Josh Dion

Tony Maceli Full Vinyl Tribute to Yacht Rock at Rockwood Music Hall Stage 2

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Tony Maceli organized and hosted another Full Vinyl show last night at Rockwood Music Hall Stage 2. I opened my post about the previous show with the following:

Tony Maceli is one of the top bass players in the NYC indie music scene. Some months ago, he started organizing a regular mega-show called Full Vinyl. Last night was the first one we were able to attend, so I don’t know whether we’ve missed one or two. I also don’t know whether the format is always the same (or going to be). This show was at Rockwood Music Hall Stage 2.

TonyMaceli

Now I know. Last night was #4, so we missed two of them before hopping on the train. If we’re physically able, we’ll never miss another one. Last night’s show was simply fantastic, on every level.

It’s a touch ironic to say that. The theme was Yacht Rock. Not that the songs that fall under that heading aren’t awesome (they most definitely are, well nearly all of them are), but clearly, there’s a tongue-in-cheek phenomenon going on when kids (yes, the oldest musician on stage was a kid to us) select that music to highlight.

That said, whether they, or the large crowd at Rockwood were singing with any condescension, I certainly couldn’t tell. The party started instantly with Footloose, and never slowed down until the big finale. So many audience members were singing their hearts out to every song, so this wasn’t a trip down memory lane that left them in the dust.

An excursion before I dive into the show itself. At the last Full Vinyl show, Tony swore on stage, quite a bit.

Sometime after the show (days, weeks, I don’t remember exactly), we ran into Tony and got to chat for a while. He brought up the cursing and said that although he loves to curse, and does it all the time, even he felt that he was over-the-top at the show. We didn’t disagree. Winking smile

He had a very interesting suggestion. He offered that at the next show, he’d put a dollar into a tip jar every time he cursed. If he made it through any speech without cursing, we’d put a dollar in. At the end of the night, all of the money would be given to the Rockwood staff. (To be 100% accurate, he offered that he’d keep doubling his $1 each time he cursed.)

We agreed. At last night’s show, both sides happily remembered the wager and rules. We gave our waitress a $20 bill in exchange for $20 singles. We started out with an empty glass. We ended up with a large bucket (the normal Rockwood tip jar).

Tony expanded it to include any performer on stage who was game to toss a buck in if they cursed. Martin Rivas cursed just for the heck of it, and immediately tossed $1 in. Smile

Tony offered the audience the chance to participate if they wanted to toss money in to reward the lack of swearing. People did indeed come over to our table and toss money in! When an audience member at the table next to us cursed, she immediately felt self-conscious and reached into her purse and tossed $1 into the bucket. Cool!

Tony didn’t curse a single time during the show (proving that he can control it completely). Right before the finale, he came out with a number of singles in his hand. After letting out a few expletives, he tossed all of the singles in the bucket. Aside from the release, he clearly wanted to participate in the additional tips to the staff and this was the best way to accomplish that. Smile

When the show was over, Lois presented Erin (who happened to be our waitress the entire evening) with the bucket on behalf of all of the performers and audience members who chose to participate in the challenge. I don’t know how much others chucked in, but I just counted six singles left from our $20, so at least 14 times, we (or more properly Lois) thought that the performers behaved well enough to be rewarded (even if the reward was going to someone else).

Erin

I judge the experiment a complete success. It was Tony’s idea and he deserves full credit.

Something that deeply annoys/affects us is the often constant talking (at volumes that are not to be believed!) that goes on in the audience, even by obvious fans and friends of the performers. Lois thought that it might be interesting (albeit perhaps impossible!) if we had a challenge whereby talkers were shamed into putting $1 in the jar every time someone pointed them out. Somehow I doubt we’ll pull that one off as smoothly as we did the cursing challenge, but I would love to see it happen.

Back to the show…

Loosely following the format I established last time (ain’t precedent grand?), I’ll post the set list first, then the lead singers for each song, then the infinite (no hyperbole here!) band members immediately thereafter. Where someone was a singer and a band member, I’ll note that.

Tony decided to have fun with the set list, giving most people one or more nicknames for their first names. For most, he used their real last names, which made it a tad easier on me. Thankfully, I figured out who Michael McMinkoff was. Winking smile

SetListPage1SetListPage2

As with the first show, Tony Maceli kicked it off. I already told you that they shot out of the gate with a bang. Now you know who led the charge. In addition to playing a lot of bass, Tony played the trumpet on at least two numbers.

TonyMaceliBassTonyMaceliTrumpet

Zach Jones sang from behind the drums. He was great. He also drummed on a bunch of numbers (look for Jones throughout) and was awesome. I had to look around people to see who was drumming on the finale (Africa by Toto), because the drums were so rich and tasty. Surprise, it was Zach! (I say surprise in mock, obviously, since I think so highly of Zach’s play that I wasn’t surprised. But, every drummer last night was incredible, so it really could have been any one of them and I would have believed it!)

ZachJonesZachJonesSinging

Zach also stepped out from behind the drums to sing some background vocals.

Misty Boyce sang wonderfully. Not quite the barn-burner that caused me to describe the aftermath of her song at the last show as “we were all reduced to a puddle”. Misty also played the keyboards on some songs.

MistyBoyceSinging

Deena Goodman was exceptional. I’ve only seen Deena sing once before, at a Livestrong fundraiser, 2.5 years ago. I praised her mightily that night. She did a lot of charity work and then I heard she returned to get a graduate degree, so I wasn’t surprised not to see her performing. Perhaps she needs to rethink that!

DeenaGoodman

Adam Minkoff was amazing (hence earning the only double-nickname, since Tony believes he’s very faithful to Michael McDonald). Adam also played bass and I even saw him wield an electric guitar.

AdamMinkoffMartinRivasAdamMinkoffElectricGuitar

Julia Haltigan continues to impress every time we see her (which will continue to be frequent if she keeps up this level of performing). That said, she’s playing tonight, but I’ll be typing away at this while she’s doing that.

JuliaHaltiganSingingJuliaHaltigan

Charlene Kaye did a great job, also playing lead electric guitar for her own number! In addition to singing lead on Go Your Own Way, Charlene also sang backup on a number of songs.

CharleneKayeGuitarCharleneKayeRobDiPietro

Emily Long was wonderful on her number. Like most of the other lead singers, she returned to sing on the finale.

EmilyLongSingingCharleneKayeSethFaulkEmilyLong

Greg Mayo sang lead on Private Eyes. There was a delay in starting the song for a wardrobe change (calm down folks, this wasn’t a wardrobe malfunction). Greg left the stage while Tony explained that Greg needed to get a special jacket from the green room. Greg emerged wearing a leather jacket that was originally owned by Daryl Hall. I wrote about the jacket, and the song (Private Eyes) when Greg performed it at his last Greg Mayo Band show.

GregMayoSinging

He was great then, and again last night, but it was really cool to see him perform it on lead guitar last night, whereas he was behind the piano at his last show. Of course, Greg also played electric and acoustic guitar (amazingly, as he always does) on many other numbers.

GregMayoElectricGuitar

Casey Shea was once again wonderful. Once again (consecutive shows now), he descended into the audience to serenade a woman within inches of her face. This time, he sat down (last time he lay down on the table). It was the same woman though, Lois. So, to see whether she was his target, or just convenient, I’m going to have to have her sit in the balcony next time Casey sings. We’ll see if he climbs up there to sing to her. If so, I’ll know what the deal is. Winking smile

CaseyShea

Casey also sang backup on some other songs.

Brian Collazo (of Live Society) thrilled (as he always does) when he sang lead. He was also one of the primary backup singers on many songs, and he was oh-so-tasty on each and every one.

BrianCollazoSinging

Patrick Firth sang wonderfully while playing the keyboards. He was also the primary keyboard player on most of the numbers (though he did relinquish it occasionally). The relinquishing was perhaps reluctant. On one number, he hung around and played the top of the double-decker keyboards while his replacement played the bottom.

PatrickFirthPatrickFirthSingingMartinRivas

Morgan Paige didn’t sing lead, but she joined Patrick to sing on Sailing. Since I didn’t notice her on stage for any other numbers, I’m mentioning her here.

MorganPaige

Josh Dion ripped it up again, vocally and on the drums. How anyone can watch him perform and not be mesmerized is beyond me. Of course, I shouldn’t assume that there’s anyone who isn’t mesmerized, so my hypothesis might just be incorrect.

JoshDionSingingBrianCollazoJoshDionTonyMaceli

Martin Rivas sang his way into our hearts. In addition to singing lead, Martin was on stage as much (perhaps a bit more) than Brian Collazo was, singing with everyone else. He played some tambourine too (as did a few others that I failed to note above).

MartinRivasMartinRivasSinging

That leaves the big finale, where most of the singers took a turn at the mic. In a small-world twist, two posts ago I mentioned that The Vanity Belles performed Africa by Toto during their set (which was on the same stage, a few hours earlier). Their acoustic version was fantastic. To end the night with a stage full of people, supported by a top band, performing the same song, was an interesting contrast. Both versions were amazing, even though they were totally different.

On to the band. I’ll mention them in the order that they appear on the set list. If you pay attention, many of them played on multiple songs. I won’t repeat anyone who is mentioned above.

Dan Tirer on electric and acoustic guitar. I’ve only seen him once before, at the last Full Vinyl show. Must… see… more… of… him… He’s so good!

DanTirer

Matt Simons on saxophone and electronic keyboards. At the last show, Matt played only the keyboards. That’s great, but if you really want to add some awesome sauce to the mix, make sure you catch Matt on the sax, he’s incredible. One one number, he was the only brass. On another, he and Tony played together, with Tony whipping out his trumpet. More, please!

MattSimonsSaxophoneMattSimonsKeyboardsMattSimonsTonyMaceliBrassSection

Andrea Longato on electric guitar. Holy smokes, what a nice surprise. I’ve only seen Andrea once before, when he played with Carley Tanchon in February. I was blown away that night and I’m happy to have gotten a taste again last night.

AndreaLongato

Matt Basile on electric bass. Another in a string of great NYC bass players who never disappoint.

MattBasile

Jamie Alegre on drums. Jamie always delivers. For me, that’s usually when he’s playing with Derek James. He was great at the last Full Vinyl show as well.

JamieAlegre

Steve Dawson on acoustic and electric guitar. I can’t say that I really made out his acoustic guitar (tough to hear it over all of the other instruments), but I can tell you that his spirit (demeanor) fit in perfectly. He was having a blast (like the rest of them were), as we all were too.

SteveDawsonElectricGuitarSteveDawsonAcousticGuitar

Rob Calder on electric bass. Excellent! My first time hearing Rob.

RobCalder

Spencer Cohen on drums. Spencer is fantastic, whether he’s on drums, percussion or cajon. Last night, it was the drums.

SpencerCohen

Scott Chasolen on electronic keyboards. He’s a great pianist, no further information required! I mentioned above that Patrick Firth hung around to play the keyboards with someone else. It was Scott. Smile

ScottChasolenPatrickFirthScottChasolen

Ignore the next name on the list, as Mark Marshall didn’t end up making it to the show…

Ben Zwerin on electric bass. Another stellar performance from Ben.

BenZwerin

Tommy Diehl on drums. My first time, won’t be my last. He did a great job.

TommyDiehlTommyDiehlDrums

Rebecca Haviland on electronic keyboards and vocals. Rebecca backed Charlene Kaye on Go Your Own Way, singing (great) and playing the keys (also great).

RebeccaHavilandSingingRebeccaHavilandKeyboards

Rob Jost on electric bass. Another winning performance.

RyanVaughnRobJost

Robert DiPietro on drums. Again (as with the last Full Vinyl), a superior effort on the drums.

RobDiPietro

Ryan Vaughn on percussion and drums. Ryan is always one of the most masterful percussionists. In addition to playing on a number of songs, he was joined on percussion by Josh Dion for the finale, complementing the already-mentioned drumming of Zach Jones. Ahhhhhh.

RyanVaughnTambourine

Oscar Bautista on electric and acoustic guitar. I had already gotten to enjoy a full set of Oscar earlier, when he played with The Vanity Belles. When they were setting up for Full Vinyl, I saw Oscar and Greg Mayo on stage at the same time, tuning and sound-checking their guitars. What a lineup of guitarists, independent of the others who I have already oohed and ahhed about.

OscarBautistaAcousticGuitarOscarBautistaElectricGuitar

Seth Faulk on drums. Man, it’s been way too long since we’ve seen Seth play. Over three months to be precise. It’s not our fault. He was on an extended tour across the country and just recently returned.

SethFaulk

Chris Anderson on electric bass. As with Oscar, we enjoyed a full set of Chris’ play with The Vanity Belles earlier. You can never get enough Chris, so having more of him in the same evening was fine in my book!

ChrisAndersonSinging

Kenny Shaw on drums. Kenny wore sunglasses, so he might have been trying to hide from me. It’s been roughly two weeks since I’ve seen him play, which is an unusually long stretch for us to go without Kenny. Fantastic job on the drums!

KennyShaw

Tom Welsch on electric bass. Tom was superb. It was my first time seeing him.

TomWelsch

Paul Amorese on drums. Another tremendous performance!

PaulAmorese

I think that’s everyone. Someone will spank me (and I’ll gladly update this) if I missed anyone.

A few group shots:

BrianCollazoMartinRivasCaseySheaBrianCollazoMartinRivasRebeccaHaviland

PatrickFirthBrianCollazoZachJonesMartinRivas

We got home around 2am. I have to say, I was still really energized and was not at all hoping the show would end. On the other hand, I went to bed at 2:45 and woke up at 7am (and have been up since), so the candle can’t be burned at both ends every night, no matter how much fun it is at the time.

AmyDaveAdamChristgauKevinJason

HadarCaitlinBrianCollazoManishGosaliaKennyShaw

Tony Maceli Full Vinyl Tribute to Talking Heads and Alanis Morissette at Rockwood Music Hall Stage 2

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That title is a mouthful. Just typing it out has taken the wind out of me. But, it’s descriptive and accurate, so I’m going with it.

Note: There are no photos in this post yet. We’re running to Rockwood now for a 6pm show and I barely finished the words. Tomorrow morning I’ll add in a ton of photos and tweet the link out again, for those that might want to revisit the post to see it in its correct glory! I’ll delete this paragraph when I update the post with the photos.

Tony Maceli is one of the top bass players in the NYC indie music scene. Some months ago, he started organizing a regular mega-show called Full Vinyl. Last night was the first one we were able to attend, so I don’t know whether we’ve missed one or two. I also don’t know whether the format is always the same (or going to be). This show was at Rockwood Music Hall Stage 2.

TonyMaceli

It was such a massive (fast moving) show, that I would be doing an injustice to multiple people if I tried to cover it the way I do normal sets. Most importantly, I’d be doing myself the massive injustice of sitting here and typing for the next few days. In other words, it isn’t going to happen.

I’ll give a high-level description, call out a few people (which is no slight on anyone that doesn’t get a separate shout-out), then do my best to at least give a link to every person who was on stage. There’s little doubt that I’ll miss someone, or not be able to identify someone (or their site). No omission is intentional, and whenever someone (cough, cough, Tony?) corrects me (public corrections are fine), I’ll update the post to reflect it.

The format last night was Talking Heads first (lead singers were all boys, with one very notable exception). To close out the Talking Heads portion, all lead singers return to the stage at the same time and each sings a piece of the finale, the uber-famous Psycho Killer. Each individual number had numerous band members swapping in and out on each song.

PsychoKillerFinale

Michelle Cassilas was the sole female lead singer during this part of the evening. She’s the head of the band Ursa Minor, writing their songs, singing lead vocals and playing guitar. She can certainly rock it out, so having her in the boys portion of the evening was just fine.

Here’s the set list for the Talking Heads portion. The order wasn’t strictly maintained because a few people (Jerry Fuentes and Derek James in particular) were still playing their set next door when it would have been their turn:

SetList1

Under each song you’ll see the band members that were slated to play (at least their last names). The first name listed was the primary lead singer for that song.

One male singer couldn’t make it due to illness (if Tony said who it was, I missed it). A last minute substitute was recruited, the amazing Robbie Gil. He’s not listed on the set list, because I think Tony already knew about the illness before he printed the sheets. I might be remembering this incorrectly, but I think that Robbie sang Burning Down the House, which has Greg Mayo listed as lead singer (which would have been a second lead for Mayo).

Tony Maceli opened the show. I missed most of his song because I was next door watching Jerry Fuentes and Derek James (I already posted about that show). A friend texted me when this show began and I waited until Jerry and Derek finished their current song to scoot over. I caught the last full verse of Tony singing.

TonyMaceliSinging

I then heard Tony sing a full verse during Psycho Killer. Folks, I’ve heard Tony sing before (rarely) and I praised him. Those previous times were nothing compared to last night. He really opened up his vocals and did a fantastic job. Perhaps he decided to put on these shows just to give himself a vehicle to sing for the rest of us. If that’s the case, I approve. Smile

On to the second half of the show. This time, the ladies were in control and the subject matter was Alanis Morissette. The format was the same, including all of the lads joining for the finale, Ironic, but you’ll notice that three of the woman sang two different songs on the lead. Here’s the set list for the ladies:

SetList2

I was never a Talking Heads fan, though songs like Psycho Killer are burned in my memory (was anything else played on the radio when that first came out?). Watching these people playing those 11 songs did not change that. For the most part, those songs don’t do it for me at all. But, watching these people play those songs (or practically anything), was truly thrilling. I don’t say that just because I love most of them (as people as well as musicians), but because the performance was simply that good. I still wouldn’t want to listen to any of it at home, without the energy in the room.

The Alanis Morissette portion, totally different story. Even though my eyes were droopy and I was yawning,  the second half was amazing, each song. It wasn’t that the women performed it any better than the men (they didn’t, both groups nailed their parts). It’s just that Alanis Morissette is a dramatically better songwriter for my taste.

Here’s the photo of the ladies’ finale:

IronicFinale

We left Rockwood at 2am (sheesh). Not for one second did I consider leaving early.

Before listing out as many people as I can find, I want to write out some incredibly subjective, almost silly thoughts. Not because I want to (or believe I can) sway anyone’s opinion. I just want to remember exactly how I felt and this is the best way. One more caveat. There wasn’t a single weak performance last night (seriously, I’m not sparing anyone’s feelings, you just have to trust me on that). So, by calling out anyone, it would be a major mistake on your part to assume that there was a vast difference between the people I’m mentioning and the people I’m not.

Last time, the following observations are entirely my personal opinions. I’m not casting them as facts. If these people delivered a level-10 performance, then the worst of the rest delivered a 9, with the average being 9.5+.

Josh Dion was the most thrilling male performer. When his song was done, I turned to anyone in my vicinity and said “Josh can only be described by one word: Excitement”.

JoshDion

Misty Boyce was mind-boggling in her lead, but she was also the primary harmony vocalist with both the males and females. She also played keyboards and melodica. I’ve seen Misty sing background with Bess Rogers before, and I’ve wanted to see her own sets (and came really close twice, including earlier this week), but this was my first time seeing her take center stage. She grabbed it and didn’t let go until we were all reduced to a puddle.

MistyBoyce

When her song was over, my friend leaned over and said: “Hard to imagine that she isn’t going to blow up one of these days!” (my friends and I are obviously gangsta, holla, in case you mistook that for being a bad thing!). Winking smile

Finally, let’s try to get everyone’s full name (with links if I can find them). I’ll do the male leads first, then the female leads, then the band members. And…… GO:

Tony Maceli, already covered. He also played bass on many of the songs, always his forte.

TonyMaceliBass

Greg Mayo, in addition to singing lead, Greg played electric and acoustic guitars on a majority of the numbers. He sang the most harmony by a male (even on the Alanis set). Even when he wasn’t singing in the mic, Greg was silently singing every word of every Alanis Morissette song. He’s clearly a big fan!

GregMayoSingingGregMayoElectricGuitarGregMayoAcousticGuitar

Scott Chasolen, in addition to singing lead, played the electronic keyboards on that song. He was great!

ScottChasolen

Jerry Fuentes, already discussed above, sang and played smoking lead guitar.

Derek James sang with Jerry Fuentes as part of Jerry’s number.

JerryFuentesDerekJamesMasonIngram

Michelle Casillas, also mentioned above. Great! (I’m going to stick with great, so no one reads into me trying to simply mix up my superlatives.)

MichelleCasillas

Chris Cubeta, I’ve heard about Chris for a while now, mostly as a producer (he produced the upcoming The Vanity Belles CD). This was my first time laying eyes on him and I was very impressed with his voice and guitar play. Misty Boyce sang harmony with him in near-lockstep. They sounded great together.

ChrisCubeta

Update:

Daniel Lanzetta was not listed on either set list, so I missed him the first time I posted this. When I added the photos, I realized my error. He joined Chris Cubeta and did the spoken parts of Once in a Lifetime (of which there are many).

DanielLanzetta

End Update.

Zach Jones, in addition to singing lead, also drummed for a good bit of each set. This is the first time we’ve ever seen Zach hatless. It turns out, that contrary to popular belief, he doesn’t get his superpowers from his hat, because he was great without it yesterday, both singing and drumming. Smile

ZachJonesSingingZachJonesDrumsZachJonesGuitar

Josh Dion. Already asked and answered! I’ll just mention that he was drumming while he was singing, but if you’ve heard of Josh Dion, then you probably guessed that already (you couldn’t have been sure, because he’s great on the keyboards too!).

JoshDionPaulAmorese

Robbie Gil, also mentioned above. Great!

RobbieGilSpencerCohen

Casey Shea not only was great (see, I’m not varying my adjectives in this section), but he also came off the stage, laid down on a table in front of it, and serenaded a woman within inches of her face. Let me think who that was… Oh yeah, it was Lois! Smile

CaseySheaCaseySheaJamieAlegreMattBasilePatrickFirthMistyBoyceCaseyShea

On to the female leads (remember, three of them sang twice, so their list will be shorter):

Jamie Rae, sang lead on two songs. She’s listed as Raeya on Tony’s set list. I think she recently started a new solo project under that moniker. Great!

JamieRae

Misty Boyce, I want to repeat what I said above, but I’ll restrain myself.

MistyBoyceMelodica

Lelia Broussard, sang lead on two songs. She also danced around a bunch and raised the already high energy level higher as a result. Great!

LeliaBroussard

Charlene Kaye, in addition to singing lead, also sang harmony with a few others. Great!

CharleneKaye

Emily Long, sang lead, and was one of the people that Charlene Kay sang with. The two of them are in a Guns N’ Roses cover band called Guns N’ Hoses. Emily was great!

EmilyLong

Mighty Kate (Katy Pfaffl), sang lead on one song. What a change-up from her own music which we saw just this past Monday (here’s my post raving about her). Great!

MightyKateMightyKateMistyBoyce

Julia Haltigan, sang lead on one song. She too was great! She was recently at Rockwood for her own set, and will be again next week, but beside that, she’s performing soon at The Kennedy Center in Washington. No biggie, I’m sure. Winking smile

JuliaHaltiganJuliaHaltiganSteveWilliams

Dallin Applebaum, sang lead on two songs. Great!

DallinApplebaumDallinApplebaumZachJones

Onward, to the unsung (get it?) folks who supported the above, in the most amazing fashion (I’m not going to repeat the ones who sang, but separately played an instrument on many other songs):

Patrick Firth on electronic keyboards and light vocals. He really wailed on the synth/organ sounds. Great!

PatrickFirth

Jeremy Goldsmith on electric guitar. We’re about to see him in a couple of hours, supporting Jesse Terry at Rockwood. I’m looking forward to seeing him again, because, wait for it, he was great last night! Smile

JeremyGoldsmith

Brian Killeen on electric bass. I had just seen Brian Killeen kill it on an earlier set supporting John Schmitt (post is here) and got to watch him do it again with this group. Great!

BrianKilleen

Ben Zwerin on electric bass. Great!

BenZwerin

Paul Amorese on drums. Great!

PaulAmorese

Matt Simons on electronic keyboards and light vocals. I just saw Matt Simons on the same set with Brian Killeen, supporting John Schmitt. Great!

MattSimons

Mason Ingram on drums. I’ve seen Mason once before, supporting Alec Gross. He was impressive that night. The music was radically different last night, with Mason being equally impressive. Great!

MasonIngram

Steven Elliot on electric guitar. Great!

StevenElliot

Rob Jost on electric bass. Great!

RobJost

Robert DiPietro on drums. I’m pretty sure they called him Rob last night, but the link says Robert, so I’ll stick with that. Great!

RobDiPietro

Both Robs (Jost and DiPietro) are in Ursa Minor with Michelle Casillas and they supported her when she sang lead.

Matt Aranoff on electric bass. Great!

MattAranoff

Ryan Vaughn on drums. Great! I ran into Ryan at John Schmitt’s set and told him that I personally blamed him for keeping us up way past our bedtime. Meaning, we really like catching sets when Ryan is drumming.

RyanVaughn

Spencer Cohen on drums and cowbell. Yes, Spencer is a master percussionist, including playing a naked cowbell, center stage! Great!

SpencerCohenCowbell

John Kengla on electric bass. Great!

Update: I just looked through the photos and not only can’t I find one with John Kengla, the song he was supposed to play on, Heaven, sung by Zach Jones, has Tony Maceli playing on it. So, no photo, and he might not even have been there. Oops.

Rob Heath on drums. Great!

RobHeath

Dan Tirer on electric guitar. Also great, but I’ll add that this was my first time seeing him, and I was particularly impressed. In fact, Lois, who doesn’t pay as much attention to certain instruments as I do, turned to me and commented on how good she thought he was.

DanTirer

Matt Basile on electric bass. Matt always delivers, great!

MattBasile

Jamie Alegre on drums. Great!

JamieAlegre

Steve Williams on drums. I saw Steve once before, supporting Julia Haltigan. He was great that night and again last night!

SteveWilliams

Jeff Litman on acoustic guitar. Great!

JeffLitman

Wow, can’t believe I got through the list, with or without mistakes. Yay me! Smile

The Big Apple Singers at Rockwood Music Hall Stage 2

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The Big Apple Singers typically book really late shows at Rockwood Music Hall Stage 2. Actually, they’re really early, as in midnight. That was the case last night. We planned to attend nonetheless, because it’s simply been way too long since we’ve seen Greg Mayo (one of the four members of the band) perform.

It ended up being the culmination of a truly epic night of music for us. This was the fifth consecutive set (split between Rockwood’s two stages), beginning at 8pm with Barnaby Bright.

This was the only set that we stood for, and even though I prefer sitting, I was actually glad to stand. The Big Apple Singers bring such energy that it’s nearly impossible not to move in some way, which is easier when you’re standing. It also made it easier to stay awake. Winking smile

The Big Apple Singers mix originals (there were three or four last night) with big-time covers (mostly from The Band). They are all incredible musicians and it’s impossible not to get sucked in to the spirit (I dare you, come on down, resistance is futile!).

The core band consists of:

Evan Watson on electric guitar and vocals. Evan is an excellent guitar player. If I understand correctly, he formed The Big Apple Singers. Thanks Evan! He’s quite the showman when he’s singing lead, or playing lead guitar. On the other hand, he’s one of the most generous people when it’s someone else’s turn to shine (as I’ve noted a number of times before). He kneels to ensure the crowd can see the drummer during a solo, etc. Evan also played the mandolin on one number.

EvanWatsonGuitarEvanWatsonMandolin

Greg Mayo on keyboards (grand piano and electronic) and vocals. It was no small irony to me that I sat through five sets of music, each of which had an excellent guitar player, and yet I didn’t get to hear my favorite of all of them, Greg Mayo. On the other hand, he was so awesome on the keyboards, that it didn’t matter in the least!

GregMayoPiano

Greg also used a small black tube to control the sound of the electronic keyboards by making sounds with his mouth. Totally cool and executed to perfection.

GregMayoKeyboards

Josh Dion on drums and vocals. Aside from being a mind-bogglingly great drummer and being an outstanding vocalist, Josh Dion is flat out exciting. If you’re not mesmerized by his performance, check your pulse, literally!

JoshDionDrums

Chris Anderson on electric bass and vocals. Two sets in a row with Chris playing bass? Yes please! Very different performances. The set before called for more subtlety, this one for all-out rock. Both delivered on the money.

ChrisAndersonSinging

The Big Apple Singers called up two separate guests.

Zach Jones, also an extraordinary drummer, was invited up to play some electric guitar. Cool! I didn’t know they were going to call him up. Right before the set began, I bumped into Zach and noted that many of my favorite drummers were in the room (Josh Dion, Zach Jones, Kenny Shaw and Seth Faulk). Zach pointed out another drummer as well. I told him that I ant to see them all on stage together, doing something like The Allman Brothers Band does. A boy can dream, right?

ZachJonesChrisAnderson

Rebecca Haviland came up to sing one song with Evan. They fed off of each other, building the energy and having a (contagious) blast on stage. If you don’t know Rebecca’s voice and music (she co-writes with Chris Anderson), do yourself a huge favor and correct that oversight right now!

EvanWatsonRebeccaHaviland

Manish Gosalia was in the audience for four of the five sets that we attended. Whenever I see Manish at a show, I know two things for certain:

  1. It will be a great show, he has exquisite taste in which bands he likes
  2. There will be exceptional photographs (and sometimes videos) of the show, on his Flickr page. He’s a phenomenal photographer!

Here’s a shot of Manish and Rebecca Haviland:

ManishGosaliaRebeccaHaviland

During the set, Patryk Larney walked over (he headlined the set we attended right before this one) and said: “We’re watching history being made!”. My answer? “Every single time they play!” Smile

We got home shortly before 1:30am. What a night out. After missing five weeks of this NYC music scene, we dove into the deep end without a tank. An exhilarating night out. Amazingly, we skipped another set that I have no doubt would have continued the epic evening. Jay Stolar was up at 1am. It was simply past my ability to fight exhaustion.

The Crab Apple Singers at Rockwood Music Hall Stage 2

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If you ask who the Crab Apple Singers are, I won’t fault you for not knowing, since last night was their first-ever performance. It’s a spinoff of a group called The Big Apple Singers. The founder of TBAS, Evan Watson is on an extended tour with Def Leppard. The rest of the group was itching to play, and I’m certainly not the only audience member that was itching to hear them.

Here is my post on the last TBAS show. Since Evan Watson plays electric guitar for TBAS, some changes were required to constitute The Crab Apple Singers (TCAS).

Greg Mayo moved from keyboards to electric guitar.

GregMayo

Patrick Firth replaced Evan, but really he replaced Greg at the keyboards (grand piano and electronic).

PatrickFirth

Chris Anderson was slated to play electric bass (he’s the primary bass player in TBAS, and therefore in TCAS as well). He had a late conflict and he too was replaced.

Brian Killeen played electric bass. As good as Chris is, there’s no drop-off with Brian, so we’ll call that an even trade.

BrianKilleenBass

Josh Dion is the only member of TBAS who fulfilled the same role, drummer, in TCAS.

JoshDionSinging

All four members sang lead and harmony. All four did that as well as you could hope.

My friends, if you weren’t there, you missed a heck of a set. Every one of them was on fire on their instrument (guitar, keyboards, bass and drums). The leads were sizzling and the drums were mind-boggling.

People literally got out of their seats and started to dance. Once they started, they didn’t stop. Many cameras switched their focus to capture the joy of the dancers, but all ears were on the band.

I’ve been praising Greg Mayo and Patrick Firth a bunch this week, so let me just tell you that there was no letdown from their previously praise-worthy performances. They were both absolutely amazing.

Brian Killeen traded his bass for Greg’s guitar on one song. Brian sang lead on Cinnamon Girl (with Josh Dion singing co-lead). He took a wailing lead late in the song, showing that he’s no slouch on the electric guitar. Very nicely done Brian!

BrianKilleenGuitar

Greg tore it up on the bass, so the switch didn’t cost the audience enjoyment on either instrument.

I love drummers. There are good ones, great ones, and exciting ones. Josh is in the exciting category. Keep in mind that this category subsumes the great category as well, the excitement doesn’t come at the cost of greatness. That Josh’s singing produces the same type of excitement, separate from his drumming, is even more mind-boggling.

JoshDionDrumming

Looking at the faces in the crowd while Josh is ripping up the drums made me feel like I was in an old-time revival meeting. People were seeing the light.

Robbie Gil came up to close he show. He sang Feeling Alright and the band killed it supporting him. Dave Mason closes every one of his shows with his money song, and he’d have been proud to hear Robbie sing it with TCAS backing him up. What a way to end an epic (nearly six hour!) night of music.

RobbieGilBrianKilleen

Here’s the set list, but there were changes. At least you can get a good sense of the type of songs they select:

SetList

I missed most of Robbie Gil’s set, the one immediately before TCAS, because I was next door seeing Bri Arden. Lois stayed and watched Robbie’s set. She had a mutual friend text me that Greg Mayo was playing guitar on Robbie’s set. I replied that I knew, but was happily committed to seeing Bri nonetheless.

Then she told me (and showed me a photo) that Greg played the lap steel guitar during one number in Robbie’s set. That was the only (momentary) twinge I had about my decision. Oh well, I’ll just have to keep showing up at Greg’s sets until he whips out the lap steel again. Smile

GregMayoLapSteelGuitar

Brian Killeen Birthday Bash at Rockwood Music Hall Stage 2

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What do you do after driving 5.5 hours to return home from a 10-day business trip? If you’re most people, you catch up with what happened while you were on the road, then collapse for an evening of relaxation. If you’re crazy kids like us, you do that, add a catnap and after relaxing, head out to an 11pm show at Rockwood Music Hall Stage 2.

What could get us out at that hour on such a day? A number of the musicians in NYC celebrate their birthdays with shows. Last night was Brian Killeen’s turn. Considering that he’s a sought-after bass player who plays with a number of bands, there were quite a number of musicians that wanted to play with him. When I saw the tweet-stream of names that would be appearing, it was a combination of my local all-star list, coupled with a few new people I’ve been wanting to check out for a while. Perfect!

Apologies for the quality of a number of photos (and the lack of some others completely). The lighting was all over the map and many shots just came out poorly. Sad smile

Brian played on every song and sang harmony on a bunch. In a new twist (for me), Brian played the lead guitar on one song (later in the set) and did a very nice job! He also sang lead on that number (co-lead actually), which has become less of a novelty more recently.

BrianKilleen

Greg Mayo was on stage for all but two songs, earning him a close second in the Iron Man competition with Brian. Greg opened the show on the keyboards (grand piano and electronic). He switched to the electric guitar on the next song. On both he sang lead (very strongly), getting the large crowd completely riled up on Born on the Bayou (complete set list posted at the bottom). On the one song that Brian played lead guitar (Greg’s), Greg played Brian’s electric bass (it only seemed fitting).

GregMayoPiano

John Schmitt took center stage with his acoustic guitar. His voice was incredible (it always is) in belting out his two numbers. I’m always impressed when someone can handle solo singer/songwriter mellow (John is masterful) and can just as easily stand up to a full rock band and sound as good.

Late in the set John ended up sitting at our table. A few of the people behind me gushed uncontrollably “You are awesome!”. They are/were correct, he is/was. I told them that he has his own Birthday set next Friday (7/29) at 10pm at The Living Room. Come test the veracity of my statement and celebrate with John.

JohnSchmittAmyRivard

Dorie Colangelo sang and played John Schmitt’s acoustic guitar. I’ve never seen Dorie before, but Lois caught the last song of her set seven months ago. Here’s what I wrote in the post about that night:

We got there 10 minutes before Alex’s set. I stood outside (brrr) and caught up on some comms on my Droid. Lois went in and heard the last song of the set before Alex, Dorie Colangelo. Lois was extremely impressed by Dorie.

When I walked in, she was telling Dorie how wonderful her voice was. She asked if Dorie had any CDs/EPs and Dorie handed her one (she didn’t want money for it). Lois insisted. She asked me for money. Since I wasn’t privy to the conversation, I handed her a $5, thinking it was the standard fee for most EPs. When I loaded it up this morning, I saw that it was an 11-song CD. I’ll slip Dorie some more money the next time we see her. Given Lois’ reaction, I’m sure there will be a next time. Smile

Oops! I wish I had re-read that post before last night. Of course, I forgot that I wanted to give Dorie some extra money. Next time (and this time I mean it).

DorieColangelo

As for last night, Dorie’s voice was wonderful. Her guitar-playing was fine. Unfortunately, the songs were way slower than the rest of the set and the shift didn’t feel natural to me. Ironically, I did like her really slow (earthy/sexy) version of I’m So Excited. Still, it seemed to break a mood (just a bit). I’m still as interested in catching Dorie doing her own stuff as I was before last night (perhaps more).

Since she was playing John’s guitar, the strap was way too loose for her comfort. Between her two songs, John came to the stage to adjust the strap, which worked out much better for Dorie during I’m So Excited.

Patrick Firth left his normal spot at the grand piano (he played a ton of electronic keyboards as well) and took center stage with his acoustic guitar. He sang the first original of the night, a song off his upcoming album called Boomerang (that’s the song title, I don’t know what the CD will be called).

Update: Read the comment below from Brian Killeen himself. I got it totally wrong! Every performer did an original. You can see my response about Greg’s opening number below Brian’s comment. Thanks again Brian, I like to be accurate when possible. 🙂

PatrickFirthGuitar

Martin Rivas came on stage to support Patrick Firth the song before and stayed to perform a couple as well. He kicked it off with his own North. Not only was it superbly delivered, but I felt like it was my birthday as well. After Greg Mayo took a short but very sweet guitar solo, Martin turned to him and motioned that he should continue. He took a much longer, killer solo. Thanks Martin for making Greg give me an early birthday present too. Smile

MartinRivasGregMayoGuitar

Wes Hutchinson was up next, singing and playing acoustic guitar. While he was standing off stage, I mentioned to Lois that he looked so familiar that I was sure we’ve seen him before, but the name was escaping me. Ha! When he got on stage he mentioned that he had just chopped off his hair. That’s it! I’ve seen him twice recently, both times in support of Chelsea Lee, and both times I was extremely impressed with Wes.

WesHutchinson

Last night Wes was excellent again, this time singing lead (our first time experiencing that). There will be more Wes in our lives, I’m sure (as there was a bit later in the show as well).

Emily Zuzik sang and played electric guitar. Emily was high on my list of people to see. I nearly got to see her a couple of Friday’s ago. I already know I can’t make her next two NYC shows, so this was such a big bonus that she was part of this celebration. It shouldn’t have been a surprise, since Brian Killeen is part of her band. The other members of her band were all part of this show (independent of Emily), so it was preordained that she be there too.

EmilyZuzik

She opened with Want to Go Out Tonight, the first cut on her new CD, The Wild Joys of Living. Wonderful delivery of a fun, upbeat song. Emily has a great voice. Wes Hutchinson moved over to electric guitar (he too borrowed Mayo’s, making Emily’s two songs the only ones that Greg wasn’t on stage).

EmilyZuzikBrianKilleenWesHutchinson

For her second number, Emily performed a gutty version of Psycho Killer. Her voice was completely different, showing that she controls it, rather than the other way around. A total blast.

After the show, I introduced myself to Emily. She told me that she couldn’t hear herself sing. I assured her that it sounded awesome in the audience and I assure those of you who weren’t there as well. Smile

When you see the set list below, you’ll see that the next performer is listed as Me! If you’re not paying attention, the Me! is Brian Killeen. He actually wasn’t formally introduced as being the next lead performer. Instead, Josh Dion was brought up and began the song as if he were leading it.

This is the song that I previously noted Brian took over lead guitar duties on as well as singing lead. Josh did a bunch of lead singing on the song as well, so it was really co-leads. Brian did a terrific job.

BrianKilleenSingingElectricGuitar

Josh killed it on both of his numbers. The second was an original called Feel. I might be one of the few people in the audience who hadn’t heard it before. Even though Josh plays a lot, it’s interesting to me that he’s also a legend in this community for his previous band, The Josh Dion Band. I know a number of musicians who I respect who speak about Josh Dion Band shows in awe, claiming that to this day, they are still the best live shows they’ve seen.

JoshDion

Here’s a YouTube video of Josh performing Feel in 2007. He looks nothing like that now, but he sounds just as good, singing and playing the drums (and he’s excellent on the keyboards as well). Brian Killeen is in the video, as is Patrick Firth on the keyboards, so you’re getting some of the experience I had last night.

Josh Dion performing Feel

Robbie Gil was up to close the show. He sang two numbers, playing acoustic guitar on the first and just singing on the second. Saying just singing with regard to Robbie is probably a crime in 37 states. The man has a passion that will pull you onto to the stage with him and he certainly left us energized, even though it was after 1am.

RobbieGil

Don’t believe everything you read. The set list shows Robbie’s second song as Baba O’Riley. It was The Who’s Teenage Wasteland. Awesome! Smile Patrick Firth on the keys was spectacular as was Zach Jones on the drums (I introduce Zach below!). Robbie also wailed on the harmonica during this song.

PatrickFirthPiano

The Set List:

SetList

As I got up to leave, Martin Rivas returned to the stage and said that we couldn’t let it end this way. While we had sung a wishy washy Happy Birthday to Brian mid-set (I think when Wes was up), Martin wanted a more proper version. He, Robbie, Greg Mayo, Patrick Firth and Zach Jones sang an awesome rendition of Happy Birthday by The Beatles. Martin was right, a much more fitting way to end the night!

Don’t run away just yet. There were a few more core band members that deserve mentions, including two people we’d never seen before.

Ryan Vaughn performed much of the drumming for the night. He was superb throughout.

RyanVaughnSettingUp

Andy Stack played electric guitar during the first two songs (Greg Mayo’s numbers). He was really good. He was the primary lead guitarist on the first number when Greg was on keyboards. But in Born on the Bayou, he traded leads with Greg in classic Rock fashion (wonderfully) and they teamed up for simultaneous leads after the duel. I did mention up above that Greg got the crowd completely riled up during this song. Andy was part of the reason. Andy also sang harmony on both numbers.

AndyStackB

Zach Jones played drums for Greg Mayo, Robbie Gil, and I think one other, making it seven songs in total. He also played some percussion on another song. He sang into the mic on both of Greg’s songs, and mouthed a lot of the other lyrics. I was very impressed with his drumming. I’ll be seeing him again next week and I’m already looking forward to that show (for many other reasons as well).

ZachJones

The link from his name above is to a group he is in with Emily Long called The Stone Lonesome. They have an album out that Zach sings a bunch on as well and I am really impressed with his voice (listen to the second song, Bridge to Nowhere). I’m sure we’ll be hearing about him a lot and hopefully seeing him a lot as well.

We went to bed at 2am, certainly not something we want to get used to, but it was worth it (at least last night it was!). Smile

Big Apple Singers and Mighty Kate at Rockwood Music Hall Stage 2

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What do you do when an extremely talented group of musicians doesn’t blow you away, then announces a new show? You go, without hesitation. No two shows are alike and the likelihood of a repeat experience is low.

When I noticed that The Big Apple Singers (TBAS) were playing last night at Rockwood Music Hall Stage 2 at 10:15pm, I admit to a second’s hesitation (making my second sentence above a bit of a white lie). However, when I also noticed that it would be a night of songs exclusively by The Band and would likely be TBAS last show for a while (ever?), I really had no hesitation.

It was a fantastic set. The only complaint was that much of it was too loud, but not in exactly the same way as the last time.

TBAS is four people and they brought up four guests as well. I’ll get to the guests after I mention the main guys. Left-to-right on the stage:

Greg Mayo on keyboards (grand piano and organ) and vocals. Greg has an excellent voice and he put it to good use last night on leads and harmonizing with the others. Greg is my favorite local guitarist, but he doesn’t play guitar in TBAS. Greg is an excellent keyboardist (aside from seeing him with TBAS before, that’s his instrument of choice in his own band, the Greg Mayo Band).

GregMayoPiano

I have always enjoyed Greg’s keyboard play (at every show), but last night he took it up a notch. He played some parts with both hands on the grand, others with both hands on the organ and many with his left on the organ and right on the grand. All were tingle-worthy.

GregMayoOrganPiano

All three of the lead vocalists (including Greg) took one very long solo (without any accompaniment whatsoever) to start off one song each. Greg’s was entirely on the organ. He played for somewhere between 3-5 minutes while everyone on stage and in the audience stared at him and his fingers in amazement.

GregMayoOrganSolo

Evan Watson on electric guitar and vocals. Evan is an excellent guitarist and has a powerful voice. As I mentioned in my last post about TBAS, he’s very generous on stage. When Josh sings or does a drum solo, Evan squats on the stage so that the audience can see Josh. I didn’t mention it in the last post, but this is the second time that Evan broke a string on his primary guitar. Just like last show, rather than string a new one, he grabbed a spare electric guitar on the next number.

EvanWatsonGuitarJoshDionSinging

Just like Greg above, Evan took a 3-5 minute solo on the electric guitar to kick off a song. It wasn’t too flashy, more like a building melody that kept the crowd interested, with their pulse (or at least mine) rising slowly but surely throughout, so that we were primed for the full band to kick in when the solo was done.

On the last number, Evan wailed on the harmonica quite well. I knew he wasn’t going to play it again that set, because when he was done with the harmonica, he tossed it (unceremoniously) on the floor and immediately switched to a guitar lead. Smile

EvanWatsonHarmonica

Josh Dion on drums and vocals. I was late to the party on hearing about and seeing Josh. He’s a favorite of many people whom I respect and that goes for me as well now that I’ve seen him a number of times (on drums and on keyboards). He’s an excellent singer and an amazing drummer.

JoshDion

Just like Greg and Evan, Josh took a 3-5 minute solo. He’s soulful when he’s drumming slowly and blazingly fast when the sticks are just a blur. At either speed, he’s tasty and captivating. The looks on the band’s faces (let alone the crowd’s) were priceless!

JoshDionSoloSticksFlying

Chris Anderson on electric bass and vocals. Chris did a great job on the bass. In addition to singing harmony, Chris took the lead on a verse in at least two separate songs. The only other time I’ve heard Chris sing lead was at the last TBAS show. He does it quite well.

ChrisAndersonBassChrisAndersonSinging

Rebecca Haviland on vocals. Rebecca jumped up on stage a number of times. Twice by herself and two other times with the ladies I will mention next. What can I say about Rebecca’s voice that I haven’t said before? Well, I’ve mentioned how powerful it is (coming from a tiny person), but not how easily she was able to be heard over the too-loud music. Such a force. Rebecca has her own set at Rockwood 1 on Thursday at 8pm. We’ll be there. Join us and experience this dynamo first hand!

RebeccaHavilandSingingTambourine

The first time Rebecca came up, three other women joined. Two of them are the leads in a group called The Vanity Belles. Carrie Welling (no good individual link) and Jessi Rae Waltz (also no good link) both added to the vocals and dancing, standing on either side of Rebecca. Both Carrie and Jessi joined Rebecca on a second song later in the set.

CarrieWellingRebeccaHavilandJessRaeWaltzAshleyLehmann

Ashley Lehmann joined Rebecca and The Vanity Belles the first time they were all up on stage. Considering that all four members of TBAS sing (well!), that made eight voices rockin’ it out on that number. Fantastic!

I am very glad to went to see TBAS again. Smile

Before going to a show at Rockwood, I always check to see who’s playing the set before. Aside from the opportunity to discover good music serendipitously, I do it because Rockwood has limited seating and we prefer to sit. Back in January, when doing exactly that, the set before was Mighty Kate (Katy Pfaffl).

MightyKatePiano

If you visit the site I linked above, at the time I’m typing this, the song Better Days starts playing automatically. That’s all I needed to hear to know we’d be attending the earlier set independent of the desire to sit. Unfortunately, Katy (or should I call her Kate, or Mighty?) got very sick and canceled that set back in January. I admit that I forgot to track her, but it turned out she didn’t reschedule until last night anyway (I’ll explain later!).

Imagine my surprise when I checked who was on before TBAS and immediately recognized the site and song. This was a no-brainer, we weren’t going to miss a second chance to see Kate/Katy/Mighty (OK, I’ll stop now). Winking smile

The set before Katy was a paid show, so even though we arrived way too early for her set, we had to wait outside. Thankfully, the weather was nice (it ended up pouring at some point while we were enjoying the two sets and was nice when we left again!).

Even though we were the first two to line up for Katy, the line got long pretty quickly. It was amusing to see how many people showed up claiming to be performing with Katy. It felt like a cast of thousands (it ended up being seven people in total).

Kate (see what I did there, I switched to her performing name) started the set off solo, playing the grand piano and singing. A very mellow, jazzy number that highlighted both her incredible voice and her excellent piano skills. Not the greatest song to grab a somewhat noisy crowd by the throat, but for those who listened, a well executed opener.

For the most of the remaining numbers (very few exceptions), Kate was joined by a drummer and bassist (electric). I’ll get to them shortly.

In addition to having such a great voice, Kate is also a mutli-instrumentalist. In addition to her piano play (most of the songs), she played an acoustic guitar (mostly picking, a little strumming) and a violin (on one number). She’s good on all three, but the piano play was the strongest (and most consistent).

MightyKateViolin

Not every song grabbed me, but all were very pleasant to listen to. Some were great. Many of the lyrics were deep, sophisticated and flowed very naturally. She’s a very talented woman (more on that in a bit).

Rich Mercurio on drums. I can’t find a good individual link for him, but here’s a summary on a band page (a little outdated, but wildly impressive nonetheless):

Manhattan based producer/musician/songwriter, has produced and written for various record and television projects. Rich has recorded and/or performed with artists including Enrique Iglesias, Jewel, Chris Whitley, Vitamin C, Jonatha Brooke, Michael Bolton, and Ronan Tynan. Appearances include The Tonight Show, The Late Show and Late Night with Conan O’Brian. He can currently be seen in the broadway production, Martin Short, Fame Becomes Me

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Richard Hammond on electric bass. Read his performances and discography. Be prepared to have your mouth agape while you’re doing it.

RichardHammond

That accounts for two of the seven people that performed with Kate, the two Rich’s (as she called them) forming the core band members.

Matt Doyle joined Kate to sing a cover, Thin Air by Aqualung. Kate played acoustic guitar and they sang harmony throughout. They were amazing together. Matt’s voice was buttery smooth.

MightyKateMattDoyle

This is as good a time as any to fill in why Kate waited five months to reschedule at Rockwood. Both she and Matt are currently appearing in War Horse at Lincoln Center. While Kate was on stage entertaining us, War Horse was winning the Drama Desk Award for Outstanding Play! Nicely done, Kate, Matt and all involved in the play.

Kate brought out two women to sing harmony with her on two numbers. Morgan Paige and Nisha Asnani. Very nicely done ladies.

MorganPaigeNishaAsnani

Jody Shelton joined Kate toward the end of the set for another duet with Kate on acoustic guitar. Another winning combo. In other words, in addition to singing so well alone, Kate is masterful at singing harmony with others and at choosing the right people to sing with.

MightyKateJodyShelton

OK, we’re down to one last (very special) guest. Kate brought out Scott Chasolen to accompany her on piano while she sang a gospel song (the only song that Kate did not play an instrument on). Scott wowed us the only other time we’ve seen him, at a recent Rockwood-based Backscratch show. I found out after the show that Scott is Kate’s husband. They too were well matched, but Scott, who has an excellent voice himself, didn’t sing on this number.

ScottChasolenMightyKateSingingGospel

Kate closed the set with Morgan and Nisha singing harmony. She explained that she tries really hard to sing at least one new song every time she performs. Given her current schedule, she hasn’t had much time to write. She performed a song that she said she wrote mostly in her head, Bright Star. It was awesome, truly, so perhaps we need to lock her in her loft bed (I think that’s where she said she wrote it) more often. Smile

There was quite a large crowd there for Kate and they wouldn’t let her get off the stage when her set was over. She was given permission to play one more. She performed it solo on the piano. It was another brand new song, that she begged forgiveness for in advance if we didn’t like it. This was the first time anyone was hearing it in public.

Kate, no need to worry, it too was beautiful. Lois was particularly drawn to that last number, so you left us on a high note. Smile

MightyKateSetList

Big Apple Singers at Rockwood Music Hall Stage 2

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I started the first of four posts tonight (this being the 4th and final one) with a question as to whether this night would turn out to be as epic as I expected. If you read posts #2 and #3, you’ll know that there were enough frustrations to make that highly unlikely.

That said, there was the promise that this final set would put the night over the top. After all, it was a similar setup to The Narwhals who completely blew me away just a few nights earlier. If you only want to hear glowing things about these musicians, read that post and stop now!

The two main people in The Narwhals are Josh Dion and Greg Mayo, both extraordinary musicians (multi-instrumentalists and vocalists). Both are equally highlighted in The Big Apple Singers (TBAS). In this configuration, Josh moves from the keyboards to the drums and Greg moves from guitar to the keyboards.

Another main person (likely the leader of TBAS) is Evan Watson on the electric guitar and vocals. Rounding out the group is one of our favorite bassists (and people), Chris Anderson.

GregMayoChrisAnderson

A disclaimer is necessary, for people who don’t regularly read my blog. I write this blog for 1.5 reasons. The main reason is simply to document the things we do that we want to remember for as long as we live. We know memories are fleeting (in the sense of accuracy). The minor one is to promote the musicians that we have fallen in love with, but that’s really secondary.

The few negative things I have to say about last night’s set are for me to remember how I felt, not to knock people who have more talent in their pinkie than I have in my whole body. Also, I might be the only person in the overwhelmingly crowded Rockwood Music Hall stage 2 that felt this way. The joint was jumping and everyone there appeared to be enjoying one of the best sets they’d ever seen (including the friends we were there with!).

So, how could the same basic set of people that thrilled me on Wednesday, just have me enjoying myself a few nights later.

First, everything was so loud (probably to compensate for the huge crowd) that it was all a bit fuzzy. Of course I could make out all the leads, but they were drowned out by the other instruments that were wailing along rather than subtly accompanying the leads. On Wed, due to the blizzard keeping the audience smaller, everything was a more reasonable volume and the clarity of every note was outstanding.

Second, while The Narwhals played a set of only covers, TBAS played both covers and originals. Some of the originals had excellent musicianship, but were hardly stellar songs (IMO). There was also one direct comparison. Both groups played The Shape I’m In by The Band (TBAS opened with it). TBAS did it well, The Narwhals were awesome. I guess that set the tone for me early on and TBAS never overcame it for me (with one notable exception).

Left-to-right on the stage:

Greg Mayo on grand piano, electronic keyboards and vocals. Wonderful on everything.

GregMayoKeyboards

Evan Watson on electric guitar and vocals. Evan is a very good guitarist, but a little too heavy handed for my taste. It’s possible that it was this particular show or set list. I’m already planning on catching him with his other band, The Headless Horesemen, on February 17th, so I’ll get a second look. He has a very good voice and classic hard-rock theatrics.

EvanWatsonEvanWatsonChrisAnderson

Josh Dion on drums and vocals. Awesome on the drums, great vocals. He took one very long drum solo. When he was done, Evan challenged him to crank it up. He did. The second solo was dramatically faster than the first. I still don’t know how his arms didn’t fly off. That said, just like my comment about Vinnie Sperrazza from Wednesday, Josh is even better in his drumming on every single song than his solos.

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Chris Anderson on electric bass and vocals. In the past, we’ve only heard Chris sing harmony, mostly when he’s playing with Ian Axel. Last night, during one song, Chris took an entire verse himself. He was great and the audience let him know it.

ChrisAndersonSinging

Robbie Gil was brought up as a special guest singer for one song. Robbie performed the set before TBAS and Josh Dion and Greg Mayo played in his band. I was sorry to miss that set (and will correct that as soon as possible), but we were next door at stage 1 seeing Derek James.

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Robbie kicked off another The Band song but insisted that each of the other band members sing at least one verse (that’s the song that Chris took a lead on). Robbie’s voice was wonderful as was his spirit on the stage. It’s the one exception I noted above to nearing the feeling I had on Wednesday.

Another thing that we rarely see, which we applaud, was Evan Watson squatting (Chris as well) whenever Josh Dion was singing lead. How rare to get a peek at the drummer, tucked way in the far corner at Rockwood 2. A wonderful touch.

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When they were done, even though they had passed their allotted time, people wanted more (remember, nearly every person there appeared to me to have loved every single second of the set!). After getting permission (which seemed to take longer than usual), the band reconfigured themselves.

Josh Dion took the keyboards, Greg Mayo the guitar and Evan Watson the drums. They did a Josh Dion original. Very nice and a little twist to end the evening.

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The Narwhals at Rockwood Music Hall Stage 2

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After back-to-back sets at Rockwood Music Hall stage 1 we headed the three feet next door to Rockwood 2 to see a (newly formed?) band called The Narwhals. That link is directly to Josh Dion’s own site (a hard to read one, I’m afraid). Don’t search for a band site by that name (at least not today), because on Facebook, there is another band by that same name…

The Narwhals is a band headed by Josh Dion. We just saw Josh for the first time on Monday night at the Soul Revue Benefit concert. Even though he only sang lead on one song, it was obvious that he is extremely talented (singing and drumming). I would have gone just to see Josh, but there were two other reasons to be more excited.

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The first is that someone told me that Greg Mayo was part of The Narwhals. ‘Nuff said on that score! The second is that scheduled to play after The Narwhals was Live Society, the band that opened the Soul Revue that I was also excited to see again.

Given that Josh is a drummer, I was expecting to see Greg on the piano. Ha, just show up and don’t assume anything. Smile

Josh took to the keyboards last night, grand piano and electronic. He also alternated singing lead with Greg on every other song. The two of them sang harmony (incredibly) on most songs. I know nothing about Josh Dion, so there’s really nothing that should surprise me about him. Now I know a little more.

Specifically, I know that he’s an amazing keyboards player (not something I usually associate with someone who’s made their mark as a drummer!). He was crazy good on both the piano and the electronic keyboards, which he played in a variety of funky organ sounds/styles.

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His voice is wonderful (and perfectly suited to the music they played). His energy is infectious, not just to the audience, but to the band as well. Given that this is a relatively new effort, there had to be an awful lot of looking at Josh for a cue by the other members. Trust me, get out to see Josh Dion do whatever he’s doing, whether it’s The Narwhals, or any other project he’s involved with.

They covered some of my favorite classic rock tunes. A few from Traffic, The Band and a number of others. I know there are some great cover bands out there. Many (most?) concentrate on a specific group. The better ones often aim to mimic the original exactly (that’s great if they pull it off). Often, it’s great for the nostalgia (obviously, we all know the tunes cold), but there’s a stiffness to it.

The Narwhals are so awesome as individual musicians, that their covers don’t lose any of that energy, creativity and relaxed delivery (tight as a group, relaxed as individuals!). And yet, the original tune is never lost in them trying to outdo that version. Hard to explain, but you can’t be a fan of the original versions and not get lost in these updated ones.

Let’s run through the rest of the band. Instead of left-to-right (my usual, egalitarian way), I’ll cover them in terms of their highlighting during last night’s show:

Greg Mayo on lead electric guitar. If you read this space, you know that I am in love with Greg Mayo’s guitar playing. But, you’ll also know that I’m in love with his singing, his piano playing, his energy. OK, I’m in love with everything Greg Mayo (there, I said it, I have a man-crush on him). Smile

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I noted above that I expected him to be playing the piano. Why? I have no idea, since I thought Josh would be playing the drums. At Rockwood 1, someone asked me if I was heading over to see The Narwhals and when I said yes, they said “Josh will be playing keyboards tonight, with Greg on the guitar.” I was enjoying the set at Rockwood 1 (as you can read in my previous post), but I have to admit that I was driven to distraction (momentarily) knowing what I was in for.

Even so, I was wrong again. Not about Greg playing guitar, but by how much more I would get to enjoy it than I had in the past.

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In my previous times seeing Greg play guitar, he was supporting Martin Rivas (quite a number of times). His leads were always amazing, but they were always appropriate in length (in a supporting role), so they always left me wanting more.

When you’re covering classic rock bands during a blizzard, in the middle of the night, it’s largely about the leads (guitar, keyboards and drums). Josh is very generous with making sure that Greg took at least one long lead in every song (typically a few!). My mind is still racing, just thinking about them.

I already mentioned Greg’s voice and the fact that Josh gave Greg the lead vocals in every other song. Wonderful!

Vinnie Sperrazza on the drums. There are a lot of great drummers in the group of people we follow. I have no choice but to add Vinnie to that list, pretty darned close to the top. I actually anticipated it. Given how well thought of Josh Dion is as a drummer, how could he ever choose a drummer that didn’t impress him when he plays another instrument?

Vinnie took one long drum solo. It was extremely impressive. Still, that wasn’t even close to the reason I put him so high on the list. It’s his amazing consistency on how integral his drumming is on each and every song. Even the slower bluesy southern rock numbers have a deceptively up-beat tempo (at least as far as the drums are concerned).

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Geoff Kraly on electric bass. Not highlighted with any bass solos, but a perfectly professional performance in every respect. When the guitar and keyboards take a lot of leads, the bass and drums (but to a certain extent the bass a bit more) need to keep the feel of the song going. In other words, there needs to be a glue that allows the lead to dance while never feeling that they changed the basic structure of what they started.

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A good bassist pulls off that job. Geoff is more than a good bassist, keeping the bottom full. He was never overwhelming, which is very easy to do (unfortunately) with an electric bass. Impressive.

I mentioned above that I was excited to see the next set by Live Society. When I sat down, while The Narwhals were setting up, I did a quick email and Twitter check. I noticed a tweet by Brian Collazo (lead singer of Live Society) that they had to cancel the show due to the blizzard (or, more aptly, snowpocalypse). I was sad, but also relieved that I might make it home a bit earlier than I expected.

Another example of my silliness in thinking that I could predict anything. Of course, with no set on after them, no one was rushing The Narwhals off the stage, least of which the audience! When they tried to call it a night (a little over an hour into the set), people starting yelling out requests.

All of the requests were good and Josh even agreed to one. Then a guy sitting at my table yelled out Whipping Post. Josh got really excited, looking at the guy and saying “Perfect choice!”. The rest of the band instantly agreed.

I can’t tell you how great it was (but I’m gonna try). Here’s what I said to Vinnie as he came off the stage:

The Allman Brothers have three drummers when they perform Whipping Post. You made me feel like all three of them were here on stage. You’re awesome!

Need I tell you how amazing Greg Mayo was on the lead guitar? The Allman Brothers have two lead guitarists. I didn’t miss the second one a bit. But, while I am still madly in love with my recordings of Dickey Betts and Duane Allman, I admit that Derek Trucks and Warren Haynes don’t do it for me when they appear as the Allman Brothers. Both are extraordinary guitarists (there’s no arguing that), but in my opinion, they don’t do justice to the original (no, I don’t require an exact clone). Greg did justice, and obviously, couldn’t have cloned two guys doing it!

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Of course, Josh took some incredible keyboard leads as well and both he and Greg sang their hearts out.

I went up to Greg after the show and told him: “I could listen to you play the guitar 24/7!” (and I meant every word!).

There wasn’t a face that didn’t have a big silly smile plastered on it when the set was over.

Josh and Greg will be back at Rockwood 2 this Saturday (Jan 29) as part of The Big Apple Singers (11:15pm). Lois and I will be there too. Clearly, this will be a different configuration. Evan Watson plays the guitar (I think), so I’m gonna guess that Josh will play the drums and Greg the keyboards. I no longer care. Whatever they want to do, I’m down with it. Smile

I have no quibble with any song The Narwhals chose. That doesn’t mean that my mind wasn’t racing with a ton of covers I’d love to hear them do. That said, I held my tongue last night. Perhaps next time, I’ll venture a shout or two myself.

Back to the blizzard. We walked out of Rockwood at 12:30am. It was sleeting a heavy, freezing snow. It had already piled up a ton and cars were either slipping or completely stuck. Cabs? Ha! Four of us waiting to get one, spreading out trying to catch them from separate strategic approaches.

Amazingly, after about 15 minutes, our friend used her magic powers to hear a cab door unlock. The cab’s lights were totally covered in snow, so there was no other way to know he was available. She yelled to us and we all slished and sloshed over to the cab. After a harrowing (but ultimately very successful ride), we walked in the door after 1am. Two consecutive very late nights out. Both ended in a blissful musical experience. Hard to complain, so I won’t! Smile

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