Allie Moss

Bess Rogers CD Release at Rockwood Music Hall Stage 2

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Last night was Bess Rogers CD Release Party for Out of the Ocean. It was a three-hour, three-act show. I already covered the two opening acts, Allie Moss followed by Ian Axel.

Bess has created a beautiful CD. As good as the songs are, the production by Chris Kuffner (Bess’ husband) is incredible. It’s available on iTunes, Amazon and physical CD from Bess’ site as well. I recommend you check it out on Bandcamp (linked above) so you can verify for yourself whether you like it, then buy it.

BessRogers

In keeping with the fact that Out of the Ocean is a concept album, Bess decided to play the CD start-to-finish at the show. Given the production, that meant having a bunch of people on stage to recreate the sound.

Bess played the ukulele, acoustic guitar and glockenspiel. Of course, more than that, she sang amazingly well. The energy on stage was feverish for much of the set and that translated to the audience as well. That lent more of a rock feel to the set, whereas the album feels like a more polished collection of pop numbers.

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A lot of people helped Bess make this a very special night (playing to a sold-out crowd at Rockwood Music Hall Stage 2), so let’s get to them, left-to-right on the stage:

Misty Boyce on electronic keyboards, melodica, glockenspiel and background vocals. This was our first time seeing Misty, who is a headliner in her own right. Misty did a good job all around, though her vocals were very hard to hear except on the one song where none of the others sang (other than Bess).

MistyBoyce

When she played the melodica, the hose coming out of her mouth looked like she had a breathing/feeding tube. Winking smile

Allie Moss sang harmony on most of the numbers (as wonderfully as you can imagine). I noted above that Bess played glockenspiel. That was on one number, and Allie held it for her, causing Bess to declare that Allie was an excellent glockenspiel stand. Smile

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Ian Axel on electronic keyboards. Ian played on at least half of the numbers. You know he was excellent, right?

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Elliot Jacobson on drums. So clean, so precise, so fast. At one point, Chris Kuffner couldn’t contain himself and pointed at Elliot and called out his name. The crowd took the opportunity to show their appreciation.

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A little while ago I learned something that makes me wonder how Elliot kept his concentration throughout the set. He tweeted the following:

elliotjacobson Elliot Jacobson

I have a fiancé !!!!!!!!!!!!!! <3

Congratulations Elliot!

Tony Maceli on electric bass. Tony was wonderful throughout the set (as he always is).

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Chris Kuffner on electric guitar and vocals. In addition to producing the CD, Chris played a bunch of the instruments on it. Marvelous job live and on the CD as well. On the finale, Chris switched to an acoustic guitar.

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For those of you that don’t know, in addition to being headliners in their own right, both Bess and Allie are part of Ingrid Michaelson’s band, singing three-part harmony with Ingrid, with each playing guitar as well.

Ingrid sang on Bess’ CD and joined for a few numbers to sing background vocals alongside Allie.

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When Bess finished playing all of the songs (winding up with Brick by Brick) she talked to the crowd a bit. The topic was her very successful Kickstarter campaign to fund the making of this CD. One of the prizes/rewards was having a show dedicated in your honor, with your name worked into one of the songs in the set.

Bess called out to see if the person was there (and indeed he was). She dedicated the show to him. He flew in from Minneapolis for the show, so he beat our own Lindsie by quite a few miles. While Bess honored him, she forgot to work his name into a song. Oops. I suspect he’s not going to ask for a refund. Winking smile

To thank the rest of the many Kickstarter backers in the audience, Bess ended with a very special number.

Martin Rivas came on stage and along with Ingrid Michaelson, Allie Moss and Chris Kuffner, Bess sang In My Life (by The Beatles), accompanying herself on the ukulele, performing the fantastic solos on it, flawlessly! The five part harmony on such a gorgeous song was a stunning way to end a great evening of music.

MartinRivasMartinRivasChrisKuffnerBessRogersAllieMossIngridMichaelson

Every ticket entitled the attendee to a copy of the CD and a cookie. Since we have a copy through Kickstarter, we intend to gift our two new copies to our godchildren (I guess I blew the surprise, since they’re likely to read this before we get it to them). Smile

CD-FrontCD-Back

You don’t really need a set list, since the CD was played in order, but here you go anyway (you’re welcome):

SetList

Allie Moss at Rockwood Music Hall Stage 2

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Last night was Bess Rogers CD Release Party for Out of the Ocean. It was a three-hour, three-act show. I’m going to post about each act separately.

Allie Moss opened the show. Rockwood Music Hall Stage 2 was jammed. When Allie took the stage, people were still socializing, loudly (it’s a bar, after all). It took a very few super mellow notes of Late Bloomer (the title track of Allie’s fantastic CD) to create a whisper-quiet stillness. It was a thing of beauty, given the general noise level in most Rockwood 2 shows, even paid ones.

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After Allie’s solo beginning of Late Bloomer, she was joined mid-song by Ian Axel who accompanied her throughout her set on the grand piano. Ian also sang a bit of harmony with Allie on a number of songs.

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Allie has a gorgeous voice. We’ve seen her perform three full sets in the past month when she toured with Bess and Ian on their Intergalactic Tour of the Universe and Beyond Tour. During that tour when Allie had someone singing harmony with her it was Bess (absolutely beautifully). Since this was Bess’ show, Allie chose to sing her harmonies with a special guest, saving Bess for her own set.

Becky Bliss (of Barnaby Bright) joined Allie on Melancholy Astronautic Man and sang harmony on most of the remaining numbers. Becky has an amazing voice as well and the two sounded great together.

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Allie told us that in the spirit of the CD Release she was going to play some new songs. Both Tiny Shards and Broken Lines were excellent, but I think Broken Lines particularly got to our little group of four.

Chris Kuffner joined on Corner, playing electric bass and singing. It’s so rare that I get to see Chris play bass, so even though it was a purposefully mellow line, it was a treat for me. That I happen to love the song didn’t hurt either.

ChrisKuffner

Sitting to my left was our friend Kevin (one of the many friends we’ve made through this vibrant indie music scene in NYC). He’s a major Allie Moss fan and he sang along to Corner (quite loudly) in my left ear. I turned to him afterward and told him that he did an awesome job and therefore would be called out for it in the blog, whether he liked it or not. Smile

Allie closed her set with a fantastic rendition of Dig With Me, getting the majority of the audience to sing along at the end.

That the crowd was so respectful throughout is a tribute to Allie’s hold over us, with her voice, songwriting and performance.

I’ve seen Ian Axel perform so many times I can no longer count. I’ve also seen him support others on keyboards on occasion (including on the Intergalactic tour). Still, last night was a real eye-opener for me to see him in a pure sideman role.

Playing the grand piano for Allie’s entire set, with a lighter touch and superb timing (usually coming in part of the way into each song) was a delight. He was a perfect complement to Allie’s voice and guitar.

Here’s the set list:

SetList

When Allie walked off the stage, Ian started his set with no break whatsoever. If you’re interested in my opinion of it, you’ll have to read the next post.

Ian Axel, Bess Rogers and Allie Moss at Jammin Java

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Another night, another stop on the Intergalactic Tour of the Universe and Beyond Tour. It wasn’t originally meant to be, but when the Universe (and Beyond!) wants something, it makes it happen.

Two years ago, Richmond CenterStage opened with a big gala celebration. I covered one of the nights. Last night was a big anniversary celebration, with Patti LaBelle as the headliner. We had tickets and were committed to attending a very long time ago.

On June 30th, I saw the following tweet:

JamnJavaDoorGal
I know what can make a few smile, especially @linds047 – 9/10 -Ian Axel + Bess Rogers + Allie Moss http://bit.ly/kE5gyC

So, even though we knew about this show 10 weeks out, we also knew there was no way we could attend. A few weeks ago, my friend told me that I’d have to wear a suit to attend the Patti LaBelle show. If you know me, you can probably guess what my body language involuntarily portrayed. I was going to do it, but I didn’t need to be happy about it.

Earlier this week, he called me (we were still in NY) and said that he knew some people who would really appreciate getting their hands on our tickets. Obviously, he would be delighted if we really wanted to attend, but essentially, he was letting me off the hook (he knows me for 29.5 years, so the suit reaction wasn’t a surprise to him). It took us all of two minutes to conclude that the tickets were better used by the local Richmonders.

Suddenly, going to Jammin’ Java to see another round of the Intergalactic Tour was a reality. If you’re wondering whether we had even one second’s hesitation about seeing them for a fourth time in five days, you’ve never met us or read my tiny corner of the Internet.

As with all shows, there’s enough of a twist to make them worth showing up to. That was true last night too, even though two of the twists weren’t so positive. The overall show/experience was great, so I am not (really) complaining.

There was a late show scheduled for 10pm (different group) so the start time for this show was moved up to 7pm (that part, us old folks like, especially since we had a 2.5 hour round-trip drive to get to/from the venue). I assumed our folks would play until at least 9pm, and then the hustle would begin to clear the place.

I was wrong. They were told that they had to be off the stage by 8:30pm sharp! There wasn’t even a chance to cajole an encore. The second the set was over, the lights came on and the house music started playing.

On the flip side (a very positive flip side at that!), the crowd got to line-up and connect with the artists for quite a long time (so people were not hustled out at 8:30). I haven’t seen that long a line at a merch table in quite a while (separate from the long line of people waiting to hi, or get some of that merch signed!). Lindsie (of yesterday’s post’s fame) was working the merch table. A very valiant effort!

The other positive flip side is that there were no breaks between the the sets of the three performers. Each took exactly 30 minutes. While that probably cut roughly 10-15 minutes off what each has been doing on this tour, saving the 10-15 minutes between sets was actually quite pleasant (to me at least). The fact that we were back in the hotel room shortly after 10pm was a very pleasant side-effect of the early ending.

Allie Moss kicked it off, with the full band, playing Passerby, which included everyone singing at the end (everyone = Bess Rogers, Ian Axel, Adam Christgau and Chris Anderson). Ian then left the stage, returning once more to play with Allie with the others taking a beak. They played Prisoner of Hope. I think that was the first time they played it where we were in attendance (though I haven’t grabbed set lists this week, so I could be remembering it incorrectly).

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With the exception of another solo song (or two?), Bess sang harmony with Allie (perfectly) and Adam and Chris did their always amazing jobs on the drums and electric bass respectively.

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Allie seemed dramatically healthier than the night before, thank goodness. Otherwise, she took great pains to avoid talking about feeling poorly.

When her 30 minutes was up, she and Bess simply traded spots. Bess introduced herself by saying: “You may remember me from earlier in the night when I was standing over there.” Smile

BessRogersAllieMoss

Bess had Allie sing harmony on most of her songs too (again, perfectly). Adam and Chris were on each of those numbers as well. She also played some solo numbers, including In My Life on the ukulele.

She finished up her set by inviting Ian to join the rest of them in performing Anchor (the single from her upcoming CD, where In My Life is the B Side).

After about 10 seconds of confusion as to whether they would take a break before Ian started, they decided against a break. Good decision!

Ian sat down (he was already on stage) and started playing Leave Me Alone! He played the same set from the night before, but had to toss a few songs due to the time constraint. So, no Amory. He played Say Something on the keyboards (reverting from the previous night’s ukulele version). It was awesome, so even though I (slightly) prefer the ukulele version, I’ll take it any way Ian wants to deliver it.

IanAxel

Chad Vaccarino came out for the second half of Ian’s set to very loud cheers and applause. He was joined on the first number by Allie Moss. They sang Shorty Don’t Wait, with Ian on the ukulele (the only song Ian played on the uke, as opposed to three consecutive numbers the night before). Adam played acoustic guitar on Shorty.

AdamChristgauAllieMossChadVaccarinoIanAxelChrisAnderson

Of course they nailed it. When Chad sang, the whoops were exactly as you hear them in NYC. In other places, I am 100% sure that people feel the urge, but they probably think it’s impolite (and in general/theory, it is), but when it’s Chad, it’s such a natural reaction, and so expected in NYC (and now in DC as well), that you just have to let out the joy (otherwise, it would be like a holding in a sneeze, i.e., not good for you). Smile

ChadVaccarino

Allie does a fantastic job singing the second verse on the lead, bringing a similar style/emotion to the song that Chad does. The chorus and ending are three-part harmony (with Ian joining Chad and Allie) that simply forces a smile on your face.

Ian and Chad also played Rockstar (such a great song) and closed it out with This is the New Year.

We got to say hi/goodbye to everyone except for Chris Anderson (who I think was loading the equipment onto the van) and Allie (I simply didn’t see her in the dark). We will not be seeing them again on this tour (a single tear streaked down my cheek as I typed that).

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Thanks to all of them: Ian Axel, Chad Vaccarino, Bess Rogers, Allie Moss, Adam Christgau and Chris Anderson for making this week unbelievably special for us. We’ll never forget it! Smile

Now for the second negative. The sound guy just couldn’t get the vocal levels right. For much of the night, they were too bright/loud. Eventually, I either got used to it, or he woke up a bit and toned it down. The sound booth was roughly 10 rows directly behind me, so I can’t imagine he was hearing it much differently than I was. It’s one of the mysteries of live show engineering that feels destined to elude my understanding forever…

We normally eat at Jammin’ Java when we see a show there. The food is excellent and we look forward to it. Last night we were having dinner with a friend and we were interested in something more leisurely, quiet, with a bit more choice. I did a search nearby in Google and found a dozen restaurants listed within 1000 feet of Jammin’ Java (apparently, that little strip mall is restaurant heaven).

I chose Café Renaissance, which is around the corner of the same block of stores that Jammin’ Java is in. The first few reviews I read were some of the most praise-worthy I had ever seen, describing the service as unparalleled and food excellent. Then I read some real slams as well. Then I read some people slamming the slammers. So, it didn’t seem to be a slam dunk, but we decided to try it anyway.

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I’m officially slamming the slammers as well. We had a great meal and were treated like kings (and a queen). I could complain that they were a bit over-solicitous, but that would only be true because we were time-constrained to make it to Jammin’ Java by showtime. Otherwise, their attention and conversation were delightful and welcome.

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It’s not cheap (if you go for the full treatment, which we did, of appetizer and wine), but I thought it was more than worth the price. I am absolutely sure that we will dine there again. We did buy two large lattes and one large coffee at Jammin’ Java. Partially out of guilt about not spending the money for dinner there, but mostly because they live up to having Java in their name! Smile

Ian Axel, Bess Rogers and Allie Moss at a House Concert

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Last night was our third time in four days seeing Ian Axel, Bess Rogers and Allie Moss perform (no big deal, don’t be too jealous). The last two shows were part of the Intergalactic Tour of the Universe and Beyond Tour. All three shows were unique because the venues were so different, as were the audiences. Of course, there were changes in the banter and the set lists as well.

The first was at Bowery Ballroom, covered here. The second was at The Falcon, covered here. Allie and Bess were a key part of Rosi Golan’s set at Bowery Ballroom on the same night that Ian performed. That post is here. Whew.

Last night’s show was a house concert in Arlington, VA, hosted by the extraordinary Lindsie. We met Lindsie when she hosted an Ian Axel house concert six months ago. It was one of the best shows we’ve attended, so when we go the invitation to this one, we made sure to be in VA for it.

Lindsie

The Bowery Ballroom was show was great! The Falcon show was better, in that it was much more intimate, zero talking by the audience and more talking by the performers.

Last night was even better. So much more intimate, total silence during the songs, thunderous applause after each song and lots of mixing/chatting with the musicians before, between and after the sets. Oh, and there were homemade moonpies (among other yummy desserts)! Smile

MoonPies

When we’re down in VA, we’re here to work at Zope Corporation. That gives us an opportunity to invite some of the music lovers in the company to attend shows with us. Last night, eight of us attended (one was a 7-year-old, not a slave-labor employee, the daughter of a slave-labor employee). Winking smile

ChadVaccarinoOurFriends

Bess Rogers opened the show. Before she came out, there was a microphone in the middle of the stage area (this is a home, there was no actual stage). Bess decided to have it removed and the rest of the singers sang without the aid of the microphone either. For the most part, that was fantastic. No effects, direct from their mouth to our ears. A few times, Bess sang softly, and her words were a bit swallowed up by the band. On balance, still excellent.

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Bess played acoustic guitar and ukulele.

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She played a few numbers solo (including her exceptional cover of In My Life by The Beatles). On the rest, she was accompanied by:

Chris Anderson on electric bass. Chris sat on his amp, and played a very quiet, mellow bass, even though it was amplified. I commented to him after the show that he was able to get even quieter than he could have with an acoustic upright bass (he agreed). It was perfect (volume, as well as his always amazing play).

ChrisAnderson

Adam Christgau on drums (and anything else you can hit!). A truly extraordinary performance by Adam. This was not the setting to plop a full drum set in and bang away. Aside from washing out the vocals, it would have overwhelmed the audience independently.

AdamChristgauSetup

Adam had a single snare drum (no cymbals). For most of the evening, he had his shirt draped over it to mute it even further. On occasion he used a shaker. At other times a tambourine, all while using the other hand to continue hitting the snare. He used Bess’ guitar case as a kick drum (which sounded really good). That wasn’t enough. He often hit the top of the guitar case with a stick or mallet.

He also used brushes to great effect. And, when he wanted the sound of a cymbal, he hit the tambourine with a stick, or with his foot. Basically, he was inventive.

AdamChristgauBrushes

All of that was amazing, but the best part of Adam’s performance was his singing. He sang a lot with Bess. I knew he could sing, but his range was much greater than I had previously experienced. He sang some really high parts, wonderfully.

In my post about The Falcon, I mentioned that we bought Bess’ single of her upcoming CD, Anchor, with In My Life on the “B side”. I didn’t have a chance to listen to it until after I posted. Yesterday, before we headed up to the show I listened to it. Both songs are great, but I was blown away to hear In My Life, professionally produced, with harmony (Bess overdubs and harmonizes with herself). I was already excited for the new CD, but even more so now.

I also mentioned how funny/clever/quick Bess was at The Falcon. Ditto last night. It’s largely a self-deprecating humor, but nothing about is canned. One of the running gags last night involved the above-highlighted moonpies. Bess had one on a plate that she placed on Ian’s keyboard (so that she could keep an eye on it while she performed).

Way on the left edge of this photo, you can Bess still connecting with her moonpie. Winking smile

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She mentioned that she didn’t want to risk them all being gone by the end of her set. She kept eyeing it between songs and making a number of jokes about it. The second her set was done, she took a big bite, sharing her obvious satisfaction with us. Smile

Allie Moss sang on two songs with Bess, playing glockenspiel. In the two days since we saw Allie at The Falcon, she got sick and nearly lost her voice. I think that’s why Adam filled in singing on songs that Allie otherwise would have sung with Bess. Still, her harmonies with Bess were beautiful.

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Ian Axel joined for one song as well on the piano, the above-mentioned Anchor, one of the songs Allie was on as well. It was awesome, having everyone (yes, all five of them, including Adam and Chris) singing together.

In the car on the way back to Fredericksburg, one of the guys asked me whether Bess puts her music up on Bandcamp. I just checked, and yes indeed, it’s available for streaming (both Anchor and In My Life). Once you listen, spend the $1.98 to buy it so that Bess can afford her next moonpie!

Allie Moss was up next. It was clear that she wasn’t feeling well. She could have easily gotten away without performing, but she was a trooper and delivered a pretty incredible set. A very few times you could see an expression on her face that she thought she wouldn’t be able to hit the next note. She did, but it obviously took more concentration than it normally does.

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Her guitar play wasn’t affected, it was very good. She sang a few solo and the rest with Adam and Chris supporting her.

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Bess joined for at least two songs (one on the glockenspiel) and sang gorgeous harmony with her.

Allie was hysterical as well, but it was largely due to jokes about her illness and the effects of any medication she took (it seemed to kick in gradually during the course of her set). Trust me, she’s very funny when she’s healthy as well.

When she sang Passerby and reached the line “What if we’d shared a pint”, she leaned forward toward the 7-year-old and whispered “of ice cream”, without missing a beat. Did I tell you how quick and clever these ladies are? Smile

Like with Bess’ Digital 45, I didn’t have a chance to listen to Allie’s CD, Late Bloomer when I last posted. That too was rectified before the show. Another winner. A beautiful CD from start to finish. These ladies are on a roll, with their individual careers as well as their roles in Ingrid Michaelson’s band.

Ian was up next, starting out with Leave Me Alone, accompanied by Adam and Chris. Since Ian’s keyboard had to be amplified, both Adam and Chris were able (needed) to crank it up a bit. Amazingly, Ian’s voice was strong and clear enough to be heard perfectly on every note throughout the set, even though he had a more difficult task than Bess and Allie.

Ian is always impish (at least at times) during every show, and the audience always responds to it. At a house concert, it’s so much easier to connect with that side of his personality, and it was in full force last night.

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Lois told Ian before the show that the 7-year-old and her 2-year-old brother (who wasn’t at the show) are entranced whenever their mom puts on Waltz. They both play air piano trying to keep up with Ian (it’s not possible, but A for effort to the kids!). Smile

IanAxelKeyboards

After playing Gone, Ian played Waltz, looking at the 7-year-old and saying: “This one’s for you”. Smile

There were some changes to the set list from the other shows. One biggie started with Ian coming out from behind the keyboard and picking up the ukulele. He said that he was getting sick of playing the song he was about to play and he hoped that playing it on the ukulele (rather than the keyboards) would make it fresher for him.

IanAxelUkulele

I knew immediately which song he was going to play, Say Something. It’s absolutely gorgeous on the piano, which is how he mostly plays it the past year, but it was originally written on the ukulele, which is how I heard it the first few times. I’m partial to the ukulele version, because it’s rawer, allowing the overwhelming emotion of the song (and Ian’s delivery!) to smack you in the face. That’s doubly true in such an intimate venue.

After the show, a few people told Ian that he had to continue to play the song, even if he’s sick of it, because it’s cathartic for them, or people they know. Lindsie was one of those people and she told us (and Ian) about a friend of hers who attended a show in LA a few weeks ago and was totally moved by the song due to current circumstances in his life.

Ian continued with two more numbers on the ukulele (I might not have the order correct). He asked Allie if she was up to singing with him and she was. She and Chad Vaccarino (Ian’s writing and performing partner) came up to sing Shorty (with Adam Christgau switching to acoustic guitar to accompany them).

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We saw Chad, Allie and Ian (with Adam) do Shorty (one of my favorites) at Bowery and The Falcon, both amazingly well. Still, last night was even better. At the other shows, the leads were sung right into the microphone (perfectly), but all three (Chad, Allie and Ian) shared that same mic to sing the chorus. These mic’s are mostly directional, with short pickup ranges, so the harmonies could be heard (because it’s relatively quiet), but there’s really a lack of power.

Last night, no microphone, all three voices (even Allie’s sick one) came through flawlessly and at the right volume.

When Allie left, Ian, Chad and Adam played a song they debuted at Bowery but didn’t play at The Falcon, Amory. It was stunning at Bowery, but like Shorty, even better last night (for the same reasons). Three-part harmony for the win!

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There were a couple of funny moments as Ian and Adam weren’t on the same page about a repeating section. That’s another major advantage of a house concert, the comfort level between the performers and the audience, where you can actually enjoy a flub, especially when you know you’re watching a great song being birthed.

Ian then announced that the ukulele portion of the evening was over. Winking smile

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Back at the keyboards, Ian and Chad (along with Adam and Chris) played Rockstar and killed it. They finished up with This is the New Year. Of course it was great, but I was blown away by how interesting Adam kept the drumming, with such a minimalist setup.

Speaking of Adam, one one song (of course I can’t remember which right now), Adam switched from the snare to his signature use of a Frisbee as a percussive instrument. Well done! Smile

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Of course, the eight of us bought a ton of merch! Here is a photo of Ian, with his T-Shirt Brigade. The Tour Poster (also in the photo) was designed by Kristine Thune:

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Here’s Ian signing a CD for one our folks:

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The only negative the entire evening was that the show started 50-minutes late. We were tempted to run out instantly when it was over (we had a 1-hour drive ahead of us), but the glow in the room was impossible to leave, so we ended up schmoozing and taking a ton of photos with everyone. It was worth it, but we didn’t get back to the hotel until midnight.

We drove up in two cars, boys in one, girls in the other. Before heading over to the show we had a lovely dinner at Sawatdee, a Thai restaurant in Arlington. Thanks for the recommendation Lindsie! Smile

Ian Axel, Bess Rogers and Allie Moss at The Falcon

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We love surprising musicians by showing up in places they’d never expect us. It’s way more fun when the venue is new to us and everything we read makes us think it will be a favorite, instantly. Such was the case last night.

Having just seen Ian Axel the night before (Tuesday) at Bowery Ballroom, he didn’t expect to see us two hours north of there the next night. Allie Moss was at Bowery Ballroom as well, singing on more than 1/2 of Rosi Golan’s CD Release Show. Bess Rogers joined Rosi and Allie to close the show, so we were actually seeing every performer for a second night in a row.

The venues couldn’t be more different. The night out at Bowery Ballroom was fantastic (you can read about the three sets here, here and here). Even so, The Falcon (last night’s venue) is so much more to our liking on every level. I’ll tell you why after I cover the music.

I’m reverting back to my normal style of covering the performers in reverse order.

Ian Axel got to return to a real grand piano. He’s been playing electronic keyboards and even a mock baby grand (looked like a grand, but was actually electronic at the Beacon Theatre). You can see its effect on Ian. He brightens up and is infused with even more energy (if that’s possible) when his fingers connect with ivory, rather than plastic.

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He set a different tone immediately. At Bowery Ballroom, Ian opened with Gone (a slow, emotional song). He played it last night too (fairly early), but opened with Leave Me Alone! It was fantastic, for two reasons: 1) It’s a great song and Ian and the band nailed it, and 2) The audience surprised the heck out of me!

IanAxelSinging

Here’s what I wrote about that song the night before (Chris refers to the bass player):

Hearing that song in NYC is so different than anywhere else. In NYC, such a large proportion of the crowd knows the cool clapping part (and has Chris to make sure they know when to do it, not that we don’t). In other places, there are a few lonely clappers who typically give up quickly.

My hubris was smacked down the very next night. Most of the people in the audience last night clapped correctly, immediately (in other words, they knew the song!). More importantly, three guys in the second row clapped it even when no one else ever does (it was appropriate from a percussion point of view, but it’s not in spots where the band expects it). They kept it up until the song was over. That’s commitment folks. Strike my comments from the night before!

Ian played most of the set accompanied by two band members (they didn’t travel with a guitar player):

Adam Christgau on drums, acoustic guitar and background vocals. Having seen Adam play the night before, it was impressive to see him shift gears and play some of the same songs with substantially more subtlety, matching the venue’s acoustics and size very appropriately. He did a very nice job on the acoustic guitar as well (something we only discovered he could play the night before).

AdamChristgau

We met Adam’s mother at the show. She showed us a photo of Adam playing the drums at 3-years-old. It was one of the cutest photos we’ve ever seen. She was willing to send us a copy, but Adam insisted against it. So, I’m hereby considering starting a Kickstarter campaign to raise enough money to bribe his mom to ignore him, so we can release that photo into the wild (where it belongs!). Winking smile

AdamChristgauMom

Chris Anderson on electric bass and background vocals. Like Adam, Chris was also more subdued at The Falcon. Also like Adam, there was a sophistication to his play that made it no less interesting than the night before. I’m always impressed by how professional Chris is. We see him so often, it amazes me how consistent he is.

ChrisAnderson

Ian played Say Something solo. He introduced the song and seemed a bit more emotional to me than he is at most shows. In fact, The Falcon seemed to bring out a bit more talkativeness in general (from the other performers as well) and that’s always a plus for me.

Chad Vaccarino, Ian’s primary writing partner, joined for a number of songs. The first, Shorty Don’t Wait, also had Allie Moss joining in, with Adam switching to the acoustic guitar. Chad sang lead on all but one verse, where Allie took over the mic. Allie, Chad and Ian shared the mic to sing the chorus and Ian played the ukulele. Shorty is one of my favorite songs and they delivered another winning performance.

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One of the songs that Chad and Ian performed was Rockstar, sure to be one of the bigger hits off their next CD (no, they haven’t started recording it yet, sigh…). When they opened for Five for Fighting in CT, they introduced a twist to the song. They morphed it into Elton John’s Tiny Dancer, then back to finish Rockstar.

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In CT, it was awesome. They did a longer version of Tiny Dancer. But, it wasn’t the smoothest transition in or out of Rockstar. At Bowery Ballroom and again last night, the transitions in/out were so seamless (really, perfect), that you would swear Elton John collaborated with them on Rockstar and Tiny Dancer.

I mentioned that to Ian after the Bowery Ballroom show, but I forgot to mention it in the post. I’m grateful to him for repeating the seamlessness last night, so I had a chance to correct my omission. Winking smile

They killed This is the New Year (do they ever not?). This was also the best example of Adam changing up the drums (quite dramatically) from the night before.

Ian had to come back for an encore (yes, had to) and he and Chad did You’ll Be OK. When they finished, everyone in the room gave them a standing ovation. No hesitations in people standing up. Great way to end the evening.

Bess Rogers was up before Ian. Adam and Chris backed her up for most of the set (though she did play solo acoustic guitar as well as ukulele). Allie Moss sang harmony on many of the numbers and played glockenspiel on at least one. The two of them sound so good (I guess it doesn’t hurt that they are forced to spend so much time together).

BessRogersAdamChristgauAllieMossChrisAndersonAllieMossGlockenspielChrisAnderson

Ian played piano on at least one number.

Bess played some songs from her upcoming CD (already recorded thanks to a successful Kickstarter campaign). It should be out in October (fingers crossed). She also played a few off of her EP Bess Rogers Presents Bess Rogers.

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It was all excellent, but I have to say that she totally blew me away (and I suspect everyone else) when she switched to the ukulele, gave an introduction and then played, In My Life, by The Beatles. Wow. Not only did she sing it wonderfully, she went for it and played the fast instrumental part (played on the piano on Rubber Soul) on the ukulele and nailed it.

BessRogersUkulele

Aside from the music, Bess is just hysterical. Possibly NC-17 (not quite R), but it works for me. She’s smart and quick-witted. What else can you ask for? Nothing, that’s right!

Allie Moss opened the adult portion of the evening (you’ll understand that comment in a minute). I already mentioned above how great she sounded singing with Ian and Bess. I also linked to the post praising her performance singing with Rosi Golan.

AllieMoss

Let me add now that in addition to clearly having an excellent voice (and playing the guitar really well), she’s also a very good songwriter. She opened the show with Passerby. It’s a song inspired by the feeling we all have about other drivers (inducing the desire for road rage). One of the phrases that struck me:

Would I have grace for you
And you for me

Amen, let’s just all do it, have grace for each other, in all situations! She also sang the title cut from her CD, Late Bloomer, among others (we didn’t grab any set lists, so I can’t rattle off all the songs). Bess sang harmony on a few numbers and played ukulele on the opener. She also played glockenspiel on one number. Adam and Chris supported Allie on a good portion of the set as well.

AllieMossSinging

Ian played piano during Allie’s first number. I can’t recall whether he returned during her set.

Opening the show were two girls (yes, girls, not women or ladies), The Knox Sisters. They will soon be 13 and 11 (Hailey and Samantha). Don’t worry, their parents were there as well.

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Hailey played the guitar and sang all of the leads. Samantha played the cajon and dejembe and sang harmony on a song she wrote!

TheKnoxSisters

One of the songs they performed is the (current) default song on their YouTube Channel (Doorbell). It’s a year old, but is a reasonable representation of their performance last night. Hailey’s voice has matured further (IMO).

They received rousing applause after each song (from me as well) and were called back for an encore. I enjoyed their set, so I wasn’t just being polite, but I have to wonder whether everyone else felt that much more impressed than I was.

They are extremely impressive for their age, no doubt, and I wouldn’t be surprised to hear that they make it, eventually, if they continue to work hard. That said, they aren’t really phenoms (in the child-prodigy sense). I wasn’t experiencing an 11-year-old Chris Thile, or a 10-year-old Sierra Hull, etc.

Allie, Bess and Ian all gushed over them, repeatedly. Whether they were being nice (supportive), or whether they saw something in these girls that I didn’t (being performers themselves), it was a very nice thing to do.

Lois bought a bunch of merch after the show. I look forward to listening to Allie’s Late Bloomer CD. We also bought a single from Bess’ upcoming CD. I think Bess said that the B-side is In My Life. We were driving all day today, so I haven’t had a chance to load it and find out if my wish will come true (that I heard correctly!).

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We bought a couple of T-Shirts (you can never have enough). Smile

OK, let’s wrap this up with some words about the venue itself.

The Falcon is simply an extraordinary place. It seats roughly 100 people. The first two rows are traditional seats. The rest of the room is tables that normally would seat four, but they orient the entire room toward the music. No one sits with their back to the stage or on the sides of the tables. That meant that the two of us shared that table for four, both sitting on one end together, facing the stage. Perfect!

Every person in the place (wait staff, owner Tony Falco, bartenders, bus-people, sound person) was happy, helpful, energetic and took their job seriously, doing it well.

The food was outstanding. I would go back for the food, even if there wasn’t music (it’s an hour’s drive from our house).

All of the above is great, but we showed up for the music. That’s where The Falcon shines even more. The acoustics were fantastic, in particular, the vocals (and kids, Allie, Bess, Ian and Chad are first and foremost about the vocals!). I was sitting in the stereo sweet spot (as if this was my living room and I got to design my own perfect sitting area).

The sound guy (he looked like a kid himself) was very active. I noticed a few times that if someone’s mic wasn’t just right (from the audience’s perspective), it was adjusted quickly. I often marvel at other places where the sound is awful and I think: is the sound guy in the restroom? He can’t be listening to what I’m listening to.

We’ll be back at the Falcon, no doubt. Here’s a great overview photo of the room.

Rosi Golan Lead Balloon CD Release Show at Bowery Ballroom

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I’m a very big fan of Rosi Golan. I love The Drifter and the Gypsy (until last week, Rosi’s most current CD). I love her side-project, The Open Sea (with Ari Hest). Their EP is extraordinary. The chance to see Rosi perform is good enough reason to come out.

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Add to that a full band, an amazing lineup before her and an actual new CD to celebrate (Lead Balloon) and there was no doubt this would be a great night out.

It was!

Rosi is a great songwriter. Independent of that, she has one of the most amazing voices. There’s a clarity that’s hard to describe, but I’m going to try. Many great singers have some sort of halo to their voices. In other words, the center of the sound is the note they want to hit, but if you looked at it with a spectrum analyzer, the wave-form would be fatter, touching other notes around the one they’re singing.

Other’s have a laser-like quality, which will have the clarity I noted, but can also sound shrill, even painful at times. Rosi’s voice is just right. On most songs, there’s a sweetness to the voice, even if the lyrics are ripping your heart out at the same time. In fact, she joked that she was surprised to see some people dancing in the back of Bowery Ballroom, since most of her songs cause people to cry or hold hands. Smile

The set was great. Most of the songs were from the new CD. Rosi was kind enough to throw in a couple from The Drifter and the Gypsy, most notably Think of Me, which I could listen to all day, every day. Here’s the set list:

SetList

Rosi has a regular accompanist, Jake Phillips, who performs with her (at every show?) for the past 4.5 years. He’s an excellent guitarist, and has a really good voice. Most of the time he sings harmony with Rosi, but occasionally, he’ll sing lead on a verse. I think he sang one of the verses on Hazy (the other song from The Drifter and the Gypsy). On the CD, Rosi sang with William Fitzsimmons (that reference was for you, Kevin). Winking smile

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Jake has a show of his own at 7pm tonight at Rockwood Music Hall. I’m not in NYC, so I can’t attend, and if you’re reading this, you probably can’t either, since I’m posting this a day too late (my next post will reveal why this one is late).

I bought Lead Balloon at the show, between Ian Axel and Rosi’s sets. I’ve listened to it twice so far and I really like it a lot. I’m sure I’ll grow to love it in a few more listens. There are a number of songs that grabbed me instantly, but none more than Fly Away. It’s my Think of Me from this CD.

Rosi was accompanied by a full band, but she also had a special guest star on many of her numbers (I’d guess more than 1/2).

Allie Moss is a headliner in her own right, in addition to being a member of Ingrid Michaelson’s band (singing harmony and playing guitar). On Rosi’s set, she sang harmony so beautifully.

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Rosi closed the show by bringing up another special guest. If you read the paragraph above and substitute the name Bess Rogers for Allie Moss, it would all be 100% accurate!

Rosi asked the crowd to scrunch up closer to the stage and to be as quiet as they (we) could be. She unplugged her acoustic guitar and Rosi, Bess and Allie sang with no microphones. They performed Can’t Go Back. We were lucky enough to be right up against the stage (where you’ll always find us if we can secure that spot) so it felt like the three of them were singing just for us.

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Wow is an inadequate word to describe what an amazing job these ladies did. Oh yeah, the song is really beautiful as well, and it’s on Lead Balloon.

The band, left-to-right on the stage:

Daniel Mintseris on electronic keyboards. Excellent job throughout the set. In a silly small-world story, I haven’t been that active on Google+ yet, but I’ve been slowly accumulating people into various circles. The morning of the show (Tuesday), I put Daniel in my Musicians circle and he added me back (so at least he has a Google+ account). I didn’t know I’d be seeing Daniel perform that night! Smile

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Elliot Jacobson on drums. Elliot is simply awesome, always. I’ve described him before as having a reputation as a hitter (he strikes the drums hard!). I’ve also said that it’s not true, when it’s not called for. On most of Rosi’s numbers, it wasn’t called for. Sure enough, Elliot was amazing, subtle when he needed to be, upbeat when appropriate, etc.

ElliotJacobson

Tony Maceli on electric and upright bass. Consistently one of my favorite bass players, including this show. Tony split the bass duties nearly evenly between the electric and the upright, nailing the bass lines on both. On the upright, he mostly plucked, but at least in one song I noticed him switching to the bow, then back to plucking. He’s a bit more understated (by choice) than other bass players on the scene, but the sounds he produces are the correct ones.

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A great finish to an already great night. The Spring Standards opened the show, with Ian Axel performing after them. Let’s pick a date and do it all again real soon.

For the entire night we stood next to Casey Hicks, a writer for Short and Sweet NYC. She had just posted an interview with Rosi Golan that day, conducted over the weekend.

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Here’s the Kevin, mentioned above:

KevinHadarChris

Ian Axel at Bowery Ballroom

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Continuing with the pattern started in my last post about The Spring Standards, I am separating this one out from the other two sets at last night’s Bowery Ballroom show.

Ian Axel co-headlined Bowery Ballroom on May 24th, 2011 with The Spring Standards. Last night he co-headlined with Rosi Golan.

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Since that night, we’ve only seen Ian perform with a full band once, when he opened for Five for Fighting. In fact, that show wasn’t quite a full band either. They played without a guitar and they had a substitute drummer, Zach Jones (who was absolutely incredible). We’ve seen Ian perform with Chad Vaccarino quite a number of times in between (so don’t worry about how we held up in the interim), including an extraordinary show at The Beacon Theatre.

There was still one change in the band, but we’ll get to that in a bit.

Ian performed an exceptional set, which included three unrecorded songs, one of which we had never heard before (I’m not sure they’ve ever performed it at a show). The wide range of styles showed off Ian’s (and Chad’s) song-writing and performing capabilities (they’re most certainly not stuck in a single genre). The different styles were interspersed, so there wasn’t a “rock portion”, followed by an “acoustic portion”, followed by a “pop portion”, etc. That kept things very fresh.

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Two of the unrecorded songs are now well-known by Ian’s fans (everyone around me was singing out loud to both): Rockstar and Gold Digger. The new one is called Amory (though I admit to hearing it as Anne Marie). We had to look it up, Amory implies Heaven, or the epitome of the perfect American City. In retrospect, it makes a lot of sense. But, it also worked in real-time when I thought it was a woman’s name. Winking smile

Amory was performed acoustically, with three-part harmony, and was simply gorgeous.

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Before we get to the band, there was a very special guest on one number.

Allie Moss came out to sing on Shorty Don’t Wait. In addition to singing three-part harmony with Chad and Ian, Allie sang a verse on lead, switching places with Chad to stand between the boys. Absolutely incredible.

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For the one person out there that doesn’t know, Chad Vaccarino is Ian’s primary writing partner. They produce nothing short of magic together. They also sing a number of their songs together, alternating leads and harmonizing together (beautifully). In addition to singing, Chad plays electronic keyboards (adding an organ flavor to Ian’s piano sound) and trumpet.

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The band, left-to-right on the stage:

Andy Stack on electric guitar. This was the one change to the band last night. Previously, Chris Kuffner was the lead guitarist for Ian’s band. Recently, Chris has gotten very busy producing and his performing has had to take a back seat. I have no idea whether his withdrawal from Ian’s band is permanent, but I’m guessing that for the time being, that’s the case.

AndyStack

We’ve seen Andy Stack once before, when he played electric guitar with Greg Mayo. It was only two songs, but Andy impressed instantly. He’s brand new to Ian’s band (likely getting only one rehearsal in) and I have no idea whether the intention is for him to join the band on an ongoing basis.

That said, they worked hard to integrate the electric guitar into the music more that at any show I’ve been at (I’ve mentioned a number of times how unimportant the guitar has been). On most songs, that effort paid off. Andy is more than capable, but the real key was finding the right spots to highlight the guitar.

On one or two songs (Gone, the opener, in particular), the arrangement needs work (IMO). Since it was the first song, I was nervous that Andy wouldn’t blend well the entire set. Thankfully, I was way wrong. I’m looking forward to more of Andy in Ian’s band.

Adam Christgau on drums, acoustic guitar and vocals. We haven’t seen Adam play with Ian since May. He missed the CT show because he was touring with Sia, playing a string of sold-out shows in large venues (poor baby). He also got to listen to Ximena open for Sia every night (making him a lot luckier than most of us!).

AdamChristgau

Hearing Adam crush the drums on an Ian set is no surprise (but always a pleasure). Adam had an additional surprise for us. I’ve seen him tweet that he plays electric bass on occasion at Slane, where Martin Rivas holds Campfire shows. I never heard him mention anything about guitar. (That’s a white lie, I think he mentioned once on Twitter that he was playing some Dylan on acoustic guitar in his room.)

Last night, Adam played acoustic guitar on two numbers. First on Shorty, taking 1/2 of Mike Campbell’s role (Allie took the other 1/2, the singing part). Poor Mike Campbell was suffering on a beach in Aruba. I’m sure he would have preferred to be at Bowery Ballroom, if only he had a choice. Winking smile

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On Amory, not only did Adam play the guitar (very nicely), but he also sang a bunch, completing the three-part harmony with Ian and Chad. This will add a new dimension to Ian and Chad’s sound if they start making more use of Adam this way. Bravo!

Chris Anderson on electric bass and background vocals. Chris was fantastic, as always. He also led the clapping on Leave Me Alone. Hearing that song in NYC is so different than anywhere else. In NYC, such a large proportion of the crowd knows the cool clapping part (and has Chris to make sure they know when to do it, not that we don’t). In other places, there are a few lonely clappers who typically give up quickly.

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Chris was also instrumental in the sing-a-long portion of Girl I Got a Thing.

Speaking of Girl I Got a Thing, when they play it in NYC, you never know what to expect. When Ian introduced the song, he said that he himself wasn’t sure what was going to happen.

Leiv Parton came out dressed like one of the Men in Black, sporting a tambourine and a drink. As the song built up, Chocky came out (as he usually does) and conked Leiv on the head with a bottle that shattered all over the stage. Leiv spent the remainder of the song sprawled out (lifelessly) on the stage. He was dragged off (with difficulty) after the song was over.

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At the last Bowery Ballroom show, Chocky was dressed in sweats. This time, he was a full-on cowboy gear. When he finished his whiskey, another Man in Black came out (sorry, I don’t know who it was) and he handed Chocky a replacement whiskey, then stood robotically for the remainder of the song.

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It added a visual flair to a fantastic song. I shudder to imagine how they intend to top it next time!

After the show, we had to force Leiv to take a photo with me, to prove that he survived the on-stage attack. Winking smile

LeivPartonHadar

After playing their signature This is the New Year (killing it), everyone but Ian left the stage. Ian played Say Something, on the keyboards (he sometimes performs it on the ukulele). It was incredible, bringing a real hush to the large crowd. Great way to end the set.

Here’s the set list:

Gone
Leave Me Alone!!!!!!!!
Waltz
Rockstar
You’ll Be Okay
Shorty (acoustic w/ Adam)
Amory (acoustic w/ Adam)
Gold Digger
Girl I Got a Thing
This Is The New Year
Say Something (acoustic)

We shared this evening with a lot of friends. Here are but a few of them:

AxelsAndersonsElyseTerryHadar

RebeccaHavilandHadarAdiraRachel

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Allie Moss, Matthew Perryman Jones and Lauren Zettler at Rockwood Stage 2

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I have no fear of emptying my music bucket list in my lifetime, because I add things to the list at a faster rate than I check them off. Last night, I got to finally remove two items that have been on the list for a while. I can summarize in advance that both items were as satisfying as I had hoped they’d be when they first made it on to the list. 🙂

Allie Moss was very high on the list. The other was seeing Chris Kuffner play bass. I’ve seen him play lead electric guitar a dozen times. Check and check!

Rockwood Music Hall (Stage 2, a fantastic venue) mostly has one-hour sets (45 minutes plus setup between artists), so there isn’t typically a headliner, except for the paid shows at Rockwood 2 (this was a free show, one drink minimum with a voluntary tip jar for each set). They often cluster a  group of friends so that they can join each other on the various sets, which is exactly what happened last night, to great effect.

Since I came specifically to see Allie, I’ll start with her set.

One other important note. Lois takes all of the photos for this blog. She had a fever last night and didn’t attend. My Droid failed me completely in the low light. I chatted for a bit with Allie’s mom, who was taking photos of all three sets. I asked her if she would be kind enough to email some of them so I could include them in the blog.

Yvonne Moss took every one of these shots (click on any for a larger version), including the B&W and negative artistic transformations. I hope you agree with me that she’s an excellent photographer. The link from her name will take you to her blog on various topics. A most interesting woman!

Allie Moss is a superb singer/songwriter/musician in her own right, but she spends a good deal of time as a member of Ingrid Michaelson’s band. Given Ingrid’s commercial success, Allie tours quite a bit with her.

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Allie has a beautiful voice, plays the guitar very well and writes very good songs (light Pop, Jazz/Folk). You can listen to nine songs on her site (linked to her name above) and get a very good sense of whether your taste aligns with mine.

Allie has a very relaxed stage presence, getting the crowd to chuckle many times. She’s a natural performer.

While she performed a couple of solo numbers (beautifully), she was backed on most by an excellent group of musicians. Here’s one of Yvonne’s transformations (can you feel a Poster being formed?):

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Lauren Zettler on piano and harmony. Lauren played the piano beautifully and sang gorgeous harmonies with Allie. Lauren had her own set prior to Allie’s, which I’ll cover later, but she never played the piano during her set, so this was a very pleasant addition/surprise.

There were no photos of Lauren playing the piano with Allie, but you’ll see a couple below when I cover Lauren’s set.

Saul Simon MacWilliams on a lot of stuff (Allie was between us, totally obscuring my view, but I am sure he was on percussion, electric guitar, electric keyboards, at a minimum, probably more, including some background vocals). He was excellent throughout. Even though I couldn’t see him, thanks to Yvonne, you can! 🙂

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Chris Kuffner on electric bass and background vocals. I’ve written a number of times that people I trust have told me that Chris is an extraordinary bassist. Finally, I can judge for myself. During the set, most of what Chris played was solid straight-up bass playing. Allie’s set didn’t call for anything fancier. (Chris is blended into the background on the right hand side in this photo):

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Luckily for me, while he was warming up, Chris ripped off a few riffs that were mind-boggling, so even though I didn’t get to see it during the set, I now know that my peeps correctly clued me in to yet another of Chris’ many talents!

I’m most definitely an Allie fan now, so expect to see me at future shows (please make room for me). 🙂

Matthew Perryman Jones was up after Allie. He’s a singer/songwriter/guitar player. He opened with one number on electric guitar and switched to acoustic for the rest of the set. Matthew has an exceptional voice making the entire set a pleasure to listen to.

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Allie joined him for two numbers singing beautiful harmony, including one number that she learned right before the show. She had an iPhone cheat sheet, just in case. 🙂

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Todd Bragg played the drums for all but one number. Todd did an excellent job. What was impressive to me (this is more about Matthew, but speaks to Todd getting it right as well) is that it’s not all that common to have a singer with an acoustic guitar being backed by a full drum set (no bass, no other instruments or vocals).

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Matthew’s voice is so strong (not overwhelming in the least) and there’s enough of a reason to have a beat in many of his songs, that it just works, well!

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Peter Bradley Adams played the piano on three numbers. He did a fine job, but it wasn’t integral to the sound of these songs. In a not-so-small irony, Peter Bradley Adams is on my music bucket list too. I’ve listened to the free EP’s that he regularly gives away and I’m extremely impressed with him. I still need to catch him doing his own set before I can cross his name off the list.

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Lauren Zettler was the first artist up for the evening. She sang, amazingly (what a voice) and played acoustic guitar on all but the last song (I’ll get to that shortly). Lauren has the kind of voice that can easily be the lead in a Rock band, though her own songs are more Folk/Pop.

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On her last number, Lauren switched to an electric ukulele (it looked like a baby Stratocaster). I have never seen anything like it and I have to admit that I missed much of the song just staring at that cute little thing. 😉

Cameron Mizell accompanied Lauren throughout her set on electric guitar and harmonica. He did an excellent job.

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If I don’t catch what Lois had/has, I’ll be crossing another 1.5 items off my bucket list tonight (unfortunately, late for me). I’ll be back at Rockwood 2 (10pm), seeing Rachel Platten for the first time and seeing Martin Rivas play a full set following that (counts as .5, since I’ve seen Martin play short sets many times now).