John Liotta

Greg Mayo Band at Lagond Music School

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Greg Mayo Band headlined a set at Lagond Music School last night. This is one of three posts from last night. I’ll spend more time talking about Lagond Music School (LMS) in the final one.

Greg is a teacher at LMS (lucky kids!). LMS puts on shows on a regular basis. I don’t know if this was a special one, but this is the tenth anniversary year of LMS. Any show that Greg is part of is special to us. Smile

This was a classic Greg Mayo Band (GMB) show, with one exception and one substitution. The exception was that Rebecca Haviland (who normally sings harmony and some lead vocals) had a previous commitment and couldn’t attend. We’ll get to the substitution below.

Otherwise, the sound was perfectly faithful as was the extraordinary energy that is present at every GMB show. Greg played with the opener as well (covered in the third post, not yet written) so he was fully warmed up vocally and digits (fingers).

GregMayoKeyboards

If this was your first GMB show, you might have thought that Greg was particularly loose and connected with the audience, because a number of his students were there. You’d be wrong. He’s equally comfy on any stage (large or small) and always has a connection with the audience. He feels the music (or rather he exudes the music) and as a result, so do you.

GregMayoSinging

Martin Rivas had a gig earlier in the day up in Westchester and he headed over after that to enjoy the show in the audience with the rest of us. Greg probably would have called Martin up to sing anyway, but with Rebecca unavailable, that became mandatory. Martin sang on one song during the set and was called up again for the encore (the only cover song). What a nice treat (and surprise) for us.

MartinRivas

The rest of the exceptional band, left-to-right on stage:

John Liotta on baritone saxophone (once again, no good individual link). John regularly brings up the bottom of the brass section, doing a great job last night.

JohnLiotta

Josh Reed on trumpet. Josh also teaches at Lagond and is a regular member of GMB. He took a mind-blowing solo during one song and was excellent on the rest.

JoshReed

Steven Salcedo on tenor saxophone. Steven also teaches at Lagond (and if I have my facts straight, was previously a student there!). He’s one of a number of sax players who rotates with GMB and I promise to be thrilled any time that he’s in the lineup. He’s a very special person and musician.

StevenSalcedo

Here’s a shot of the brass section, behind Greg at the keyboards:

GregMayoBandBrassSection

Kenny Shaw on drums. Kenny is such an integral part of the GMB sound and is so intimate/familiar with it. Great job. I’ll heap even more praise on him in the next post though.

KennyShaw

Rob Pawlings on electric bass. Rob was the one substitution. Chris Anderson normally plays bass for GMB. While I will never be happy about Chris Anderson being replaced, ever, if it has to happen, feel free to make it Rob Pawlings any time! The biggest difference in their performances with GMB is that Chris sings a lot and Rob (who sings well!) doesn’t know the numbers well enough to sing along. Otherwise, his bass play was spectacular. Stay tuned for more on Rob in the next post.

RobPawlings

Paul Maddison on electric guitar and vocals as well as being a teacher at LMS. Paul was excellent on guitar (much more on him in the next post). He always sings with GMB, but had to carry a bit more of the weight last night, actually taking one of Rebecca’s parts in one song. He’s always a blast to watch on stage as well.

PaulMaddisonRobPawlingsPaulMaddison

Greg called up a very special guest late in the set.

Charlie Lagond joined the great brass section on two numbers, playing his saxophone. What a treat (more on him in the final post about the school and the students).

CharlieLagondCharlieLagondGregMayoBandBrassSection

Here’s the set list:

SetList

Greg and Martin had to scoot once the set was over. A little over an hour after they were done here, they were on stage at Rockwood Music Hall Stage 2, supporting Robbie Gil in a set devoted to some of the greatest The Who songs. My heart ached to miss that, but there was no way we were walking out on the next set at LMS, covered in the next post.

GregMayoMartinRivas

I’ve been sick for two weeks, finally nearly back to normal. This was our first musical event in over two weeks. We missed quite a number of shows that were tough to pass on, but this was a very nice way to break the ice.

Greg Mayo Band Levon Helm Tribute at Rockwood Music Hall Stage 2

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Greg Mayo Band headlined a set at Rockwood Music Hall Stage 2 last night. The show was on opposite two others that I would gladly have attended, but a week ago I decided that one can’t have enough Greg Mayo in their lives, so with apologies to the others, I was going to see Greg.

GregMayo

Then on Thursday (April 19th, 20120), Levon Helm passed away. Greg announced that Saturday’s show would now feature a tribute to Levon Helm and The Band. Had I chosen one of the other shows, I would have changed my plans to attend this for that reason alone.

LevonHelm

Greg split the show into two parts. The first was five songs written by him and performed by the full Greg Mayo Band (eight people, including a brass section). The second was the Levon Helm / The Band tribute, consisting of six songs with special guests joining on a few.

I was really glad that Greg chose to play some of his own material as well because one of our friends had never seen a Greg Mayo Band (GMB) show and he totally got how awesome they are (and Greg’s songs are!) before the first verse was over. I bet I’ll be seeing him at many future GMB shows. Smile

After playing It’s a Pity (typically the last song of a GMB set), the horn section left the stage and Greg gave a moving speech about Levon and what he meant to Greg, all of his musician friends and many others (including me!).

One of the first things he mentioned was that a few people had told him that everyone was doing tributes to Levon and perhaps he should consider not doing one. Greg had the perfect answer: “You can never have too many tributes to The Band, everyone should do one!”. Amen!

I’ll cover all of the band members below, but the spirit of the tribute deserves mention before the individuals who performed it perfectly.

In the GMB Greg plays the keyboards (last night he played the grand piano exclusively, amazingly, though he typically plays a bunch of electronic keyboards during these shows as well). Greg also plays a ton of guitar in many other bands. A few of those bands (including The Big Apple Singers and it’s various spin-offs and The Narwhals) specialize in songs by The Band. So I have personally witnessed Greg and his cohorts choosing to honor those songs over and over, ensuring that our youngins get exposed to these timeless classics.

GregMayoPiano

There’s another reason that the timing of Levon’s passing was so emotional for Greg. Over the New Year’s weekend, as a surprise gift for his recent birthday, a very special person in Greg’s life took him to one of Levon Helm’s Midnight Rambles. I’m sure it’s a night that Greg will remember for the rest of his life. The fact that it ended up being one of Levon’s last Rambles makes it all the more poignant.

Greg began the tribute portion by inviting up one guest.

Patrick Firth on electronic keyboards and vocals. Patrick joined for most of the The Band portion, including stepping away from the keyboards to sing lead on a verse at center stage. He was great on the keys, always an integral part of The Band songs.

PatrickFirthKeyboardsPatrickFirthSingingZachJonesMattSimonsPatrickFirthSingingZachJones

PatrickFirthRebeccaHavilandChrisAndersonPaulMaddison

Then Greg invited up a couple of guests to sing on a few of the songs.

Evan Watson kicked it off with the lead vocals on the first verse of Up on Cripple Creek. Evan fronts a number of bands, including The Big Apple Singers. He’s as well suited for singing any song by The Band as anyone I know. Evan returned later and took over the electric guitar for one song in addition to singing on others.

EvanWatsonSinging1EvanWatsonSinging2EvanWatsonGuitar

Zach Jones sang a verse on Up on Cripple Creek as well and joining everyone else for a few other songs.

ZachJonesZachJonesSingingZachJonesEvanWatson

Circling back to the band, but first, a few more words about Greg. He’s never disappointed me at any show, whether he’s the star or a sideman. Last night his voice was as good as I’ve ever heard it (I’m tempted to say he was inspired, but that would detract from the fact that his worst is better than most others’ best). His piano play was as good as it always is.

GregMayoPianoSinging

His mic stand failed on one song (I didn’t see how). Armando cut through the crowd with a replacement. While he was swapping one for the other, Greg took the mic and stood up to sing without playing the piano. Of course he was incredible. When the swap was done Greg didn’t replace the mic in the stand until the song was over. Instead, he sat down at the bench and alternated playing the piano with one hand, then the other, switching the mic into the non-playing hand. Great job of making awesome Lemonade from the lemons. Smile

GregMayoRebeccaHavilandJohnLiotta

The rest of the band, left-to-right on stage:

Rebecca Haviland on vocals and tambourine. Rebecca was on stage for every number in the set. She sang a lot with Greg during his numbers, including taking the lead on part of It’s a Pity. Then she joined on every The Band song, including singing a verse on the lead of at least one song. Superb!

RebeccaHavilandSingingGregMayoRebeccaHavilandSinging

John Liotta on baritone saxophone. John played on every GMB number, then returned for half of The Band ones. He took one long lead on a GMB song and wailed a bit with the rest of the brass section on The Band tunes as well. Excellent!

JohnLiottaJoJoh

Josh Reed on trumpet. He was on stage for the same songs as John Liotta (as was the next person, completing the brass section). Like John, Josh took a long lead on one GMB number. Excellent!

JoshReedJoshReedTrumpet

Matt Simons completed the brass section on tenor saxophone. Matt is awesome on the sax, but we don’t get to see him play it often enough, because his own original music (which I love!) is delivered on the keyboards. So, having him play at last night’s show was a very special treat for me.

MattSimonsMattSimonsSax

The brass section alone, then bracketed by Rebecca and Paul:

BrassSectionRebeccaHavilandBrassSectionPaulMaddison

Kenny Shaw on drums. I had to go three days between seeing Kenny playing the drums. Thankfully, the long drought ended with such a great set.

KennyShaw

Chris Anderson on electric bass and vocals. Chris is always great on the bass. He sang a bunch of background vocals on the GMB portion. In addition to singing a verse on the lead in a couple of The Band songs, Chris came to center stage to sing lead on The Night They Drove Old Dixie Down. Fantastic!

ChrisAndersonRebeccaHavilandChrisAndersonChrisAndersonSingingJoshReed

Paul Maddison on electric guitar and vocals. Paul sang a bunch on the GMB numbers. He wailed on the electric guitar more during The Band portion, but was extremely solid during the GMB set. He relinquished his guitar and spot on stage for the number that Evan played guitar.

PaulMaddisonPaulMaddison2MattSimonsPaulMaddisonSinging

Most of the audience sang along to The Band numbers, with quite a number of people singing along to the GMB ones as well. It was a set most worthy of losing one’s voice. Thanks Greg and everyone on stage (and in the audience) for such an incredible, memorable performance!

Here’s the set list:

GregMayoBandLevonHelmTributeSetList

A few extra shots, including one of Greg’s little mascot:

GregMayoMascotGregMayoRebeccaHaviland

Goodnight Levon and thanks for everything!

LevonHelmDrumming1LevonHelmDrumming2

Leave a Lasting Mark Soul Benefit The Bitter End

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Leave a Lasting Mark is a benefit concert series conceived and produced by Sam Teichman. We’ve been to a number of them, but have sadly missed some of the more spectacular ones (or so a number of people have told us). Our very first one was a Soul Revue (just like last night) 14 months ago. You can read about it, though it’s super long, as this one is likely to be as well. This one was also held at The Bitter End.

SamTeichmanMC

Instead of expecting you to read that long post, let me just pull out a single paragraph that I wrote about Sam right up front:

First and foremost, I need to bow to Sam Teichman (@samteichman on Twitter) as deeply and humbly as I can. Sam is a perfect example of one person, single-mindedly focused on getting something done and achieving that goal (actually, exceeding it). On November 4th, 2010, Sam sat next to me at Rockwood Music Hall as we enjoyed sets by Jesse Ruben and Alex Wong. Even on that night, Sam was doing for others, as I noted across three paragraphs toward the end of my post about that show.

I highly encourage you to read the next two paragraph from that post, but I’ll leave it to you to click through if you’re interested.

SamTeichman

These benefit shows are really important to attend (in particular if you’re a music lover) for a number of reasons. First, you’re contributing to charity (100% of the entrance price goes to whatever charity is being supported at that show). Last night’s charity was Foundation Fighting Blindness, specifically targeted for their Vision Walk 2012 initiative later this month. Seems like a good enough reason to attend the show.

Second, you have an opportunity to discover local musicians that you otherwise might never hear about. Every one of them donates their time to perform in these shows. Sam does a great job of paying them by constantly reminding the audience that they create their own music (often inspired by the people they’re covering at these shows!) and that we should all make it our business to follow up and check out their own sites and music.

That’s been true for me, starting back at my first Leave a Lasting Mark (LALM) show and solidly continuing last night. I’m going to follow the format I used for that first Soul Revue. I’ll group all of the sidemen (yes, there was a sidewoman as well) by instrument, first. I’ll skip mentioning the backup singers, because each of them took a turn singing a song on lead. Then I’ll cover each of the lead singers, in the order they appeared.

The real point will be for me to call out a few people I’ve never seen before, some of whom completely blew me away (repeating a trend that’s happened at each of the LALM shows).

Apologies for the varying qualities of the photos. Tons of people on stage, often obscured or very far away. So many of the lead performers were constantly moving, so it was tough to catch them in focus, or with un-passionate expressions. This is the best our little compact camera could do.

The brass section was up for nearly every song (not every person was up on every number that included brass). They performed yeoman duty and I imagine most are resting their lips and lungs today.

Ian Schaefer on trumpet, Mitch Marcus on sax and clarinet, Chris Hiatt on sax (@chrishiatt1, no good individual link), John Liotta on sax (also no good link), Steven Salcedo on sax.

IanCarletonSchaeferMitchMarcusChrisHiatt

JohnLiottaStevenSalcedo

Ian took a number of trumpet leads (in particular on I Just Want to Make Love to You and This Little Light) that were awesome. We typically see John Liotta light up a baritone sax with the Greg Mayo band. Last night he lit up a tenor sax equally well. Mitch, Chris and Steven were amazing too, in any combination that happened to be on stage for a given song.

IanSchaeferTrumpetIanSchaeferChrisHiattJohnLiottaMitchMarcusClarinet

Sarah Stern joined for one number, late in the show, on the flute (I couldn’t find a good link). Delightful! She’s (possibly) the only person who didn’t make it on to the program. She stood with the brass section. This was our first time seeing Sarah.

SarahSternFlute

Bass players: Chris Kelly, Justin Goldner, James Preston (how can you not fall in love with someone whose middle name is Peanutbutter?), Jeff Litman and Sean Murphy. We’ve seen Chris, Justin and Jeff many times (they’re always great). In fact, we discovered Jeff at that first Soul Revue, and Chris and Justin at a LALM benefit featuring the songs of James Taylor and Carole King. This was our first time seeing James and Sean, probably not our last.

ChrisKellyJustinGoldnerJamesPreston

JeffLitmanSeanMurphy

One more of James Peanutbutter Preston:

JamesPrestonBass

The first time I saw Jeff I really liked his bass play. But, it was after reading one of his blogs that I really started paying attention to him as a person, then discovered that he’s an excellent singer/songwriter and musician (guitar is his primary instrument for his own brand of rock). He just released a new CD, Outside, get it, and get his previous one, Postscript.

I note how I discovered Jeff because he just put up a new blog post this morning (or at least tweeted about it today) and it’s another amazing piece. So well considered and written. I learn from Jeff, both in his writing and in his music. Both Lois and I agree 100% with Jeff’s thesis in this post (at least with regards to the part about the MET, the music can be a little more nuanced IMHO).

Drummers: Justin Hofmann, Stephen Chopek, Alex Cohen, Mason Ingram and Matt Arbeiter (still no good link). Justin and Alex were new to us (both excellent). Stephen always delivers, as do Mason and Matt. Matt is another that we first discovered at a LALM show (the James Taylor / Carole King one).

JustinHofmannStephenChopekDrumsAlexCohen

MasonIngramMattArbeiter

Guitarists: Mark Marshall, Mike Bell (no good individual link, but here’s a link to a band he’s in, BELT Band), Jeremiah Birnbaum (also sang lead), Joe Brent, Hudson Mueller (also sang co-lead). Mike and Hudson were new to us. We’ve seen Joe once before, but not on guitar. Late in the show, Joe also joined on two numbers playing the fiddle. He’s a major talent, whatever instrument he touches.

MarkMarshallMikeBellJeremiahBirnbaumGuitar

JoeBrentGuitarHudsonMueller

JoeBrentFiddle

Keyboards (grand piano and electronic): Megan Cox, Scott Chasolen, Nick Semrad (also sang lead), Kenneth Harris (also sang lead), Scott Stein (also sang lead). A first for us seeing Nick and Kenneth. In addition to playing the keyboards wonderfully on every number, each sang lead from the piano, so more on them later.

MeganCoxKeyboardsScottChasolenNickSemradKeyboards

KennethHarrisSingingScottSteinKeyboards

Scott Chasolen is a great pianist and proved it again last night. He has an excellent voice, but wasn’t one of last night’s leads.

Scott Stein is also great on the keyboards. More on his lead performance below.

We’ve seen Megan play fiddle, when we first discovered her at the first Soul Revue. This was our first time seeing her on the keyboards (very nice!). I lied above when I said all of the background singers sang lead. Megan sang background but didn’t sing lead. Sam told me this morning that Megan was scheduled to sing lead, but came down with a bad cold and couldn’t do it. What a trooper for playing the keyboards and singing background even though she wasn’t feeling well!

CrystalDurantMeganCoxSingingBackground

One last piece of reporting before moving on to the lead singers. The show was broken up into smaller sets to keep the transitions among musicians to a minimum. Each set had a Musical Director (M.D., as you’ll see below). Here’s is the order that they appeared on stage:

Mark Marshall, Justin Goldner, James Preston, Joe Brent and Scott Stein. Considering that there was only a single, five-hour rehearsal for everyone to come together, each of the M.D.’s deserves a huge round of applause (as do each of the musicians!).

Finally, the divas, both male and female. Winking smile

Chrissi Poland opened the show. Such a powerful voice. She’s currently raising money to record a new EP. Check out Chrissi’s music and help if you like it (and can afford to, obviously).

ChrissiPoland

Terry Brennan (no good individual link, but he’s in BELT Band with a couple of the other performers from last night!). I’ve seen Terry in the audience at a number of shows, but never knew his name, or that he was a performer himself. His voice was great last night, so now I know and can again count on LALM for introducing me to new talented people.

TerryBrennan

Abby Ahmad put on yet another passionate performance.

AbbyAhmad

Martin Rivas was the only singer to sing two songs. In addition to killing it with a full band, he returned later to do the only solo, accompanying himself on acoustic guitar.

MartinRivasJustinHofmannMartinRivasAcoustic

Stephanie White’s vocals soared above the music. Incredible power with a laser-like precision. Stephanie was supposed to sing another song late in the set. The entire program ran over by 20 minutes, and Stephanie’s second number was an unfortunate casualty, getting cut at the last minute. You can catch Stephanie as part of Philth Harmonic (a band she’s in with Robbie LaFalce).

StephanieWhite

Crystal Durant is another person we discovered at a LALM show (The Blues Bothers tribute). What a wonderful voice, both lead and background vocals.

CrystalDurant

Jared Saltiel was another first for us. He was impressive, but I’m actually liking the music on his site even more, so click the link and check him out. Smile

JaredSaltiel

Eva Alexander was also new for us. We were both extremely impressed with her voice.

EvaAlexander

Abby Payne is someone we’re very familiar with. In fact, I’ve written (glowingly) about her a number of times in the past few weeks. So, you’d think she couldn’t really surprise me, especially in an extremely positive way. Wrong. Backtracking for a bit. Abby is yet another performer that we discovered at the first Soul Revue. Here’s what I wrote about her lead singing that night:

Abby Payne did a very nice job (yes, the same Abby who nailed the piano parts!). The only issue is that it took Abby a bit to crank up the volume on her voice, which was necessary because she (and all of them) were competing with tons of instruments and other vocalists. Abby had an all-male backup singing contingent.

Note that my only complaint was that her voice didn’t soar above the music. Holy moly, last night Abby delivered all of the power, passion and clarity you could want in a voice that was clearly soaring above a stage full of awesome musicians. I was already a big Abby fan, but it seems that my fandom can grow.

AbbyPayne

Speaking of being a fan of Abby, please help her make a new CD (pretty please?). Nine days left as I write this. I have faith in all of you. Smile

Jeremiah Birnbaum did a wonderful job on his lead song, in addition to all of his guitar play and background singing throughout the set.

JeremiahBirnbaumJeremiahBirnbaumSinging

Nick Semrad was new to us. During the set that he played keyboards, he also sang lead on one song, very impressively.

NickSemradSinging

Ashley Lehmann sang (Sittin’ On) The Dock of the Bay, perhaps the best known song of the night (though there were a ton of real soul fans, who likely knew every song just as well as this one).

AshleyLehmann

Dani Tersini was awesome, hard to describe it any other way. Also new to us, but won’t be a stranger going forward. Her red dress seemed perfectly appropriate for her song, I Just Want to Make Love to You. Winking smile

DaniTersini

Scott Wolfson yet another first for us. I liked his voice a lot, and he did a fine job on his number, but I’m guessing that I’ll like his own shows even more.

ScottWolfson

Maddy Wyatt was an extremely nice surprise for me. I was very impressed by her the only other time I’ve seen her, supporting Jeff Litman. That night she sang a ton of harmony (beautifully, but quite mellow) and played the flute (also beautifully). To see her come out and belt out a soul number with the full band was not what I expected. Oh yeah, she also accompanied herself on the acoustic guitar. Very nicely done, both vocals and guitar!

MaddyWyatt

Akie Bermiss continued the hit parade of firsters who did a marvelous job, with Crystal Durant doing heavy duty harmony with him. Akie is part of a band called Aabaraki (who we haven’t seen). You can stream and buy their album.

AkieBermiss

Alec Gross has to be put in the same camp as I put Abby Payne earlier. I’m a fan, and I’ve enjoyed his sets before. But, I think of him as a fairly mellow folk singer. Not last night. He lit it up, completely. Very impressed.

AlecGrossAlecGrossLaughing

Andy Mac is someone we’ve seen do one full set before, plus one song at the James Taylor / Carole King benefit. He cranked it up a couple of notches last night and really delivered. He also played acoustic guitar, both while singing lead, and supporting Ashley Lehmann.

AndyMac

Bri Arden sang This Little Light. Ha, I fooled you, because I said sang, like that’s what Bri did. If you read this space regularly, you know Bri is the subject of a lot of posts. That’s because she’s always awesome. So, it shouldn’t come as a surprise that she took this song and created a soaring vocal masterpiece. Seriously, it is not possible to describe it in words. You’ll have to wait until Sam uploads the individual videos (which he will do) to see a poor reproduction of what we were all treated to live!

BriArdenBriArdenSinging

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Above, I showed a picture of Crystal Durant and Megan Cox singing background. That was on Bri’s song. Dani Tersini and Ahsley Lehmann also sang background during this song:

DaniTersiniAshleyLehmannSingingBackground

Brian Collazo is another one of our favorites, any time, any place. While there’s no good individual link to him, he’s best known for fronting the incredible band, Live Society. Brian was extraordinary when he sang lead, as he was on the numbers he sang background. That we couldn’t keep our eyes open to see him sing with Martin Rivas at Slane right after this show is something we’ll regret until we get to see him again (soon, I hope!).

BrianCollazoBrianCollazoSinging

Brian also sang background on a number of songs. On this one, he was part of an all male contingent:

BrianCollazoAkieBermissChrisKellySingingBackground

Here’s he was standing in front of the brass section:

IanSchaeferBrianCollazoJohnLiotta

Kenneth Harris sang lead on one song, in addition to playing keyboards on one of the mini-sets. He was awesome. This was a first time for us seeing him, definitely not the last. By the time he sang lead, he didn’t surprise me. When Brian Collazo sang lead (the song before), Kenneth sang primary harmony with him and he was absolutely amazing on that number. Keeping up with Brian is no small feat, and Kenneth was definitely up to the task.

KennethHarris

Scott Stein came to center stage to sing his lead, after playing keyboards for the remainder of the mini-set. Excellent, on both the keys and on lead vocals!

ScottSteinSinging

Evan Felts and Hudson Mueller (of The Gold Magnolias) shared lead vocals, with Evan doing most of the singing. Both new to us, both impressive. Evan did a classic soul dance throughout (a la James Brown himself). He had the crowd completely worked up in a lather. Tons of energy, great vocals.

EvanFeltsHudsonMuellerSinging

Grace McLean was the final newcomer to us. Grace performed perhaps the second most famous song (to me at least), Chain of Fools. Let’s see if I can be succinct in describing her: Wow! (OK, that was succinct, but not sufficient, how about: Holy Wow, Unreal!, yes, that’s better).

GraceMcLeanGraceMcLeanSinging

Closing out the show was someone who we also discovered during that first LALM Soul Revue. He blew us away that night, and topped it last night. He had a gig of his own earlier that evening and rushed over to close out this one.

Jay Stolar stolar’ed the show (ba dum chi!). What a voice, what stage presence and delivery. In addition to singing his you-know-what off, he put on a show. He climbed on a table, got everyone to get up and shake it, dropped to the floor (as did a few of the performers) and generally got the blood rushing everywhere.

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For that last song, Sam was up on stage, first playing the tambourine in the back (his signature) but then coming forward to sing background, sharing the mic with Dani Tersini.

SamTeichmanTambourineSamTeichmanSinging

After Martin’s second number, roughly halfway through the show, Sam introduced a representative from Foundation Fighting Blindness. I won’t get her name right, so I won’t attempt it. She described the work they do and the Vision Walk, and invited all of us to learn more about it, and join on the walk on April 21st.

FoundationFightingBlindnessRepresentative

Whew, made it to the end (that comment was for me, not you!). Winking smile

Some closing notes and a treat!

When we were waiting for the doors to open, four German tourists came up to ask if we on line for the club next door. We told them what we were there to see. The guy in front of us in line went into a hard sales pitch to get them to join us. They seemed interested, but left to grab a bite, saying they might return.

Indeed, they got there in time for the start of the show. Both of us noticed them having a blast throughout, whooping louder than most people at the more feverish parts. Glad they believed us and joined. Even gladder they enjoyed it! Smile

As I noted up front, in addition to the artists donating their time, it’s also a showcase for them to be discovered. Sam does an amazing job of not only promoting them during the show, but of ensuring that they’re easy to find online. Sam had a two-page handout which listed every performer (except for Sarah Stern). You can find out what bands they play in, what site they’re at, what their Twitter handle is, etc. Here are both pages of the program:

ProgramPage1ProgramPage2

Here’s the set list (remember, they had to cut Stephanie White’s second song):

PersonalizedSetList

Finally, the treat. Sam cut a short highlight reel. It’s great and will give you a good sense of some of the performers, but you simply have to trust me on two points: 1) Many of the ones that didn’t make this reel were awesome and 2) no video will ever sound and feel like the live version does! Sam will also be uploading a longer highlight reel, which will have at least a bit of every single song in it, so keep checking his YouTube channel:

Leave a Lasting Mark Highlights from April 3rd, 2012

As always, we were surrounded by friends, some of whom Lois captured:

IrisRachelRachelAliceAndMoms

StephenChopekHadar

Greg Mayo Band Hall and Oates Tribute at Rockwood Music Hall Stage 2

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Greg Mayo Band headlined a set at Rockwood Music Hall Stage 2, in a tribute to Hall & Oates. Tributes of any great band are often really fun shows (nostalgia aside, the music has obviously stood the test of time). This one was more than just fun, it was also meaningful. Greg’s dad, Bob Mayo, toured with Hall & Oates for 10 years. Sadly, he passed away way too young, eight years ago.

GregMayoSinging

We’ve been to five Greg Mayo Band (GMB) shows prior to last night. The main reason why I write this blog is to remember specific details of the shows we attend. I just reread the post from the very first GMB show we attended (14 months ago) and was snapped back to that magical night instantly!

All five of the shows we attended were mostly Greg Mayo originals, with a few Soul/Funk covers thrown in because they just happened to be awesome songs. The last show, which we sadly missed, was a tribute to Peter Frampton (I believe). Bob Mayo toured with Frampton extensively, and was one of the big reasons that Frampton Comes Alive is still the best-selling live album in history.

Greg mostly alternated Hall & Oates tunes with his originals. Once or twice he threw in two of his in a row, and two of theirs in a row (just to keep us on our toes).

The Hall & Oates numbers were great, with a big portion of the crowd singing along (many dancing as well). But, I can tell you without the slightest exaggeration, that every Mayo number sounded equally awesome, with a couple of them topping the Hall & Oates ones in terms of crowd fever!

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In case you need proof of the dancing:

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Greg donned a leather jacket (that was a tad on the small side for him). He told us the story of how he came to posses it. It was originally purchased (and worn by) Daryl Hall (yes, of Hall & Oates fame). When Daryl tired of it, he gave it to Bob Mayo. It was too small for Bob, so he gave it to Greg’s mom. She eventually tucked it away in a closet never to wear it again. Greg stumbled on it one day and heard about the jacket’s travels when he asked her about it. A historied jacket makes it’s public appearance on exactly the correct night. Smile

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Please indulge me a commercial break, by not skipping ahead. If you can help, please do, if you can’t, at least read to be aware of what affects these musician’s lives.

Greg Mayo, along with four of the additional seven band members, teaches at Lagond Music School. It’s one of their primary sources of income (heaven knows it’s not from these indie gigs!). As important as it is for them to make a living (so that I can continue to see them perform), they are passing on their skill and love of music to the next generation of people that I will want to go see.

Lagond School of Music (LSM) came upon hard times in the past year, due to a cascading series of misfortunes tied to a fire in a deli below their school (don’t ask for the specifics, it’s truly a horror story). This year, they have had a number of fundraising efforts to try and get back to a steady state.

One of those efforts is actually being promoted by the teachers at LSM, including the five people on stage last night. That’s an IndieGoGo campaign. There are seven days left to help them out, with every dollar helping more than you can imagine. If you want to contribute, please click this link.

Don’t be concerned that they appear to be far from their goal. IndieGoGo allows them to keep whatever is raised, so your donation means something even if they don’t achieve their goal. Since this is only one of a number of initiatives, I’m happy to report that while they have a gap to close, they’re doing reasonably well across all fundraising.

End of commercial, but I will mention it again below, in the context of the individuals who teach there (to guilt you into contributing if you happen to really like that musician, but didn’t click above). Winking smile

Finally, the absolutely incredible band, left-to-right on stage:

Rebecca Haviland on vocals and tambourine (and hot shades). It feels funny to type something as simplistic as on vocals to describe Rebecca’s voice and her contribution to the Greg Mayo Band. On the other hand, if you read this space regularly (as recently as Thursday morning), then you might be bored with me going on and on about Rebecca.

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In addition to singing, on one of Greg’s numbers, Rebecca leaned over the piano and held one note on the keyboards, finally sliding halfway down to add a flourish to an amazingly great Greg solo!

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John Liotta on baritone sax (and muscle shirt). Still no good individual link (I guess he hasn’t been shamed into creating a site even though I chide him in these posts every time I see him perform). He was great, including a little duel with the tenor sax, which I’ll mention again two people down.

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Josh Reed on trumpet. Josh was great, taking one long trumpet solo that got the crowd hot and bothered. Josh is one of the teachers at LSM. When Lois and I visited the school, we bumped into Josh setting up one of the rooms for a class. We had seen him play before with GMB, but had no idea he taught at Lagond. That day he was sporting a full, bushy beard. Last night he had it trimmed way back. I wonder if his students would have recognized him. Winking smile

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Steven Salcedo on tenor sax (and John Oates impression). This was our first time experiencing Steven. He was extraordinary, taking more of the leads than the rest of the brass section.

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He was the dueler along with John Liotta. Each took leads, then started the classic battle of the saxes (hmmm, somehow, that sounds wrong). Awesome!

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I got to shake his hand and tell him how great he was when he walked into Rockwood 1 before the next set started. I also got to ask him how to spell his last name. Winking smile

When I Googled him this morning, I found out he too teaches at Lagond (or is at least associated with them in some way). Apparently, Greg can keep the band full of great musicians by drawing from nowhere other than Lagond, if he chooses to. Smile

Zach Jones on drums and vocals. Zach just headlined a set we attended on Stage 1, right before this, playing acoustic guitar. Now he was at his more typical drum kit, kicking a** and taking name*. He was filling in for the regular GMB drummer, Kenny Shaw. Kenny seems to be avoiding me this week. I don’t like that one bit, but if someone is going to replace Kenny, Zach would be at the top of my list, any day of the week.

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Chris Anderson on electric bass and vocals (and a dapper outfit). Don’t be bored when I repeat (for the thousandth time) how excellent Chris is on the bass. Instead, let me distract you by saying that Chris also teaches at LSM. It was entirely due to Chris and Greg that we visited the school, were extremely impressed by what we saw and heard, and decided to contribute. Now it’s your turn. Smile

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Paul Maddison on electric guitar and vocals (and neon orange jacket goodness). Paul did his typically wonderful job on the electric guitar. And, drum roll please, Paul is also an instructor at LSM!

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Here’s a shot of Rebecca singing, with the full brass section wailing, along with Paul Maddison on guitar:

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Here’s the set list. The last entry, marked E: SH means, Encore: Sledgehammer, and man, it most definitely was!

SetList

Whatever superlative I use to describe how perfect this set was, would be an understatement. That the word perfect could be considered an understatement, is all you need to know. Get yourself to the April show (the exact date isn’t listed on the Rockwood site yet).

As usual, we didn’t enjoy this music alone:

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Greg Mayo Band Rockwood Music Hall Stage 2 CMJ

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Greg Mayo Band headlined at Rockwood Music Hall Stage 2, one of the last sets to officially close out the week-long CMJ Festival (of course, there were a ton of other sets closing out the week in many other venues). But there was only one venue for us to be, namely the one Greg was playing at.

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Having just seen Greg shred the guitar minutes earlier when he was part of Robbie Gil’s band, we got to enjoy an extremely different set. Greg likes his band to dress up, so there was just enough of a break to reset the stage and give Greg time to put on a suit.

Greg Mayo Band is a big-band sound of rock/soul/R&B/funk. The performances are always stellar, with Greg killing it on the grand piano, electronic keyboards, and singing everyone (including himself) into a frenzy.

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Toward the end of the set Greg split the audience in two and we sang along to the chorus, in harmony. Greg made sure we knew exactly when to sing. Winking smile

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We were able to sit near the piano for every previous show. Last night there were no tables so we stood dead center, right in front of the horn section. That was a ton of fun (I love me some brass).

Lots of people on stage (eight, counting Greg), so let’s get to them:

Rebecca Haviland on vocals and tambourine. The girl’s got voice, pure and simple. She sang with Greg throughout, but took the reigns on lead vocals when they morphed a song into Long Train Running (and later morphed back into the original song). Rebecca blew us all away. I told Lois after the show that they would have to rename the group The Doobie Sisters in her honor!

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Rebecca will be headlining a set at Rockwood 1 this Friday (October 28th) at 10pm. Come at 8pm to enjoy Chris Ayer as well. Smile

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John Liotta on baritone sax. John was excellent throughout, as he always is, taking a long solo toward the end of the set.

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Josh Reed on trumpet. I was afraid Josh would be fired on the spot. While he had a jacket on, he was the only member of the band who didn’t have a tie on (including Rebecca!). Once he took a solo, and Greg praised him, I calmed down and realized he was safe (at least for the night). Winking smile

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Matt Simons on tenor sax. Seconds before Matt walked on stage I commented to Lois that the band was short one horn player (John and Josh were already on stage and it looked like the show was about to start). Thank goodness Matt was there. He destroys the sax, and one of his super fast solos was in the very first song.

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Matt wasn’t there for the last Greg Mayo Band show we attended. He was ably substituted for that night, but I am personally very happy whenever I can get even the slightest taste of Matt’s masterful sax play.

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Kenny Shaw on drums. I never doubt that I will love Kenny’s play. Considering he’s the drummer we’ve seen most often in 2011, there’s little chance I’ll be wrong about that. The set before had one of my favorite drummers, Zach Jones, so any contrast would be a little more obvious.

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No difference in quality. They have different personas and they were supporting different styles of music, but in the end, both deliver as good a performance as you could hope for, every time.

Chris Anderson on electric bass and vocals. Another musician that we see a ton of times, who has never disappointed. He co-writes and performs with Rebecca Haviland, so if you take my advice and show up this Friday, you’ll get to see him sing and play.

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Paul Maddison on electric guitar and vocals. Paul was solid throughout, but this set didn’t call for any particular leads on the guitar. He did play a critical role in the transition to Long Train Running (mentioned above), with the iconic guitar part that kicks off that song. All eyes were on Paul until Rebecca let loose.

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Another fantastic set by the Greg Mayo Band. I think Greg announced that they’ll be back at Rockwood 2 on November 19th. It’s not listed on the site yet, so please confirm before showing up. Here’s last night’s set list:

SetList