June 5th, 2011:

The Ramblers at The Living Room Again

Last night posed a significant problem. We had seen only three songs of a special set by The Ramblers at The Living Room on January 29th, 2011. Here’s part of what I wrote about that set:

Then they started playing. Excellent. Definitely my kind of music. Actually, since they had so many guests, I don’t know how I would react to a normal The Ramblers set, but I’m willing to find out.

This was our next opportunity to find out, since they were playing without any guests. We had committed to coming out and were happy with that decision, until we (accidentally) started watching a 2-hour set at Rockwood Music Hall at 9pm. It was so good that leaving was a little painful. I’ve changed plans mid-stream before (that’s how we discovered Ian Axel!), but my gut told me to stick with the plan this time.

I am grateful that my instincts please me more often than they fail me, and last night was another case of making the right choice. Not because I wouldn’t have enjoyed the second hour of Richard Julian’s set, but rather because it would have taken me that much longer (perhaps months) to discover how much I like The Ramblers! Now I know that I need to see both groups. That’s just fine with me. Smile

With the guests (two fiddles and a mandolin), The Ramblers struck me as a big-sounding bluegrass band. I assumed I’d have a more stripped down experience, but similar in style, without the guests. Wrong!

While there is a hint of rootsiness (is that a word?), The Ramblers are way more Rock ‘N Roll than bluegrass. In fact, all I could think about throughout their set (every single number) was that I was hearing a modern version of The Band. Imagine my surprise when I just now read that they actually opened for Levon Helm.

There are a few reasons they remind me of The Band (sound-wise, clearly, they are not a cover band!). At the top of the list is the fact that keyboards and guitar are both central, and there are two male lead vocalist (who also harmonize with each other).

The set was fantastic from start to finish. Each member of The Ramblers deserves a shout out. Left-to-right on the stage (excuse the photos, our angle of the stage was severe):

Scott Stein on keyboards (electronic and organ) and vocals. Scott was amazing on the keyboards. On his own electronic ones, he played close to a piano sound. He would swing back and forth between that and the organ that is a permanent fixture at The Living Room. He’s one of the main reasons they sound so much like The Band.

ScottStein

Scott sings well (both lead and harmony).

Jeremiah Birnbaum on electric guitar and vocals. Jeremiah stands center stage, giving the impression that he’s the front man. To an extent, that’s likely true, but Scott certainly comes across as a partner on this journey, equal or otherwise.

JeremiahBirnbaum

Jeremiah plays the electric guitar really well (with and without the slide). He sings really well, and has a relaxed style on stage.

Shanna Zell on vocals and tambourine. Shanna sang beautifully on every number (except the two that she stepped off stage for, when she sat at our table!). She sang lead on one song and harmony on the rest. Her voice blends really well with Jeremiah’s and Scott’s.

ShannaZell

In the back row, behind Jeremiah and Shanna:

Steve Purcell on drums. We had just seen three excellent drummers (the fourth set didn’t have one). Steve was equal to the task of ensuring that our night didn’t have a second’s disappointment in the drumming category. If you think The Band, and recall that I mentioned Levon Helm above, you’ll understand how critical the drums are to this kind of sound. Steve nailed every song.

StevePurcell

He looks like he could be 15, so card him before you buy him a drink. Winking smile But, if he’s over 21, by all means, let’s everyone buy him a drink, because the boy can wield those sticks with the best of them!

Shawn Setaro on electric bass. We were 4 for 4 on previous bass players last night. Now, make that 5 for 5. Shawn was excellent on every number. While all four were excellent, the last guy (Tim Luntzel) blew me away. Shawn could have disappointed me just in comparison, even if he did a superb job. Nope, he impressed throughout the set.

ShawnSetaro

I’m so happy I made it to see The Ramblers. It could have worked out much differently, because that was our last NYC musical event for the next two weeks. If it hadn’t been as good as it was, I could have been licking my musical wounds for too long. Instead, I’m already looking forward to catching them again! Smile

Here’s their set list:

SetList

They had five copies left of their Getting There CD from the first pressing. We purchased one and I listened to it twice while writing the blogs tonight. I got to savor some of last night’s moments again. Nice!

Richard Julian at Rockwood Music Hall

We started the day planning to attend three sets (7 and 8pm at Rockwood Music Hall, and 10pm at The Living Room). We ended up attending the 6pm set at Rockwood as well. We had an hour to fill at 9pm. We could have stayed at Rockwood or caught the 9pm at The Living Room.

I listened to both artists and thought I would have enjoyed either set. I liked the Rockwood person more. My only hesitation was that it was listed as a 2-hour set (rare at Rockwood 1), and I didn’t want to have to bolt mid-set. Still, I was intrigued as to how good he might be knowing they were giving him the full two hours.

Richard Julian sings really well, plays the guitar beautifully and is accompanied by an amazing band. He played mostly originals along with some covers. He has a mellow but engaging stage presence. He also has a loyal fan base, the place was packed and as respectfully quiet as you cold hope for.

RichardJulian

It’s a mostly jazz style, but the songs varied quite a bit to hold our interest on every single number.

RichardJulianSinging

His band, left-to-right on stage:

J. Walter Hawkes on trombone. He was great on every number. I don’t typically think of Lois as someone who would rave about a trombone player (I have no idea why that’s true, but it is), and yet, when we left, she couldn’t stop raving about J. Walter (or do I know him well enough to call him J. yet?). Smile

JWalterHawkes

Tim Luntzel on electric bass. Tim was beyond amazing (bamazing?)! He sat on his amp and just crushed the bass, appearing to not even break a sweat. One of the great things about most jazz sets is that the volume is down, but balanced so well that you can actually easily pick out every note on every instrument. Watching Tim’s fingers fly on the bass was also a treat.

TimLuntzel

One of the things I like about blogging about every single show, coupled with the fact that we see so many shows is that every once in a while, I find a nugget in my own posts that either brings back a wonderful memory, or gives me a new perspective on an old one (that I often didn’t recall until I searched my own site!).

I didn’t remember Tim Luntzel’s name when I typed it above. But, my blog-writing software (Microsoft Live Writer) did, and immediately created a link. That meant I’ve blogged about Tim before. I couldn’t believe that someone who blew me away faded from my memory. I looked it up and saw that Tim supported Greg Tannen at Hiro Ballroom. Here’s what I said about him that night:

Tim Luntzel on electric bass. Tim did a nice job, not highlighted much.

Ah, “not highlighted much”. Too bad! I could have known then that this is a guy I needed to follow (yes, I just started following him on Twitter a minute ago!). You can rest assured I won’t be forgetting his name going forward (I knew you were worried!). Winking smile

Dan Rieser on drums. That link isn’t to Dan’s site (I couldn’t find one), but rather to someone who wrote a blog post about Dan, raving about him. Please allow me to bow to that person, who clearly knows way more about drums than I do, for doing a better job of explaining to you how excellent Dan’s drumming is.

DanRieser

On one song he did something I’ve never seen. He had two drum sticks in each hand, split into reasonably tight V’s. I can’t say that I heard anything particularly different than just a normal pair of sticks hitting the drums and cymbals, but it certainly was visually interesting.

The real key here is that Richard Julian surrounds himself with great musicians, which enhances the experience of seeing him perform dramatically.

I can’t tell you how ambivalent I was about leaving early (recall, Richard had a 2-hour set, but we were committed to another show half way through). I didn’t really know the other group, but I knew that staying at Rockwood for another hour would be blissful.

My next post will reveal whether leaving was a huge mistake or not. Either way, Richard Julian, J. Walter Hawkes, Tim Luntzel and Dan Rieser are all on my make sure you see them list! That made staying at Rockwood absolutely the correct decision!

Morgan Holland at Rockwood Music Hall

I just posted about John Schmitt at Rockwood Music Hall. At the end of his set, he implored us all to stick around for the next set, headlined by Morgan Holland. He didn’t need to implore us, or even inform us. Morgan’s set was on our schedule from the day I found out about it.

MorganHollandSinging

But, John accidentally announced it in an unintentional manner. He said: “Morgan Holland will be leaving us soon, so stick around for her last set” (or something to that affect). Morgan was standing in the far corner of the club and I caught her reaction. She was bemused.

Morgan is indeed leaving us, but the us in that sentence are New Yorkers (not the world)! Winking smile

She is starting graduate school in the fall, in LA. She’s becoming a left-coastie (she originally was before transplanting here). We’ll all miss her a lot, but if she ever returns, she’ll be brainier, so we have that to look forward to. Smile

While Morgan is not a full-time musician, I am a fan of her work, including the EP that she put out last year. As is typical for most of the shows that we’ve seen her perform, Morgan sang, played guitar some and ukulele on one number.

MorganHollandGuitarMorganHollandUkulele

What was radically different last night was that Morgan was dramatically more chatty on stage, to fantastic effect. She was funny and warm. The place was packed, and the crowd consisted of many of Morgan’s friends. Perhaps that gave her the courage. Whatever the reason, I like it and if I get to see her again, I’d like more of it.

She had an excellent set selection and sang well. She was joined by three of our favorite musicians, left-to-right on the stage:

Chris Ayer on acoustic guitar, vocals and ukulele on one song. Chris was wonderful all around. Chris produced Morgan’s EP!

ChrisAyerSingingChrisAyerTuningUkulele

Matt Simons on grand piano, electronic keyboards and vocals. Matt was wonderful as well. It was a treat to see Matt switch instruments from the set before, so that we got to enjoy the sax (with John Schmitt) and then the piano in this set. Matt didn’t sing with John, so having him sing harmony with Morgan was a nice bonus.

MattSimonsSinging

Chris Anderson on upright bass. Always one of our favorite bass players, no exception last night. The upright was a very good choice for complementing the more smoky quality of Morgan’s voice. Chris plucked and used the bow.

ChrisAnderson

We didn’t get to snag a paper set list, but Chris had one written out on his arm (as he does for his sets), so Lois snapped a photo, and you can see it from his perspective and ours as well:

MorganHollandSetListOnChrisAyerArmMorganHollandSetListOnChrisAyerArmFlipped

An excellent sendoff to a lovely lady. We all wish you the best on the other coast. Come back soon! Smile

P.S. This is post #3 of five about last night.

John Schmitt at Rockwood Music Hall

Even though it’s only been a few weeks since we last saw John Schmitt perform (May 13th at The Living Room), we were really looking forward to this show last night. The set at The Living Room was excellent, which is reason enough to want more. But Rockwood Music Hall is also more intimate which in itself was a draw.

John delivered a completely satisfying experience (to high expectations!). He had a few surprises for us as well (another great reason to go see your favorite artists often).

JohnSchmittSinging

You can read a number of my posts about John. Here are the key facts that you’ll learn:

  • he has a wonderful voice
  • he plays guitar wonderfully
  • he writes exceptional songs (OK, I should have said wonderful songs, to stick with the theme) Winking smile
  • he has many talented musical buddies (both genders), who are only too happy to make music with him

All of those were in play last night, including John selecting an excellent set list.

JohnSchmittGuitar

He played two songs solo, at least two with one female guest (two different women, we’ll get to them shortly) and the rest with a full band (which also had a surprise guest).

First, the band:

Pasquale Chieffalo on electric bass. John joked on stage that I would have to work extra-hard to figure out the correct spelling of Pasquale’s name. He was right, but he was also wrong, because I gave up pretty quickly and just shot John a message and he gave it to me, so I cheated. Winking smile Last night, I quipped back that I would just describe Pasquale as “The tall bass player”. Man, he is tall. Smile

PasqualeChieffalo

None of that is important, of course. The fact that Pasquale played really well and was at exactly the right volume is all that mattered. He played the bass on John’s CD, Ophelia, which we love.

One of the songs that John played solo was called “Me and the Chief”. He claims that it’s about his grandfather, but now that I see how to spell Pasquale’s last name, I’m less convinced. Winking smile

Ryan Vaughn on drums. I just praised Ryan’s drumming last week when he played with Robbie Gil. That was a louder, more upbeat set, and required a different kind of drumming. Obviously, Ryan handled the switch in styles last night extremely well (he’s one of the top NY-based drummers). Also the right volume (I mention it as a contrast to the drummer the set before, who was good, but too loud).

RyanVaughn

Matt Simons was a special guest on two songs, playing the saxophone! I pretty much like everything Matt Simons does, but from the first time I ever saw him play sax with the Greg Mayo Band, I knew that my softest spot for him would likely come whenever he broke out the sax. It was a complete surprise to see him play it with John.

MattSimonsSaxophone

John was very generous in giving Matt multiple long leads, and Matt nailed every one of them. Kudos and Bravo! Needless to say, the sax was well-matched to both songs that John invited him up for, the second of which was You Got Me Brother.

On to the ladies:

Karly Jurgensen was invited up to sing two songs with John. The first was Evangeline, a cover of a version of the song performed by The Band with special guest star Emmylou Harris (in 1976!). If you haven’t guessed yet, Karly played the part of Emmylou Harris. John performed the role of “The Band”, since he gave his band the song off (he’s generous like that). Lovely!

KarlyJurgensen

The second song was Ophelia, the title track of John’s CD (this time his band played as well). On this song Karly’s part doesn’t come in until nearly the end, when she sings “Adieu Love” quite a number of times, in harmony with John, but also while John sings some other lines.

John just released a live CD (pay what you will, so I advise you to pay a lot). Winking smile Ophelia on that CD (which you can stream for free) has both Chris Ayer and Julia Poorman singing along. In that version, Chris speaks to the audience (at the 1:18 mark) saying: “I promise I’m going to sing at some point”. I note that because Karly was much more patient and simply waited for the end of the song to do her part. Winking smile

Update: two people independently reached out privately to me to say that Chris would never be so rude as to talk during John’s song. One of them noted it was John who said “I promise they’re going to sing at some point”. It never occured to me that Chris was bring rude. Depending on how the show was going, previous banter with the audience and between them, I assumed (incorrectly) that he was being particularly funny. There was a wink at the end of the above paragraph, but I know not everyone trusts a winking man. :-)

A little later on, John called up another female guest star.

Lissa Farquhar joined him to sing Going Back. In addition to singing beautiful harmony, Lissa sang lead as well. She then sang fantastic harmony on Ave Regina (what a wonderful song).

LissaFarquharJohnSchmittHarmony

John is one of the more consistent performers of the (way too many) ones that we follow.

P.S. This was the second of five sets that we saw last night, and one of the three that we originally planned to. Smile

Matt Koziol at Rockwood Music Hall

We had firm plans to see three sets last night, the first of which was at 7pm at Rockwood Music Hall. As is our custom, we like to check out the set before we want to be there both to see if there’s someone worth discovering and to snag a seat more easily for the set we’re really interested in.

Matt Koziol was listed at 6pm. If you click on his name you’ll get to his site where there are (currently) four videos prominently displayed. I clicked on the first (at the moment labeled “another idea…”) and it didn’t grab me at all. I was ready to simply pass on seeing Matt.

Lois was particularly interested in getting a seat for the 7pm set (John Schmitt) so I bothered to click through to Matt’s MySpace page. He has four songs available for streaming there, and I liked all four. Whew, problem solved.

We walked in a few minutes late, likely in the middle of Matt’s first number. I would describe the majority of Matt’s set as jazz-tinged Rock. He dismissed the drummer for a couple of numbers, with the bass player switching to a shaker, creating a much mellower blues-infused Rock feel. I liked both.

MattKoziolSinging

Matt has a very good voice and played the electric guitar quite nicely. It confused me a bit that he had another lead electric guitar player in the band. I had trouble tracking down the names of his band members. I know the drummer’s name since there’s a story behind it, so it stuck in my head and was easy to find. The other two, not so much.

MattKoziolLeadGuitar

Standing left-to-right on the stage:

Mike Baron on lead electric guitar (couldn’t find a good link). Matt said his name clearly, twice, but I didn’t write it down, and this was the first of five sets for us last night, so my brain didn’t retain the info. He was reasonably good on the guitar, but like I noted above, since Matt handled himself well in that department, and they didn’t play any leads together, I’m not really sure what role he played.

LeadGuitarPlayer

He was also louder than the rest, especially when he added effects (notably some organ-like sounds on one number), which caused the drummer to be way too loud.

Sal Rametta on electric Bass player (I could swear his first name is Sal, but the same caveat regarding names applies). I was surprised not to be able to find his name easily, since he sang fantastic harmony with Matt throughout the set. To me that meant that he has to have been playing with Matt for a while now (that was a lot of lyrics to memorize otherwise). He’s not listed on the band page.

BassPlayer

He was quite good on the bass and to repeat, he sings harmony very well. I noted above he put down the bass for the mellower numbers and sang while using a shaker. All around excellent job!

BassPlayerSingingWithShaker

Ted Agelis on the drums. I got this name right because Matt had to say it a few more times than the others. Why? Because he only met Ted yesterday, the day of the show! That made me pay attention to Ted’s play a lot (not that I don’t always pay a lot of attention to drummers).

TedAgelis

Ted was quite impressive. It’s not hard to play with a Rock band if you play it safe, even if you don’t know the specific songs. The trickiest part is watching for visual cues (typically from the bass player) for when to stop playing, or when to create the hype of a strong finish.

Ted didn’t play it safe. To me it means that in addition to rehearsing with the band (I assume), he was confident enough to take some interesting fills during the song (not solos), which could have been disastrous if he got it wrong or wasn’t that good. He was good, and got it right. Smile

To repeat my point about the other guitarist being a bit too loud, that was my only complaint about Ted. He was too loud (by a lot). Ironically, that added to my feeling that he was confident though. Meaning, he wasn’t trying to hide behind soft play.

After the set was over, we bought Matt’s 7-song CD (EP?) Heart on the Line. I like that too.

P.S. I’ll update the post above with the correct names when I find out who they were. I’ve tweeted Matt the question already. Thanks to @tjopresents for telling me Mike and Sal’s names!