Girlyman at Southern Cafe

Another night, another Girlyman concert. This one was in Charlottesville, at the relatively new The Southern Cafe. This used to be Gravity Lounge. It changed hands and was gutted on the inside.

Last night was the final show in the current East Coast tour for Girlyman. I can only imagine how exhausted they were. Thankfully, none of that was projected on the audience, as they performed with incredible energy over two sets.

All of the praise I heaped on them for the show the previous night applied last night. They varied the set list a lot, with at least half of the songs swapped from the night before. Their banter was almost 100% fresh. One of the reasons that this is almost always true for Girlyman is that they feed off the crowd’s reactions. They might start with a seed that they have in mind, or have used in a previous show, but each audience will take them in a completely different direction.

DorisMuramatsu

There were more, and longer tuning songs last night. Not because Ty and Doris had more trouble tuning, but because they got stuck (in the best sense) on a particular theme/interplay and drove a truck through it at every opportunity.

NateBorofsky

Girlyman audiences are among the best, at every venue, on a consistent basis. They are true fans who make unreal noise between songs, and are reverently quiet during songs. That’s all you can hope for.

TyGreensteinMandolin

They played a 45-minute set and took a break to sign merch and mingle with the audience (exactly like they did the night before at Jammin’ Java). They returned for a 70-minute set including a three song encore.

JJJones

The first song in the encore was the Girlyman Benediction. It’s been quite a while since we’ve seen them do it live, and it was fantastic (as it always is). In addition to their normal antics during the song (e.g., Doris does the belly-rubbing and head-patting motions at one point), adding JJ Jones to the mix (the newest Girlyman) was hysterical. She was balancing drumsticks and water bottles, making it very hard to look anywhere else to see what the rest of them were doing. :-)

JJJonesBalancingDrumSticks JJJonesWaterBottle

Next they played the other encore favorite, Son of a Preacher Man, which has also been a while since we’ve seen it. They closed the show with the amazing a cappella number, Up to the Sea (from the new CD) like they did the night before.

GirlymanACappella

After the show Nate signed their latest CD for our friends. Lois bought one of their Everything’s Easy T-Shirts (for me, since they were out of her size).

NateBorofskySigningCD NateBorofskyWithFans

ModelingMyT-Shirt

Opening the show was Andy Moore. We missed the beginning of Andy’s set (my rant about that will come in a minute) but caught her last two numbers. She has a beautiful voice and accompanies herself well on an acoustic guitar. Very moving lyrics.

AndyMoore

Lois made up for our guilt of missing her entire set by buying two of her CDs, so we now have a chance to get to know her music better. We also spend a lot of time in Richmond, where she’s based, so we might get to catch one of her shows there.

The Southern Cafe is still relatively new, so it’s important to cut them some slack while they get their sea legs. On the other hand, I’ll still rant a bit in the hopes of sparing someone else what happened to us, and encouraging The Southern to get it together a bit more quickly than they seem to be.

The show was listed for 8pm, with doors opening at 7pm. We wrote in advance because the website is one of the things that hasn’t quite gotten fleshed out yet. They wrote back saying that the opening act would come on at 8pm, with Girlyman hitting the stage at around 8:30pm.

We arrived at 6:20pm, and our guests arrived at 6:30, exactly when we asked them to. The doors to the cafe were already open (very welcome, since it was drizzling outside). We tried multiple times to order dinner, and each time were politely told that they wouldn’t be taking orders until roughly 7pm (fine, that’s when the doors were officially supposed to open).

They did indeed take our order at 7pm. Even though it’s traditional southern style comfort food (I had an amazing pulled pork sandwich with equally amazing sides of mac ‘n cheese and slaw), it took forever to come out. The good news is that the food is good enough so that you should go there for lunch or dinner even if you’re not interested in the music.

Unfortunately, while eating our food (which got to the table at around 7:35), we heard some applause. We ignored it while we ate, but then Lois got curious. She went to check it out, and it turns out that Andy Moore came on at 7:30. No announcement was made in the cafe part that we were sitting in. We wolfed down the rest of the food and caught the end of her set.

Summary: The Southern Cafe is going to be a great venue for both food and music once they get their act together. You should still attend now, because the overall evening was fantastic, but, be aware that things might not be perfectly smooth, or as advertised, for the time being.

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Girlyman at Jammin Java

Last night was our 14th time seeing Girlyman perform. Tonight will be our 15th and I’ll write about that tomorrow. :-)

From March to October each year, we tend to see Girlyman in bursts, keeping our need/desire in check. Most years, we have a Girly-drought from October to March. It’s a rough patch, aptly named Winter, and we were happy to officially declare our version of Spring last night!

We were pleased and surprised to see Girlyman book Jammin’ Java. For the past two years, they have played The Barns at Wolf Trap this time of the year (on their VA visit). The Barns seats 400 people and Girlyman has sold out both times they’ve appeared there. We love The Barns, but the more intimate, the more we like it.

We’ve been to Jammin’ Java once before, covered in this post. We liked everything about that evening, including the food quality and selection. While that show was reasonably well attended, it didn’t prepare us for trying to accommodate Girlyman’s fans in this smaller venue.

Gone were the tables that were set up near the stage (making it easy to sit up close and still eat comfortably). Instead, they had rows of seats (theater style) from the stage all the way back to the bar area. People sat on the floor (lots of people) wherever there wasn’t a chair. Many more people stood behind the chairs all the way back to the entrance.

Jammin’ Java earned it’s name a few times over last night. First, while waiting for the seating to begin, the smell of their fresh brewed coffees was intoxicating. One of our guests commented to me that he would need to have some as dessert. We did. We got Lattes to go after the show was over and drank them on our way back to Fredericksburg.

Next there’s the intended meaning of Jammin’, the music. Wow, Girlyman was/were their usual extraordinary selves. Finally, people were literally Jammed into every opening, and no one seemed to mind in the least. We were all just happy to be part of the music and the energy (and the comedy) that is Girlyman.

So, why we do go to see groups that we love this many times, and often go out of our way to do it? The easy, obvious answer, which is 100% true is that we want to support (financially and emotionally) the groups that we love. But that’s not the whole answer.

The live experience brings with it a joy that is qualitatively different than listening to the CDs (which is something we also do a lot). With a group that has a large a catalogue like Girlyman, each show has a number of unique elements to it, even on back-to-back nights on the same tour. Then there’s also the inevitable moment of discovery, when they perform something on stage we’ve never heard, or they tell a story and reveal something we were unaware of, and our love of them deepens further.

There were a number of examples last night. We had an opportunity four months ago to tell Ty how much we love the song Could Have Guessed (on the new CD, Everything’s Easy). Last night, before playing it, we got our first shout out from them, as Ty dedicated the song to us. Cool!

TyGreenstein TyGreensteinGuitar TyGreensteinDjembe

Ty told a story that we hadn’t heard before they played Young James Dean (a song we’ve seen them perform many times). She said she was inspired to write that song when she read The Last Time I Wore a Dress. Lois told me when we left that she wants to read the book.

They played a few songs we hadn’t heard them play live, including one we’ve simply never heard before, because they haven’t recorded it yet. They were:

  • St. Stephen, a song Ty co-wrote with Nate in 2006. I could feel Lois tingling throughout the song, her reaction was that palpable.
  • For the first song in the encore, Doris sang a cover of Loretta Lynn’s Fist City. We love country music, and it was fun to hear Girlyman’s take on this song.
  • They closed the encore with Up to the Sea, a stunning a capella number on the new CD. The music is by Beethoven, Nate wrote the lyrics. The three of them bunched up together and shared one microphone. We’ve listened to the song many times on the CD, but have never seen them perform it. It was magical. You couldn’t hear a rustle (let alone a whisper) in the crowd.

GirlymanACapella

Girlyman now officially has a fourth member, JJ Jones on the drums. We’ve seen JJ play with Girlyman twice before, but she was actually the full-time drummer for the opening band, Po’ Girl each of those nights, also sitting in with Girlyman.

JJ is an incredible drummer who adds a nice depth/dimension to Girlyman. Many of Girlyman’s songs have a full drum set on the CD version, so it’s quite natural to hear that full sound on stage as well.

JJJones

During Young James Dean, JJ was beyond awesome. I am grateful that I know the song so well, because I might have missed it given that I was fixated for much of it on JJ. I wasn’t alone in my awe. The second the song was over, before Ty even thanked the audience for their wild applause, she turned to JJ and introduced her, and said something to effect of “Wow, thanks JJ!”. Thank you indeed!

JJJonesDrums

JJ also was perfect on the always upbeat Joyful Sign, a song that really benefits from strong drumming. JJ never speaks on stage. Well, she never used to speak on stage. Nate asked her a question last night, which JJ typically answers with a particular drum roll. Last night she said “Yes”. Nate was as flabbergasted as the rest of us. ;-)

NateBorofsky NateBorofskySinging

The other thing that Girlyman did wisely last night was not have an opening act. While we have discovered some of our favorite bands by accidentally hearing them when they were opening acts, sometimes it’s better to skip it.

DorisMuramatsu DorisMuramatsuTuning

Girlyman was in effect their own opening act. They performed a 45-minute set and then broke for an intermission. They did something we are not accustomed to seeing (even in our few previous 2-set evenings seeing them). They came out during intermission to say hi to the fans and to sign merch and take photos. It’s a wonderful touch, especially for people who need to hit the road the minute the show is over and can’t wait in long lines no matter how badly they want to.

GirlymanAndDjango

When they returned to the stage, they played a 70-minute set, including the above-mentioned two-song encore. An absolutely wonderful evening, as I’m sure tonight will be as well. If you’re anywhere within driving distance of Charlottesville, VA, come see the magic at The Southern Cafe.

Here’s our gang (minus us) from last night:

OurGang

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NginX and WordPress OpenID Plugin

I normally have super powers when it comes to persevering through annoying technical problems. On rare occasions, Kryptonite appears out of nowhere and strips me of those powers.

This blog is powered by WordPress.org software. I use a variety of plugins to make my life a bit easier. One of my favorites is the OpenID WordPress Plugin. I’ve been using it since it first came out and I’m very happy with it.

Because I was using it from the beginning, I lived through a few rough upgrades (not complaining, just explaining). The problems always got sorted out quickly.

Back in June 2008 (yes, a long time ago), I switched from Apache to NginX and have never looked back. The trickiest part of switching a WordPress site (especially WordPress MU, even more so with BuddyPress installed!) is converting the Rewrite Rules that are typically stored in a .htaccess file into nginx syntax.

While I got my initial attempt to work, I’ve grown way more comfortable and familiar with nginx over the past year, and I’ve tweaked my rewrite rules quite a bit.

Along the way, there were numerous updates of the OpenID Plugin as well. Most times things just kept working. Once, OpenID stopped working, and I tried to track it down. I gave up pretty quickly because I had seen that behavior before with an individual update of the plugin. Sure enough, the next update got me working again.

Then at some point, it stopped again. At this point I had conditioned myself to ignore it, and I went back to logging in with a password (something I really prefer not to do). This lasted for months. At some point, the plugin got updated at least twice, and things still didn’t work for me. Now I was getting annoyed.

I stopped trying to use OpenID. Two days ago I tried again, I can’t explain why. I got a strange Google Toolbar redirect error message. I did a search, and someone was complaining about something that looked similar, but had nothing to do with WordPress. A Google employee responded to him that he should temporarily disable the Toolbar (in Firefox) and see if the problem went away.

I decided to try that and instead of a strange Google error, I simply got a 404. What? A simple 404 couldn’t be the plugin’s fault. Time to dig in (finally).

I turned on nginx debugging and tried to log in. I was shocked when I saw that the error had nothing to do with the plugin. Instead, my nginx rules weren’t even calling in to PHP to let the plugin do its work.

Without a doubt, I had an error in one of my rewrite rules in nginx. There’s a possibility that at some point, the plugin changed the way it redirects, so that it was a combination of a new URL coming back to me (that I wasn’t catching correctly) or simply one of my changes in nginx, without the plugin doing anything different.

I added a new rule and was able to log in (for the first time in over six months!) via OpenID.

In this case, I let my own normal persistence fade, because I incorrectly assumed that the problem was contained in the plugin. Shame on me!

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Ian Axel at Joe’s Pub

We’ve seen Ian Axel perform three full sets before, plus a few songs at the New York Sings for Haiti benefit and some guest appearances. Still, we were looking forward to last night with great anticipation.

Joe’s Pub is our favorite NYC spot to see a show, and Ian is one of our few current obsessions, so having the chance to see him headline at our favorite place was a real treat.

The show was sold out (no surprise). Ian put out a new CD, This is the New Year, on January 5th. The title track video has become a music-lover’s destination on YouTube, with over 61,000 hits at the time I’m writing this.

I’m sure there were a few guests in the audience who hadn’t heard Ian’s music before, but from the roar and claps three notes into most songs, clearly the overwhelming majority were quite familiar with his material.

Ian is an exceptional pianist with an electrifying voice, who happens to write great songs. As great as his music is in our iPod, his performances are better for the energy that emanates from Ian, through his every pore.

IanAxel1

He opened the show with Waltz [Intro] (a solo classical piece for piano) with the band in the shadows standing quietly watching like the rest of us. Just like on the album, [Intro] flows directly into Waltz, where the band comes alive and everybody starts to tingle.

He played all but two or three of the songs on This is the New Year. He also played Say Something on the ukulele. That song isn’t on his CD or EP, but we’ve seen him perform it before, and I know a few people who tear up each time they hear it! (You know who you are!)

IanAxelUkulele

Toward the end of the set, Chad Vaccarino stepped onto the stage. It’s hard to describe how much noise (and joy) can be generated by the roughly 200 people that were stuffed into Joe’s Pub. Obviously, there was no secret as to what the next song was going to be. Chad was rightfully overwhelmed.

ChadVaccarino

Chad is Ian’s manager. He sings lead in one verse and harmony on the others with Ian on This is the New Year. He’s our hero because he’s the one who convinced Ian to start singing. Before that, Ian was just a piano player.

Chad is self-deprecating about his singing style (he sings wonderfully and expressively!), but the most interesting part is that he’s perfectly matched in his energy with Ian, and it all comes across in This is the New Year!

ChadVaccarinoSinging

Two of Ian’s core band members were on hand with two additions.

Chris Anderson played bass and a bit of harmony. We like a lot of bass players, Chris included. But, as with Chad, Chris is perfectly matched with Ian. He has an emotive, energetic style on stage, and he’s fast enough to keep up with some of Ian’s more challenging riffs. Chris is always a joy to watch and listen to.

ChrisAnderson

Adam Christgau on drums and a bit of harmony. We missed Adam the night before at Highline Ballroom (covered in this post, where I specifically mention that). I’ve noted many times that Adam always matches his drumming to the artist and song, but that much of Ian’s music allows Adam to let out his wild child a bit. He was as tight and good as always last night!

AdamChristgau HadarAdamChristgau

(No, I wasn’t drunk or high, just a little cold. We bumped into Adam before the show while we were on line.) ;-)

Adam Tressler was a new addition (for us) playing electric guitar and a bit of harmony. I didn’t hear quite enough to have a strong opinion, but the little I heard was quite nice. Ian’s music doesn’t tend to highlight solo guitars (which is fine) but Adam supported the rest well enough.

AdamTressler

Dave Eggar played the cello on most of the songs. I covered him extensively in yesterday’s post (linked three paragraphs above), so I won’t get too repetitious here. This is the first time we’ve seen Dave sit in with Ian, so the comments I made about how well he blended with ambeR on such short notice probably apply here.

After the show, I accidentally crossed paths with Dave Eggar as he was leaving. I got to say the following to him (100% heartfelt!): “You are perhaps the greatest musician I’ve seen live, on any instrument!”. The fact that his instrument is a cello astounds even me, and I said it! Obviously, that’s a wildly subjective statement, but I’ll let it stand.

Given how active Dave is on stage, and how dark Joe’s Pub is, there wasn’t a single photo of Dave that was worth sharing from last night. :-(

Ian closed the show with a song that the audience sang along on the chorus. As the song went on, the band left the stage and Ian started playing the piano softer and softer, until the audience was singing with no accompaniment. At that point, Ian slipped off the stage too. The audience was supposed to keep singing (I suppose), but instead erupted in whoops and claps until Ian came out again.

For his encore, he performed Home which also isn’t on the CD or EP (YouTube video of Home) accompanied only by Dave Eggar. A very emotional way to end a spectacular night.

One of the more amazing things is watching the band when they play with Ian. It’s obvious (to me at least) that they are huge fans and aren’t just there to pick up a paycheck (though what indie musician doesn’t desperately need one of those?). They are as happy as we are to be a part of the evening, though their part is just a tad more integral and difficult than ours is.

In case you doubt me when I say how much energy they put into the show, I’ll try and prove that assertion. Ian broke a piano string during the performance. A few minutes later, Adam cracked a drumstick.

I can’t name names, but someone was kind enough to make sure that we got both the piano string and the drumstick as mementos. We’re grateful for that, and we’re willing to share our booty/bounty with the rest of you (at least through these pictures):

PosterBrokenPianoStringDrumstick BrokenPianoStringDrumstick

Greg Holden opened for Ian. We’ve seen Greg a number of times before, and his music continues to grow on me. He started the set a bit more mellow than usual but it had a nice feel. He got more energetic throughout the set.

GregHolden

Ian joined him for one number (just piano, no harmony). Nate Campany joined Greg for one number as well, also just piano. Greg said that he co-wrote that song with Nate.

Dave Eggar joined Greg for two numbers. No such thing as “too much Dave”!

Greg also joined Ian on Say Something. Greg sat at the piano, but didn’t play it (during the song), singing very soft harmony. Before the song started, Greg tickled the keys a bit, threatening to start a couple of Ian songs (including This is the New Year), and Ian retaliated by starting a Greg song on the ukulele. The crowd was in stitches.

Apparently, Ian is giving Greg piano lessons. Even though he only played a few notes, I bet he’ll master it in the not-too-distant future.

After the show, Lois bought a few more T-Shirts (we already had two) and posters. If you’ve watched the video (if you haven’t, shame on you) then you might recognize that Lois had one of the women in the video model the poster for us (and now you):

PosterModel

You have two chances to catch Ian on the East Coast before he heads out west. In Philadelphia at Tin Angel this Sunday, then on March 12th at Nightcat in Easton, MD. If you can, do it, you won’t regret it!

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ambeR Rubarth at Highline Ballroom

amber Rubarth is an extraordinary singer/songwriter. I’ve written about her many times. Here is the post about her CD Release Party at Joe’s Pub. Last night she headlined the Highline Ballroom and created another exceptional performance (a DVD of the show will be available later this year!).

Highline Ballroom is the biggest stage and room we’ve seen ambeR in to date. She nailed it both with a full band (eight people on stage at one point) and solo, owning the room at both ends of the spectrum.

She opened with the core of the full band, performing Full Moon in Paris from her current CD, Good Mystery. Throughout the set, musicians came and went in a fluid transition to create the right sound for each number.

ambeRRubarthGuitar ambeRRubarthKeyboards

The core band consisted of:

Tony Maceli on bass (upright and electric). I’ve written about Tony many times, including the above-referenced show at Joe’s Pub. He’s consistently wonderful on the bass, and was the musical coordinator for the New York Sings for Haiti benefit at City Winery. He’s tireless and a positive addition to anyone he’s performing with.

TonyMacelli HadarTonyMacelli

Dave Eggar on cello. I’ve written about Dave twice before. He’s beyond awesome. He does things with/on the cello that you don’t typically see others attempt, let alone nail, including playing it across his knee like it was a guitar. He plays effortless leads on the cello that are as mesmerizing as great lead guitar solos.

DaveEggarCelloAsGuitar

All of that would be impressive enough (like I said, we felt that way from the first time we saw him) but last night was even more amazing. He’s never played with ambeR before, and rehearsed with her for the first time just 24 hours before show time. That would be fine if he were playing some light background role. He was not. His parts in each song were the highlights of the instrumental sections, and ambeR had a tough time containing her joy every time he thrilled the crowd!

Sarab Singh (ambeR introduced him as Sar Singh) played the drums. While we were somewhat disappointed that Adam Christgau wasn’t there last night (one of our favorite drummers, and normally drumming for ambeR and The Paper Raincoat), ambeR has excellent tastes in drummers all around. At her CD Release show Billy Hawn played (excellent).

SarabSingh

Sar was fantastic at the Haiti benefit, so I didn’t worry in advance whether he’d be good. Thankfully, he was great, not just good. He has the same sensibilities that Adam has, knowing exactly how to deliver not just the right beat, but the right touch, including all the right sound effects (cow bell, rims of the drums, etc.) at the exact right moment.

I’m pretty sure Adam will be playing with Ian Axel tonight at Joe’s Pub, so we’ll get our fix then, and we can now safely add Sar Singh to our list of drummers who will enhance any performers show!

In addition to the above core, Threeds played on at least three numbers (coincidence? I think not!) ;-) and they were awesome, as always. They are an integral part of the ever-wonderful In the Creases and Edge of My Seat.

ThreedsDaveEggar ThreedsSmiling

Paul Brill came out to sing with ambeR on three numbers as well (including playing the part of Alex Wong on In The Creases).

PaulBrill

David Fallo joined for one number on viola.

DavidFallo

I mentioned above the fluidity of getting people on and off the stage. With eight people on stage for Edge of My Seat, ambeR transitioned to just two, she and Dave Eggar for Rough Cut. Dave was spectacular on every number, but this one truly highlighted him, as he carried every second that ambeR wasn’t singing (and of course, supported her voice and guitar even when she was singing!).

Dave then quietly stepped off the stage and ambeR debuted a solo number called Lonelier Self (that might just be the short version, or working title). A gorgeous song that had all eyes and ears focused on ambeR. I doubt there was a single person there wondering where the rest of the band was.

After a one hour set, capped off with a Tom Waits cover (sung with Paul Brill), ambeR came out for an encore. She performed Washing Day (a song she co-wrote with Adam Levy). Joining her were Dave Eggar and special guest star Ian Axel (who has his own show tonight at Joe’s Pub).

IanAxel

We hung around a bit afterward to catch up with some folks, and to buy a couple more of ambeR’s CDs to give as gifts. An absolutely fantastic night out!

IanAxelLois LoisAmberRubarth

Opening the show was Cara Salimando accompanied by Julia Sinclair. Cara is a 17-year-old singer/songwriter. She played electric piano on all but one number, where she finger-picked the ukulele quite beautifully. She has an excellent voice, but still has some work to do to smoothly hit some of the higher notes. She’s young, it will come in time, I’m sure.

CaraSalimando CaraSalimandoUkulele

Julia Sinclair accompanied her on every song, playing half on the cello and half on the guitar. She also sang harmony a bit, not enough if you ask me. She plays the cello very well (though there was a slight buzz on the bass notes). I was more impressed with her guitar play. She’s an excellent complement to Cara. The set was exactly 30 minutes.

JuliaSinclairCello JuliaSinclairGuitar

After resetting the stage, Kaiser Cartel came out. Kaiser Cartel is a duo comprising Courtney Kaiser and Benjamin Cartel (however did they come up with the name of the band?). They’re a reasonably straightforward rock ‘n roll band, putting out a pretty big sound for just two people (though they were joined for two or three numbers by someone who’s name I thought was Jeff Kraft, but now I’m sure that’s wrong).

Here’s a picture of the guy whose name I’m not remembering, sorry!:

Kraft

Courtney has an exceptional voice. She mostly played the acoustic guitar, but it was also connected to a muff pedal so she created some classical electric guitar sounds. She also played what seemed like a one-handed accordion. She played with her right hand and used the left to pull the bellows part in and out. She also played a glockenspiel, but with an electric device (looked like a cross between a grouting tool and an electric toothbrush!) so she got a fast ringing sound (like a telephone!) every time she struck a key!

CourtneyKaiserGuitarCourtneyKaiserOneHandedAccordionCourtneyKaiserGlockenspiel

Benjamin has a nice voice and harmonized well with Courtney. He played drums and acoustic guitar. One some songs he only played the drums. On the others he played the guitar, but continued to play the drum line with his foot. It contributed to their big sound for just two people.

BenjaminCartelDrums BenjaminCartelGuitarDrums

Nina Lee on cello joined them for two numbers. She’s excellent!

NinaLee

For their last number they did something very cool. Courtney asked the crowd to be as quiet as they could. They then came off the stage and walked throughout the entire audience (covering a very large room) and sang a song (Benjamin played the guitar, unplugged of course) stopping at practically every table and singing a line within a few inches of the people sitting there. It was pretty powerful to be so up close and personal.

KaiserCartelInTheCrowd

They were on for roughly 45 minutes before ambeR came out. If you want to help them fund their new CD, the info is below (click any picture in this post to enlarge it):

KaiserCartelNewCD

When we were heading down in the cab I tweeted a friend asking if she’d be there. She showed up a little later with her friend and they were able to join us at our table right up at the stage so we had some good times and good food before the show started. They bought CDs from ambeR too and the four of us shared a cab home after the show.

Closing with a pet peeve. I’ve written too many times (here we go again) about how rude some people can be when they speak loudly during a performance. That happened a bit last night too (not too bad for such a large room). But, what shocked me was that the worst offender last night was a performer. We’ve seen this person on stage once before (no names) so it was doubly shocking that they would ever treat someone in a manner that I can only imagine would annoy them if it happened during their show. Oh well…

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Victoria Lavington Fundraiser at Christopher Street Coffeehouse

Almost two years ago, I discovered a duo named Sweet Bitters. Since then, we’ve seen them perform a number of times and have become friendly with both Sharon Goldman and Nina Schmir (also known as Nina Soka).

For many years (at least nine I believe), Sharon has been a member of a female songwriters group affectionately known as Chicks with Dip, more formally known as Maggie’s Music Salon. One of the members of that group is Victoria Lavington.

Victoria is currently undergoing a battle with breast cancer. The Chicks decided to put on a benefit concert for her, and when Sharon announced it on Facebook and Twitter, Lois and I decided to support Victoria and attend.

Sharon Goldman was MC for the night (she also performed a solo) and was marvelous throughout the evening.

SharonGoldman SharonGoldmanHadar

There were two featured performers announced in advance, Red Molly and Natalia Zukerman. One of the members of Red Molly, Carolann Solebello, is also a member of Chicks with Dip. We are huge Red Molly fans (Sharon told me I would love their music the first night I met her, and she was spot on!).

I had heard Natalia’s name a few times, but took particular note earlier this month when she headlined the same bill with The Paper Raincoat (one of our favorites!) up in Massachusetts.

The Christopher Street Coffeehouse is located in St. John’s Lutheran Church at 81 Christopher Street. They highlight singer songwriters on a regular basis, so it was the perfect choice (in so many ways) for this gathering.

Instruments

Attendees were encouraged to purchase tickets in advance on Victoria’s site. While there was a suggested donation per ticket, we chose to pay more. I don’t say that to aggrandize ourselves but rather to encourage those of you who can help others to do so in whatever amount you can, not just the minimum that is socially acceptable.

There were excellent refreshments and lots of merchandise (notably many CDs, all of Red Molly’s, Natalia’s new one, Maggie’s Music Salon and Victoria’s). Everything purchased at the show was donated, so 100% of the proceeds went to Victoria’s cancer fighting effort!

Let’s repeat that, because it’s awesome! Not only did Red Molly and Natalia Zukerman donate their time and talent, causing attendance to be larger than it otherwise might have been, but they donated their merch (lots of it!). Further, they didn’t put a price on the merch. Donate what you want/can, and take what you want!

We bought the two Red Molly CDs that we didn’t own already (one was brand new). We bought Natalia’s new CD and Victoria’s as well. Red Molly and Natalia were kind enough to sign our CDs. :-)

Natalia Zukerman totally captivated us. We’ve added her to the list of people that we will go out of our way to see perform. Simply wonderful. Her voice, music, musicianship, extraordinary spirit and her command of the audience.

NataliaZukerman1NataliaZukerman2AbbieGardnerNataliaZukerman

NataliaZukerman3

Red Molly are nearly indescribable. In the cab on the way home I was thinking that the three of them control their voices perfectly, individually and blended together. The subtlety of their volume shifts and the tightness of their stops and starts are amazing. Just as I’m thinking this, Lois turns to me and says “Can you believe the discipline that Red Molly has in everything they do, in particular their voices?” :-)

RedMolly1RedMollyACapella

AbbieGardnerLaurieMacAllisterCarolannSolebello

All of the Chicks were wonderful too. They performed Victoria Lavington songs. Victoria writes extremely complex songs, so my hat is off to the Chicks both for attempting these compositions and for pulling them off lovingly and beautifully!

Apologies for the quality of a number of these photos. The lighting was just strange enough that the shots were mostly too dark or too washed out. At least you’ll get a sense of the evening…

AllisonTartaliaAnnaDagmarAllisonScolaKirstenWilliams

ElisaPeimerMegBraun

Here are scans of the front and back of the program so you can see what was performed and by whom. Click on any photo in this post to see a larger version:

VictoriaLavingtonFundraiserProgramSide1 VictoriaLavingtonFundraiserProgramSide2

Susan Lavington (Victoria’s sister) flew up from Washington for the event. She was scheduled to be the opening speaker, but her flight was canceled. Thankfully, she caught another and was only a little late. She gave her wonderful speech right after intermission.

SusanLavington

When the performance was over, Sharon introduced Victoria. Victoria gave one of the more moving speeches I’ve heard. Knowing that she was surrounded by friends and loved ones, and knowing that everyone was there to rally around her, with her and for her, she didn’t hold back anything in telling her story.

VictoriaLavington

When she was done, she performed one of her songs for us. Apparently she hasn’t performed in public since roughly 2004. She had a chemotherapy session that day and apologized in advance that it would likely affect her vocal chords (it affects all the cells in your body!).

VictoriaLavingtonSinging

No apologies necessary! Sharon and others had described Victoria’s voice as angelic. Even on the day of a chemotherapy session, that was still true. She also picks the guitar well, making for a very moving performance. When she was done, she got a very long and well-deserved standing ovation.

To top the night off, all of the Chicks, plus Red Molly and Natalia, joined Victoria for an a capella version of another of Victoria’s numbers.

VictoriaLavingtonChicksWithDipRedMollyNataliaZukerman

The entire evening was filmed and a DVD will be produced. They were available for pre-order last night for $10. I assume that when they’re ready, they will be available for purchase on Victoria’s site. Please visit there regularly and do yourself a favor and buy a copy of the DVD. Not only will you experience some amazing music, but you will capture Victoria’s speech for yourself, forever. Whenever you need a bit of inspiration, watch it again!

Some of you might avoid these kinds of events for fear that they are downers with a lot of milling about averting your eyes. This is our second such event (the last one was a Livestrong fundraiser for Shannon Black) that I covered in this post.

If you have a chance to attend/participate in the future, go! It’s a celebration. It’s a room full of love. It’s people showing their humanity, the fragility of it embodied in the person needing the help and the wonder of compassion and love in those who rally around them.

That this event happened to be held in a church made it all the more reverent, though the Livestrong fundraiser was in a bar, and I can tell you that it was a spectacular evening for all of the same reasons!

If you have some extra money laying around, and these days, who doesn’t?, ;-) please visit Victoria’s site and donate, even though you missed last night’s wonderful show!

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Vienna Teng, Alex Wong and Glen Phillips at Workplay

This post is a day late because we didn’t complete the trifecta and follow Vienna Teng and Alex Wong to Louisiana. Instead, we kept our word and drove home from Birmingham, AL, a trip that took a day and a half of driving.

On Thursday, we drove from Atlanta to Birmingham to catch Vienna and Alex (along with Glen Phillips) for the second night in a row, this time at Workplay. In addition to not wanting to miss another opportunity to see Vienna and Alex, we really wanted to introduce David and Rebecca to their music, and David told me that Workplay was a great venue. He was right, Workplay is highly recommended!

I don’t know whether the artists that we surprise in strange places like being surprised (or care either way). All I know is that we amuse ourselves and get a kick out of showing up in unexpected places to see our favorite performers. For a second night in a row, our surprise was sprung earlier than expected. While we were sitting in the bar area waiting for the doors to open, Alex Wong wandered out to get something, and we were busted. :-)

AlexWongDavidRebecca

Workplay is a much smaller venue than Variety Playhouse (at least on the Theater side, which is where this show was held). This alone would have made the experience different from the night before. Of course, road warrior artists find other ways to keep each night fresh.

There were a few substitutions from the previous night’s set list. Even for songs that were repeated (thankfully, because we promise not to tire of hearing them if Vienna promises to keep performing them!), different ones were introduced with stories than from the night before, and in one case, a totally different story was told (consistent with the night before).

ViennaTeng1ViennaTeng3

ViennaTengAlexWongAlexWongGuitar

Vienna and Alex were a little more chatty (and funny) early on as well, which is always welcome. Glen joined them for one number, playing guitar but not singing. He didn’t join them in Atlanta.

ViennaTeng2 AlexWong

They played for 70 minutes with no encore. This was a few minutes longer than the night before, including the encore. They created a new set of fans, including David and Rebecca. The guy who sat in front of me became a fan as well (he was there to see Glen). He bought Inland Territory after the show and Vienna and Alex signed it for him. :-)

Lois asked me to include the following thoughts from her (consider it a guest blog):

Vienna Teng is the epitome of grace and generosity. She’s a brilliant songwriter who paints the human condition via her great and diverse musical creations. Being in her presence is humbling and inspiring.

Her voice is pure and strong. Her lyrics capture deep emotions, often making you joyful and even toe-tapping to her strong rhythms and playful themes.

You’d imagine there were triplets on that stage as she effortlessly gives us her takes on life with classical – folk – jazz – country (and more) overtones in her songs. It’s extraordinary to hear her go from ‘Augustine’ to ‘Stray Italian Greyhound’ to ‘Grandmother’s Song’ and realize it’s the same Vienna writing and performing vastly different numbers.

She’s a hero to many – and it’s clear to Hadar and I why this is so: She is to us as well. We’ll continue crisscrossing the country to keep up with her. :-)

We saw her twice on our recent journey south with the also-incomparable Alex Wong. Individually they amaze. Together they create sheer musical bliss for their audiences! We are grateful they do what they do – and that they share their magic with the rest of us!

Glen Phillips also mixed up his set a bit and changed his banter as well. He told a few stories he hadn’t the night before. He continues to impress me as a solo performer, and the audience once again was way more familiar with his songs than we are/were (though we’re starting to catch up).

GlenPhillips

In Atlanta, Vienna joined Glen for one song and then again for his encore. In Birmingham, Vienna joined Glen for three consecutive songs during his set, and Glen performed his encore solo.

ViennaTengGlenPhillips

We had a fantastic time and hung around to say hi after the show even though we were exhausted.

DavidRebecca

LoisViennaTengHadarAlexWong

Here is the set list reconstructed from memory (now two days late), and not presented in order (other than the opening and closing numbers). I am sure that I left out a few songs, and I apologize for that. I guess I was too busy enjoying the show to note each number:

  • Whatever You Want
  • Gravity
  • The Tower
  • Harbor
  • Stray Italian Greyhound
  • In the Creases (Alex sang lead and played the guitar beautifully. He also dedicated the song to two audience members who traveled far to see them. I assume he meant us!) :-)
  • 1 Br / 1 Ba (1 Bedroom / 1 Bath)
  • The Last Snowfall (Vienna had trouble with the buttons on the looping machine, and she started the song three times. I love that she’s a pro, and didn’t just muddle through it, wanting to give the crowd the best experience. She did! Bravo!)
  • Augustine
  • No Gringo
  • Antebellum
  • Grandmother Song

Just to repeat, I’m sure about the above, but I likely dropped a few inadvertently.

We’re so happy to be home it’s hard to describe. That said, there’s no way that coming home two days earlier and missing these two shows would have been worth it. If only we were going on the Cayamo Cruise starting tomorrow, we could try and get our fill of Vienna and Alex (unsuccessfully, of course!)… :-)

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Vienna Teng, Alex Wong and Glen Phillips at Variety Playhouse

We are huge fans of Vienna Teng and Alex Wong. I’ve written about them together and separately many times. You can read the original one about the two of them together here.

We were in Florida visiting my folks for the past few days and heading back to NY yesterday. When planning the trip, we noticed that Vienna and Alex were a week behind us (we were in Birmingham before FL, and got there by driving through Atlanta, and they were playing those two cities on consecutive nights).

In making our plans, we decided to surprise them, and give ourselves a huge gift in the process, and make a wide detour in returning to NY, going through Atlanta instead of up I95. If you read the post linked to above, then you’ll realize that this behavior is consistent with my announcement that we are officially stalking Vienna (we were already stalking Alex Wong and The Paper Raincoat!). :-)

The surprise didn’t last long, as Alex spotted us from the lobby while we were waiting outside for the doors to open. He took a photo of us through the box office window.

We had never been to Variety Playhouse before. While it’s an old place, that could stand some refurbishing, it’s a fantastic place to see a show (meaning, while the look could be refreshed, everything else is top-notch!). The sound system was excellent and everyone who works there was as nice as you could hope for. It’s a huge place as well. Kudos to Vienna, Alex and Glen for filling as many seats as they did on a frigid Wednesday.

In addition to being a large crowd, it was one of the best audiences we’ve been part of as well, which is quite unusual in a place this big. Pin-drop quiet during the songs, crazy loud and long applause between songs. Singing when we’re instructed to, laughing when appropriate, etc. Glen Phillips has a very large following (more on him later), and I believe that a lot of his fans are now squarely Vienna and Alex fans too, and vice versa.

Vienna and Alex played a mesmerizing one-hour set (they came out at 8:20pm). After singing Homecoming (one of the many songs we constantly sing out loud in our car) Vienna gave us a shout-out, mentioning that she was disoriented seeing us, and thinking she wasn’t where she thought she was. :-)

ViennaTeng1ViennaTeng2ViennaTeng3

She performed many of our favorites, including The Last Snowfall, Antebellum, Harbor, Whatever You Want, Grandmother Song, etc. (I could tell you every song, because we also snagged the hand-written set list, on a napkin, but that’s beside the point).

AlexWong1AlexWong2AlexWong3

Like I mentioned above, I’m sure that a fair number of people were there for Glen Phillips, but I can assure you, that the roar was deafening for Vienna and Alex after each song, so people weren’t killing time waiting for the main act to come out.

ViennaTengAlexWong

It’s unusual for an opening act (how can one consider Vienna and Alex to be an opening act?) to get an encore. But, the clapping didn’t slow down even after they were off stage for a full minute, so they came back out and did a one-song encore, a Radiohead cover.

It was well worth our detour to get to see them perform at this wonderful venue.

After a 20-minute intermission, Glen Phillips came out. We’ve seen Glen only once before, at City Winery, as part of WPA (Works Progress Administration), in a show that we went to see because Vienna and Alex were on the same bill that night as well. Here is my post about that show.

After that show, when I mentioned to a number of friends of mine that we saw Glen Phillips, I was surprised that every single one of them knew who he was. We obviously were living under a rock while he was making headlines. Ironically, we know the other two members of WPA very well.

Last night was Glen solo, accompanying himself on acoustic guitar. As I mentioned in the previous post, he has a great voice (even more obvious when he’s alone on stage) and his guitar playing is tasty, making him a compelling solo performer.

GlenPhillips

Since I don’t know his music, I can’t be sure how many of the songs were his, or were covers. Clearly, they are well known either way (just not to me), because people were clapping the second they heard three notes of lead-in guitar, on most songs. Giving him credit for most of them, the lyrics are often complex and interesting.

He too played for an hour, inviting Vienna to play a duet with him on one number. When he was roused back on stage for an encore, he came back out with Vienna and they closed the show together.

ViennaTengGlenPhillips

We hung around afterward to say hello to all three (it was our first time meeting Glen). We also purchased Vienna’s DVD (one of the only items of hers we didn’t own), as well as another copy of Inland Territory (a stunning CD) and two copies of The Paper Raincoat CD to give as gifts.

AlexWongHadarGlenPhillipsHadarAlexWongHadarViennaTengAlexWongHadarLoisViennaTengAlexWong

The three of them are playing in Birmingham, AL tonight at Workplay. If you’re in the neighborhood, and you don’t go to see them, shame on you!

Update: At the request of a commenter in another post about Vienna and Alex, I am posting the Set List for this show:

  1. Whatever You Want
  2. Gravity
  3. Antebellum
  4. No Gringo
  5. Homecoming
  6. In the Creases (listed but not played!)
  7. The Last Snowfall
  8. The Tower
  9. Stray Italian Greyhound
  10. Augustine
  11. I Don’t Feel So Well (I really don’t recall this being played…)
  12. Harbor
  13. Grandmother Song
  14. Idioteque (Radiohead cover from Kid A, played as an encore)
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Susan Werner at The First Unitarian Society of Westchester

We must have been living under a rock for a very long time, because Susan Werner is exactly the kind of singer/songwriter that we love, and Lois is particularly good at finding them.

On September 20th, 2009 we saw Red Molly at Joe’s Pub and they closed the show with an a cappella version of May I Suggest. We were blown away by the song and the performance. Lois looked it up when we got home and found that it was written by Susan Werner. Even since then, we have been looking for an opportunity to see Susan perform. The opportunity finally came, much closer to home than we expected.

The First Unitarian Society of Westchester holds a monthly music series called Common Ground Coffeehouse. Last night they featured Susan Werner. It’s about a 20-minute drive from our house. The show was sold out. I estimate there were roughly 150 people there, packed into a large rectangular room (like a super-sized living room), with no stage, just a carved out front area with a grand piano and two speakers mounted from the ceiling on either side of the room.

First, the mechanics. Susan Werner performed roughly 70% of the songs on an acoustic guitar (she switched between two different ones) and the other 30% on the grand piano. She’s an excellent guitarist and an even better piano player.

SusanWernerGuitar1 SusanWernerPiano1

She has a superb voice, terrific range and power. She even sang one verse of one song as Louis Armstrong, and she nailed his voice! :-)

Susan has a commanding presence (I can’t say on stage because there was none). ;-) She is warm, engaging, funny, moving, in control. The audience was one of the best we’ve ever been a part of. You could have heard a pin drop (well, probably not, because the room was carpeted, but you get my point). ;-)

SusanWernerTuning

I strongly suspect that they are this respectful for all artists, but Susan commanded and earned the respect, for sure. We’ll be attending other shows in their series, I’m sure, just for the enjoyment of being able to experience a live performance in total peace!

Now for the artistic side of the equation. May I Suggest is a stunning song. Thankfully, it’s but one of many brilliant songs that Susan has written. Susan was introduced by our host for the evening (I think his name was Carter, apologies if I am wrong). He explained that Common Ground hosts a wide variety of music: Folk, Jazz, Blues, Country, etc., and for the first time, we were likely to hear all of them on the same night.

He was right! Seriously! It would be a mistake to pigeonhole Susan into a particular genre. Lois described her (to me) as the Joan Baez of our generation. I don’t disagree, but her musical styles and lyrical subject matter are much more far ranging than Joan’s.

She opened the show with a series of songs she refers to as Agnostic Gospel. I suspect that all but the most fundamentalist religious people would find the songs respectful, even though they raise lots of questions. They’re certainly spiritual, and searching rather than dismissive.

She then switched to the piano and took us in an entirely different direction, Show tunes! She led with Chicago Anyday, an ode to Chicago. After that one song, she returned to the guitar so I assumed the Show tunes part was over. I was wrong. She did an exceptional job of playing two more Show tune style songs on the guitar (I told you, she’s excellent on the guitar).

SusanWernerPiano2 SusanWernerGuitar2

There was a 20-minute intermission, and then Susan returned for another amazing set. The second set had a few more piano numbers, including May I Suggest. Lois cried, as did the woman to my right. A friend of hers turned to her and said “I knew that song would get to you!”, so it apparently was the first time she’d heard the song.

SusanWernerPiano3

She also sang Barbed Wire Boys that made Lois cry. Susan’s songs are hardly one-dimensional in the lyrics (I hope I’ve already conveyed that the music is highly varied as well). She can tell a story, an anthem, convey a concept, share an emotion, etc. Some are serious enough to make you cry, others are hysterical, and the crowd laughed heartily (simultaneously) quite a number of times (during songs as well as some of Susan’s between-song banter).

SusanWernerLaughing

She closed the show with three brand-new songs. All were incredible, and we look forward to getting recorded versions of them ASAP.

SusanWernerGuitar3 SusanWernerGuitar4

When she was done, the audience gave her an extended standing ovation. She wasn’t going to be able to get out of the building without coming back for an encore, so she did the smart thing. She sang a cover of Wouldn’t It Be Lovely. If you didn’t know the lyrics (is there anyone who doesn’t?), you would never recognize that it was the same song. It was beautiful, but Susan made it her own!

She left to another standing ovation. We headed to the merch table and bought two CDs. Lois was second on line to get them signed. The woman ahead of Lois went to get a Sharpie for Susan, and it took her a while to find one, so Lois got to chat with Susan for an extended period, without being a hog, since Susan couldn’t sign yet. When the woman returned, Susan signed her CD first, then both of ours, and we headed home, floating from a perfect evening.

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New York Sings for Haiti

On most days even compassionate people go about their lives in a near bubble-like existence. The problems of the rest of the world aren’t one’s first thought. Unfortunately, it often takes a tragedy to break us out of that routine and remind us that we are dramatically more alike than we are different, us fragile humans.

The explosion of text messages sent to raise money after the earthquake in Haiti proved that if you make it easy to give, many people will happily do so, even if it isn’t the most prudent thing for them to do.

There are many ways to give. As important as direct monetary donations are, raising awareness is also crucial as the ever-widening circle of giving, volunteering and compassion have a chance to work their way deeper into our lives.

Many artists live more obvious compassionate lives, creating art as an outlet for deep-seated emotions. They also have fans, which makes raising awareness a little easier for them than for ordinary folk.

Many musicians participated in many benefit concerts (some televised globally) over the past week. I applaud all of those efforts. For the bigger acts, pulling off these last-minute mega-shows is difficult, I’m sure, but the machinery that surrounds them is geared toward doing that kind of work, and money is never an obstacle.

In the incredible vibrant indie music scene in NYC, the story of last night’s benefit concert is inspiring in showing what can be accomplished with compassion, and a crazy amount of effort (and let’s not forget talent as well!).

Alex Berger is a very talented singer/songwriter who is visiting from the UK. He was staying at a friend’s apartment for a week, the extraordinary photographer Ric Agudelo (an incredible person, who we were lucky to meet as a result of this benefit).

AlexBerger1

After spending the evening at Rockwood Music Hall enjoying some music, they were both heartbroken to hear about the earthquake in Haiti. Sitting on Ric’s couch at 1am they decided that they had to try and do something. Ric said that they should get cracking first thing in the morning. Alex said let’s send out some emails right now, and so it began.

Alex was able to get commitments from over a dozen of NYC’s most amazing musicians. Ric was able to secure one of the finest places to see a show in NYC, City Winery. Ric and others then went into overdrive to pull all of the logistics together (a daunting task!) and Alex worked with the musicians to create a show that the audience will never forget.

Giving/sacrifice comes in many flavors. Quite a number of the musicians who agreed instantly to participate did so knowing that they would have to change prior commitments on a moment’s notice. A large group of them postponed a writers retreat. Alex Wong flew cross-country just for the show. Many other similar stories.

As active as we are in attending shows in NY so are many other music lovers. We’ve had the pleasure and the privilege of meeting a few other passionate fans as a result of another example of these artists giving whenever they can.

Shannon Black is a cancer survivor. She is a wonderful person in all respects and is inspirational in many ways, including that she runs in the NYC Marathon each year, raising money for Livestrong in the process. We met Shannon (and her husband and fellow music-lover Jason) at their Livestrong fundraiser, where again, Alex Berger arranged for 11 musicians to perform and donate their time and talent.

Half way through the show last night, Shannon came up to me and gave me a hand-written note, asking me if I would mind including it in my blog. Not only don’t I mind, I’m honored to share it with the rest of you:

Hadar,

When you blog about this magical night, could you say something for me?

Not only have we been brought together for a great cause, but in witnessing these musicians making themselves so vulnerable, I have been called/pressed/pulled to that which my life was meant for!

I got a second chance, so I needed this, tonight!

In a nutshell, in witnessing their “magic”, I have been called to that which “God meant for me to do!”

Last thing before getting on with the show. While most musicians rehearse before their shows, the challenge in preparing for last night’s show was monumental. There was a house band (a group of amazing musicians) that played with most of the acts. They had practically no time to learn tons of material, and, of course, they nailed it all!

The house band consisted of: Tony Maceli (who also coordinated the entire show including running the rehearsals!), Chris Kuffner, Marika Hughes, Kevin Rice, Adam Christgau, Melissa Tong, Ward Williams and a number of other people whose names I didn’t catch, sorry!

AdamChristgauChrisKuffnerKevinRice

While the show was sold out (no surprise), in addition to the money raised from ticket sales, there was a raffle (including two high-end guitars, donated by Martin and Gibson, which were signed by all of the performers!). The show was streamed live for those that couldn’t make it and there were opportunities throughout the stream to donate.

If I understand correctly, as soon as possible, they will release a CD and DVD of the show as well, having additional opportunities to raise more funds for this very worthy cause.

Typically, I go into great detail about each act in the shows we attend (often, each individual performer in each band). If I did that now, I’d be publishing this blog late next week, and the purpose of this post, and of last night, wasn’t to critique the performance, but to revel in the kindness and generosity of all involved, performers and audience alike.

The music ranged from soft a capella (the always blissful Rewind by The Paper Raincoat) to hard rock by both The Bongos and Harper Blynn. Everything in between as well, including Jazz, Pop, Folk, Country.

Most performed two or three numbers, with a few last-minute guests coming on for only a single song. One example of the latter was a Nashville-based singer/songwriter, Sara Jean Kelly who drove up, sang one song, and made us take note of her talent! One other person not listed was an Israeli singer/songwriter. I thought they announced her as Tal, but perhaps it was Tula. I apologize if I linked to the wrong person there. Thanks to a comment from Rebecca, I now know I was wrong in that last sentence. The singer was Paula Valstein.

Here are the artists in the order that they appeared. Many appeared on stage with other artists, and of course, the incredible house band supported most of them (a few had their own bands, and I apologize for not doing my normally thorough job of naming every one of them!).

Martin Rivas (still recuperating from foot surgery, came up with his crutches!)

MartinRivas1 MartinRivas2

MartinRivas3

The Bongos (I believe that they were originally slated to headline City Winery that night. Incredibly generous of them to give up that kind of spotlight and share the stage with everyone else!)

TheBongos

The Wellspring (a newly formed duet, last night was their public debut I think. Supported by Alex Berger, ambeR Rubarth and Wes Hutchinson.)

TheWellspring

Nate Campany (supported by many of the other performers)

NateCampany2 NateCampany1

Rosi Golan (our first time seeing her, amazing!)

RosiGolan1

Will Knox

WillKnox

Ed Romanoff

EdRomanoff

Sara Jean Kelly

SaraJeanKelly

Tula Paula Valstein (now corrected, thanks again Rebecca!)

Tula

Wes Hutchinson (supported by his band, Reel by Reel)

WesHutchinsonReelByReel

amber Rubarth (supported by Threeds, Ed Romanoff, Ari Hest and Tony Maceli playing trumpet)

ambeRRubarthAriHest ambeRRubarth1

Threeds

Ian Axel (ahhhhhhhhhhhh, supported by Chad Vaccarino)

IanAxel1 IanAxel2

ChadVaccarino

Alex Berger (fabulous, topped off by Love, supported by ambeR and Vienna Teng. Tony Maceli played a wonderful trumpet)

AlexBergerGuitar TonyMacelliTrumpet1

Joey Ryan (supported by Vienna Teng and Dave Eggar)

JoeyRyan2 JoeyRyan1

DaveEggar

Greg Holden (supported by Ian Axel, Joey Ryan and ambeR)

GregHoldenDaveEggar JoeyRyanGregHoldenDaveEggar

Harper Blynn

HarperBlynn1

HarperBlynn3 HarperBlynn2

Vienna Teng (supported by Alex Wong and Kevin Rice. Actually, Vienna opened with an a capella number with roughly 10 people on stage, including many of the evening’s performers!)

ViennaTengEtAl1 ViennaTengEtAl4 ViennaTengEtAl2 ViennaTengEtAl3

ViennaTengPiano

The Spring Standards (new discovery for me. They’re great. I was particularly impressed with Heather’s voice!)

TheSpringStandards

Ari Hest (with his own band. First time we got to see him perform in a lead role. Marvelous voice!)

AriHestAndBand

The Paper Raincoat closed the show. Unbelievably fitting for us, because every single connection that we have with the local music scene in NYC emanated from our discovery of them when they opened for Colin Hay in April 2009. It’s amazing that our journey is so short, and yet so rich, all thanks to ambeR Rubarth and Alex Wong.

ThePaperRaincoat2 ThePaperRaincoat1

Of course, they were magical (they always are).

ThePaperRaincoatRewind

To top everything off, most of the artists came back on stage for a fittingly named finale: Help is on the Way, a song by Alex Wong’s former group, The Animators. There were roughly 30 people on stage singing their hearts out. Elizabeth Ziman of Elizabeth and the Catapult joined Vienna at the piano for the finale.

Finale2Finale1Finale3ElizabethZimanViennaTeng

The show ended at exactly 1am, five solid hours of incredible spirit and music.

That said, last night really wasn’t about the music, as much as we all may have loved it. It’s about seeing what can be accomplished, in a very short time, by people who are motivated to do something selfless for others. It was wonderful to be the tiniest part of that effort.

Thank you to everyone involved in putting on the show and raising the money, and special thanks for Alex Berger and Ric Agudelo!

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