Chelsea Lee

Live Society, The Thang and Chelsea Lee at Rockwood Music Hall

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I’ve seen Live Society once before when they opened a Benefit Concert at The Bitter End. They were awesome. Ever since then, I’ve followed them and have been trying hard to get to one of their shows (they play reasonably frequently). Unfortunately, it just didn’t work out.

I was reasonably sure it wouldn’t work out last night either. We had tentative plans. Late in the afternoon, they got moved to Monday night, so I was suddenly free and quite happy about it. Lois was wiped from our consecutive late night escapades (captured in posts yesterday and the day before), so she stayed home. In a serendipitous turn, our friend (and extraordinary singer!) Amy Rivard was working in our neighborhood. She agreed to keep me company and we headed down together. We caught a set at Rockwood Music Hall Stage 1 first, but I’ll cover that at the end of the post.

Live Society was playing next door at Stage 2.

If you read my thoughts on Live Society in the previously linked post, you won’t have many surprises in what I’m about to say. They were awesome, again. Since the last time was clearly in the context of a Soul Revue, let me at least state that Live Society is an R&B/Soul/Funk band, and a darn good one.

Update: There are a number of corrections/clarifications and filled-in items below. All of the updated information was provided by the all-knowing, all-seeing Sam Teichman. Thanks Sam! 🙂

Brian Collazo is the front man and lead singer. He also played the acoustic guitar on a couple of songs. He has a great voice and an exceptional stage presence. It’s hard to take your eyes off of him during the show, except that you have to (and do), because there’s a ton of additional talent to pay attention to on stage with him.

BrianCollazoSingingBrianCollazoGuitar

Jason Vargas on vocals. Jason sang lead on one song (smooth as silk) and incredible harmony on all the others (with a lead verse thrown in here and there for good measure). He’s a got a smile (and a wink) that melts the ladies hearts (I was surrounded by women, not that there’s anything wrong with that!). I could swear that every time Brian refers to him he calls him “Jay Vegas”, which might be his nickname, but hey, I’m old, and perhaps I’m just doddering and not hearing it correctly. Winking smile

JasonVargas

Kevin Collazo rounds out the vocal part of the band. While he doesn’t sing lead on any songs, his harmony is strong and an integral part of the group. He and Jason are also somewhat like original Motown backup singers, in that they physically move in unison (often enough to notice) and make gestures (like hearts, with their hands) to match the lyrics. Very nicely executed. Here is Kevin, singing with Brian:

BrianCollazoKevinCollazo

John Kaiteris on electric guitar. John is a superb guitar player. He also writes many of the songs that Live Society records and performs. Simply an incredibly talented individual, even though he doesn’t open his mouth on stage (he let’s his fingers do the walking and talking). Winking smile

JohnKeitaris

Erik Perez on drums. Excellent! This type of music is so beat-heavy that even a decent drummer could bring the overall experience down if they don’t handle the transitions perfectly. Erik does. Problem solved (or actually, never created!).

ErikPerez

Anthony Candullo on electric bass. Solid job throughout the set. A relief (for me) from the night before, where the bass players were overwhelming in their volume. Anthony’s bass blended in just right. Note that Anthony’s name is linked, but the others aren’t. That’s because I can’t find a good link to each of them as individuals. I guess it’s “Go Team!” for Live Society.

AnthonyCandullo

Scott Harper on tenor saxophone. Scott is listed as a regular member of the band, but I didn’t mention him at the Benefit Concert. So, either I messed up badly, or he wasn’t able to make it that night. In any event, Scott did a terrific job last night on a number of tasty leads. Horns might not be a requirement for this type of music, but they sure are welcome on every single note they play.

Update: Sam confirms that while Scott is the regular sax player for Live Society, he did indeed miss the Benefit Concert, so I didn’t mess up reporting on that show (though I certainly have on many others).

ScottHarper

At the benefit concert, they had a special guest keyboard player, Patrick Firth. Last night a different special guest sat in on keyboards.

Jeremy Baum on electronic keyboards. Very nicely done throughout the set.

JeremyBaum

Amy and I both enjoyed the set so much that in addition to signing up for the mailing list (not really necessary since I follow the band and Brian Collazo on Twitter) we also both bought their current EP (they are recording a full-length CD as well). We were both very happy to support the band (tip jar as well) but I’ll admit publicly that I was surprised that a 5-song EP was $10. Hopefully, they’re putting the money to good use, they’re worth it. Smile

Sitting to Amy’s left was a beautiful blond (hey, I already mentioned that I was surrounded by women). It turns out that she’s Brian’s girlfriend (though it sounds way more serious than that, not that I should be putting words in Brian’s mouth!). He noted that last night was their three-year anniversary of making their relationship official. He also noted that she was very kind to be supportive of him for booking a show on their anniversary. Smile

When I first noticed the Live Society show, I also saw that another band was playing the set after them, that I had never seen, but heard interesting things about. Unfortunately, when I thought I couldn’t make it out last night, I promptly forgot about anything other than Live Society. When I showed up at Rockwood, at 8:35, I didn’t realize I’d be staying as late as I did.

Before Amy and I headed into Rockwood 1 we bumped into Chris Anderson on the street. If you never read this blog and don’t see live music in NYC, I’ll forgive you for not knowing that he’s one of our favorite bass players. We saw him the two previous nights, playing with The Big Apple Singers on Monday and with Ian Axel on Tuesday.

Chris mentioned that if we could, we should seriously consider sticking around to catch the set after Live Society. Of course, that jogged my memory that my original intention was to do just that. Amy couldn’t hang that late so she left right after Live Society was done.

The Thang Band is a nearly indescribable group/experience (experience is the better word). First, let me note that I can’t believe that they were able to grab the domain name at this late date in the Internet world. Amazing that everyone else let that go! Winking smile

Of course, I never let indescribable things stop me from describing them, so here goes my best effort.

What happens when you cross/mix the following?

  • Awesome musical talent
  • Incredible showmanship
  • Irreverance2 (that’s squared, not a notation that you missed Note #1 above)
  • Crazy amount of liquor consumption on stage (impressive whether it was real or fake)
  • Something between R and XXX rated themes and innuendo
  • Near-male-burlesque! (OK, not so near, but you’ll understand when you see photos below)
  • An audience of the who’s who of the NYC indie music scene
  • An audience who knows the above and insists that the boundaries be pushed further!
  • Theatrical choreography

Before I answer, while I give you time to imagine it yourself, I’ll note that if I had more time now (I don’t), I could list at least another 1/2 dozen bullet points. Suffice it to say that I was delighted that Lois stayed in, since some of it would have made her squirm, making me more self-conscious as well. This is a show that needs to be enjoyed with complete abandon.

OK, time’s up, what do you get if you mix the above?

Something that could and should be a long-running off-Broadway show, like The Fantasticks, which generated cult-like following, or the Rocky Horror Picture Show (again, for the effect it had on its fans). Not that The Thang is anything like those shows. It’s really a night of inanity and insanity, in song, performed by incredibly talented people.

If you were a blind foreigner, who didn’t understand a word they were singing, and couldn’t see their acting out the words for you (while they are playing and singing!), you would describe the show to your friends as some of the best Rock ‘n Roll you’d heard live in a while. The level of musicianship is top-notch.

If you were a prude, you wouldn’t have the guts to describe it to anyone, and you wouldn’t have a lot to describe, because you’d probably have left after a few minutes. Winking smile

So, since it’s still relatively indescribable, I’ll just say that there’s a lot of sexual innuendo, delivered with a giant dose of tongue-in-cheek (see what I did there?) Winking smile deliciously executed. In fact, rather than saying it’s like The Fantasticks, I really should have described it as one of the better SNL (Saturday Night Live) skits you’ll ever see, because rather than being performed by fake musicians making fun of real musicians, this is performed by real musicians, making fun of fake musicians who make fun of real musicians.

Now you might understand what the Thang refers to in their name…

As you will see in the photos below, the band had an outfit. I need to point it out to you, because if you don’t look carefully enough, you’ll think they weren’t even on stage (they are, after all, wearing camouflage). Smile

TheThangBand

A quick shoutout to the members of the band:

Paul Maddison on electric guitar and co-lead vocals. Paul was excellent on the guitar and vocals! I’m listing him first because he’s the reason I wanted to see them. I had no idea (not until they walked onto the stage) what I was in for. In other words, while Chris Anderson (and others) told me I should see them, I thought it was just going to be another local band that I would like.

PaulMaddisonSinging

I had seen Paul before, twice, supporting the Greg Mayo band. I was interested to see what he would be like front-and-center. Now I know. Winking smile In a not-so-small irony, one of the first words out of Paul’s mouth on stage was a (very friendly) jab at Chris Anderson. He followed it with “See what happens when you don’t stick around for the show?”.

Dan Golden on keyboards and co-lead vocals. A match for Paul in many ways. They were totally in sync and seemed to feed off each other. The two of them drank what appeared to be huge swigs of vodka from their own bottles in the middle of the set. If it was real liquor (and I suspect it was), it was an impressive amount, considering they still hit every note afterward (and they probably started off drunk, considering that one of their songs is called I’m Still Drunk!).

Update: Sam informs me that they were drinking water on stage, but that all bets were off once the show was over. OK, maybe. Or, they got to him after reading this, and told him to make sure I change it, before their parents got the wrong idea of what they were doing with their time! Sam is clever enough to have thrown me a bone about Kenny Warren (see below) and Scott Harper (see above) to make it all seem a bit more legitimate…

DanGolden

Rob Pawlings on electric bass and vocals. If you look at the photos, you’ll notice that the band are wearing gaudy necklaces. The only one that looks different is Rob’s, because, apparently, his alter-ego is named Bobby Bananas. Excellent on the bass, excellent on the vocals and Rob/Bobby led the male burlesque part of the evening.

It’s hard to see, but just over Paul’s fingers and guitar is a Banana on a gold chain, hanging from Rob’s neck (in the first photo):

RobPawlingsRobPawlingsSinging

Dave Freedman on electric guitar. Dave did an excellent job on both rhythm and lead guitar playing. At the end, he and Paul Maddison took simultaneous leads in harmony with each other. Awesome, but could have been longer.

DaveFreedman

Kenny Shaw on drums, vocals and some very dry banter. If I understand correctly (just from some quick Googling), Kenny Shaw started this Thang, originally called ShawThang! That shocked me, because I’ve seen Kenny perform with the Greg Mayo Band a couple of times, and he comes off like the most sedate, normal person you could imagine. Clearly, he has a sick, twisted mind that required an outlet. Thankfully, he found one that the rest of us could enjoy with him! Smile

For the last two numbers, a trumpet player jumped up on the stage and sang as well (so he obviously knew the songs). There was too much going on for them to stop and introduce him, so I don’t know who he is.

Update: Sam informs me that it was Kenny Warren. Kenny has a long association with The Thang Band and was also the original trumpet player with The Greg Mayo Band.

OK, I know most of you don’t believe a word I said. This won’t be proof, by any stretch of the imagination, but it should open your mind to some possibilities. It’s a two-year-old video of one of their hit songs, Lipstick on My Booty. Last night, the performance was way more visually descriptive than the video below:

Lipstick on My Booty by The Thang Band

I left chuckling, and once again glad that Lois missed it. Winking smile

Circling back to the beginning of the evening. Amy Rivard was one of a number of friends who was out with us the previous Wednesday to see three sets at Rockwood 1. The first set that night was Chelsea Lee.

As with Live Society, I knew that Chelsea was playing again last night but also thought I’d have to miss it. Once I knew I could make it, I asked Amy if she wanted to head down earlier and catch Chelsea Lee again. She was interested.

ChelseaLee

The set, again accompanied by Wes Hutchinson and Spencer Cohen was close (if not a copy) of the previous week. That’s fine, as I thoroughly enjoyed it last week, as I did again last night.

WesHutchinsonSpencerCohen

If there was one complaint, it was that it was a short set. That made for a more relaxed evening, but I would have preferred to listen to more of Chelsea. She’s still very young, so I have no doubt that the material will continue to be written and the sets will get longer in time.

In addition to Chelsea repeating an excellent performance, the same could be said of both Wes and Spencer. The three are well matched. Last week I purchased Chelsea’s 5-song EP. I have listened to it a number of times this week and I have enjoyed every single listen.

Chelsea will be back next week, this time at Rockwood 2, on Tuesday (May 31st), at 7:30pm, in a ticketed show, opening for Greg Holden who is having his CD Release Show that night.

Since the set was short, I had the time to introduce myself to Spencer and tell him how much I enjoy his percussion.

Another excellent night out. My heartfelt thanks to all of you people who spend your lives honing the skills required to entertain me! Smile

Martin Rivas, Mike Campbell and Chelsea Lee at Rockwood Music Hall

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We saw three consecutive sets last night at Rockwood Music Hall. I could write about them in any order (they were independent) but I’ll write about them in reverse order (which is the usual order here) because that’s the order in which I heard about the sets and therefore dictated our planning the night out.

We’ve seen Mike Campbell a number of times now, solo, in a duet with Chad Vaccarino and with Chad and Ian Axel as well. We enjoy all of the variations. He’s a good songwriter and his collaborations with Chad Vaccarino produce gorgeous songs.

Mike was up at 11pm last night, typically too late for us, but he doesn’t play that often and we decided not to miss the opportunity. Aside from the earlier sets (which we enjoyed!), I’m glad we came out for Mike (on a monsoon-like night), because he surprised us by switching to an electric guitar from his usual acoustic one.

MikeCampbellElectricGuitar

I will admit that more often than not, I really don’t like a solo singer accompanied by only an electric guitar. Mike made it work really well. I mentioned that to him after the show. The only exception was his song Come Home, where he strummed the guitar a little harder and somewhat overwhelmed his vocals.

One of our favorite songs is Days Gone By co-written with Chad. We’ve seen them perform it with Chad in the lead and with Mike in the lead. Last night was the first time we’ve seen it completely solo. Mike did a wonderful job. I can’t say I wouldn’t have liked hearing the harmony, but to be honest, if this was the first time I ever heard the song, I wouldn’t have known the harmony was missing and I still would have thought it’s a great song.

Of the three solo sets we’ve seen Mike perform, this was the strongest, so he continues to grow as a performer.

I had tweeted to Mike in advance that we might not make it out that late. Even though we were committed to trying, finding out a short time later that Martin Rivas was performing the set before (10pm) sealed the deal for us.

We’ve seen Martin many times, as recently as two weeks ago, but it’s been nine months since we’ve seen him perform a purely solo set (even that night, he was joined on vocals for two songs by Chrissi Poland). We love Martin’s upbeat full band shows, but I have to admit (after the fact) that seeing him captivate the audience with nothing but his voice and acoustic guitar last night reminded me that there are many ways to enjoy Martin’s music.

MartinRivas

It was so quiet when Martin performed (a difficult thing to imagine at Rockwood) that a number of times, I caught myself feeling that I was the only person in the audience. Hearing the roar of the applause after each song brought me back to reality. It’s so great to really listen without distraction. Nicely done Martin and Rockwood crowd!

Martin performed four new songs that will appear on his upcoming CD (hopefully out later this year) which will be produced by Alex Wong. All four songs were excellent. In addition, we were treated to other favorite Martin Rivas songs, including one Lois called out (but Martin already had on his set list), Raise Me Again.

Craig Meyer joined Martin on his last number, playing just the tambourine. I’ll still call this a solo show and feel good about it. Smile

A great set shared with a great audience.

Once we knew we’d be going for the 10pm set, we checked out who was on at 9pm so we could raise our chances of getting seats for Martin’s show.

Chelsea Lee was listed. We saw Chelsea Lee open for Girlyman at Birchmere in October 2008. She was 17 at the time. Her voice was stunning but the set didn’t do it for us (I’m not linking to that post, but if you’re really curious, you can easily find it). After that night, I wasn’t on the lookout to see her again, but this turned out to be an easy way to see if she’d matured in the 2.5 years since, so we both happily agreed to see Chelsea as well.

ChelseaLee

I am very glad that we decided to go. I enjoyed the set a lot. In a not-so-small irony, I don’t think her voice was anywhere near as good as it was back then. It’s still gorgeous, but it’s smokier now, a little more rounded (reminded me loosely of Rosi Golan). But, the material was dramatically better (IMO).

ChelseaLeeSinging

There were a few slower numbers (which I liked as well), with the majority of them being more upbeat light pop, very well executed. After the show, we bought her 5-song EP from her Dad. I listened to it this morning and I like it a lot. She has come a very long way since we last saw her and I will be happy to see her again.

Chelsea was accompanied by two people:

Wes Hutchinson on acoustic guitar and vocals. We’ve seen Wes once before, briefly, at the Haiti Benefit in January 2010. I liked him then, but didn’t get enough of a sense. He’s a staple in the NYC scene, but our schedule hasn’t worked out to see his own sets just yet.

WesHutchinson

Wes did an excellent job last night of accompanying Chelsea on the guitar and his vocals were spot on. When they sang together, it also reminded me (a little, don’t draw too strong a parallel) of The Open Sea (the collaboration of Ari Hest and Rosi Golan, which is another reason I compared Chelsea to Rosi above).

I don’t know how Chelsea (based in DC) hooked up with Wes (based in NYC), but it’s a very good fit.

Spencer Cohen on cajon, tambourine, shaker and cymbal. Very nicely done. While I could hear every beat on the cajon, it didn’t seem to be mic’ed the way Alex Wong’s is. Somehow, Alex produces a much richer sound on the cajon, but that seems like an easy problem to solve. Spencer has the talent.

SpencerCohen

When I checked the schedule, I saw that Drew Yowell was playing the 8pm set. We’ve never seen him, but we’ve seen his brother (Doug Yowell) drum for both Vienna Teng and Katie Costello. I had an interest in checking him out, but not in sitting in Rockwood for four hours, so I decided to look for Doug another time.

DrewYowell

Even though the weather was bad, we made better time getting to Rockwood than we anticipated, so we caught the last four songs of Doug’s set.

Guess what? I really liked it (OK, to be honest, I really liked three of the four songs).

Drew sings really well, plays the acoustic guitar nicely and was accompanied by as many as six people (that’s a lot for Rockwood 1) on two of the songs. The upbeat numbers are infectious. I purposely stood for all four songs and found my foot tapping and body swaying during those songs.

Since we came late, I didn’t hear the introductions to his band. They were good. The only one we’ve seen before was the drummer, who I recognized instantly.

Chris Benelli played the drums. The only other time we’ve seen him was in March 2010 when he accompanied Bryan Dunn. This makes for two separate small-world stories.

First, that same night was the first time we ever saw Doug Yowell play the drums, in the set following Bryan’s, accompanying Vienna Teng. That Chris is the drummer for Doug’s brother, Drew Yowell, feel’s small world-ish to me.

Second, on Friday night I wrote about a bass player, Jim McNamara, who also plays with Bryan Dunn, a name I hadn’t written about since we saw him the night we saw Chris Benelli. All good memories, brought back in focus by Drew Yowell. Cool.

Even though we didn’t get home until midnight, in a monsoon-level rain, it was more than worth it. We had a great night out.

Girlyman at Birchmere

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This time around, we only had to wait a day to see Girlyman again. I’m glad to say we made it. 😉

While Gravity Lounge is a small, intimate place, Birchmere is cavernous. The other difference is that Gravity Lounge is concert style seating (everyone facing the stage) and Birchmere is dining table style (most people have a shoulder facing the stage and need to twist to have a full stage view).

Birchmere can seat 650 people. Given the economic hard times, and the generic fact that Girlyman’s style of music (Alt-Folk/Pop) doesn’t typically draw gigantic crowds (though it most definitely should!), I was marginally worried that the place might feel a bit empty.

I should have had more faith (after all, they sold out the Barns at Wolftrap in March, a nearby venue that seats 400!). We sat right up against the stage, so it was a little hard to gauge an accurate count (though I tried). My best guess is that there were at least 350 people there, possibly 400+. That generated the same feel as a sold out house, because there are many tables that are way off to the sides, and the entire center section (the bulk) had very few empty seats.

The show had a similar feel to the night before. However, as I expected (and was delighted to be correct), Girlyman mixed it up enough to keep it fresh even for the few of us (possibly just Lois and me?) that saw them on consecutive nights. The set list had at least three additions to it, and the one song that was on the set list the night before, but wasn’t played (James Dean) was done last night.

In addition, the requests that they played last night were different, so there were at least a half dozen different numbers. The tuning songs were different too, but there were actually fewer of them both nights than usual. I ascribe that to there being more new material, which might not require as many drastic re-tunings of the guitars/banjo/mandolin as the older stuff. Here’s a photo of a tuning song:

Girlyman Tuning Song

Girlyman Tuning Song

The music was fantastic (the acoustics at the Birchmere are wonderful). Their banter (and general stage presence) was perfect as well. In fact, playing to a significantly larger crowd can make the banter more difficult, since comedic tastes can be that much more varied, and there’s a slight reduction in intimacy. That wasn’t a problem, as the crowd universally and uniformly ate up every bit of the act, which fed the energy on the stage.

It’s hard (if not impossible) to describe a song. Lois really wants me try, so here goes. 🙂

One of their newer songs is Everything’s Easy (it’s on their new/current Live CD). It’s a great song in general, but also very special. Each of them sings one verse alone. Nate starts, then Ty sings a different melody. Doris sings a dramatically different melody (alone as well, the first time). Then, after blending together a bit, and starting to build in volume (and passion), they sing simultaneously (in harmony), but each singing their own verse.

Not only are they singing wildly different words, they are singing entirely different tunes (as opposed to singing in a normal harmony, where you are mostly just offset from the main melody). It’s stunning. The focus that they each need to maintain is incredible, but we shouldn’t care if it’s hard for them, we should care whether the result is sonically gorgeous. It is, in every way. Bravo!

If you’re interested in checking it out, go to their MySpace page, and the second song (at least as of this writing) is Everything’s Easy. Enjoy!

When they got to the request section (they do that at every show), I yelled (twice, at the top of my lungs) Hold It All At Bay. I was only five feet away from Doris, perhaps 10 from Ty, so I know they heard me. Unfortunately, lots of other people yelled out lots of other song requests, and I don’t think I heard any other requests for Hold It All At Bay.

I love so many of their songs so much, that it somehow feels silly to say “My favorite song of theirs is Hold It All At Bay”. And yet, I can say it with no caveat or hesitation. While there may be two dozen close seconds, from the first second I heard that song, it remains the most played song on my iPod, and it moves me (lyrically and musically) each and every time I listen to it.

I hadn’t heard them sing it live in a while, and I fully expected to miss out again last night. While I might never be sure, I want to believe that they chose to give me a personal gift when they decided to play Hold It All At Bay for the first request. They couldn’t have played it better! Thank you Girlyman! 🙂

Since they knew that they didn’t pick the most called for song, they were kind enough (and connected enough with their audience) to select another song for a request after that as well.

They closed the show with Joyful Sign. When they returned for the encore (as the result of a standing ovation) they played Nate’s new song (the one I didn’t know the title of in yesterday’s post). I think he didn’t mention the title last night either, but he did give the same cute intro. Lois and I are calling the song “My Eyes Get Misty” until we hear differently. They skipped the typical Girlyman Benediction song (which I love) and went straight to their stock closing number Son Of A Preacher Man (which they nail, every time!).

In total, they were on stage for 110 minutes. This was fantastic. It wasn’t just the extra five minutes over the night before, but they also came on later due to the opening act (different from the night before) being on stage significantly longer.

Girlyman

Girlyman

The opening act last night was Chelsea Lee (we didn’t know there would be one until we showed up). She came out at 7:30pm accompanied by Todd Wright on guitar (and harmony). Chelsea has a stunning voice, truly extraordinary. Todd is a good rhythm guitarist, whose voice complements Chelsea’s on their harmonies, perfectly. Unfortunately, since she’s the star, and they’re not officially a duo, he doesn’t sing nearly enough with her. Not that her voice isn’t amazing all by itself (it most definitely is), but their blended voices are even better.

Chelsea Lee

Chelsea Lee

As spectacular as Chelsea’s voice is, her material (mostly, if not all written by her) doesn’t live up to the same standard. It’s actually reasonably repetitive, both in general feel/sound, as well as brooding theme. She would do better playing in a real Blues Club (in my opinion) than in a place like the Birchmere. She’s a cross between Blues and Jazz. While Todd’s guitar playing complemented her really well, I couldn’t help but think that if there was a soulful grand piano accompanying her, in a blues club setting, she might have come across more authentically.

Todd did something that perhaps other musicians do regularly on stage, but I am generally unaware of the technique. Because we sat so close to him, I was able to see it clearly (this time). On one number, he clicked a switch with his sneaker on a board full of switches. Apparently, that started recording what he was playing. After a few bars, he clicked another switch and the previous recording started playing back in a loop. He literally took his hands off the guitar, but the sound kept coming out of the Birchmere speakers accompanying Chelsea.

Then, after a few seconds, he played a little lead guitar, supported by his own strumming, which he had just recorded live. After a few more bars of that, he eased back into strumming along with the recording, and when that was sync’ed up correctly, he turned off the recording and was back to strumming live only. It was an interesting and cool experience, which might be going on more often on stage than I previously realized.

Todd Wright

Todd Wright

Regarding Chelsea again, one more nit to pick. She’s not really comfortable on the stage. She’s not awkward either, just not comfy. She’s not leading/controlling the crowd in any way, she’s just settling herself down between numbers, building up the courage and focus to perform the next one. Last night’s crowd was extremely respectful of her, and clapped generously, so it ended up being fine. I could easily see her losing control of a crowd if she opened for someone other than Girlyman, who draws wonderful people wherever they perform.

She joked (awkwardly) a few times about how old the crowd was. When she was hawking her CD, she babbled about how we (the audience) were likely too old to be users of MySpace (uh huh). She and Todd spent a good deal of time teasing each other (including about the difference in their ages). Still, we didn’t know how old she was (if you already checked the link I gave above, the next paragraph will be anti-climactic for you).

I tried to guess her age, and figured something between 21-25. It turns out she’s 17! Wow. That certainly explains the lack of stage presence (not that 17-year-olds can’t have it, as Taylor Swift clearly demonstrates). She’ll likely get there. Hopefully it won’t take too long.

As talented as she is (vocally), she was still just an opening act, with the vast majority of the people in the crowd breathlessly awaiting Girlyman’s appearance on stage. In my opinion, Birchmere gave her too much stage time. She was on for 55 minutes. That’s long, even for a well-known opening act. Given that most of her songs have a very similar sound/feel, it dragged a bit, and a true Girlyfan would have to wonder whether it was eating into Girlyman’s time.

You already know the answer to that. Thankfully, Girlyman gave us every drop of value for our money. Whew!

If you read yesterday’s post, you know that Lois and I brought ten friends to see Girlyman at Gravity Lounge. Last night, we brought 13 people from Zope Corporation (including some family members). We drove three of them up with us and got there at 4:25pm (doors open at 5pm) to pick up our tickets and get a number to be seated early. I had asked the rest of the gang to be there no later than 5:45pm (the doors to the concert hall open at 6pm when they call people in for dinner in the order that they picked up their tickets).

Here are our car guests:

Zope Guys

Zope Guys

I was amazed (and really appreciative) when every single person in our party was there by 5:40pm. We were number five to be called in. However, since we had 15 people, we couldn’t sit together center stage. We chose two tables at the left edge of the stage and split our group. Each table could seat 12, but we put seven at one table and eight at the next.

Here’s the gang that sat at the first table:

Zope Table 1

Zope Table 1

And, table number two:

Zope Table 2

Zope Table 2

The food at Birchmere is Southern-style Comfort food, and they do it really well. I had the Pulled Pork sandwich. When I went over to the other table to survey what they had ordered, I said that my pulled pork was fanastic but greasy. Our CTO pointed out that I used the word but incorrectly in that sentence. He was right, and I corrected it to “my pulled pork sandwich was fanastic and greasy”. 😉

Everyone seemed to like their food, and it all looked great. A number of us had decadent desserts as well (I succumbed), but we had to do what needed to be done…

Of the 13 people we brought along, only two had seen Girlyman before. While it’s hard to know whether people are being polite, our group all said that they thoroughly enjoyed the show. One of the guys said that while he liked the music, he loved all of the non-music parts (which are significant in any Girlyman show).

Interestingly enough, most of them were not as kind (polite) about Chelsea’s performance. While the majority did praise her voice, they found little else to compliment. When asked what she thought, one person actually answered “I wasn’t paying that much attention…”. I didn’t love it, but I think I enjoyed it more than most (if not all) of them did.

After the show, seven of us waited in line to say hi to Girlyman. I got to thank them directly for playing Hold It All At Bay, and tell them how perfectly they did it. We took a customary photo with them, which included the youngest member of our group as well. She was a last-minute substitute when her dad got caught in a business trip and she joined her mom (who works at Zope). Ironically, it is the mom and the little one who had seen Girlyman before in NYC (nearly a year ago).

Girlyman and Us

Girlyman and Us

As with the previous night at Gravity Lounge, we ordered a copy of last night’s live show and I’m sure we’ll do the same at Joe’s Pub. Yes, we’re seeing them again on November 5th! 🙂

We talked about the show with our three car guests for the next hour on the ride back to Fredericksburg. For us, it was a perfect evening. We hope our guests enjoyed it at least 10% as much as we did. 🙂

Update: The little one’s mom just emailed us a great picture of Girlyman with her daughter. Here it is:

Little One Girlyman

Little One Girlyman