The Knox Sisters

Ian Axel, Bess Rogers and Allie Moss at The Falcon

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We love surprising musicians by showing up in places they’d never expect us. It’s way more fun when the venue is new to us and everything we read makes us think it will be a favorite, instantly. Such was the case last night.

Having just seen Ian Axel the night before (Tuesday) at Bowery Ballroom, he didn’t expect to see us two hours north of there the next night. Allie Moss was at Bowery Ballroom as well, singing on more than 1/2 of Rosi Golan’s CD Release Show. Bess Rogers joined Rosi and Allie to close the show, so we were actually seeing every performer for a second night in a row.

The venues couldn’t be more different. The night out at Bowery Ballroom was fantastic (you can read about the three sets here, here and here). Even so, The Falcon (last night’s venue) is so much more to our liking on every level. I’ll tell you why after I cover the music.

I’m reverting back to my normal style of covering the performers in reverse order.

Ian Axel got to return to a real grand piano. He’s been playing electronic keyboards and even a mock baby grand (looked like a grand, but was actually electronic at the Beacon Theatre). You can see its effect on Ian. He brightens up and is infused with even more energy (if that’s possible) when his fingers connect with ivory, rather than plastic.

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He set a different tone immediately. At Bowery Ballroom, Ian opened with Gone (a slow, emotional song). He played it last night too (fairly early), but opened with Leave Me Alone! It was fantastic, for two reasons: 1) It’s a great song and Ian and the band nailed it, and 2) The audience surprised the heck out of me!

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Here’s what I wrote about that song the night before (Chris refers to the bass player):

Hearing that song in NYC is so different than anywhere else. In NYC, such a large proportion of the crowd knows the cool clapping part (and has Chris to make sure they know when to do it, not that we don’t). In other places, there are a few lonely clappers who typically give up quickly.

My hubris was smacked down the very next night. Most of the people in the audience last night clapped correctly, immediately (in other words, they knew the song!). More importantly, three guys in the second row clapped it even when no one else ever does (it was appropriate from a percussion point of view, but it’s not in spots where the band expects it). They kept it up until the song was over. That’s commitment folks. Strike my comments from the night before!

Ian played most of the set accompanied by two band members (they didn’t travel with a guitar player):

Adam Christgau on drums, acoustic guitar and background vocals. Having seen Adam play the night before, it was impressive to see him shift gears and play some of the same songs with substantially more subtlety, matching the venue’s acoustics and size very appropriately. He did a very nice job on the acoustic guitar as well (something we only discovered he could play the night before).

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We met Adam’s mother at the show. She showed us a photo of Adam playing the drums at 3-years-old. It was one of the cutest photos we’ve ever seen. She was willing to send us a copy, but Adam insisted against it. So, I’m hereby considering starting a Kickstarter campaign to raise enough money to bribe his mom to ignore him, so we can release that photo into the wild (where it belongs!). Winking smile

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Chris Anderson on electric bass and background vocals. Like Adam, Chris was also more subdued at The Falcon. Also like Adam, there was a sophistication to his play that made it no less interesting than the night before. I’m always impressed by how professional Chris is. We see him so often, it amazes me how consistent he is.

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Ian played Say Something solo. He introduced the song and seemed a bit more emotional to me than he is at most shows. In fact, The Falcon seemed to bring out a bit more talkativeness in general (from the other performers as well) and that’s always a plus for me.

Chad Vaccarino, Ian’s primary writing partner, joined for a number of songs. The first, Shorty Don’t Wait, also had Allie Moss joining in, with Adam switching to the acoustic guitar. Chad sang lead on all but one verse, where Allie took over the mic. Allie, Chad and Ian shared the mic to sing the chorus and Ian played the ukulele. Shorty is one of my favorite songs and they delivered another winning performance.

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One of the songs that Chad and Ian performed was Rockstar, sure to be one of the bigger hits off their next CD (no, they haven’t started recording it yet, sigh…). When they opened for Five for Fighting in CT, they introduced a twist to the song. They morphed it into Elton John’s Tiny Dancer, then back to finish Rockstar.

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In CT, it was awesome. They did a longer version of Tiny Dancer. But, it wasn’t the smoothest transition in or out of Rockstar. At Bowery Ballroom and again last night, the transitions in/out were so seamless (really, perfect), that you would swear Elton John collaborated with them on Rockstar and Tiny Dancer.

I mentioned that to Ian after the Bowery Ballroom show, but I forgot to mention it in the post. I’m grateful to him for repeating the seamlessness last night, so I had a chance to correct my omission. Winking smile

They killed This is the New Year (do they ever not?). This was also the best example of Adam changing up the drums (quite dramatically) from the night before.

Ian had to come back for an encore (yes, had to) and he and Chad did You’ll Be OK. When they finished, everyone in the room gave them a standing ovation. No hesitations in people standing up. Great way to end the evening.

Bess Rogers was up before Ian. Adam and Chris backed her up for most of the set (though she did play solo acoustic guitar as well as ukulele). Allie Moss sang harmony on many of the numbers and played glockenspiel on at least one. The two of them sound so good (I guess it doesn’t hurt that they are forced to spend so much time together).

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Ian played piano on at least one number.

Bess played some songs from her upcoming CD (already recorded thanks to a successful Kickstarter campaign). It should be out in October (fingers crossed). She also played a few off of her EP Bess Rogers Presents Bess Rogers.

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It was all excellent, but I have to say that she totally blew me away (and I suspect everyone else) when she switched to the ukulele, gave an introduction and then played, In My Life, by The Beatles. Wow. Not only did she sing it wonderfully, she went for it and played the fast instrumental part (played on the piano on Rubber Soul) on the ukulele and nailed it.

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Aside from the music, Bess is just hysterical. Possibly NC-17 (not quite R), but it works for me. She’s smart and quick-witted. What else can you ask for? Nothing, that’s right!

Allie Moss opened the adult portion of the evening (you’ll understand that comment in a minute). I already mentioned above how great she sounded singing with Ian and Bess. I also linked to the post praising her performance singing with Rosi Golan.

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Let me add now that in addition to clearly having an excellent voice (and playing the guitar really well), she’s also a very good songwriter. She opened the show with Passerby. It’s a song inspired by the feeling we all have about other drivers (inducing the desire for road rage). One of the phrases that struck me:

Would I have grace for you
And you for me

Amen, let’s just all do it, have grace for each other, in all situations! She also sang the title cut from her CD, Late Bloomer, among others (we didn’t grab any set lists, so I can’t rattle off all the songs). Bess sang harmony on a few numbers and played ukulele on the opener. She also played glockenspiel on one number. Adam and Chris supported Allie on a good portion of the set as well.

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Ian played piano during Allie’s first number. I can’t recall whether he returned during her set.

Opening the show were two girls (yes, girls, not women or ladies), The Knox Sisters. They will soon be 13 and 11 (Hailey and Samantha). Don’t worry, their parents were there as well.

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Hailey played the guitar and sang all of the leads. Samantha played the cajon and dejembe and sang harmony on a song she wrote!

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One of the songs they performed is the (current) default song on their YouTube Channel (Doorbell). It’s a year old, but is a reasonable representation of their performance last night. Hailey’s voice has matured further (IMO).

They received rousing applause after each song (from me as well) and were called back for an encore. I enjoyed their set, so I wasn’t just being polite, but I have to wonder whether everyone else felt that much more impressed than I was.

They are extremely impressive for their age, no doubt, and I wouldn’t be surprised to hear that they make it, eventually, if they continue to work hard. That said, they aren’t really phenoms (in the child-prodigy sense). I wasn’t experiencing an 11-year-old Chris Thile, or a 10-year-old Sierra Hull, etc.

Allie, Bess and Ian all gushed over them, repeatedly. Whether they were being nice (supportive), or whether they saw something in these girls that I didn’t (being performers themselves), it was a very nice thing to do.

Lois bought a bunch of merch after the show. I look forward to listening to Allie’s Late Bloomer CD. We also bought a single from Bess’ upcoming CD. I think Bess said that the B-side is In My Life. We were driving all day today, so I haven’t had a chance to load it and find out if my wish will come true (that I heard correctly!).

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We bought a couple of T-Shirts (you can never have enough). Smile

OK, let’s wrap this up with some words about the venue itself.

The Falcon is simply an extraordinary place. It seats roughly 100 people. The first two rows are traditional seats. The rest of the room is tables that normally would seat four, but they orient the entire room toward the music. No one sits with their back to the stage or on the sides of the tables. That meant that the two of us shared that table for four, both sitting on one end together, facing the stage. Perfect!

Every person in the place (wait staff, owner Tony Falco, bartenders, bus-people, sound person) was happy, helpful, energetic and took their job seriously, doing it well.

The food was outstanding. I would go back for the food, even if there wasn’t music (it’s an hour’s drive from our house).

All of the above is great, but we showed up for the music. That’s where The Falcon shines even more. The acoustics were fantastic, in particular, the vocals (and kids, Allie, Bess, Ian and Chad are first and foremost about the vocals!). I was sitting in the stereo sweet spot (as if this was my living room and I got to design my own perfect sitting area).

The sound guy (he looked like a kid himself) was very active. I noticed a few times that if someone’s mic wasn’t just right (from the audience’s perspective), it was adjusted quickly. I often marvel at other places where the sound is awful and I think: is the sound guy in the restroom? He can’t be listening to what I’m listening to.

We’ll be back at the Falcon, no doubt. Here’s a great overview photo of the room.