Justin Goldner

Leave a Lasting Mark Soul Benefit The Bitter End

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Leave a Lasting Mark is a benefit concert series conceived and produced by Sam Teichman. We’ve been to a number of them, but have sadly missed some of the more spectacular ones (or so a number of people have told us). Our very first one was a Soul Revue (just like last night) 14 months ago. You can read about it, though it’s super long, as this one is likely to be as well. This one was also held at The Bitter End.

SamTeichmanMC

Instead of expecting you to read that long post, let me just pull out a single paragraph that I wrote about Sam right up front:

First and foremost, I need to bow to Sam Teichman (@samteichman on Twitter) as deeply and humbly as I can. Sam is a perfect example of one person, single-mindedly focused on getting something done and achieving that goal (actually, exceeding it). On November 4th, 2010, Sam sat next to me at Rockwood Music Hall as we enjoyed sets by Jesse Ruben and Alex Wong. Even on that night, Sam was doing for others, as I noted across three paragraphs toward the end of my post about that show.

I highly encourage you to read the next two paragraph from that post, but I’ll leave it to you to click through if you’re interested.

SamTeichman

These benefit shows are really important to attend (in particular if you’re a music lover) for a number of reasons. First, you’re contributing to charity (100% of the entrance price goes to whatever charity is being supported at that show). Last night’s charity was Foundation Fighting Blindness, specifically targeted for their Vision Walk 2012 initiative later this month. Seems like a good enough reason to attend the show.

Second, you have an opportunity to discover local musicians that you otherwise might never hear about. Every one of them donates their time to perform in these shows. Sam does a great job of paying them by constantly reminding the audience that they create their own music (often inspired by the people they’re covering at these shows!) and that we should all make it our business to follow up and check out their own sites and music.

That’s been true for me, starting back at my first Leave a Lasting Mark (LALM) show and solidly continuing last night. I’m going to follow the format I used for that first Soul Revue. I’ll group all of the sidemen (yes, there was a sidewoman as well) by instrument, first. I’ll skip mentioning the backup singers, because each of them took a turn singing a song on lead. Then I’ll cover each of the lead singers, in the order they appeared.

The real point will be for me to call out a few people I’ve never seen before, some of whom completely blew me away (repeating a trend that’s happened at each of the LALM shows).

Apologies for the varying qualities of the photos. Tons of people on stage, often obscured or very far away. So many of the lead performers were constantly moving, so it was tough to catch them in focus, or with un-passionate expressions. This is the best our little compact camera could do.

The brass section was up for nearly every song (not every person was up on every number that included brass). They performed yeoman duty and I imagine most are resting their lips and lungs today.

Ian Schaefer on trumpet, Mitch Marcus on sax and clarinet, Chris Hiatt on sax (@chrishiatt1, no good individual link), John Liotta on sax (also no good link), Steven Salcedo on sax.

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Ian took a number of trumpet leads (in particular on I Just Want to Make Love to You and This Little Light) that were awesome. We typically see John Liotta light up a baritone sax with the Greg Mayo band. Last night he lit up a tenor sax equally well. Mitch, Chris and Steven were amazing too, in any combination that happened to be on stage for a given song.

IanSchaeferTrumpetIanSchaeferChrisHiattJohnLiottaMitchMarcusClarinet

Sarah Stern joined for one number, late in the show, on the flute (I couldn’t find a good link). Delightful! She’s (possibly) the only person who didn’t make it on to the program. She stood with the brass section. This was our first time seeing Sarah.

SarahSternFlute

Bass players: Chris Kelly, Justin Goldner, James Preston (how can you not fall in love with someone whose middle name is Peanutbutter?), Jeff Litman and Sean Murphy. We’ve seen Chris, Justin and Jeff many times (they’re always great). In fact, we discovered Jeff at that first Soul Revue, and Chris and Justin at a LALM benefit featuring the songs of James Taylor and Carole King. This was our first time seeing James and Sean, probably not our last.

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One more of James Peanutbutter Preston:

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The first time I saw Jeff I really liked his bass play. But, it was after reading one of his blogs that I really started paying attention to him as a person, then discovered that he’s an excellent singer/songwriter and musician (guitar is his primary instrument for his own brand of rock). He just released a new CD, Outside, get it, and get his previous one, Postscript.

I note how I discovered Jeff because he just put up a new blog post this morning (or at least tweeted about it today) and it’s another amazing piece. So well considered and written. I learn from Jeff, both in his writing and in his music. Both Lois and I agree 100% with Jeff’s thesis in this post (at least with regards to the part about the MET, the music can be a little more nuanced IMHO).

Drummers: Justin Hofmann, Stephen Chopek, Alex Cohen, Mason Ingram and Matt Arbeiter (still no good link). Justin and Alex were new to us (both excellent). Stephen always delivers, as do Mason and Matt. Matt is another that we first discovered at a LALM show (the James Taylor / Carole King one).

JustinHofmannStephenChopekDrumsAlexCohen

MasonIngramMattArbeiter

Guitarists: Mark Marshall, Mike Bell (no good individual link, but here’s a link to a band he’s in, BELT Band), Jeremiah Birnbaum (also sang lead), Joe Brent, Hudson Mueller (also sang co-lead). Mike and Hudson were new to us. We’ve seen Joe once before, but not on guitar. Late in the show, Joe also joined on two numbers playing the fiddle. He’s a major talent, whatever instrument he touches.

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JoeBrentFiddle

Keyboards (grand piano and electronic): Megan Cox, Scott Chasolen, Nick Semrad (also sang lead), Kenneth Harris (also sang lead), Scott Stein (also sang lead). A first for us seeing Nick and Kenneth. In addition to playing the keyboards wonderfully on every number, each sang lead from the piano, so more on them later.

MeganCoxKeyboardsScottChasolenNickSemradKeyboards

KennethHarrisSingingScottSteinKeyboards

Scott Chasolen is a great pianist and proved it again last night. He has an excellent voice, but wasn’t one of last night’s leads.

Scott Stein is also great on the keyboards. More on his lead performance below.

We’ve seen Megan play fiddle, when we first discovered her at the first Soul Revue. This was our first time seeing her on the keyboards (very nice!). I lied above when I said all of the background singers sang lead. Megan sang background but didn’t sing lead. Sam told me this morning that Megan was scheduled to sing lead, but came down with a bad cold and couldn’t do it. What a trooper for playing the keyboards and singing background even though she wasn’t feeling well!

CrystalDurantMeganCoxSingingBackground

One last piece of reporting before moving on to the lead singers. The show was broken up into smaller sets to keep the transitions among musicians to a minimum. Each set had a Musical Director (M.D., as you’ll see below). Here’s is the order that they appeared on stage:

Mark Marshall, Justin Goldner, James Preston, Joe Brent and Scott Stein. Considering that there was only a single, five-hour rehearsal for everyone to come together, each of the M.D.’s deserves a huge round of applause (as do each of the musicians!).

Finally, the divas, both male and female. Winking smile

Chrissi Poland opened the show. Such a powerful voice. She’s currently raising money to record a new EP. Check out Chrissi’s music and help if you like it (and can afford to, obviously).

ChrissiPoland

Terry Brennan (no good individual link, but he’s in BELT Band with a couple of the other performers from last night!). I’ve seen Terry in the audience at a number of shows, but never knew his name, or that he was a performer himself. His voice was great last night, so now I know and can again count on LALM for introducing me to new talented people.

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Abby Ahmad put on yet another passionate performance.

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Martin Rivas was the only singer to sing two songs. In addition to killing it with a full band, he returned later to do the only solo, accompanying himself on acoustic guitar.

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Stephanie White’s vocals soared above the music. Incredible power with a laser-like precision. Stephanie was supposed to sing another song late in the set. The entire program ran over by 20 minutes, and Stephanie’s second number was an unfortunate casualty, getting cut at the last minute. You can catch Stephanie as part of Philth Harmonic (a band she’s in with Robbie LaFalce).

StephanieWhite

Crystal Durant is another person we discovered at a LALM show (The Blues Bothers tribute). What a wonderful voice, both lead and background vocals.

CrystalDurant

Jared Saltiel was another first for us. He was impressive, but I’m actually liking the music on his site even more, so click the link and check him out. Smile

JaredSaltiel

Eva Alexander was also new for us. We were both extremely impressed with her voice.

EvaAlexander

Abby Payne is someone we’re very familiar with. In fact, I’ve written (glowingly) about her a number of times in the past few weeks. So, you’d think she couldn’t really surprise me, especially in an extremely positive way. Wrong. Backtracking for a bit. Abby is yet another performer that we discovered at the first Soul Revue. Here’s what I wrote about her lead singing that night:

Abby Payne did a very nice job (yes, the same Abby who nailed the piano parts!). The only issue is that it took Abby a bit to crank up the volume on her voice, which was necessary because she (and all of them) were competing with tons of instruments and other vocalists. Abby had an all-male backup singing contingent.

Note that my only complaint was that her voice didn’t soar above the music. Holy moly, last night Abby delivered all of the power, passion and clarity you could want in a voice that was clearly soaring above a stage full of awesome musicians. I was already a big Abby fan, but it seems that my fandom can grow.

AbbyPayne

Speaking of being a fan of Abby, please help her make a new CD (pretty please?). Nine days left as I write this. I have faith in all of you. Smile

Jeremiah Birnbaum did a wonderful job on his lead song, in addition to all of his guitar play and background singing throughout the set.

JeremiahBirnbaumJeremiahBirnbaumSinging

Nick Semrad was new to us. During the set that he played keyboards, he also sang lead on one song, very impressively.

NickSemradSinging

Ashley Lehmann sang (Sittin’ On) The Dock of the Bay, perhaps the best known song of the night (though there were a ton of real soul fans, who likely knew every song just as well as this one).

AshleyLehmann

Dani Tersini was awesome, hard to describe it any other way. Also new to us, but won’t be a stranger going forward. Her red dress seemed perfectly appropriate for her song, I Just Want to Make Love to You. Winking smile

DaniTersini

Scott Wolfson yet another first for us. I liked his voice a lot, and he did a fine job on his number, but I’m guessing that I’ll like his own shows even more.

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Maddy Wyatt was an extremely nice surprise for me. I was very impressed by her the only other time I’ve seen her, supporting Jeff Litman. That night she sang a ton of harmony (beautifully, but quite mellow) and played the flute (also beautifully). To see her come out and belt out a soul number with the full band was not what I expected. Oh yeah, she also accompanied herself on the acoustic guitar. Very nicely done, both vocals and guitar!

MaddyWyatt

Akie Bermiss continued the hit parade of firsters who did a marvelous job, with Crystal Durant doing heavy duty harmony with him. Akie is part of a band called Aabaraki (who we haven’t seen). You can stream and buy their album.

AkieBermiss

Alec Gross has to be put in the same camp as I put Abby Payne earlier. I’m a fan, and I’ve enjoyed his sets before. But, I think of him as a fairly mellow folk singer. Not last night. He lit it up, completely. Very impressed.

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Andy Mac is someone we’ve seen do one full set before, plus one song at the James Taylor / Carole King benefit. He cranked it up a couple of notches last night and really delivered. He also played acoustic guitar, both while singing lead, and supporting Ashley Lehmann.

AndyMac

Bri Arden sang This Little Light. Ha, I fooled you, because I said sang, like that’s what Bri did. If you read this space regularly, you know Bri is the subject of a lot of posts. That’s because she’s always awesome. So, it shouldn’t come as a surprise that she took this song and created a soaring vocal masterpiece. Seriously, it is not possible to describe it in words. You’ll have to wait until Sam uploads the individual videos (which he will do) to see a poor reproduction of what we were all treated to live!

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Above, I showed a picture of Crystal Durant and Megan Cox singing background. That was on Bri’s song. Dani Tersini and Ahsley Lehmann also sang background during this song:

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Brian Collazo is another one of our favorites, any time, any place. While there’s no good individual link to him, he’s best known for fronting the incredible band, Live Society. Brian was extraordinary when he sang lead, as he was on the numbers he sang background. That we couldn’t keep our eyes open to see him sing with Martin Rivas at Slane right after this show is something we’ll regret until we get to see him again (soon, I hope!).

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Brian also sang background on a number of songs. On this one, he was part of an all male contingent:

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Here’s he was standing in front of the brass section:

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Kenneth Harris sang lead on one song, in addition to playing keyboards on one of the mini-sets. He was awesome. This was a first time for us seeing him, definitely not the last. By the time he sang lead, he didn’t surprise me. When Brian Collazo sang lead (the song before), Kenneth sang primary harmony with him and he was absolutely amazing on that number. Keeping up with Brian is no small feat, and Kenneth was definitely up to the task.

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Scott Stein came to center stage to sing his lead, after playing keyboards for the remainder of the mini-set. Excellent, on both the keys and on lead vocals!

ScottSteinSinging

Evan Felts and Hudson Mueller (of The Gold Magnolias) shared lead vocals, with Evan doing most of the singing. Both new to us, both impressive. Evan did a classic soul dance throughout (a la James Brown himself). He had the crowd completely worked up in a lather. Tons of energy, great vocals.

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Grace McLean was the final newcomer to us. Grace performed perhaps the second most famous song (to me at least), Chain of Fools. Let’s see if I can be succinct in describing her: Wow! (OK, that was succinct, but not sufficient, how about: Holy Wow, Unreal!, yes, that’s better).

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Closing out the show was someone who we also discovered during that first LALM Soul Revue. He blew us away that night, and topped it last night. He had a gig of his own earlier that evening and rushed over to close out this one.

Jay Stolar stolar’ed the show (ba dum chi!). What a voice, what stage presence and delivery. In addition to singing his you-know-what off, he put on a show. He climbed on a table, got everyone to get up and shake it, dropped to the floor (as did a few of the performers) and generally got the blood rushing everywhere.

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For that last song, Sam was up on stage, first playing the tambourine in the back (his signature) but then coming forward to sing background, sharing the mic with Dani Tersini.

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After Martin’s second number, roughly halfway through the show, Sam introduced a representative from Foundation Fighting Blindness. I won’t get her name right, so I won’t attempt it. She described the work they do and the Vision Walk, and invited all of us to learn more about it, and join on the walk on April 21st.

FoundationFightingBlindnessRepresentative

Whew, made it to the end (that comment was for me, not you!). Winking smile

Some closing notes and a treat!

When we were waiting for the doors to open, four German tourists came up to ask if we on line for the club next door. We told them what we were there to see. The guy in front of us in line went into a hard sales pitch to get them to join us. They seemed interested, but left to grab a bite, saying they might return.

Indeed, they got there in time for the start of the show. Both of us noticed them having a blast throughout, whooping louder than most people at the more feverish parts. Glad they believed us and joined. Even gladder they enjoyed it! Smile

As I noted up front, in addition to the artists donating their time, it’s also a showcase for them to be discovered. Sam does an amazing job of not only promoting them during the show, but of ensuring that they’re easy to find online. Sam had a two-page handout which listed every performer (except for Sarah Stern). You can find out what bands they play in, what site they’re at, what their Twitter handle is, etc. Here are both pages of the program:

ProgramPage1ProgramPage2

Here’s the set list (remember, they had to cut Stephanie White’s second song):

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Finally, the treat. Sam cut a short highlight reel. It’s great and will give you a good sense of some of the performers, but you simply have to trust me on two points: 1) Many of the ones that didn’t make this reel were awesome and 2) no video will ever sound and feel like the live version does! Sam will also be uploading a longer highlight reel, which will have at least a bit of every single song in it, so keep checking his YouTube channel:

Leave a Lasting Mark Highlights from April 3rd, 2012

As always, we were surrounded by friends, some of whom Lois captured:

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StephenChopekHadar

Bri Arden at Rockwood Music Hall Stage 2

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Bri Arden headlined a set at Rockwood Music Hall Stage 2 last night. We missed her last appearance at Stage 2, her EP Release show. I heard that it was absolutely incredible, and based on all of the times I’ve seen Bri, and having listened to her EP many times, I have no reason to doubt that.

It’s been 3.5 months since we last saw Bri perform. As I noted in that post, you never really know what to expect (lineup wise, hairstyle, guests, etc.). We were actually up in Westchester to catch two full sets (and an amazing meal!) at Watercolor Café earlier, and we dashed out after the second set, dropped some folks off and made it to Rockwood a few minutes late.

We were immediately bathed in Bri’s amazing voice, nice way to walk into a joint.

BriArdenSinging

Bri had a full band, always a treat. The only change that seems somewhat permanent (or at least it’s been a while), is that Bri no longer employs a duo of female backup singers. The sets are great without them, but I’ll happily admit that they were a fantastic addition (the default ladies were Valerie Mize, now based in Nashville and Kate Ferber, though others have filled in as well).

Bri mixed it up. While most of the show was full band, Bri also played one song solo on the acoustic guitar. She performed another one solo at the grand piano.

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She had a special guest come up for another, but I’ll mention that after I let you know about the amazing band, left-to-right on stage:

Jason Wexler on grand piano and electronic keyboards. We see Jason supporting a number of our favorite artists, including Bri. He’s a superb keyboard player, and if I understood another musician friend correctly, a talented producer too.

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Jake Cohen (Jacob Colin Cohen) on drums. Jake always does a great job on Bri’s sets. Glad to hear him again after 3.5 months. Sorry about the poor photo:

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Justin Goldner on electric bass and vocals. Like Jake, Justin always impresses. When there’s a full band, he’s the bass player. When Bri gets acoustic, he plays the guitar. In other words, he’s an integral part of Bri’s sound, including background vocals.

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Oscar Bautista on electric guitar. Oscar is simply amazing, always, not just when supporting Bri. Unlike Jake and Justin, we’ve seen Oscar a number of times since, with his own Police tribute cover band and with The Vanity Belles. He’s awesome.

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Ian Schaefer (Ian Carleton Schaefer) on trumpet. I don’t know if Ian was in the opening songs which we missed. He was called up for the final two numbers and was great. As I noted to him when we stood next to each other for the following set, he helped Bri close out the show with a bang. Leave ‘em hanging, wanting more, in no small part due to the energy that the trumpet brought to those closing numbers.

IanCarltonSchaeferIanCarltonSchaeferTrumpet

Jeremiah Birnbaum on acoustic guitar. Jeremiah has filled in on bass a couple of times for Bri. Last night he joined Ian on the final two numbers to play acoustic guitar. I can’t really say that I could make out the acoustic guitar, but I can say that I really like Jeremiah, especially when he fronts his own group, The Ramblers.

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I mentioned one special guest above. There was another, who replaced Jason at the piano, but the rest of the band played as well.

Craig Wilson played the piano on Scars Do Fade, a number he co-wrote with Bri. It’s one of a few songs they’ve co-written, all of which have impressed me, so they should continue collaborating.

CraigWilson

Anna Krantz joined for a number that they co-wrote very recently. Anna played the grand piano (gorgeously!) and sang harmony just a drop. Bri was spectacular on the song, with only the piano accompanying her (one of the three songs where the band got to rest).

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Here’s the set list, but I’m reasonably sure that not every number toward the bottom was played. Specifically, The Best Is Yet to Come wasn’t, at least I don’t remember it. Scars Do Fade and Good in Goodbye were likely the last two numbers, among my favorites!

SetList

We got to say a quick hello and take some photos with Bri afterward. Thanks to some strong-arming by Sam Teichman, The Ghost was actually caught on film! Winking smile

BriArdenHadarLoisBriArdenHadar

Backscratch XVII at Rockwood Music Hall

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Last night we attended the early show at Joe’s Pub. Under normal circumstances, we would have run home after the show. These were not normal circumstances. Over at Rockwood Music Hall, timed perfectly for us, was Backscratch XVII. That would have been more than enough to get us to stay out for another few hours.

More poignantly, and most unfortunately, this was also billed as the last NYC-based Backscratch. Folks, that’s simply a tragedy (of reasonably large proportions). The concept of Backscratch was originated by Martin Rivas (and I think Craig Meyer). It will live on in London, run by Alex Berger, but unless I can find a way to blackmail Martin (or twist his arm really hard), it’s going to be very expensive to catch one of these shows in the future.

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In addition to just wanting to catch any Backscratch show, the lineup for last night was particularly tasty. Every performer was particularly sharp (they understood the stakes), so it ended up being an extra-special night all around.

Quick recap of what a Backscratch is: 6-9 performers. Each does three numbers. One has to be a cover of one of the other performers. They get drawn randomly and no one knows in advance who is doing their song. For the other two numbers, deep tradition has the artist performing one of their originals plus a well-known cover. More recently, many artists perform two originals.

Stephanie White and the Philth Harmonic were up first. The Philth Harmonic is Robbie LaFalce (considering that Stephanie’s name appears separately and there are only two of them). Let’s start with Stephanie. We’ve seen her sing one song, at one of Sam Techman’s Leave a Lasting Mark benefit shows. She was extraordinary then, and again last night. The woman can sing, pure and simple.

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We’ve seen Robbie LaFalce three times, all at Sam Teichman benefits. At the first, he drummed. The second, he played piano. The third, he drummed, played piano, and sang. Last night, he played the electric guitar on all three numbers. Beautiful play, subtly, but interestingly supporting Stephanie.

RobbieLaFalce

This was the first time that we saw them play together, as the Philth Harmonic.

Unlike most Backscratch performers, they chose to do their cover as the middle number (there are no hard-and-fast rules). They drew The Vanity Belles. I am not familiar enough with the VB version to tell you how much Stephanie morphed it, but I can tell you that Stephanie was exceptional in performing her version.

On one of the numbers, Robbie added a percussion loop and some looping of him clapping and playing guitar. It created a much bigger sound than the two of them would otherwise have.

Morgan Karr was up next. I had never seen him before. He kicked it off on the grand piano, playing beautifully, but really, showing off a great voice. For the next number, he came to center stage and just sang (he had accompaniment) without playing any instrument. Again, his voice really shone and I really liked his songs as well.

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For his backscratch, he sang accompanied by only an upright bass. He drew Jay Stolar. Again, I wasn’t familiar with Jay’s song, but Morgan nailed his rendition of it, hitting some high notes spectacularly.

MorganKarrSinging

Morgan was accompanied by two top-notch musicians:

Justin Goldner on acoustic guitar. I’ve seen Justin a number of times, mostly playing bass for Bri Arden and Sam’s benefits. I also saw him play acoustic guitar for a very intimate performance of Bri’s. He blows me away on the bass, but hadn’t on the acoustic guitar that one time. Last night, supporting Morgan, he showed a lot more skill on the acoustic guitar.

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Lorenzo Wolff on upright bass. Very good on the first two numbers. On the backscratch, he was the sole accompaniment (Justin sat that one out and Morgan sang). Hearing just a bass with a great vocalist really highlights how good (or not) the bass player is. Lorenzo is really good! Smile

LorenzoWolff

Abby Ahmad was up next. Another first for me. Great voice, very interesting guitar play. I really liked her songs as well. In other words, someone I intend to go see doing a full set soon (she’s playing Rockwood on Thursday at 11pm, but that might be too late for me that night).

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For her backscratch, she drew Morgan Karr. Another winner (both the song and her rendition).

Abb

Abby was accompanied by two extremely talented people:

Adam Minkoff on electric bass and floor tom. On Abby’s first number, Adam took the floor tom from the drum kit and brought it up on stage. He and the drummer (up next) played together, mostly on the rims first (in unison) and then separately, creating an extraordinary jungle rhythm for Abby to sing to.

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For the next two numbers, Adam switched to his more usual electric bass, and of course, was his usual excellent self.

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Sean Dixon on drums (again, no good link for him). This was my second time seeing Sean, and again he was excellent. In addition to playing the drum kit (minus the floor tom which Adam swiped, he also played the djembe on one number, beautifully. In fact, he put the djembe where the floor tom would have been. Not sure where else he could have placed it otherwise. Smile

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Jay Stolar was up next. We’ve never seen Jay do his own stuff, but have seen him sing a song here and there (as a guest, and at a benefit concert). He has a superb voice which was in full effect last night and played the acoustic guitar. I really enjoyed his two songs.

JayStolar

He drew Derek James for his backscratch. He chose Mama Said (it helps that I’m Derek James’ biggest fan, self-declared, so that I at least know which song Jay was covering). He played it so much slower than Derek does, but it totally worked. I’ll still take Derek’s version, but huge Kudos to Jay for creative arrangement and execution!

Jason Wexler accompanied Jay Stolar on his two numbers, sitting out the backscratch. Jason was superb on the grand piano. It started off in a funny manner. Jay began by picking on one or two notes, repeatedly, in a slow rhythmic manner, alone, no singing and no piano accompaniment. After a minute, Jay turned to Jason and said “Feel free to join in any time!”. Winking smile

JasonWexler

Jason laughed and immediately launched into a fantastic series of piano leads. Satisfied, Jay started singing. Smile

Derek James was up next. This was the first time I’ve seen Derek solo. I loved both of his numbers, which he dedicated to Terry. He kicked it off with What’s That Sound from his first CD, Stray. In a small-world story, I didn’t have that CD (though I’ve seen Derek perform the song a number of times), but Lois had secretly arranged with Derek in advance to purchase the CD last night, so I have it now! Smile

DerekJames

I was totally satisfied with Derek’s solo performance, but I admit that with the full band, there’s a swagger that was missing last night.

Derek drew Stephanie and the Philth Harmonic for his backscratch and did a beautiful job. Another example of me not knowing the original, so I can’t compare the versions.

The final act to close down the NYC-based backscratches (unless I have my way with Martin!) were The Vanity Belles. I’ve mentioned how much I love them a number of times, even though the first time I’ve ever seen them perform live, as themselves, was just this past Wednesday at a benefit show.

They were stripped down last night, the two Belles, Carrie Welling and Jessi Rae Waltz, accompanied by the amazing Oscar Bautista on acoustic guitar (they typically have a full band).

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They opened with a brand new song that so blew me away I can’t find the words to describe it. I happened to be standing next to their manager, Patryk Larney, and I couldn’t contain myself after the song. I turned to him and said: “Holy cow, that was absolutely extraordinary!”.

He said that he agreed, and they just finished it and rushed to get it on the new CD (of which I am a very proud Kickstarter contributor). I can’t tell you how happy it makes me to know that I will soon own this song.

CarrieWellingJessiRaeWaltzOscarBautista

Their next song had Jessi move to the grand piano. It too was absolutely breathtaking.

They finished with their backscratch, drawing Abby Ahmad. Another mind-blowing performance, and I really loved the song too (credit for that to Abby, obviously, though I have no idea how her original version sounds).

Folks, if The Vanity Belles don’t make it, the world is very broken.

They closed the show by awarding Martin Rivas with an actual backscratcher, dated and signed by everyone who appeared last night. A very nice gesture indeed!

MartinRivasBackscratcher

Here a pic of Alex Berger, currently the only Backscratch Master, with Jay Stolar. Alex has a show in 3 hours at Rockwood Music Hall Stage 2, so hurry up and get over there! Smile

AlexBergerJayStolar

Bri Arden at Rockwood Music Hall

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Bri Arden headlined a set at Rockwood Music Hall last night. This was a full-band show, but with some changes from Bri’s normal lineup. It’s one of the things that makes seeing the same artist many times interesting, you never know quite what to expect, even though you know you’ll likely enjoy whatever they throw at you.

The biggest change was that neither of Bri’s female backup singers (Valerie Mize and Kate Ferber) were able to make the show. That alone guaranteed to change the character of the show. What I didn’t know was that Bri would force two of her boys to sing with her, so there were still three voices in many of the expected parts, just at a different timbre.

Bri Arden is a singer/songwriter with an extraordinary voice. She sings with a passion that is infectious. She surrounds herself with top musicians. The energy emanating from the stage knocks you back a bit, but the music is good enough to make you fight to hold your position.

BriArdenSinging

In addition to singing her heart out last night, Bri introduced a number of her songs (something we love) and had an attempt at humor as well. Rather than describe that attempt, I’ll reproduce Bri’s Tumblr account of it:

Thank you everyone for being such an amazing audience tonight and putting up with my failed attempts at humor. As someone pointed out to me after the show “You set the joke up really well, the only glitch was you forgot the punch line.” Working on it!!! XO B

Most importantly, Bri’s personality (extremely joyful) came out in the attempt. She made herself laugh, which made us laugh, regardless of the joke.

BriArden

In the introduction to Aha Moment, Bri explained how her parents met. Fate will find a way. Smile

The band, left-to-right on stage:

Oscar Bautista on electric guitar. Oscar is one of the best guitarists on the local scene and I look forward to every show that he’s a part of. Last night was another example of why I do.

OscarBautista

Jason Wexler on keyboards (grand piano and electronic). Jason did a great job on both. At one point I heard some cool sounds that I thought were being made by Oscar (who was hidden from my view behind Bri). When I leaned to my left, I saw that it was Jason on the electronic keyboards. Very nicely done!

JasonWexler

Ian Schaefer on trumpets and shaker (yes, trumpets, plural). Ian is always great on the trumpet, but last night was different. Ian often plays with a cup (or whatever the technical term is for what you shove in the big hole at the end of the trumpet to mute it and morph the sound). I think he does it because the trumpet could (theoretically) overwhelm the vocals.

IanCarltonSchaefer

Last night, after testing with the cup first, he removed it quickly and let the sound loose. But that wasn’t the big qualitative difference. I don’t know if I missed it before, or if he doesn’t do it when Valerie and Kate are singing, but a number of times Ian actually used the trumpet to harmonize with Bri’s voice. It was fantastic.

BriArdenIanCarltonSchaefer

For one song, Ian put down the trumpet and picked up a much smaller trumpet. For a minute, I wondered what would happen if in each succeeding song, he would pull out an even smaller trumpet, which made me think of the trumpet version of a Matryoshka Doll. Winking smile

For another song Ian put down all trumpets and played a shaker. Basically, he wasn’t getting off the stage last night. Do you think he was into playing the shaker? Winking smile

IanCarltonSchaeferShaker

Justin Goldner on electric bass and vocals. Justin is an excellent bass player. I’m sure he sings a bit on many sets, but last night he was pressed into full backup singer mode. Well done!

JustinGoldnerSinging

Jake Cohen (I should really say Jake Colin Cohen) on drums and vocals. Excellent job on the drums, with the sole exception that they were a bit too loud (a typical Rockwood 1 problem). That had the side-effect of slightly washing out some of Bri’s amazing vocals. Jake joined Justin as the other male backup singer, doing a fine job as well.

JakeColinCohen

Craig Wilson on acoustic guitar and vocals. Craig was on stage for the opening number only. He co-wrote it. Bri called is name out again later in the set giving him credit for another co-write, even though he didn’t come up to sing it with her.

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Do you think they were having fun on stage?

BriArdenIanCarltonSchaeferJustinGoldner

We certainly had fun in the audience. Thanks Bri and gang.

Here’s last night’s set list:

SetList

Bri Arden Acoustic at Rockwood Music Hall

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I typically check the Rockwood Music Hall website whenever we’re home and map out upcoming shows for a number of weeks. I put them on the calendar so that when people ask when we’re available, I know whether I’m likely to be at Rockwood instead. Winking smile

Last night we had mapped out being at Rockwood 2 all night (7pm – 12:30am). Then Nate Campany announced a 9pm show at Rockwood 1, and Lois and I split up our watching. I just wrote about Nate’s set.

A week ago, Bri Arden tweeted the following:

The two stripped down shows are August 5th- Buffstock and August 6th- Rockwood 10pm. These are not to be missed! 🙂

I did a double take, because I was sure someone else was listed at 10pm at Rockwood 1. I tweeted back and Bri responded with:

@hadarvc JUST booked 🙂

Yup, Bri got the call to fill in for someone who obviously was canceling a week in advance. Sweet, except that I really like Robbie Gil who was at Rockwood 2 at 10pm. Still, like with Nate, I had no hesitation. This was Bri doing an acoustic show, something I hadn’t experienced. Lois held down the fort at Robbie’s show, and I stayed in my seat for Bri after Nate’s set was over.

BriArden

The last time I saw Bri at Rockwood, she had as many as nine people on stage at the same time. It was a very big sound. Last night, Bri sang with one person accompanying her (we’ll get to him shortly).

During sound check, Bri warmed up at the grand piano, so I was looking forward to hearing her sing and play. Unfortunately, she must have changed her mind during the set, because she didn’t return to the piano.

BriArdenPiano

Bri has an absolutely extraordinary voice. That’s true even when eight other people (with instruments and backup singers) are on stage. But, holy cow, when it’s basically Bri’s voice with little else, it’s a different kind of amazing. She’s got every kind of soul you could ever want (even if the song itself might not qualify as a Soul number). I kept feeling like this was an Aretha Franklin kind of voice, scrunched up into someone 1/4 of Aretha’s size.

Bri is a wonderful songwriter too, so she’s putting that voice to use to tell stories that come from her heart (and experience). We’re all taking a journey with her, not just listening to an instrument (not that there’s any wrong with that!). Winking smile

Supporting Bri on every number was the extremely talented Justin Goldner. Previously, I raved about Justin’s electric bass play. I also praised his voice and piano play. Here’s what I wrote about him the first time I saw him:

Justin Goldner sang Home Again (1st time). Justin did a very nice job singing and playing the piano on this number. That said, for the majority of the evening, he was one of three primary bass players. He was truly awesome on the bass. I noticed how good he was on the very first song. But when Bri sang Smackwater Jack, Justin was so good that I recall thinking I never realized how sophisticated some of the bass lines were (or could be) in Folk/Pop tunes of yesteryear.

Last night he played the acoustic guitar on all but one number, when he played the piano. So, let’s add acoustic guitar to his talents, though he wasn’t called upon to do too much in this type of set, so I don’t really know how strong he is on guitar.

JustinGoldnerBriArdenJustinGoldnerPiano

He also sang some harmony (nicely) with Bri on a few numbers, but that too wasn’t a particular highlight. Basically, this was Bri doing what she does best!

She got the crowd singing a couple of times, at one point putting the microphone in front of Ashley Lehmann who represented the audience better than most of us could have!

OK, you’ve seen the dress that Bri wore last night. To prove to you that the universe tells me whether the decisions I make are right or wrong, I’ll relate what happened to me today.

BriArdenDress

This post (and three others) are going out way later than usual. Today, I had a mini reunion with three other elementary school buddies! We met in New Haven at Frank Pepe’s Pizzeria (big spenders!). I took the train up with one of the guys who lives in Thailand (we were taking advantage of today being his last day in the US before he returns home).

Walking to Grand Central Station at 11:45am, I passed a woman on the street who was wearing the exact same dress as Bri. If I had not switched from Robbie Gil to Bri’s show, I would never have known that I was being told I made a mistake, since the dress would have been eye-catching, but otherwise meaningless. But, I know for certain that I was being rewarded instead. Thanks Universe! Smile

Bri Arden at Rockwood Music Hall

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Prior to seeing this show we attended a benefit concert at The Bitter End. I wrote about it here, which included a section on Bri Arden (the subject of this post). After it was over, Lois couldn’t keep her eyes open, so she grabbed a cab and headed home. Unfortunately, she took her camera with her. I took five shots with my (original) Droid. All were so bad that I won’t insult anyone who was on stage by posting them, so there will be no photos.

I walked from The Bitter End to see Bri and her band perform at Rockwood Music Hall. For those that care, including waiting at a few lights, it took 18 minutes.

I’ve seen Bri sing lead on two songs, at two different Leave a Lasting Mark benefits (both at The Bitter End). She was spectacular both times. I was very interested in seeing her headline her own set.

In addition to being a singer/songwriter, Bri is also a student at Columbia University. This year she entered the Battle of the College Bands. She won in the NY region! Yet another reason to go see her. The place was mobbed, so I wasn’t the only genius with the idea to do this.

Bri has a fantastic voice. She brings a passion to her singing that’s infectious. For the first time, I was hearing songs that she wrote (or co-wrote). They were all good in terms of being catchy. Given how much was happening on stage, I can’t say that I heard all of the lyrics (or could pay close attention to them), so I’ll save heavier comments about that aspect for a future post. What I heard, I liked, so I don’t mean to imply anything negative.

This was a show, not just a singer/songwriter performance. For starters, this was the most people that I’ve ever seen on the Rockwood 1 stage at the same time, nine for two songs, eight for most of the rest. In addition to a full band, there were two full-time backup singers (without instruments).

I kept thinking that this group of 8+ people could easily fill the sound of a much larger place (by much larger, I mean 1000+ seat places!).

Not counting Bri, five of the eight people on stage were part of the earlier benefit show, so you can click on the link in the first sentence on top to see what I had to say about each of them. I’ll be extremely brief here.

Backup singers: Kate Ferber and Valerie Mize. Each is a legitimate lead singer in their own right (not a theoretical comment, they each are lead singers). That gives them a sensibility and a voice to complement Bri perfectly.

Justin Goldner on electric bass. Simply an awesome bass player (or, as they add in the show Wicked, “Well, not so simply!”).

Jake Cohen on drums. Excellent. I was particularly impressed that he was not too loud, even though he was supporting eight other people. In Rockwood 1, it’s unbelievable easy (and therefore common) for a drummer to be crazy loud when there are electric instruments.

Ian Schaefer on trumpet. Ian was excellent, as he was earlier at the benefit.

Two additional musicians joined Bri for most of the songs:

Oscar Bautista on electric guitar. I’ve seen Oscan once before, at the Soul Revue Benefit. He was excellent that night, but less highlighted, by necessity. Last night, as part of a much smaller ensemble, Oscar was a main component of Bri’s sound. He was more obviously excellent. Smile

Jason Wexler on grand piano and electronic keyboards. I just saw Jason support Jeff Litman on a few numbers this past Monday at the same piano. He was excellent then, as he was last night.

Craig Wilson joined Bri on three numbers, two on acoustic guitar (which made it nine on stage) and once at the piano (when he replaced Jason during that song). Bri introduced him as one of her main writing partners, so presumably Craig co-wrote all three of the songs. He didn’t sing when he was playing guitar and I couldn’t see him on the piano (but I could hear him play very well).

All in all, a very exciting show delivered with extremely high energy. The crowd would not let Bri off the stage without an encore and Rockwood obliged, even though Bri’s set started a bit late and therefore had run a bit over as well.

I’m glad I made the effort and I will happily do it again.

Leave a Lasting Mark Benefit at The Bitter End

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Sam Teichman produces a monthly benefit concert. Each show benefits a specific charity. Each show has a specific theme and is epic in terms of the number of artists and their individual and combined talents. You can follow Sam on Twitter to get alerts about each show.

SamTeichman

Last night’s show benefitted Sean Casey Animal Rescue. The theme was the songs of James Taylor and Carole King. We’ll get to the myriad performers in a minute.

Poster

You should come to these shows for any one of the following reasons:

  • You are doing a good deed by supporting a variety of good causes (one per show)
  • You will hear great music because the themes are built around well-known artists
  • You will see/hear amazing performances by incredibly talented local musicians
  • Come more than once and see how quickly you feel like you’re part of a community
  • Discover talented musicians who you will want to follow in their own career
  • Marvel at the spectacle of shuffling as many as 15 performers on/off stage on each song, quickly and efficiently

In addition to coordinating (producing) the entire show, Sam is also the MC for the evening. He introduces every act and every performer (multiple times). He tirelessly promotes them and the recipient of the donations. It’s important to know that the musicians donate 100% of their time (including rehearsals). Every penny raised goes directly to the charity.

Sam has a crew of volunteers that film each show and the clips eventually make their way on to YouTube. You can see clips from past shows (among other shows that Sam has filmed) at his YouTube Channel. Sam also produces CDs of the shows. He solicits additional donations for a performance by offering free copies of CDs from past shows. You aren’t buying the CDs, you are being rewarded for your generosity by being able to take the CDs home for your enjoyment. Smile

There were some minor changes in the order of a few songs (to accommodate artists who were late or had to leave a bit early), but for the most part, these Set Lists are accurate (every image in every post can be clicked on for a larger version):

SetList1SetList2SetList3

For my sanity (and hopefully yours), I will cover only the main singers, in the order they appeared, then add all the amazing side-people (so as not to have to mention each multiple times). You can refer back to the set lists above to see which side-person supported which lead singer. It should be noted that nearly every side-person sang lead on one song as well, which will cut down on the extra side-people needed to be covered at the end.

I’ll add a (1st time) to any artists who we’ve never seen before.

Valerie Mize sang I Feel the Earth Move. We just saw Valerie perform at Backscratch XIV this past Monday. It was our first time hearing her sing lead and I knew it wouldn’t be our last. I didn’t know our next one would be this close, but I’m glad it was. Valerie opened the show with a bang! I Feel the Earth Move is a rich, earthy song. Valerie’s rich, earthy voice is perfectly suited for it.

ValerieMizeSethFaulk

Bri Arden sang Smackwater Jack. The first time I heard Bri was at our first Leave a Lasting Mark show, a Soul Revue Benefit. She blew me (and the rest of the audience) away with her rendition of Proud Mary, Tina Turner style. She was equally good on Smackwater Jack, but the song itself doesn’t call for the same heart palpitations that Proud Mary does.

BriArden

My next post will be all about Bri. She headlined a show at Rockwood Music Hall shortly after this benefit was over. She, and her amazing band, were all troopers for doing this benefit and then running over to do their own show. Bravo!

Keith Paine sang Mexico (1st time). He did a very nice job, so it likely won’t be our last time seeing him. This was the first time that the horn section showed up, which added to the vibe quite nicely. I’ll cover them at the bottom of the post.

KeithPaine

Jenna Marotta sang It’s Too Late (1st time). Sam introduced Jenna with a nice story. Jenna attended a previous benefit show to see a friend of hers perform. After the show, Jenna contacted Sam and asked for an opportunity to sing at one herself. Ask and ye shall receive. Jenna did a nice job. It took her a bit longer to warm up to the mic than the others. She has a lovely voice when she lets it out.

JennaMarotta

Rebecca Haviland sang Carolina On My Mind. Rebecca was the first to perform a song solo. She accompanied herself on electric guitar. I’ve written about Rebecca a number of times (all glowingly). One of her (many) talents is her absolutely extraordinary voice. While we’ve heard her voice soar (clearly) above a crowded stage of loud instruments, seeing her sing solo, accompanied by a quiet guitar, was a magical thing to behold.

RebeccaHaviland

Before singing, Rebecca mentioned that she was nervous to sing her take on such a classic song. I was expecting something wildly different than the original given Rebecca’s incredible take on Led Zeppelin’s Black Dog (nowhere similar to the original, other than sharing the same lyrics). While Rebecca’s Carolina On My Mind was definitely more soulful, it wasn’t a radical departure from the original. It was stunning, nonetheless.

Shira Goldberg was up next. Before I get to her performance, two digressions. Lois captured this photo of Rebecca and Shira before the show started. They were letting the crowd know that they had (fraternal) twin guitars:

RebeccaHavilandShiraGoldbergSisterGuitars

Before she sang, Shira wryly thanked Sam for placing her immediately after Rebecca. Winking smile It was a self-deprecating (and classy) way for Shira to pay a lovely compliment to Rebecca’s performance.

Shira sang Some Kind of Wonderful. She was, indeed, some kind of wonderful herself. We’d seen Shira only once before, at a Livestrong benefit (in 2009!). That night, she joked that she only knew depressing songs. Even though she didn’t feel it was appropriate to sing a depressing song at a cancer survivor’s benefit, she had no choice. Last night she joked that she should sing happier songs. At least she could pick one by someone else this time. Smile

ShiraGoldberg

Scott Stein sang Way Over Yonder. Sam had mentioned earlier that they weren’t pigeon-holing any of the performers into sticking to the appropriate gender (males singing James Taylor, etc.). As much as I enjoyed Scott’s singing with his group, The Ramblers (my most recent post about them can be read here), I’m not sure he was well-suited to this song, vocally.

ScottStein

No matter. Not only did Scott destroy on the piano, he was the primary piano sideman on most of the numbers. He was crazy amazing on every one. I wasn’t surprised, as he was unreal at The Ramblers show as well, but many of the songs last night have natural piano runs that are gorgeous (think: Carole King), so Scott got to constantly show his wares.

David Kantor sang Something in the Way She Moves (no good individual link, but read to the bottom to get a band link!, and 1st time). He did a fine job singing, but to me, it wasn’t really about his singing. In addition to singing lead on this song and accompanying himself on acoustic guitar, David was the primary acoustic guitar sideman for the evening. Much of his play was phenomenal finger-picking that I could have listened to with no voices or other instruments, all night long!

DavidKantor

Later in the show, in what appeared to be a complete ad-lib, David put down his acoustic guitar mid-song, walked over to the electric bass (which was un-manned), signaled to the bassists on the sideline (asking permission to pick up one of their basses) and finished the song on the bass.

DavidKantorBass

When David was done, I did something I have never done before. I called Sam over and told him that the far left microphone (used by the backup singers) was way too low (it had been since the first song). Sam told Chris who was working the sound booth. Chris corrected the problem perfectly. Thanks Sam and Chris, it became critical just two songs later!

Jake Cohen sang How Sweet It Is (1st time). Jake was one of three primary drummers throughout the night. He was excellent on the drums and he did an excellent job on the vocals as well. He also had four background vocalists and a full band, making this a very rich sounding song.

JakeCohen

Justin Goldner sang Home Again (1st time). Justin did a very nice job singing and playing the piano on this number. That said, for the majority of the evening, he was one of three primary bass players. He was truly awesome on the bass. I noticed how good he was on the very first song. But when Bri sang Smackwater Jack, Justin was so good that I recall thinking I never realized how sophisticated some of the bass lines were (or could be) in Folk/Pop tunes of yesteryear.

JustinGoldnerKateFerberJustinGoldnerBass

Kate Ferber sang Natural Woman (1st time). I need to back up before I cover Kate’s performance on this song. Kate was singing backup with David Kantor. I could barely hear her, which is what prompted me to call Sam over after that song (I couldn’t hear Bri singing with Valerie, or Valerie singing with Bri either, on that mic). Kate is pictured above, singing backup with Justin. She is holding the same mic that I couldn’t hear earlier, but after Chris upped the volume.

That was very important, because even though Kate was singing background, for a good part of the song, it was more like a duet than just some light harmony. Her voice was excellent and it would have been a real shame to have lost it (again).

Kate came to center stage to sing Natural Woman. She was fantastic. Great voice, warmth and stage presence. All around excellent delivery of a great song.

KateFerber

Abby Bernstein sang Steamroller (1st time). When Sam introduced Abby, he said she was fresh off of opening for Bare Naked Ladies in front of 14,000 people. Abby corrected him that he was off by a zero, that it was actually 1,400. A few seconds later, she added “I meant 14,000,000!”. Good start. Quick wit is one of the most welcome traits in a stage performer. Smile

AbbyBernstein

Thankfully, humor is not Abby’s only weapon. She has an excellent voice along with excellent stage presence. She too delivered a fine performance.

Paul Tabachneck sang Will You Love Me Tomorrow (1st time). Wow. Great voice, great delivery, nice job on the acoustic guitar. He (or rather Sam) introduced this as Paul’s interpretation of Will You Love Me Tomorrow. I place it in the same category as Rebecca’s interpretation of Carolina On My Mind, meaning, not as far afield from the original as the introduction would have you believe.

PaulTabachneck

Andy Mac sang Don’t Let Me Be Lonely. We’ve seen Andy once before and he was very good, so I wasn’t surprised that he delivered again last night.

AndyMac

Kaylin Lee Clinton sang So Far Away (1st time). This was the first departure from the set lists shown above, due to a late arrival. Kaylin sang backup earlier (beautifully) so I was excited to see her step up to center stage. No disappointment! Kaylin delivered So Far Away (another great song), wonderfully. Excellent voice, great stage presence.

KaylinLeeClinton

Kaylin sang backup a few times. Here’s a shot of her with Shira (there’s another one below with Seth).

KaylinLeeClintonShiraGoldberg

Patryk Larney sang Sweet Baby James (1st time). I’ve seen so many tweets over the last year about Patryk that I felt like I almost knew him. Of course, I had absolutely no idea what he would sound like. Now I do and I’m a big fan. Excellent voice, good guitar play.

PatrykLarney

Jeremiah Birnbaum sang You’ve Got a Friend. I’m already a huge fan of Jeremiah’s (he’s Scott Stein’s partner-in-crime in The Ramblers). Jeremiah was the primary electric guitarist on most songs last night, but for You’ve Got a Friend, he dropped the guitar and took center stage with just a mic in hand. What an incredible delivery of an all-time great song. Excellent voice, but he also created an emotional atmosphere that sucked me in.

JeremiahBirnbaum

Chris Kelly sang Jelly Man Kelly (no good link, and 1st time). Chris was one of three primary bass players for the night. He did a fine job on the bass whenever he was up. For this song he took center stage and accompanied himself on the electric bass. Highly unusual to see a solo bass player singing. He pulled off this fun song that James Taylor played on Sesame Street!

ChristopherKelly

I can’t take it any longer. I have to admit that I lied when I said Chris(topher) performed solo. Off in the corner of the stage, at the grand piano, Sam Teichman accompanied Chris on the tambourine. Yes, our own Sam showed his musical/percussion chops. I guess the old saying “It’s good to be the boss” is certainly true! Winking smile

Caleb Hawley sang Fire and Rain. Caleb was late, necessitating the earlier shifts, but he made it in plenty of time. He was in a suit, so perhaps he came from an interview on Celebrity Apprentice. Winking smile

CalebHawley

Caleb is one of our favorites. He has a wonderful voice, plays guitar so well, in a style I’m not accustomed to hearing and in general, he’s just a ton of fun on stage. He performed one of my favorite songs as well. That said, he wasn’t himself last night. Perhaps rushing in threw him off, perhaps whatever kept him stopped him from rehearsing properly.

To be clear, Caleb at his worst is better than many solid performers’ best, but it’s a far cry from his own best.

In an understandable irony, Caleb was considered one of the bigger draws of the show. He was the only lead singer to be given two songs. The second was no better than the first. Oh well, there’s no way this affects my opinion of Caleb, nor stops me from jumping through hoops to see him again! Smile

Jeff Litman sang Country Road. Jeff did a great job on a great song. Still, Jeff and I need to stop meeting like this. This was the third set that Jeff sang in that we attended, just this week. The first was his own birthday bash. He then kicked off Backscratch XIV. In addition to singing lead and playing acoustic guitar on this number, Jeff was the third of the primary bass players last night. The first time we ever saw Jeff was when he played bass at the Soul Revue, so this seemed fitting to see him tear up the bass again.

JeffLitmanSamTeichmanJeffLitmanBass

Give a person a finger and they demand a hand. As you can see in the picture above, Sam Teichman moved from the far corner (near the piano) to the middle of the stage, to continue showing off his tambourine mastery. Next time, center stage, singing lead. Got it Sam? Smile

Jeff’s song fittingly closed the show, with highlights by Chris Kelly on bass and Jeremiah Birnbaum on electric guitar.

JeffLitmanChristopherKellyJeremiahBirnbaum

That said, all of the side-people were excellent on every number, so let’s name the few that didn’t sing lead and add some photos for those that sang lead, but played larger roles supporting the others throughout the set.

Seth Faulk on drums, percussion and background vocals. Seth was great on all three. I’ve noted in another post that Seth sang harmony one night from the audience, standing right behind me and that his voice was really good. That was true last night again, but this time it was on stage at a microphone. I’d like to hear him sing lead as well.

SethFaulkDrumsSethFaulkJakeCohen

KaylinLeeClintonSethFaulkValerieMizeBriArdenKateFerberSethFaulk

Robert LaFalce on grand piano. Robert was a real trooper. One of the pianists that was scheduled to play is Matt Simons. Unfortunately, his car was broken into the night before (we keep hearing about traveling musicians getting their equipment stolen, it’s heart-breaking). Robbie filled in at the last minute and performed his parts perfectly. He was also charming the few times he opened his mouth. Smile

RobbieLaFalce

We saw Robbie only once before, at the Soul Revue, but he only played percussion that night. Another local multi-instrumentalist (they seem to be everywhere you look nowadays!). Winking smile

Matt Arbeiter on drums and percussion (no good link, and 1st time). Matt handled his drumming and percussion duties excellently.

MattArbeiterDrumsMattArbeiterPercussion

Ian Schaefer on trumpet. Ian was superb. Not quite as highlighted as the other member of the horn section, but integral nonetheless.

IanSchaefer

Jonathan Kantor on saxophone. Jonathan was excellent on every number that he appeared in (which was many). He was highlighted a bit more than Ian (as noted above).

JonathanKantor

Sam tried to calm the crowd down when he saw people rubbing their eyes. It turns out that David and Jonathan are twins and Sam assured people that they were not seeing double! Winking smile

I could tell the difference between them in two ways: 1) Their shirt colors were different and 2) They played different instruments! Smile

DavidKantorJonathanKantor

Jonathan’s fiancée was in the audience. Big deal, right? Wrong! They are getting married this Sunday. He needed permission to play last night (naturally!). She said yes (by my count, that makes at least twice!). Winking smile

When we left, we bumped into the Kantor twins on the corner. First Lois shook each of their hands individually as she told them how awesome they were. Then I reached my hand out as both of them did, and we ended up in a perfectly natural three-handed shake, with my hand around both of theirs. Twins indeed! Smile

Congratulations Jonathan, best of luck on Sunday and the rest of your lives together.

In searching for David Kantor (and not finding a good individual link), I came across a band that both brothers are in, as are Kate Ferber and Justin Goldner (among others). The band is called Grand Central Sound. The very first YouTube video that I stumbled across made me realize what a connection we have to the twins (even though they don’t know it yet!).

Ten days ago I wrote about a Campfire event at Slane. During that set, Lois requested Into the Mystic by Van Morrison. Martin played it for her. Here’s a video of Grand Central Sound performing the same song (much richer sound due to the full band), with David Kantor singing lead (and giving me way more of a sense of his singing chops than he did last night!):

Grand Central Sound, featuring David Kantor singing Into the Mystic