Caffe Vivaldi

Clara Lofaro at Caffe Vivaldi

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We spent the entire night at Caffe Vivaldi last night. The middle set was someone we hadn’t heard of before.

Clara Lofaro impressed us enough when we checked her out before heading down, so we weren’t planning on just passing time during her set.

Clara performed solo accompanying herself on the grand piano with the exception of 1.5 a cappella numbers.

ClaraLofaro

She has a beautiful voice and plays the piano very nicely. She has a relaxed style with a very nice stage presence.

ClaraLofaroSinging

The songs available online (on her site and on MySpace) are produced with a full band sound. They’re excellent and have a vibrant feel to them. Last night was a bit more raw and stripped down (obviously), but that didn’t change the character/mood of the songs.

She’s talented, period.

The .5 a cappella mentioned above came toward the end of one song, when she stood up and shifted gears, singing and clapping to finish out the number (actually, I think she morphed it into anther one, but I don’t know her music well enough to be sure).

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She was ready to pack it in when everyone asked her to play some more. The bartender told her should could do at least two more. So, after doing two more on the piano, she stepped out from behind it and closed the set with an a cappella number that was wonderful. She put everything she had into it (voice/body/spirit) and it came across really well.

ClaraLofaroACappella

A lot of her friends were in the audience. They knew every word to every song. They often sang along (even in the uninvited times). That can be a ton of fun, when done well, but I’ll admit that they weren’t always on key, or consistent with their volume. Very nice that they were so into it, but they might have interfered a bit with a new fan’s attempt to get lost in the song.

More frustrating though were the times when they weren’t singing. At least 50% of their quiet time was hardly that. They were chatting up a storm with each other. I get that they know the songs cold and were partially out to simply support their friend, but with support like that, who needs detractors.

While Clara never called her friends out specifically (and it’s pretty clear they weren’t the only rude people in the audience). She noted that when she stopped talking, the audience instinctively quieted down. She turned that into a few very warm moments, as she toyed with talking/singing/silence to prove her point. In other words, people know they can be heard, but if they have the slightest cover from the artist’s singing, they are emboldened to take up their conversations again, loudly.

Of course, the minute the song is over, they clap loudly and generally whoop their appreciation. Sad smile

In any event, while we could have enjoyed the set more if it were quieter, we liked Clara enough to warrant going to see her again, hopefully with a more respectful audience next time.

Joe Whyte and Alec Gross at Caffe Vivaldi

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We wanted to see the last set at Caffe Vivaldi last night. Having been there once before, we knew how small it is. We also assumed it would be mobbed for that set (it was). We checked out who was on before. When we noticed that the first set of the night included someone we’ve just recently discovered, we decided to spend the entire night at Vivaldi.

Joe Whyte was listed first. Alec Gross (the person we’ve seen) was listed as “w/”, which often means opening, but I assumed that he was supporting Joe. It turned out to be the kind of show we like, with Joe and Alec alternating performing their own songs. At times, each sang harmony with the other and there was a bit of guitar support for each other’s songs as well.

Joe’s part of the set was very good, but his voice wasn’t very strong. His harmonies with Alec were very good though, as his higher notes blended better when there was another voice. Joe played the harmonica very well. I just listened to a number of songs on his site (they start streaming instantly) and his voice comes across a bit better there.

JoeWhyteSinging

Alec played a dramatically more mellow set than the last time we saw him, when he was supported by a top guitar player (Will Hensley) and a drummer. I’ve mentioned before that Alec is an excellent harmonica player and that was true last night again.

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I enjoyed Alec’s set a lot, but I liked the fuller, slightly more upbeat version from the last show a bit more.

The last time we saw Alec, we ran downstairs to catch Derek James whose set started a few minutes before Alec’s finished. Lois felt badly that we didn’t get a chance to buy Alec’s new CD (Strip the Lanterns) that night. She rectified that by purchasing it before their set began. I’m listening to it now as I type and enjoying it very much!

I enjoyed the experience thoroughly. Both Joe and Alec are hilarious and incredibly quick witted. They even joked that they talked more than they sang (they didn’t, but I suspect no one would have complained if that were the case, I know I wouldn’t have!).

In addition to being funny, they’re both extremely nice (or do an amazing job coming across like they are). I believe that I would seriously enjoy spending time with Joe.

The one distraction was that Joe is a doppelganger for Josh Gomez, a.k.a. Morgan Grimes on Chuck. You be the judge:

JoeWhyte

In a not-so-small irony, he has similar mannerisms and comes across as equally relaxed in his humor, completing the illusion (for me) that Joe Whyte is actually an alias for Josh Gomez.