January 30th, 2011:

Big Apple Singers at Rockwood Music Hall Stage 2

I started the first of four posts tonight (this being the 4th and final one) with a question as to whether this night would turn out to be as epic as I expected. If you read posts #2 and #3, you’ll know that there were enough frustrations to make that highly unlikely.

That said, there was the promise that this final set would put the night over the top. After all, it was a similar setup to The Narwhals who completely blew me away just a few nights earlier. If you only want to hear glowing things about these musicians, read that post and stop now!

The two main people in The Narwhals are Josh Dion and Greg Mayo, both extraordinary musicians (multi-instrumentalists and vocalists). Both are equally highlighted in The Big Apple Singers (TBAS). In this configuration, Josh moves from the keyboards to the drums and Greg moves from guitar to the keyboards.

Another main person (likely the leader of TBAS) is Evan Watson on the electric guitar and vocals. Rounding out the group is one of our favorite bassists (and people), Chris Anderson.

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A disclaimer is necessary, for people who don’t regularly read my blog. I write this blog for 1.5 reasons. The main reason is simply to document the things we do that we want to remember for as long as we live. We know memories are fleeting (in the sense of accuracy). The minor one is to promote the musicians that we have fallen in love with, but that’s really secondary.

The few negative things I have to say about last night’s set are for me to remember how I felt, not to knock people who have more talent in their pinkie than I have in my whole body. Also, I might be the only person in the overwhelmingly crowded Rockwood Music Hall stage 2 that felt this way. The joint was jumping and everyone there appeared to be enjoying one of the best sets they’d ever seen (including the friends we were there with!).

So, how could the same basic set of people that thrilled me on Wednesday, just have me enjoying myself a few nights later.

First, everything was so loud (probably to compensate for the huge crowd) that it was all a bit fuzzy. Of course I could make out all the leads, but they were drowned out by the other instruments that were wailing along rather than subtly accompanying the leads. On Wed, due to the blizzard keeping the audience smaller, everything was a more reasonable volume and the clarity of every note was outstanding.

Second, while The Narwhals played a set of only covers, TBAS played both covers and originals. Some of the originals had excellent musicianship, but were hardly stellar songs (IMO). There was also one direct comparison. Both groups played The Shape I’m In by The Band (TBAS opened with it). TBAS did it well, The Narwhals were awesome. I guess that set the tone for me early on and TBAS never overcame it for me (with one notable exception).

Left-to-right on the stage:

Greg Mayo on grand piano, electronic keyboards and vocals. Wonderful on everything.

GregMayoKeyboards

Evan Watson on electric guitar and vocals. Evan is a very good guitarist, but a little too heavy handed for my taste. It’s possible that it was this particular show or set list. I’m already planning on catching him with his other band, The Headless Horesemen, on February 17th, so I’ll get a second look. He has a very good voice and classic hard-rock theatrics.

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Josh Dion on drums and vocals. Awesome on the drums, great vocals. He took one very long drum solo. When he was done, Evan challenged him to crank it up. He did. The second solo was dramatically faster than the first. I still don’t know how his arms didn’t fly off. That said, just like my comment about Vinnie Sperrazza from Wednesday, Josh is even better in his drumming on every single song than his solos.

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Chris Anderson on electric bass and vocals. In the past, we’ve only heard Chris sing harmony, mostly when he’s playing with Ian Axel. Last night, during one song, Chris took an entire verse himself. He was great and the audience let him know it.

ChrisAndersonSinging

Robbie Gil was brought up as a special guest singer for one song. Robbie performed the set before TBAS and Josh Dion and Greg Mayo played in his band. I was sorry to miss that set (and will correct that as soon as possible), but we were next door at stage 1 seeing Derek James.

RobbieGilSinging

Robbie kicked off another The Band song but insisted that each of the other band members sing at least one verse (that’s the song that Chris took a lead on). Robbie’s voice was wonderful as was his spirit on the stage. It’s the one exception I noted above to nearing the feeling I had on Wednesday.

Another thing that we rarely see, which we applaud, was Evan Watson squatting (Chris as well) whenever Josh Dion was singing lead. How rare to get a peek at the drummer, tucked way in the far corner at Rockwood 2. A wonderful touch.

JoshDionSingingEvanWatsonSquatting

When they were done, even though they had passed their allotted time, people wanted more (remember, nearly every person there appeared to me to have loved every single second of the set!). After getting permission (which seemed to take longer than usual), the band reconfigured themselves.

Josh Dion took the keyboards, Greg Mayo the guitar and Evan Watson the drums. They did a Josh Dion original. Very nice and a little twist to end the evening.

JoshDionPianoGregMayoGuitarEvanWatsonDrums

Derek James at Rockwood Music Hall

I have been waiting (not so patiently) for a chance to see Derek James perform again. Lois has been waiting even longer. We saw him for the first time on July 22nd at Flux Studios. Then I saw him without Lois on September 1st at Rockwood Music Hall stage 2. Both shows were extraordinary.

DerekJames

Last night night Derek played Rockwood Music Hall stage 1, so I expected a bit of a more mellow setup, like he had at Flux. I admit to being a bit nervous as to what I might hear, since Derek announced at the September show that his guitar player, Roy Gurel, was heading to Israel for a long stay and wouldn’t return for a while.

Unfortunately, Assaf Spector wasn’t with Derek either, giving Derek a completely new band. Last night was their first performance together.

I love everything about Derek’s music. He writes fun songs and delivers them with a zest that has to be experienced live. That was all true last night too. While I definitely enjoyed the set and again am looking forward to seeing Derek as soon as possible, my expectations were too high for the reconfigured band to meet (my fault, not theirs).

Derek modulates his voice by running his mic through the equivalent of a guitar pedal. Even though I had noticed interesting qualities in his voice in the previous performances, I never noticed that he was controlling it electronically (silly me). Last night, mostly in the first song, but still noticeable throughout the set, Derek seemed to set the effects a little too high. During the first song, he sounded a bit like he was on helium. To make matters worse, his vocals were mic’ed a bit too low (even without the effects) and his guitar was a bit too low as well.

On to the band. I normally go left-to-right, but I’ll go right-to-left this time, because that happens to be the order that impressed me.

Michael Riddleberger on the drums (and a bit of vocals). Mike (that’s how Derek introduced him) impressed me mightily. Derek’s beats are fun and big and are greatly enhanced by a drummer who can bring out the 1940’s big band jazz sound (full, echoing drums). I was extremely nervous when the set began, because I was literally 10 inches from the drum set. Mike was perfect in his beat, and in not blowing my head off.

MichaelRiddleberger

David on the bass and light vocals. I bothered to make a note of his full name on my Droid. When I looked at the note tonight, the auto-corrected text had his last name as “disease”. Sorry! Anyway, he was quite good on the bass. Not quite as loose or fun as Assie (Assaf) is. But, the biggest difference is that Assie shares a ton of vocal harmony with Derek which was missing. Also, there is a general showmanship (dancing around) that was missing last night.

DavidBass

Michael Day on electric guitar and vocals. I might have heard the name incorrectly, because I can’t find a link to him. Michael is clearly a talented guitarist with some fast leads. But, he’s filling shoes that are very hard to fill. Roy Gurel might be my second favorite local guitar player (behind Greg Mayo). Roy also does as much singing and dancing as Assie does (well, did!).

MichaelDay

I am not blaming Michael and David for not being able to replace Roy and Assie on their first-ever show. I am just hoping that a few more rehearsals and shows will continue their development quickly and dramatically.

Derek James can mesmerize me solo, I have no doubt. But, the current setup is called Derek James and the Lovely Fools. If that’s accurate, then the configuration with Roy and Assie should have been called Derek James and the Loveliest Fools! Smile

One final negative note (not under Derek’s control). While the 7pm set for Sarah Jarosz was whisper quiet during her songs, quite a number of people talked loudly during Derek’s numbers. Of course, those same people cheered, clapped and whooped it up like they were his biggest fans when the song was over. I know Derek’s music creates a total party atmosphere (did I mention how much fun his songs are?), but that’s no excuse to party without him while he’s performing…

The Ramblers at the Living Room

This is post #2 of the evening. #1 was about Sarah Jarosz and Alex Hargreaves and can be read here.

Under normal circumstances, we would have stayed at Rockwood and caught Leslie Mendelson at the 9pm set. We’d never heard her before, but we were planning to be at Rockwood 1 for the 10pm set anyway and I liked what I heard on Leslie’s MySpace page.

Then we heard that Melissa Tong was sitting in with The Ramblers at The Living Room. That was enough to make us change our plans.

We walked in to The Living Room at 8:50pm. The place was a zoo (not in the child-like wonder way). The bar was mobbed, the inner room where the music is played even worse. We could barely make it in three feet from the curtain dividing the two rooms.

We watched the last three songs of Shanna Zell’s set on a TV that shows the live action from the stage for those who are too far back to see it. Shanna has a nice voice but otherwise couldn’t hold my attention. Given the crowd (and who knows how late her set got started), the show went past 9pm. When it was over, it took us another few minutes to get an additional 20 feet closer to the stage, still behind everyone who was seated.

The Ramblers had a number of special guests (they called it an orchestrated acoustic set), so it took them extra long to transition from Shanna to their setup. There were nine people on stage so it wasn’t surprising, just frustrating to wait, uncomfortably at that.

Then they started playing. Excellent. Definitely my kind of music. Actually, since they had so many guests, I don’t know how I would react to a normal The Ramblers set, but I’m willing to find out.

TheRamblersAndGuests

Thankfully, during the first two songs, the violins (yes, there was a second violin joining Melissa Tong) were front and center (literally, at center stage and figuratively, as in highlighted throughout the piece). We were far back, so apologies for the fuzziness of the few photos worth posting.

Jeff Young played the violin amazingly (as Melissa always does). Together, bliss.

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Melissa didn’t play during the third song. Jeff was featured, as well as another guest Bill Bell on mandolin. I wanted to stay because I love mandolin so much (did you read the Sarah Jarosz post?). While Jeff was incredible, Bill’s part was nothing special. This is not a comment on Bill’s skill. When he was sound-checking before the set, I was quite impressed with the licks he was throwing around.

Anyway, because the set started so late, we had to run out after the third song. I was sorry to miss more of The Ramblers (and Melissa and Jeff in particular), but very happy to get out of that crowd.

Between Sarah and The Ramblers, we had a quick and exceptional meal at Sugar Café. It looks like a hole-in-the-wall on the corner of Houston and Allen. We’ve walked by there a hundred times and never considered going in before. What a mistake. We loved our food (fast and fresh) and the staff were as outstanding as the meal. Don’t go for the atmosphere, but if you’re on the Lower East Side and need something good, quick and reasonably priced to eat, I recommend it.

Sarah Jarosz and Alex Hargreaves at Rockwood Music Hall

This week was perhaps the most live-music-filled one in our lives. It seemed fitting that we expected an epic ending to the week on our last night in NYC for a couple of weeks. You’ll have to read four separate posts to know if the reality lived up to the dream. This is the first of those posts.

I love the mandolin. I’m always a happy person (always), but a good mandolin player can lift my spirits even further. A great one can deliver an out-of-body experience for me. Some of my favorites proved themselves as kids (Chris Thile and Sierra Hull to name two). So, when I first heard about Sarah Jarosz (don’t recall how or from whom) and saw that she was touted as a mandolin phenom, I immediately bought her CD (Song Up In Her Head). It’s gorgeous!

SarahJaroszBanjo

I just searched my blog. While I still don’t know how I heard about Sarah, I know when, roughly December 2009. Here’s what I wrote in a Jan 2010 post:

A month ago I heard about mandolin phenom Sarah Jarosz. Then I found out she was opening for Del McCoury. To top it off, so was Marty Stuart. My excitement for this show was almost uncontainable. Still, I didn’t buy tickets. Why? I had no idea at the time, but I know now that I wasn’t meant to.

A week later I received an alert that Vienna Teng and Alex Wong were playing at City Winery that same night. Believe it or not, my mind failed to make the connection that it was the same night. I asked Lois and she instantly said “Grab tickets!”. I did.

When I saw that Sarah was playing a set at 7pm at Rockwood 1 there was no way I was going to miss it. She was listed as a solo performer. I was more than a bit surprised at two things: Sarah did not have a mandolin on stage (see my correction below!) and she had a fiddle player for all but two songs.

Sarah played the banjo on a few numbers (including the opener) and guitar (another mistake) on the rest. She had two guitars (nope). I could swear one of them had eight strings (and even sounded a drop like a giant mandolin). Yup, confirmed in this photo, it’s an eight-string guitar!

Update: See comments below, someone corrected me and said it’s not an 8-string guitar, but rather an Octave Mandolin! Cool, I learned something new today. :-)

SarahJarosz8StringGuitar

Sarah was wonderful on all three, but I was most impressed with her guitar play (specifically the eight-string). Her leads were fluid and fast.

She sings wonderfully. Extremely powerful and clear voice. She writes her own songs. She played a collection from her current CD (mentioned above) and a couple from her upcoming CD (May 2011 release). She also played covers by Bob Dylan and The Decemberists.

It’s a testament to her talent that I was surprised to see no mandolin. Some of the songs that she performed last night are from the CD that I own and I ended up really liking them without paying attention to the fact that she was playing banjo or guitar on those as well (I went back and paid more attention today!).

Alex Hargreaves played the fiddle. He was instantly familiar to me and I was blown away by his play from the first few notes. It wasn’t until Sarah introduced him by name (a few songs in) that I realized why he was so familiar to me. I had seen him play with the one and only Jerry Douglas at the Highline Ballroom. Here’s what I wrote about Alex that night:

Alex Hargreaves played the fiddle and sang on one number. He looks like he’s 12. ;-) He’s an absolutely extraordinary musician and has played with some of the greatest musicians in the country, now including Jerry Douglas.

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Seeing him from five feet away, with only one other mellow instrument on stage, was a highlight for me. Absolutely incredible. The two of them played one instrumental number where they harmonized with each other (Sarah on the guitar). It was magical. It’s on the current CD: Mansinneedof (Man’s in need of).

AlexHargreavesTuning

We walked into Rockwood at 6:50pm. All but one seat was taken (including the barstools) but practically no one was standing, so the place felt empty. Lois grabbed the one open seat and I stood near the unused drum set. By 7pm, a mere 10 minutes later, you could barely breathe in there it was so crowded.

Sarah mentioned a few times what a great audience it was (respectful, quiet during the numbers, loud with the applause). She was right. It was perfect. That would turn out not to be the case when we returned to Rockwood a few hours later (that will be post #3 for the night).

A great start to the night.