Rosi Golan

Rosi Golan Lead Balloon CD Release Show at Bowery Ballroom

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I’m a very big fan of Rosi Golan. I love The Drifter and the Gypsy (until last week, Rosi’s most current CD). I love her side-project, The Open Sea (with Ari Hest). Their EP is extraordinary. The chance to see Rosi perform is good enough reason to come out.

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Add to that a full band, an amazing lineup before her and an actual new CD to celebrate (Lead Balloon) and there was no doubt this would be a great night out.

It was!

Rosi is a great songwriter. Independent of that, she has one of the most amazing voices. There’s a clarity that’s hard to describe, but I’m going to try. Many great singers have some sort of halo to their voices. In other words, the center of the sound is the note they want to hit, but if you looked at it with a spectrum analyzer, the wave-form would be fatter, touching other notes around the one they’re singing.

Other’s have a laser-like quality, which will have the clarity I noted, but can also sound shrill, even painful at times. Rosi’s voice is just right. On most songs, there’s a sweetness to the voice, even if the lyrics are ripping your heart out at the same time. In fact, she joked that she was surprised to see some people dancing in the back of Bowery Ballroom, since most of her songs cause people to cry or hold hands. Smile

The set was great. Most of the songs were from the new CD. Rosi was kind enough to throw in a couple from The Drifter and the Gypsy, most notably Think of Me, which I could listen to all day, every day. Here’s the set list:

SetList

Rosi has a regular accompanist, Jake Phillips, who performs with her (at every show?) for the past 4.5 years. He’s an excellent guitarist, and has a really good voice. Most of the time he sings harmony with Rosi, but occasionally, he’ll sing lead on a verse. I think he sang one of the verses on Hazy (the other song from The Drifter and the Gypsy). On the CD, Rosi sang with William Fitzsimmons (that reference was for you, Kevin). Winking smile

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Jake has a show of his own at 7pm tonight at Rockwood Music Hall. I’m not in NYC, so I can’t attend, and if you’re reading this, you probably can’t either, since I’m posting this a day too late (my next post will reveal why this one is late).

I bought Lead Balloon at the show, between Ian Axel and Rosi’s sets. I’ve listened to it twice so far and I really like it a lot. I’m sure I’ll grow to love it in a few more listens. There are a number of songs that grabbed me instantly, but none more than Fly Away. It’s my Think of Me from this CD.

Rosi was accompanied by a full band, but she also had a special guest star on many of her numbers (I’d guess more than 1/2).

Allie Moss is a headliner in her own right, in addition to being a member of Ingrid Michaelson’s band (singing harmony and playing guitar). On Rosi’s set, she sang harmony so beautifully.

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Rosi closed the show by bringing up another special guest. If you read the paragraph above and substitute the name Bess Rogers for Allie Moss, it would all be 100% accurate!

Rosi asked the crowd to scrunch up closer to the stage and to be as quiet as they (we) could be. She unplugged her acoustic guitar and Rosi, Bess and Allie sang with no microphones. They performed Can’t Go Back. We were lucky enough to be right up against the stage (where you’ll always find us if we can secure that spot) so it felt like the three of them were singing just for us.

RosiGolanBessRogersAlllieMossSinging

Wow is an inadequate word to describe what an amazing job these ladies did. Oh yeah, the song is really beautiful as well, and it’s on Lead Balloon.

The band, left-to-right on the stage:

Daniel Mintseris on electronic keyboards. Excellent job throughout the set. In a silly small-world story, I haven’t been that active on Google+ yet, but I’ve been slowly accumulating people into various circles. The morning of the show (Tuesday), I put Daniel in my Musicians circle and he added me back (so at least he has a Google+ account). I didn’t know I’d be seeing Daniel perform that night! Smile

DanielMintseris

Elliot Jacobson on drums. Elliot is simply awesome, always. I’ve described him before as having a reputation as a hitter (he strikes the drums hard!). I’ve also said that it’s not true, when it’s not called for. On most of Rosi’s numbers, it wasn’t called for. Sure enough, Elliot was amazing, subtle when he needed to be, upbeat when appropriate, etc.

ElliotJacobson

Tony Maceli on electric and upright bass. Consistently one of my favorite bass players, including this show. Tony split the bass duties nearly evenly between the electric and the upright, nailing the bass lines on both. On the upright, he mostly plucked, but at least in one song I noticed him switching to the bow, then back to plucking. He’s a bit more understated (by choice) than other bass players on the scene, but the sounds he produces are the correct ones.

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A great finish to an already great night. The Spring Standards opened the show, with Ian Axel performing after them. Let’s pick a date and do it all again real soon.

For the entire night we stood next to Casey Hicks, a writer for Short and Sweet NYC. She had just posted an interview with Rosi Golan that day, conducted over the weekend.

CaseyHicks

Here’s the Kevin, mentioned above:

KevinHadarChris

Rosi Golan at Rockwood Music Hall Stage 2

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We’ve seen Rosi Golan a number of times, but only one was a full set of her own music (at Jammin’ Java, covered in this post). The other times were either a few songs at a benefit (or as a guest), or with Ari Hest, performing as The Open Sea (their side-project together). Even at Jammin’ Java, Rosi was opening for William Fitzsimmons. Last night she headlined her own set at Rockwood Music Hall Stage 2.

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Rather than force myself to be creative and describe Rosi in different words, here’s what I had to say about her at Jammin’ Java:

Rosi Golan has an extraordinary voice. Range, power, clarity even at the softest moments, all deliciously delivered. She is an excellent songwriter too. Her lyrics are sticky as are her melodies.

I would add that many of her songs (most?) have a dreamy quality to them (in the sense that it’s really easy to completely get lost in them).

Last night she played a 10-song set. Four of the songs were from her current CD, The Drifter and the Gypsy (an incredible album). Most (all?) of the rest were from her upcoming CD, Lead Balloon, likely out sometime in May (just my guess). I already look forward to it, Rosi is very consistent.

Jake Phillips accompanied Rosi on all but the first and last numbers (though he stood on stage with guitar in hand during the opener). He accompanied her at Jammin’ Java as well, so I knew in advance that I would love his guitar play (I did, both times now) and his harmonies with her are very nice (if a bit too soft).

JakePhillips

Jason Reeves happened to be in town (and at Rockwood) and was called up as a special (surprise) guest to sing Flicker with Rosi, a song they co-wrote while Rosi was out in LA working on the new record. Jake joined in creating a lovely three-part harmony.

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Also in the audience was Billy Hawn. Billy is an excellent drummer. He tours with Jason Reeves, but we saw him supporting ambeR Rubarth at Joe’s Pub, back in 2009. Rosi is friends with Billy and dedicated one of my favorite Rosi songs to him, Think of Me.

It was an excellent set, delivered wonderfully.

The only hiccup in the evening is the increasingly common loud talking that goes on in Rockwood 2. Even when 100 people tried to shush the dozen talkers, the silence rarely lasted more than a minute. A musician friend of mine recently told me that he greatly prefers to play next door at Rockwood 1 (even though Stage 2 is much bigger and more beautiful), because he says that the rudeness/noise at Stage 2 is just overwhelming.

I partially blame the club (even though I love nearly everything about Rockwood, both venues, and everyone who works there). First, after being warned a few times, they should ask people to take their conversations outside and enforce it if they have to. Second, they booked a very different kind of act before Rosi (these aren’t opening acts, they’re simply separate sets, back-to-back). A fair number of people stayed for Rosi’s set, but it appears that they stayed to socialize, not to listen to the music.

There are no trivial solutions to this problem, but something needs to be tried, since real fans are showing their frustration more often and more passionately. After an audience member loudly said to Rosi “I’m trying to enjoy your music, but it’s really loud at the bar”, Rosi made a few jokes and tried to get people to settle down. It was only partially effective and there’s a big danger of a backlash when a performer tries to control an unwilling crowd. Oh well…

Today, on my way to the dentist (and in the chair under heavy novacaine), I listened to all of The Drifter and the Gypsy and Little Apple EP (by The Open Sea). I’m only now regaining some feeling in my lower lip and jaw, but Rosi got me through it just fine! Smile

The Open Sea and Katie Costello at Rockwood Music Hall Stage 2

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The Open Sea is a duo comprised of Ari Hest and Rosi Golan. They were secretly announced on March 24th, 2010 in a show that we attended. We are fans of both Ari and Rosi separately, but on that night I had an instant love affair with their side project, The Open Sea.

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The first show was at Rockwood Music Hall, while last night’s was at the new(er) Rockwood Music Hall Stage 2 (right next door to the still-going-strong original).

Waiting six months to hear them again felt like an eternity. That could lead to expectations that are difficult to meet. They met, they exceeded, they conquered (at least me, but I’ll bet that the majority of the stuffed-to-the-gills crowd felt the same way!).

Last Tuesday (9/14/2010) The Open Sea released their first EP. I decided not to buy it right away, hoping to purchase a physical copy last night (to put more money in their hands, get it signed, etc.). Unfortunately, for now, it’s only a digital release, so this morning I grabbed my copy. Awesome!

For those that didn’t get to see them, buy the download and experience the magic for yourself!

Ari Hest sang and played acoustic guitar. He was the primary musical support, playing on all but one song. Most of them were beautifully finger-picked with a bit of rhythm and flat-picking thrown in for good measure. Ari has a smoky/raspy voice (or at least did last night). It blends beautifully with Rosi’s.

AriHestGuitar

Rosi Golan sang and played acoustic guitar. Rosi has one of the most extraordinary voices I’ve ever heard (I’ll say it every time I get a chance to write about her!). Laser-like crispness, very wide range, soothing and exhilarating at various times. Rosi played the guitar on a few numbers.

RosiGolanSinging RosiGolanGuitar

Both are accomplished songwriters and the five song EP shows that their collaborations are at least as good as their individual efforts. I love Rosi’s current CD The Drifter and the Gypsy. Ari has a CD coming out early next year (can’t wait to hear it, as it’s produced by the wonderful Alex Wong).

In addition to playing the songs from the new EP they played two cover songs (Rosi picked a Ray LaMontagne song and Ari picked an Everly Brothers one, which was a huge treat for Lois and me).

They performed the title cut from Ari’s upcoming CD and Rosi debuted a song from her soon-to-be-recorded CD, called Lead Balloon. It could be a top 10 Country Hit (IMHO) instantly. Even if you hate Country, you’ll love this song!

I know I’m fawning, but I can’t stop, so one more platitude. I never want their sets to end. There, I said it.

Daniel Mintseris played the piano on a few numbers including one where Ari and Rosi sang without playing guitar. Daniel also plays piano on the EP. He’s excellent and complemented their sound extremely well.

DanielMintserasPiano

Here is the set list:

TheOpenSeaSetList

Katie Costello performed the set before The Open Sea. On June 29th we saw Katie perform at Rockwood 2 and I wrote about it in this post. I agree with everything I said then (whew), but I have a more nuanced opinion now that I’m getting a little more familiar with Katie’s music.

KatieCostelloPiano

First, a few differences from that performance. Katie didn’t perform any solo numbers last night (she book-ended the show with then in June). The drummer was different (more on that in the band section in a minute).

Katie has an excellent voice. Not only is it powerful and clear with good range, but as I noted in the last post, it can change in character as well. On more Jazzy numbers she can command a smoky quality (that feels completely natural). On more upbeat pop numbers it’s crystal clear. She also plays the piano very well.

KatieCostelloSinging

Last night I was able to pay attention a bit more to the shifts in style. I found the pop stuff to be more engaging and suited to the setup (her voice and the band). On the slower numbers, it was hard for me to keep focused. I like a ton of mellow stuff, so it’s not a generic problem (for me).

Katie also tried to banter more last night than the previous show. I’m all for the effort, as it’s one of the things that makes live shows qualitatively different than listening to a CD. Unfortunately, while it’s clear that Katie has a quick mind and a deep wit, most of the banter struck me as awkward at best. It will come with time, I’m sure. I’m equally sure that some portion of the audience found it awesome and/or endearing.

Katie’s band from left-to-right on stage:

Daniel Mintseris on keyboards and glockenspiel. Last time I had trouble differentiating Daniel. This time no such difficulty. Daniel did an excellent job. Given that Katie was on the grand piano, Daniel’s keyboards were more organ-ish in nature (like Patrick Firth was for Rachel Platten). He also played a type of accordion that sits on the table and is played with one hand while the other operates a bellows-type mechanism.

DanielMintseras DanielMintserasGlockenspiel DanielMintserasUprightAccordion

Tony Maceli on electric and upright bass. We always enjoy Tony’s bass playing. Understated and solid no matter who he is supporting. On the one song where he played the upright, he used a bow.

TonyMaceliUprightBass

Given how tight the stage setup was, he stepped off the stage and played right in front of the entrance to the green room. On Katie’s last number Tony played the acoustic guitar (first time in our experience) and then halfway through the song he switched back to electric bass.

TonyMaceliGuitar

Doug Yowell on drums. Doug did a good job throughout the set. In a not-so-small irony, the only other time we saw Doug play was for Vienna Teng. When? The same night we saw The Open Sea for the first time. Vienna’s set (oops, I mean Linz Ho’s set) was right before The Open Sea.

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Rich Hinman on electric and pedal steel guitar. As I mentioned last time, Rich is really good on both. Last night he was incredible on the pedal steel. Some of his leads on the electric were great, but a few times it felt to me like he was stepping on Katie’s vocals. He’s still incredible, but they might need some work on their arrangements.

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Here is Katie’s set list:

KatieCostelloSetList

Another great night at Rockwood. Tonight will definitely be another great night there. 🙂

Rosi Golan and William Fitzsimmons at Jammin Java

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I’ve waited way too long to catch a Rosi Golan set. I’ve seen her perform a song or two here and there. I’ve even caught a complete set of her performing her new side project The Open Sea with Ari Hest (I can’t wait for the upcoming EP, the two of them are magic together!).

I love Rosi’s current CD The Drifter and the Gypsy and am looking forward to her upcoming CD as well.

One of the few benefits of living in NY and working in VA (say what?) is that we get more opportunities to catch our favorite musicians. When I noticed that Rosi was playing at Jammin’ Java (a venue we really like a lot) I made sure that our July trip south would include that date. We brought three friends with us to enjoy the show.

Rosi Golan has an extraordinary voice. Range, power, clarity even at the softest moments, all deliciously delivered. She is an excellent songwriter too. Her lyrics are sticky as are her melodies.

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For those of you who haven’t heard her, I would liken her somewhat to The Weepies in overall feel and sound. That said, while I love The Weepies, Rosi’s voice is incalculably more beautiful.

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Rosi accompanies herself nicely on the guitar. Last night, she was supported on every number by Jake Phillips on guitar and harmony. Jake was amazing on both and really enhanced the sound (not that Rosi needs help).

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Rosi performed at least four songs from The Drifter and the Gypsy CD, including Think of Me, which I play very often and was hoping to hear live. Thanks Rosi! 🙂

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Rosi was on for roughly 40 minutes, every one of them wonderful.

William Fitzsimmons was the headliner. Rosi has been opening for William on much of his current tour, but not every night. I normally cover the headliner first, but since we specifically went to see Rosi, I reversed my usual order.

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This was our first time seeing William. In fact, we only heard about him because I was tracking Rosi.

William plays the guitar beautifully (more on that in a bit) and sings nicely. He’s extremely mellow in his delivery. Surprisingly so, because when he speaks, he has a deep rich voice, but when he sings, it’s an octave higher and pretty soft.

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William is very funny (not just to my taste, because most of the sold-out crowd was chucking or guffawing along with me). He’s extremely self-deprecating. I am sure that I would go see him if he was a stand-up comic.

As he himself will tell you, most of his songs are angst-ridden, not exactly pick-me-ups. They’re delivered really well, but given his soft vocals, it can be hard for newcomers to pick up all the words (clearly, a very integral part of the William Fitzsimmons experience!).

In contrast, I am flabbergasted by how well Rosi enunciates even when nearly whispering (check out the crispness of the last “s” in “ghosts”, which I couldn’t believe I could hear each times she sang/whispered it!).

Because of the above, a number of William’s songs feel similar (when the lyrics should be the big differentiators). Still, I enjoyed the full set, without wishing for any song to just be over.

Back to the guitar. Jake Phillips also accompanied William on all but two songs. The two of them were mesmerizing on the guitars on each and every song. They complement each other beautifully, with William starting most songs off with a finger-picking style that hooks you instantly, and then Jake dancing in and around that with a combination flat-picking and finger-picking lead/harmony.

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Jake also sang harmony with William (very nicely), but he was a bit softer than he was with Rosi. Even if neither of them had sung the entire evening, watching and listening to the two of them play guitar together would have been worth the price of admission. Jake also played banjo on one number, which made for a very interesting sound with William’s guitar play.

Rosi joined the two of them for a four songs. The first was a Rosi number that William had recorded with her a while ago, Hazy (he’s featured on it on the above-mentioned CD). Rosi also came back out for the last song in a two-song encore to close the show.

Before that last song, William asked Rosi to be the applause-o-meter for a contest to see who played the guitar better, he or Jake. When he asked the audience about Jake first, the applause was deafening, so it was obvious that asking about himself was going to be somewhere between amusing and embarrassing.

But, here’s the thing. If Jake was an 8 on a scale of 1-10, then William was a 7.8. Meaning, the deafening win for Jake was not even the slightest knock on William’s play, just an acknowledgement that Jake was highlighted a bit more, and didn’t disappoint throughout both Rosi and William’s sets.

William Fitzsimmons can definitely hold his own on the guitar, and did so extremely well on his two completely solo numbers, and on every other number when he picked the main theme (which Jake adorned).

A wonderful night out. I can finally scratch off my list the need to see Rosi Golan performing a full set of her own creations. That said, it doesn’t mean that I won’t want to see a lot more, just that it won’t be on my bucket list. 🙂

Here’s a shot of Rosi with her manager, David Margolis:

RosiGolanDavidMargolis

Ian Axel at Rockwood Music Hall Stage 2

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We’ve seen Ian Axel perform nine times prior to last night. The very first time was at Rockwood Music Hall, on October 23rd 2009. He blew us away. As hard as it is to imagine, he’s never disappointed us, even with a wide variety of venues and setups (solo, different band members, etc.).

So, it’s as much of a surprise to me as it will be to you when I say (pretty definitively) that last night’s show was the best of all of them (though the worst was awesome as well). There are a number of reasons for that which I’ll mention, but at every show there are always intangibles (and I’m not allowed to discuss those under penalty of law).

Ian quit his job six weeks ago at Apple to become a full-time musician. As scary as that decision had to be, it is also freeing. I’m sure that his confidence builds with every show and that last night won’t stand for long as our best Ian Axel experience.

Ian was signed to a brand new record label a few weeks back. That label has a distribution deal with Sony, so there’s a very good chance that many more people will be hearing about Ian and listening to his wonderful CD: This is the New Year.

Ian debuted a new song that he performed with Chad Vaccarino (they co-wrote it) without the rest of the band. People were still buzzing after the show about that song.

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Finally (for the tangibles), last night’s venue. We love Rockwood Music Hall and have seen many shows there. Last night was our first time at their new venue (right next door), named Rockwood Music Hall Stage 2. It’s a larger room (not dramatically), with a small upstairs area as well. I think the capacity is roughly 200 people (which would make it roughly twice as large as the original Rockwood, which is still very much a thriving venue).

There is a fantastic Grand Piano at the new stage (there is an old one next door), and Ian rocked it hard. The sound system is evolving (so I’m told by other regulars), but it was awesome last night. I have no doubt it will be consistently great shortly, because it’s always great next door. The people who run Rockwood are music lovers, and they’ll do whatever needs to be done to nail this.

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On to the show itself. Ian had a full band with one substitution. Chris Kuffner normally plays lead guitar for Ian. This past Saturday night, Chris married Bess Rogers so his excuse for not showing up last night is reasonably solid. 🙂

Adam Christgau on drums and harmony vocals. I can never say enough about Adam. I couldn’t see him even for a second as the piano was blocking him completely (Lois raised her arm to capture the photo below). That said, I could hear every connection of a stick to a drum, cymbal or drum rim, and it was Adam at his finest.

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Chris Anderson on bass and harmony vocals. As always, Chris is a highlight of any Ian set, matched perfectly in sound and energy to Ian. Just another in a long string of wonderful performances.

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Dan Hindman on electric guitar (filling in for Chris Kuffner). I can’t find a good individual link for Dan, but there are a number of YouTube videos of him playing with Martin Rivas and others. He did a nice job but wasn’t highlighted.

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A friend of Ian’s, Shockey (sp?) Chocky, joined on stage for the ever fun Girl I Got a Thing. This is the third time that Shockey has joined the band for this song while we’ve been there. I am convinced that Shockey Chocky has the best job in music. He comes on stage for one song, drinks whiskey while the band plays, goes nuts with a tambourine when Ian sings about a tambourine, and leads the audience in singing along with “Girl I Got a Thing for You, Na na na na, Woah wo, Na na na na, Woah wo, etc.”

Shockey

In addition to debuting their new song, Chad Vaccarino joined Ian (with the full band) for two other songs. First, the crowd favorite title song from Ian’s CD, This is the New Year. It’s hard to describe what it’s like to have 200 people get goose bumps at the same time, so get yourself to a show and find out first hand.

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Right after that song, Mike Campbell also joined them for Shorty Don’t Wait (the only song that Ian played the ukulele on). This has quickly become one of my favorite Ian/Chad songs. Chad has a wonderful voice, and he nails this song each and every time.

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Ian played Say Something solo on the piano. I love that song. When I first heard it, he used to play it on the ukulele. Even though it’s awesome when he does it on the piano, every time he he plays it on the piano, my friend and I look at each other (on the second note of the intro) and smile knowingly, because we both miss hearing it on the ukulele, where there is a stark soulfulness that we love.

The show was sold out and the place was packed. A friend of ours was turned away at the door. 🙁

Opening the show was Katie Costello. We’ve only seen Katie sit in on two songs with Greg Holden at a previous Ian Axel show (Canal Room), so we didn’t know what we were in for.

KatieCostello

Katie has a lovely voice, nice range, wonderful smokiness whenever appropriate for the song. She accompanies herself very well on the piano. She opened and closed the show solo. All of the songs in between were with a full band. On one number, she sang without playing the piano, accompanied by the band.

Katie’s band was:

Mark Stepro on drums. This was a surprise (a very pleasant one). We’ve seen Mark once before playing with Joey Ryan and Kenneth Pattengale. That night, he played guitar, so I didn’t know he was also a good drummer.

MarkStepro

Tony Maceli on electric bass. We love Tony, so the pleasant surprise here wasn’t how good he always is (we know that), but rather that he was playing with Katie!

TonyMaceli

Daniel Mintseris played electric keyboards. He wasn’t highlighted much so I didn’t get a good sense.

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Rich Hinman on electric guitar and pedal steel guitar. This was the first time we’ve seen Rich. I was very impressed with his play on both the guitar and the pedal steel guitar. Reading his bio I see that he plays with other groups I’m not familiar with, but have heard wonderful things about (specifically, the Madison Square Gardeners). I very much look forward to catching Rich in the near future.

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Greg Holden joined Katie for one song. The harmony was beautiful, and Greg did a very nice job when he sang a bit of solo as well.

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I enjoyed Katie’s set.

Sandwiched in between Katie and Ian was Matt Duke. We’ve seen Matt once before, when he opened for Ian and Joey Ryan. I enjoyed last night’s set more than the previous one. I find the numbers when he sings more softly more compelling and there were much more of those last night. He does an excellent job of accompanying himself on the guitar.

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Rosi Golan joined Matt for one number. I really love her voice, and they sang beautifully together. An extremely nice surprise!

MattDukeRosiGolan

Vienna Teng, Rosi Golan and Ari Hest at Rockwood Music Hall

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On Tuesday night we saw Vienna Teng perform at Parkside Lounge. I detailed the show in this post. Two points to carry over from that night: 1) Vienna tailored the set list for the audience/venue and 2) She played 100% solo. Last night showed her flexibility in mixing it up.

If you’re a fan of an artist or a venue, I highly encourage you to find as many ways to follow them on the Internet (Twitter, Facebook, MySpace, FriendFeed, Buzz, etc.). You never know when a last minute show will be announced, or the artist might appear under a pseudonym, etc.

On March 19th, Vienna tweeted the following:

Gig alert: NYC, Linz Ho plays Rockwood again Wed 3/24, w/band no less. Then to SF to join Paper Raincoat @ Noe Valley Ministry, Fri 3/26!

You don’t have to be a genius to figure out that it’s possible that Linz Ho was going to be Vienna herself. A little digging could easily confirm that. We knew we’d be there.

ViennaTeng

Yesterday afternoon, when checking the Rockwood Music Hall site to see who was on before Vienna I noticed that right after her (I mean, right after Linz Ho) were Ari Hest and Rosi Golan appearing together, as a new group called The Open Sea. A couple of hours later, Rosi tweeted the same thing, so I had two chances to discover their last-minute engagement.

Vienna was back on a grand piano last night. Her set list was excellent. Constructed from memory, so excuse any lapses:

The Drugs Don’t Work (a cover of The Verve), Blue Caravan, I Don’t Feel So Well, The Last Snowfall (with Ari Hest), accompanying Ari Hest on one of his songs, [Update: I knew I missed at least one, she played a new song co-written with ambeR Rubarth called Everything’s Fine], 1 Br / 1 Ba, Augustine, City Hall

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Vienna closed the show with City Hall, which was the first time in the nine times we’ve seen her perform that she didn’t close with Grandmother Song. City Hall was an excellent choice, and she continues to keep us on our toes. 🙂

The song that Ari sang during her set was a song he debuted during a Vienna set in January that I covered in this post. He didn’t write the lyrics on his hand this time, and therefore didn’t need to use a candle to see them (a shame, because that was a very cool visual effect!).

Here they are singing The Last Snowfall together:

ViennaTengAriHest

Vienna apologized for not having prepared enough in January to accompany him that night (to her standards, as none of us noticed anything other than excellent piano playing on her part). She was determined to rectify that, and she did. Her piano was incredible on this song, and I encourage Ari to get her to record with him whenever he gets this track into the studio.

Even though she performed under a pseudonym, Rockwood was packed. In contrast with the act on before her (which I’ll cover briefly at the end of this post), people were hanging on her every word/sound, meaning, it was a quiet and respectful crowd.

The band referred to above turned out to be:

Melissa Tong on violin (and even harmony on one number, which was a huge and pleasant surprise!). Melissa is always top-notch and last night was no exception.

MelissaTong MelissaTongSinging

Doug Yowell on drums. I think this was the first time that Doug has played with Vienna. [Update: Vienna’s manager informed me that Doug has played with her before, and is in fact on the live DVD which we own, but haven’t watched yet. Thanks Amy!] He was excellent throughout the set, and did a very nice job on the potentially difficult Augustine, which has a lot of drama (should that be drumma?) 😉 in it.

DougYowell

In the middle of one her songs, Vienna forced Doug to take a dual solo. While continuing to play the drums alone, she made him do his rendition of John Wayne’s drunken commencement speech. When he hit the punch lines, the crowd was hysterical. It took a while to compose ourselves, even when Vienna was singing again. Well done! 🙂

We’ve only gotten to see Rosi Golan and Ari Hest perform briefly. In addition to Ari’s song with Vienna in January, both he and Rosi performed at the Haiti Benefit which I covered in this post. Both had a full band, and it was a pretty crazy night with so many performers rotating throughout the show.

At the Haiti Benefit, Rosi won the raffle for a high-end Martin guitar, signed by all of the performers (including Rosi, Ari and Vienna!). She debuted it in public last night, and here’s Ari making a surgical adjustment to it before it was formally introduced to live play:

AriHestRosiGolanGuitarSurgery

Last night was a perfect setting to see each (and both) perform to their true abilities. We were sitting two feet from them (literally). They are each headlining performers (solo and with full bands) in their own right. They also have a side project together, called The Open Sea. This show highlighted The Open Sea, but each did a few of their own numbers as well, with Ari doing one solo.

AriHestRosiGolan

Both Rosi and Ari have exceptional voices. I can’t describe how well they go together, you’ll simply have to make it to a show to be placed under their spell. I already told you how quiet the crowd was for Vienna, the same was true for Ari and Rosi, because the thought of missing a single note was inconceivable.

They performed four numbers that they co-wrote for The Open Sea. They played at least another four of their individual songs (photo of the napkin set list appears below). Ari finger-picked the guitar on all but one song, and this is the first time I got a chance to notice and appreciate what a wonderful guitar player he is.

TheOpenSeaSetList20100324

Rosi complained that she had SXSW Voice, a condition caused by having to give so many interviews and performances in a short time, often yelling over tons of incredibly loud music. While it may have felt awful inside of her, it sounded as sweet as could be externally. Rosi will be headlining The Highline Ballroom on April 22nd, and I encourage you to run (not walk) to get tickets and make it to that show!

RosiGolan

In the fall, Alex Berger told me that I needed to buy Rosi’s CD The Drifter and the Gypsy. I dawdled longer than I should have, but bought it a few months ago. Wow! The entire CD is fantastic. The opening song, Think of Me, grabs me every time I listen to it. It was just featured in the new movie Dear John. Excellent choice on the part of the producers of the film!

Think of Me is available for you to listen to on Rosi’s MySpace page (linked above). Do yourself a favor and check out my claim. 🙂

Ari Hest just finished recording and mixing a new CD. It was produced by the extraordinary Alex Wong. Given how much I love The Paper Raincoat, Alex Berger’s Snow Globe and Vienna Teng and Alex Wong’s Inland Territory CDs (all produced by Alex Wong!), I can’t wait to get my hands on Ari’s CD when it finally lands.

AriHest

The Open Sea is working on a new EP. I can’t wait for that either. Why are you folks eating and sleeping, when I have a need to listen to your new music over and over?!? 😉

To repeat my point from the introduction to this post, if I didn’t follow Vienna on Twitter, I would be reading someone else’s account of last night’s show, rather than sharing these extraordinary memories with the rest of you, having experienced them first hand!

Rockwood is a fantastic place to see live music. Unfortunately, it’s small and has very few seats. We would stand for Vienna, Rosi and Ari, but we much prefer to sit (much). So, I looked up the act that was on before Vienna, and we decided to catch that set as well, in the hopes of snagging a seat we could hang on to throughout the night.

Bryan Dunn played with a full band, singing lead vocals and playing both acoustic and electric guitar. Most songs were a driving rock style with Bryan singing his heart out. He played rhythm on his acoustic (mostly) but took some nice leads on his electric. He has a great personality on stage and comes across like a very nice guy.

BryanDunn

Jim McNamara played an upright bass. He blew me away. I can’t say that I recall an upright bass being used by a mostly rock ‘n roll band, but Jim made it work perfectly. A few times he played leads in harmony with Bryan’s guitar. Some of those licks were pretty darn fast, and he nailed every one of them!

JimMcNamara

Craig Greenberg played the piano and sang some harmony vocals. Craig did a solid job on both, and Bryan gave him a few leads to stretch himself on the piano.

CraigGreenberg

Chris Benelli played the drums. This was the first time that Chris played with Bryan Dunn, and he did a very nice job.

ChrisBenelli

Here’s a shot of their set list:

BryanDunnSetList

We enjoyed their music, though it was a bit loud given how close we were to the stage. The only surprise (mentioned to contrast the quiet we experienced for Vienna, Rosi and Ari) is that people took the opportunity to talk to each other too much for our taste during Bryan’s set.

To make matter worse, because the music was so loud (which is what I think makes people feel that it’s OK to talk, heck, no one will hear them, right?), they had to scream at each other, which of course, then makes it easy to hear them.

Amazingly, a number of the worst offenders were personal friends of Bryan, who obviously came out to support him. He closed the show with a cool song where the audience sings and he responds. Two tables filled with his friends (one included his wife) did a fantastic job of singing and making the song a ton of fun. One of those tables was filled with people who talked throughout the rest of his set.

Oh well…

Another fantastic night out! 🙂

New York Sings for Haiti

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On most days even compassionate people go about their lives in a near bubble-like existence. The problems of the rest of the world aren’t one’s first thought. Unfortunately, it often takes a tragedy to break us out of that routine and remind us that we are dramatically more alike than we are different, us fragile humans.

The explosion of text messages sent to raise money after the earthquake in Haiti proved that if you make it easy to give, many people will happily do so, even if it isn’t the most prudent thing for them to do.

There are many ways to give. As important as direct monetary donations are, raising awareness is also crucial as the ever-widening circle of giving, volunteering and compassion have a chance to work their way deeper into our lives.

Many artists live more obvious compassionate lives, creating art as an outlet for deep-seated emotions. They also have fans, which makes raising awareness a little easier for them than for ordinary folk.

Many musicians participated in many benefit concerts (some televised globally) over the past week. I applaud all of those efforts. For the bigger acts, pulling off these last-minute mega-shows is difficult, I’m sure, but the machinery that surrounds them is geared toward doing that kind of work, and money is never an obstacle.

In the incredible vibrant indie music scene in NYC, the story of last night’s benefit concert is inspiring in showing what can be accomplished with compassion, and a crazy amount of effort (and let’s not forget talent as well!).

Alex Berger is a very talented singer/songwriter who is visiting from the UK. He was staying at a friend’s apartment for a week, the extraordinary photographer Ric Agudelo (an incredible person, who we were lucky to meet as a result of this benefit).

AlexBerger1

After spending the evening at Rockwood Music Hall enjoying some music, they were both heartbroken to hear about the earthquake in Haiti. Sitting on Ric’s couch at 1am they decided that they had to try and do something. Ric said that they should get cracking first thing in the morning. Alex said let’s send out some emails right now, and so it began.

Alex was able to get commitments from over a dozen of NYC’s most amazing musicians. Ric was able to secure one of the finest places to see a show in NYC, City Winery. Ric and others then went into overdrive to pull all of the logistics together (a daunting task!) and Alex worked with the musicians to create a show that the audience will never forget.

Giving/sacrifice comes in many flavors. Quite a number of the musicians who agreed instantly to participate did so knowing that they would have to change prior commitments on a moment’s notice. A large group of them postponed a writers retreat. Alex Wong flew cross-country just for the show. Many other similar stories.

As active as we are in attending shows in NY so are many other music lovers. We’ve had the pleasure and the privilege of meeting a few other passionate fans as a result of another example of these artists giving whenever they can.

Shannon Black is a cancer survivor. She is a wonderful person in all respects and is inspirational in many ways, including that she runs in the NYC Marathon each year, raising money for Livestrong in the process. We met Shannon (and her husband and fellow music-lover Jason) at their Livestrong fundraiser, where again, Alex Berger arranged for 11 musicians to perform and donate their time and talent.

Half way through the show last night, Shannon came up to me and gave me a hand-written note, asking me if I would mind including it in my blog. Not only don’t I mind, I’m honored to share it with the rest of you:

Hadar,

When you blog about this magical night, could you say something for me?

Not only have we been brought together for a great cause, but in witnessing these musicians making themselves so vulnerable, I have been called/pressed/pulled to that which my life was meant for!

I got a second chance, so I needed this, tonight!

In a nutshell, in witnessing their “magic”, I have been called to that which “God meant for me to do!”

Last thing before getting on with the show. While most musicians rehearse before their shows, the challenge in preparing for last night’s show was monumental. There was a house band (a group of amazing musicians) that played with most of the acts. They had practically no time to learn tons of material, and, of course, they nailed it all!

The house band consisted of: Tony Maceli (who also coordinated the entire show including running the rehearsals!), Chris Kuffner, Marika Hughes, Kevin Rice, Adam Christgau, Melissa Tong, Ward Williams and a number of other people whose names I didn’t catch, sorry!

AdamChristgauChrisKuffnerKevinRice

While the show was sold out (no surprise), in addition to the money raised from ticket sales, there was a raffle (including two high-end guitars, donated by Martin and Gibson, which were signed by all of the performers!). The show was streamed live for those that couldn’t make it and there were opportunities throughout the stream to donate.

If I understand correctly, as soon as possible, they will release a CD and DVD of the show as well, having additional opportunities to raise more funds for this very worthy cause.

Typically, I go into great detail about each act in the shows we attend (often, each individual performer in each band). If I did that now, I’d be publishing this blog late next week, and the purpose of this post, and of last night, wasn’t to critique the performance, but to revel in the kindness and generosity of all involved, performers and audience alike.

The music ranged from soft a capella (the always blissful Rewind by The Paper Raincoat) to hard rock by both The Bongos and Harper Blynn. Everything in between as well, including Jazz, Pop, Folk, Country.

Most performed two or three numbers, with a few last-minute guests coming on for only a single song. One example of the latter was a Nashville-based singer/songwriter, Sara Jean Kelly who drove up, sang one song, and made us take note of her talent! One other person not listed was an Israeli singer/songwriter. I thought they announced her as Tal, but perhaps it was Tula. I apologize if I linked to the wrong person there. Thanks to a comment from Rebecca, I now know I was wrong in that last sentence. The singer was Paula Valstein.

Here are the artists in the order that they appeared. Many appeared on stage with other artists, and of course, the incredible house band supported most of them (a few had their own bands, and I apologize for not doing my normally thorough job of naming every one of them!).

Martin Rivas (still recuperating from foot surgery, came up with his crutches!)

MartinRivas1 MartinRivas2

MartinRivas3

The Bongos (I believe that they were originally slated to headline City Winery that night. Incredibly generous of them to give up that kind of spotlight and share the stage with everyone else!)

TheBongos

The Wellspring (a newly formed duet, last night was their public debut I think. Supported by Alex Berger, ambeR Rubarth and Wes Hutchinson.)

TheWellspring

Nate Campany (supported by many of the other performers)

NateCampany2 NateCampany1

Rosi Golan (our first time seeing her, amazing!)

RosiGolan1

Will Knox

WillKnox

Ed Romanoff

EdRomanoff

Sara Jean Kelly

SaraJeanKelly

Tula Paula Valstein (now corrected, thanks again Rebecca!)

Tula

Wes Hutchinson (supported by his band, Reel by Reel)

WesHutchinsonReelByReel

amber Rubarth (supported by Threeds, Ed Romanoff, Ari Hest and Tony Maceli playing trumpet)

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Threeds

Ian Axel (ahhhhhhhhhhhh, supported by Chad Vaccarino)

IanAxel1 IanAxel2

ChadVaccarino

Alex Berger (fabulous, topped off by Love, supported by ambeR and Vienna Teng. Tony Maceli played a wonderful trumpet)

AlexBergerGuitar TonyMacelliTrumpet1

Joey Ryan (supported by Vienna Teng and Dave Eggar)

JoeyRyan2 JoeyRyan1

DaveEggar

Greg Holden (supported by Ian Axel, Joey Ryan and ambeR)

GregHoldenDaveEggar JoeyRyanGregHoldenDaveEggar

Harper Blynn

HarperBlynn1

HarperBlynn3 HarperBlynn2

Vienna Teng (supported by Alex Wong and Kevin Rice. Actually, Vienna opened with an a capella number with roughly 10 people on stage, including many of the evening’s performers!)

ViennaTengEtAl1 ViennaTengEtAl4 ViennaTengEtAl2 ViennaTengEtAl3

ViennaTengPiano

The Spring Standards (new discovery for me. They’re great. I was particularly impressed with Heather’s voice!)

TheSpringStandards

Ari Hest (with his own band. First time we got to see him perform in a lead role. Marvelous voice!)

AriHestAndBand

The Paper Raincoat closed the show. Unbelievably fitting for us, because every single connection that we have with the local music scene in NYC emanated from our discovery of them when they opened for Colin Hay in April 2009. It’s amazing that our journey is so short, and yet so rich, all thanks to ambeR Rubarth and Alex Wong.

ThePaperRaincoat2 ThePaperRaincoat1

Of course, they were magical (they always are).

ThePaperRaincoatRewind

To top everything off, most of the artists came back on stage for a fittingly named finale: Help is on the Way, a song by Alex Wong’s former group, The Animators. There were roughly 30 people on stage singing their hearts out. Elizabeth Ziman of Elizabeth and the Catapult joined Vienna at the piano for the finale.

Finale2Finale1Finale3ElizabethZimanViennaTeng

The show ended at exactly 1am, five solid hours of incredible spirit and music.

That said, last night really wasn’t about the music, as much as we all may have loved it. It’s about seeing what can be accomplished, in a very short time, by people who are motivated to do something selfless for others. It was wonderful to be the tiniest part of that effort.

Thank you to everyone involved in putting on the show and raising the money, and special thanks for Alex Berger and Ric Agudelo!