. I have no doubt that this will be true of the new one, Supernova, when it comes out in a few months. You can pre-order yours now (we did, come join us).
  • Their harmonies are mind-bogglingly beautiful. This actually has little to do with their voices (more on that below) and everything to do with their genius at arranging songs, in particular harmonies. They even teach classes on harmony (sounds like a Master Class to me!).
  • Their live shows are a treat, for their humanity, personality and laugh-out-loud extemporaneous humor. Of course it’s about the live music as well, often because you get to hear brand new songs that will be on forthcoming albums (not necessarily the next one!).

Here’s the set list. It’s sprinkled with brand new songs (a couple we had never heard before, plus two world debuts that no one had heard before!), new-ish songs (which will be on Supernova), old favorites (including the first song off the first album!), requests, etc. It’s one of the highlights of any Girlyman show, knowing in advance that they will surprise you, given the size of their catalog (the two-song encore is not listed):


It also included Hold It All at Bay, my favorite Girlyman song for at least three years running. On some levels, it’s probably still my favorite, but I’m also obsessed with Could Have Guessed (which they didn’t play last night).


Coyote Grace opened the show (you’ll have to read way down to get to that section). I mention them here because they spent a considerable amount of time on stage with Girlyman, individually and collectively. Here’s a shot of Doris, with Ingrid playing the bass (she’s excellent) behind her:


The most notable song (for me) was Everything’s Easy.

It’s an amazing song on a number of levels. As gorgeous as the production is on their latest CD (of the same title), I was much more used to the faster version that I’d heard live many times, which was recorded live, on Somewhere Different Now. So, I love the CD version for it’s quality, but still long to hear it sped up a bit.

Last night they did the slow version, but with a huge twist. Each of the three Coyote Grace people paired up with the Girlyman singers (JJ is reasonably silent during the shows, her drums speak for themselves!). Ingrid shared a mic with Nate, Michael with Ty and Joe with Doris.

The parts that Nate, Ty and Doris do solo (always), were now done in harmony (with the corresponding member of Coyote Grace at the same mic). That was beautiful enough. But, this song builds to two-part, then three-part harmony, with each part singing entirely different words/melodies.

Keep that last part, but add in that each different set of lyrics/melodies is itself being sung in harmony, having six voices sing three different parts, and you have something that I feel feeble in trying to describe. In this case, the slow version was (perhaps more) appropriate, since it made it much easier to shift focus between the three parts and the six different voices.

If you don’t want to read anything negative (even a hint), please stop now, the above should (hopefully) satisfy you.

For those that are reading on, but don’t know me, I’ll give my standard disclaimer that I blog to capture how I felt about each performance. At my age, memory fades fast, and this allows me to recall each show with clarity. I am not a music critic (even a bit, nor do I pretend to be). If others discover music that I love and also enjoy it, that’s a bonus.

We see a lot of shows in NY and VA. In VA, it’s often easier to organize larger groups to see shows together. That’s what happens when we see Girlyman, as I’ve been on a mission to spread their gospel since I first saw them in August 2007. Last night, we had a group of 10 at the Barns. Four of those had never seen Girlyman before.

Last night was our 20th time (give or take one) seeing Girlyman live. I’ve written one negative review, when both Ty and Nate were extremely sick and simply couldn’t deliver their typical performance. The other four in our group last night had all been to that one off show (for two of them, their only Girlyman experience).

Without being overly negative, here’s the difference between most Girlyman shows and last night: most Girlyman shows are magic, start-to-finish. Last night (and a very few others) have numerous magical moments, interspersed with too much thinking (referring to me, not being lost in the moment).

Part of my personal problem comes from the fact that we’re constantly introducing new people to the group. That makes me try to hear each show with new ears (ooh, how Zen of me!). Winking smile I try to anticipate how a newcomer would react, so that I don’t get defensive if they don’t understand instantly how awesome Girlyman is.

The problem is that given the heavy toll that the past year has taken on them (Doris was diagnosed with Leukemia almost exactly a year ago), it’s understandable that they don’t always deliver a peak performance, on every song (like they used to). For non-fans, Doris has responded extraordinarily well to the medicine (which she has to take daily) and is now in remission (or for you medical nerds, in full molecular response). That’s awesome. Still, the toll (on all of them!) has been exacted and it will likely take time to get (somewhat) beyond it.

For me, the manifestation comes in the harmonies (and even some solo leads) not being delivered as cleanly as they are on the albums (or were in most previous live shows). At other times it’s the rhythm of the show itself. Even though they were hysterical last night, there were only two tuning songs. If you’re a fan, you know what that means to us.

I’ll digress for a second and say that they opened the encore with a very funny bit, which culminated in the girls cajoling Nate into singing a parody song. The title: Undeterred. The homophone of that (not in the strictest sense, since it’s actually two words): Undy turd. Suffice it to say that it is a silly song filled with normal conversational words that all aim to project the image of the homophone, rather than the previously spelled out version.

I was wiping tears away during the song, I was laughing so hard. It was literally uncontrollable (bordering on embarrassing).

Not to belabor the original point, but rather to put it to bed, their delivery isn’t always perfect. No real fan of Girlyman cares. I bet many don’t notice (because they’re enraptured), but when I pull myself out of the moment to analyze the sound, I recognize the difference.

Do I care? No! I can’t wait to see them again on November 13th, at Joe’s Pub, where it all began for me in August 2007!

Finally, on to the opener. We’d heard amazing things about Coyote Grace. They’ve opened for Girlyman on a number of tours now, but the two shows that we saw in April were the only ones where Coyote Grace didn’t appear (Birchmere and The Southern Café).

Coyote Grace began as a duo (Joe Stevens and Ingrid Elizabeth, I only know that from their website). Michael Connolly joined them to form the current incarnation.

All three are extremely talented, vocally and instrumentally. They’re also all very comfy on stage and are often funny.

Unfortunately, even though it’s exactly my type of music, I didn’t really connect with them in any meaningful way. The sound of nearly every song was lovely, so they can certainly perform to a high level. But, the lyrics often felt forced to me.

A couple of weeks back I wrote about a singer/songwriter who I felt suffered from writing too directly about her personal feelings/experiences. We’ve all had those feelings, but her lyrics were so direct that I felt disconnected from them. A number of times, I felt the same thing about Coyote Grace.

I love song introductions. Often, it makes me appreciate a gorgeous lyric which could be interpreted a number of ways (which is one of the things that makes it a great lyric) in a very specific way (allowing me to connect specifically with the artist, independent of the song). The reverse was true last night a couple of times.

Coyote Grace introduced some songs in a very personal way (so far so good), but then sang lyrics that were laser-like targets of the intro. In other words, I couldn’t have easily misunderstood the lyrics in that context only. So, the songs themselves were not generically moving (to me).

The only other issue I had was that while Joe has a very nice voice (reasonably distinct characteristics), he doesn’t sing with much power. Ingrid has an amazing voice (truly), and can sing with power, but when she sings with Joe (which is way more often than the few times that Michael joins in), she tones it down to match Joe. That’s cool, except that in a 400-person venue, a little more power is called for (IMO).


They are all talented multi-instrumentalists, but Michael Connolly tops the list. He played mandolin, fiddle, accordion, piano, upright bass and probably a few more that I am just forgetting. All extremely well! He sings well too.


Still, that’s not what I will remember most about him. I couldn’t get it out of my mind that he’s the spitting image of Wayne Knight (Newman on Seinfeld). That Michael was very funny, facial expressions as well as some lines, only reinforced that for me.

Coyote Grace kicked off the show by having JJ drum for them (wonderfully!). They later invited Ty up to play the cajon (first time I recall seeing Ty play one). Then they brought them all out for at least two numbers, including a spiritual (written by their friends, Ma Muse) which they mostly snap to (and clap to in the faster parts), in a more a cappella feel. Stunning.

Here are all of them (except for JJ) in one shot, singing a different song:


I listened to the streaming music on the Coyote Grace site today, for more than 30 minutes. I liked the sound a lot, but I was easily able to work on other things (meaning, again, the lyrics didn’t pull me in). Listen for yourself, you’ll likely feel very differently.

Here’s their set list along with a page from the program with last night’s entry:


During intermission, I stood at my seat just to stretch. When I looked toward the back, I instantly recognized someone I’ve only seen once in my life. Five rows behind us was Owen Danoff, who we saw perform in NYC a few weeks back. He was there with a friend, celebrating his birthday. Here’s what I wrote about him. As you can see, I’m a big fan, including being able to pick him out in a crowd. Smile


In a much smaller world story, when Lois slipped past me (also during intermission), she stopped in her tracks and looked at the person two to my right in our own row and said: “Are you?” and he replied “Yes.” Smile

It was another Girlyman fan, John Dickerson. I briefly met John at two other Girlyman shows, but had spoken to him on the phone before ever meeting him. John wrote a series of articles on risk taking. One of those was about Girlyman, and the risks of being an indie music group in our times. John interviewed me for that article. His wife sat between us. It made me feel like our group of 10 was really 12. Winking smile

Before heading to the Barns, eight of us had an amazing meal at P.F. Chang’s in McLean. We made Stacey pose with our server. Winking smile


Here are the rest of us right before the show. The ghost is taking the picture, which is why there are only nine of us visible.


Girlyman at Barns at Wolf Trap

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Another night, another fabulous Girlyman concert. Same old, same old, blah blah blah. Right? Wrong! 🙂

So, I just covered their April Fool’s NYC show at Joe’s Pub extensively in this post the other day. I’ll try not to be too repetitious, but I will highlight some of the similarities.

I mentioned in that post that Girlyman mixes it up, even on the same tour (in this case, in the same week). That was the case last night too. For the past year, Joyful Sign has been featured in every show, either as an opening number (at Joe’s) or a closing number (at Gravity Lounge, Birchmere, etc.). They didn’t play it last night. Not complaining, just reporting. 🙂

They opened the show with my favorite song, Hold It All At Bay. Since I closed my last post about them mentioning that, I’ll fantasize for a second and say that they did that to specifically make me happy. 😉



Next they played one of our favorites (a very silly thing to say, because 95% of their songs are amongst our favorites), On The Air, which they hadn’t played at Joe’s, but opened most of their 2008 shows with. During the set they also played their new cover of Mary by Patty Griffin, and their new song Wherever You Keep, both of which are so wonderful that it was great to hear them again and start to cement them in our minds.

They did not play Doris’ new song, Nothing Called Home, so we’ll have to wait for our CD of the live recording at Joe’s to hear it again.

So, why did I say that this night was not the same old, same old? (Aside from the obvious fact that all of their shows have a freshness to them!) Last year, at the Barns, they played their cover of Rock Me Amadeus (the previous link is not their version) by Falco. I have been dying to hear it again ever since. I’ve called it out a couple of times during the request section of their shows, to no avail.

Last night, they did the same bit that they did at the Barns last year (which was the only time I’ve seen them do it before). They had the audience vote on which of three whimsical songs they should do, based just on keywords. Of course, their fans know which songs are associated with which keyword, but any newbies wouldn’t know

The keywords were:

  • Backwards
  • German
  • Moose

They voted on them in the order: Backwards, Moose, German. Lois clapped her little heart out for Backwards. It moved the needle, but it was clear that the majority of the audience was holding their vote for one of the next two.

Next up was Moose, which got a ton of applause (Nate also noted some serious whistles as well). I was sure it was going to end up being Moose. Then we voted on German, which is what I wanted, badly. Thankfully, enough other fans wanted it too, as it ended up surpassing Moose. Whew!

Why was it so important to me to hear them do it again? Aside from the instantaneous enjoyment of the song (which they delivered on), I knew that I’d be buying a CD of the performance, so I would finally have a copy I could listen to forever, whenever I am in the mood. Sweet!

Of course, the audience sang the chorus out loud with them, so I’ll be able to enjoy remembering singing my little heart out as well. 🙂

They played a number of songs from Little Star (five in total!) only two of which they played at Joe’s on Wednesday night. They also played Good Enough, something I haven’t heard them play often live, so that was a real treat too.

For the request, so many titles were yelled out it was overwhelming. Nate joked that people had just yelled out their entire repertoire (which wasn’t so far from the truth!). Of course, with 400 people in the audience, even though all of them were Girlyfans, clearly, there would be a wide range of favorites.

After much discussion between the three of them on stage, they settled on Maori. I mentioned in the last post that Maori is stunning, and difficult to nail live. They clearly didn’t intend to do it at the Barns, but with enough people yelling for it (perhaps because they all read my last post!) 😉 they decided to do it again. Gorgeous!

They closed the show with This Is Me (one of the five Little Star songs). They returned to the stage quickly to a standing ovation. They played two more songs. In total, they were on the stage for 100 minutes. Let me correct myself, 100 blissful minutes!

After the show, we ordered our live CD (as we always do). Then we waited patiently to say our hellos, goodbyes and see you next times.

That’s it for the concert, but (unfortunately for those of you who can’t look away from an accident) nowhere near the end of the post itself. 😉

We bought tickets for last night’s show the minute we became aware of it, last October. We saw them at the same venue, the Barns at Wolf Trap last year, and loved the place (there should be no doubt about our loving Girlyman, right?). Even though the show was seven months away, in purchasing six tickets (at the time) together, the best we could do was the fourth row. Later on, we bought three more tickets, and those were relegated back in the 13th row…

Every seat at the Barns gets great sound, but aside from Lois’ poor vision, even well-sighted people lose a lot of the feel of a live performance when they sit further back, given that the faces of the performers are just a blur. As I mentioned in yesterday’s post about Colin Hay, when the performers are funny (in addition to their obvious musical talent), you miss out on some of the raised eyebrows, smirks (at exactly the right second), etc.

Nate was so on last night (is he ever not?), that it was particularly cool to be close enough to him to catch every nuance of his between-song antics.

The fourth row was just fine for that, but our friends who ended up in the 13th row really loved the show, but admitted to seeing more of a blur on the stage than what we saw. Oh well, Girlyman fills the Barns (400 seats!), so you have to pounce early to get seats up front. I ended up in the middle seat in our row, dead center stage, which was perfect!

If you read the last post, then you know that Elizabeth left me a comment that she’d be at the show too. She’s a major Girlyfan as well. She ended up sitting right behind us, and was finally able to bring her daughter to a show (she was too young to attend the last two times, when Elizabeth brought her son). Both her kids are big-time Girlyfans.

Elizabeth also stepped up her support for the band by volunteering at the Merch table. Kudos Elizabeth! We all need to find ways to help and support the people we love and who give us so much joy. Writing these blog posts about Girlyman is one of the ways we try to help, as is introducing them to as many people as we can convince to join us at their shows!

I know that Elizabeth reads my missives about Girlyman and pays attention. At least I know it now, after last night. I usually mention that we really do everything we can (including leaping onto the stage after the show) to snag a set list, whenever we can. That didn’t happen last night, because we were four rows back, and had a lot of people with us.

After we said our goodbyes to Girlyman, Lois told me that she had something in the car that she really wanted me to give to Girlyman. It was a one sheet printout of the last few paragraphs of my last blog about them, including the photo of the youngest Girlyfan. I went to the car and came back in to hand it to them and got back on line. Elizabeth spotted me with a piece of paper, waiting on line (looking like I wanted it signed by the band), and she said to me “Is that tonight’s Set List?”

Unfortunately, it wasn’t, but I applaud Elizabeth’s fortitude in making it through all my wordiness. 😉

On to what we did before the show. Nine of us had dinner at Hunan Lion. We accidentally discovered this wonderful restaurant last year, when we dined there before the Girlyman show. We were seated at a round table, so we were all able to enjoy each other’s company thoroughly. The food was great, again.

Here is a shot of our seven guests with Lois. Ironically, I am not the one taking the picture, as I was off getting the car. A patron who was about to enter the restaurant saw Lois snapping photos of our guests, and offered to take one with her in it. Thanks! 🙂

Guests at Hunan Lion

Guests at Hunan Lion

Recall that we purchased the tickets seven months ago. We didn’t look at them carefully, and we made a pretty big mistake. We were caught in bad traffic on I95 on our way to the restaurant, and we got there later than we had planned. Still, we thought we had plenty of time, because we thought the opening act came on the stage at 8pm.

After dinner, we headed over to the Barns (first incorrectly going to the main Wolf Trap, about 1/3 of a mile down the road). We walked in at 7:58pm, which was cutting it too close, but since we had assigned seats, we thought we were fine.

Unfortunately, the show started at 7:30pm, and the opening act, Adrianne, was about to start her last number. I felt badly that I messed up the schedule, but was grateful that we didn’t miss any Girlyman! Thankfully, they pumped Adrianne’s number in the cafe where we waited, and the sound system was excellent, so we got a taste of what a talent she is. A very beautiful voice!

Lois took a shot of our guests, with me in it this time, waiting in the cafe while Adrianne sang her last song:

Guests at Barns

Guests at Barns

A few minutes later, her set was over, and there was a 20 minute intermission, so we were able to get to our seats and settle in. You already know about the show, so I’ll leave you with one more baby Girlyfan story.

One of our guests was 6.5 months pregnant. After the opening number, Hold It All At Bay, she turned to us and said that the baby was kicking beyond belief. Before you freak out, that’s typically a very good thing, and the mother definitely took it that way! Amazingly, it was the same song that calmed down the 5-week-old that I reported about in the last post. Of course, I have similar tastes to newborns (or even nearly borns!). 😉

After the show, the mom-to-be reported that the baby continued to happily kick along throughout the show. She was very pleased.

If you made it all the way to this point, there just might be a pleasant surprise reward for you (depending on who you are). 😉

The next time we’ll be seeing Girlyman live (at least the next time we’re sure about) will be June 4th, 2009, at the Highline Ballroom in NYC. Since that is a much larger venue than Joe’s Pub, we’ve decided to invite a lot more people than we usually do.

On Friday, I sent a large blind distribution out to a bunch of our Tri-State area friends, inviting them to be our guests at the show. If you are a friend, and didn’t get an invitation from me (then apologies for accidentally leaving your name off the list!), and would like to attend, please let me know.

If you don’t live in the area, then you didn’t get an invitation, but if you will be around on June 4th, or are willing to commit to making the trip, then also let me know.

Hope to see everyone at the Highline Ballroom on June 4th. Let’s sell the place out! 🙂

Girlyman at Joe’s Pub

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I know I’m boring my regular readers by repeating that Girlyman is my favorite group. At least you now that this continues to be the case. 😉

Last night was the ninth time that we’ve seen them perform live, and the fourth time we’ve seen them at Joe’s Pub, our favorite club. We love their music and on stage antics enough to want to see them over and over (in addition to listening to their CDs a ton as well). But, while there are repeats (mostly crowd favorites) among the shows, they always manage to keep thing fresh, even within a given tour.

Last night had some serious surprises, even for those that have seen them as often (or even more) than we have. They played three songs that we’ve never heard before.

The first was Mary, a cover of a Patty Griffin song. Absolutely gorgeous. They also told a funny side-story about it, and Patty, who was also on their recent Folk Cruise, Cayamo.

Next was a new song of theirs called Wherever You Keep. As much as I love all three of them as musicians, the magic of Girlyman is their harmony and lyrics. In this new song, Nate plays a beautiful finger-picked acoustic guitar, while Ty and Doris just sing, no instruments in hand. (Saying that Ty and Doris just sing is like saying that Lance Armstrong just rides a bike!) 😉

The fact that there’s only a quiet (but gorgeous!) guitar for the background, makes their voices so front-and-center, that you get the chills seconds into the song. I can’t begin to tell you how much I love this new song, even though I’ve only heard it once! I’m praying that it will be on the new studio CD coming out later this year (they’re hard at work on it now!).

Either way, I will have a copy in a month or so. Girlyman records all of their live concerts, and you can order a CD for $20, right after the show, and have it mailed to you after the tour is over, and they have a chance to mix it. We have CDs of the last four shows we’ve seen (ever since they started offering this service), and we love them all. The CDs include the on stage banter as well.

The last of the new songs is by Doris, called Nothing Called Home. They joked that it hasn’t been arranged yet, and that each time they do it on stage it comes out differently. Doris apologized in advance that she even occasionally forgets some of the words. Last night, they nailed it, Doris didn’t miss a beat, and the random arrangement of the night (Nate joked that it was #57) sounded great to me!

For the past year, they’ve been closing the shows with Joyful Sign (the first song I ever heard of theirs, and one of my favorites). Last night they opened the show with it, setting a different tone than in most of the other shows. Like I said above, they keep it fresh.

They always have a request section, and they did two last night, Young James Dean and Speechless. Wonderful!

They did an absolutely incredible rendition of Maori. Lois and I love this song and listen to it in the car all the time. Neither of us can remember whether we’ve ever heard them do it live though. It’s possible, but given how many times we listen to it on the CD, it’s hard to be sure and separate our memory from reality.

I linked the lyrics above, because the song starts with a startling line:

When I first met you, I said
“My God, get away.
You smell like fish heads.”

Obviously, we know this by heart (and I even joked about it in a Facebook comment recently). Last night, Nate told the story behind the song, and it turns out that the above line is actually true! Anyway, the song is so rich, and their harmonies intricate, that it has to be a very difficult song to nail live (perhaps that’s one of the reasons they don’t do it often), but last night was perfect.

They played a bunch of other favorites, that I could list out (because I snagged the set list, like we always try to), but I’ll let the above stand as the differences, rather than repeat things I’ve said before. As for all four times that we’ve seen them at Joe’s, we were right up against the stage, smack in front of Nate.

Nate Borofsky

Nate Borofsky

Ty Greenstein

Ty Greenstein

Doris Muramatsu

Doris Muramatsu

They came out for an encore and played two songs, also done to perfection. After the show, we stood on line with the rest of their adoring fans and ordered our live CD from the show we just saw. We said our hellos and goodbyes to all three and headed back to the apartment, still aglow.

After we said goodnight to our two guests, we turned to each other and simultaneously said that we each thought that this was likely the best Girlyman show we’d been to. Of course, we both laughed that they’re all great, so it’s a little like splitting hairs, but still, that was our initial instinct, and it hasn’t faded, nearly 24 hours later.

If you tuned in only to hear about the show, go away now. For the hardy among you, here are the background details of how we came to see the show, and the day that led up to it.

Last October, we bought tickets to see Girlyman this coming Saturday (4/4/09) at the Barns at Wolftrap. In keeping with that, we expected to be in Virginia for the week before that show so we purchased tickets to see Cherish The Ladies at the Barns for last night (4/1/09). We also bought tickets to see Colin Hay at the Birchmere tomorrow night (4/3/09).

I’ve written about Cherish The Ladies before. They are fantastic and I was really looking forward to seeing them again, especially on a bigger stage (more on that in a moment). We’ve never seen Colin Hay before, but he’s very quickly become a new favorite of ours, and we are excited to see him tomorrow night (yes, we’re down in Virginia now, so we’ll be able to make that show!).

A month ago, we found out that Girlyman was going to be at Joe’s Pub on 4/1. While I felt badly that we would miss them in our favorite venue, I told Lois that my vote would be to keep our original schedule, see Cherish The Ladies, and then see Girlyman a few days later, both at the Barns. She was torn and wanted to think about it.

After thinking about it for a few hours, she firmly decided that she’d prefer to see Girlyman. We gave our tickets to Cherish The Ladies away to a friend (and colleague at Zope). He went last night with his wife, and reported today that the show was great. In particular, he really liked the step dancers.

I mentioned above that I was interested in seeing them on a bigger stage (which is unusual for me, since I love tiny clubs!). That was precisely because I’ve seen YouTube videos of them playing venues that could support the step dancing, and I loved it, and really wanted to see it live. We saw them at an awesome venue, but a tiny one, where no dancers could fit.

So, even though I missed out, both of us were thrilled that the tickets went to good use. Of course, we were doubly glad that Girlyman created an even more magical night for us than we expected (and you all know, we have high expectations for them to begin with!).

We love to introduce as many people to the wonder and joys of Girlyman, so we never buy just two tickets to see them. Since this show was scheduled to begin at 9:30pm on a Wednesday, we only bought four tickets, because we knew it could be difficult to find people who would want to stay out that late on a school night.

We have been trying to get together for a while with a good friend of ours, and his new girlfriend (new to us, I don’t know how long they’ve been together). When I offered him to be our guests, he wrote back saying that she was a big Girlyman fan, and that they would be happy to join us. Obviously, we liked her instantly, even though we haven’t met her yet. 😉

Unfortunately, Tuesday morning, the day before the show, he let me know that both of them had horrible colds, and would be unable to attend. Uh oh, we realized that it might be tricky to find people at this late date. We were correct. A number of couples turned us down, one after another.

Finally, one friend told me that he would love to come, but his wife was in Japan with their baby. He said he’d understand if we passed and went for another couple. We liked the idea of filling one seat guaranteed, and being able to broaden our search to single people as well.

But, before we broadened our search, I called one of our favorite couples, and invited the husband only (and I made that invitation through the wife, so there was nothing nefarious involved), 😉 knowing that the wife wouldn’t want to be out that late under any circumstances. Thankfully, he accepted, and we were set. Whew.

The next day (yesterday, the day of the show), we had two friends over for lunch. We had the most amazing Sushi meal from our favorite sushi place (conveniently located exactly across the street from our apartment), Hane Sushi. In addition to many of my favorites, I tried the Spicy Lobster Tartar. It’s cooked, so I don’t know why they call it Tartar. That said, it’s one of the more exceptional dishes I’ve eaten lately. Yummy.

Neither of our guest husbands (not the same people that were over for lunch) had seen or heard Girlyman before. Both thoroughly enjoyed the show, and one of them became an instant fan, purchasing one of their CD’s (download) from Amazon minutes after he got home. 🙂

Update: after reading this post, their new fan wrote to me to say that he purchased three of their albums from Amazon downloads! Now he has something to do on the airplane on his upcoming trip. 🙂

The Boys

The Boys

One final Girlyman anecdote that happened today.

At Zope, our VP of Finance and Administration is a big Girlyfan. So is her 5-year-old daughter. Both have seen them live (with us) twice. The mom just had another child less than a month ago. Today, via IM, she was telling Lois that he was particularly cranky, and she was having trouble settling him down.

Lois instantly suggested that she play one of Joyful Sign, Through To Sunrise or Kittery Tide (all three being very up-beat Girlyman songs). A few minutes later, the mom replied that the song that did the trick was Hold It All At Bay. She said “You should have seen the look on his face the minute that song started playing!”

For the few of you that made it this far (congratulations on being masochists), and somehow don’t know this yet, that’s my favorite Girlyman song. So, he’s a kindred spirit of mine, and Girlyman has just increased their lifelong fan club by one very young fan. 🙂

Update: with permission from the mom, here’s a photo of the confirmed youngest Girlyfan, as of 4/2/2009!

Youngest Girlyfan

Youngest Girlyfan