Tony Maceli Full Vinyl Tribute to Yacht Rock at Rockwood Music Hall Stage 2

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Tony Maceli organized and hosted another Full Vinyl show last night at Rockwood Music Hall Stage 2. I opened my post about the previous show with the following:

Tony Maceli is one of the top bass players in the NYC indie music scene. Some months ago, he started organizing a regular mega-show called Full Vinyl. Last night was the first one we were able to attend, so I don’t know whether we’ve missed one or two. I also don’t know whether the format is always the same (or going to be). This show was at Rockwood Music Hall Stage 2.

TonyMaceli

Now I know. Last night was #4, so we missed two of them before hopping on the train. If we’re physically able, we’ll never miss another one. Last night’s show was simply fantastic, on every level.

It’s a touch ironic to say that. The theme was Yacht Rock. Not that the songs that fall under that heading aren’t awesome (they most definitely are, well nearly all of them are), but clearly, there’s a tongue-in-cheek phenomenon going on when kids (yes, the oldest musician on stage was a kid to us) select that music to highlight.

That said, whether they, or the large crowd at Rockwood were singing with any condescension, I certainly couldn’t tell. The party started instantly with Footloose, and never slowed down until the big finale. So many audience members were singing their hearts out to every song, so this wasn’t a trip down memory lane that left them in the dust.

An excursion before I dive into the show itself. At the last Full Vinyl show, Tony swore on stage, quite a bit.

Sometime after the show (days, weeks, I don’t remember exactly), we ran into Tony and got to chat for a while. He brought up the cursing and said that although he loves to curse, and does it all the time, even he felt that he was over-the-top at the show. We didn’t disagree. Winking smile

He had a very interesting suggestion. He offered that at the next show, he’d put a dollar into a tip jar every time he cursed. If he made it through any speech without cursing, we’d put a dollar in. At the end of the night, all of the money would be given to the Rockwood staff. (To be 100% accurate, he offered that he’d keep doubling his $1 each time he cursed.)

We agreed. At last night’s show, both sides happily remembered the wager and rules. We gave our waitress a $20 bill in exchange for $20 singles. We started out with an empty glass. We ended up with a large bucket (the normal Rockwood tip jar).

Tony expanded it to include any performer on stage who was game to toss a buck in if they cursed. Martin Rivas cursed just for the heck of it, and immediately tossed $1 in. Smile

Tony offered the audience the chance to participate if they wanted to toss money in to reward the lack of swearing. People did indeed come over to our table and toss money in! When an audience member at the table next to us cursed, she immediately felt self-conscious and reached into her purse and tossed $1 into the bucket. Cool!

Tony didn’t curse a single time during the show (proving that he can control it completely). Right before the finale, he came out with a number of singles in his hand. After letting out a few expletives, he tossed all of the singles in the bucket. Aside from the release, he clearly wanted to participate in the additional tips to the staff and this was the best way to accomplish that. Smile

When the show was over, Lois presented Erin (who happened to be our waitress the entire evening) with the bucket on behalf of all of the performers and audience members who chose to participate in the challenge. I don’t know how much others chucked in, but I just counted six singles left from our $20, so at least 14 times, we (or more properly Lois) thought that the performers behaved well enough to be rewarded (even if the reward was going to someone else).

Erin

I judge the experiment a complete success. It was Tony’s idea and he deserves full credit.

Something that deeply annoys/affects us is the often constant talking (at volumes that are not to be believed!) that goes on in the audience, even by obvious fans and friends of the performers. Lois thought that it might be interesting (albeit perhaps impossible!) if we had a challenge whereby talkers were shamed into putting $1 in the jar every time someone pointed them out. Somehow I doubt we’ll pull that one off as smoothly as we did the cursing challenge, but I would love to see it happen.

Back to the show…

Loosely following the format I established last time (ain’t precedent grand?), I’ll post the set list first, then the lead singers for each song, then the infinite (no hyperbole here!) band members immediately thereafter. Where someone was a singer and a band member, I’ll note that.

Tony decided to have fun with the set list, giving most people one or more nicknames for their first names. For most, he used their real last names, which made it a tad easier on me. Thankfully, I figured out who Michael McMinkoff was. Winking smile

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As with the first show, Tony Maceli kicked it off. I already told you that they shot out of the gate with a bang. Now you know who led the charge. In addition to playing a lot of bass, Tony played the trumpet on at least two numbers.

TonyMaceliBassTonyMaceliTrumpet

Zach Jones sang from behind the drums. He was great. He also drummed on a bunch of numbers (look for Jones throughout) and was awesome. I had to look around people to see who was drumming on the finale (Africa by Toto), because the drums were so rich and tasty. Surprise, it was Zach! (I say surprise in mock, obviously, since I think so highly of Zach’s play that I wasn’t surprised. But, every drummer last night was incredible, so it really could have been any one of them and I would have believed it!)

ZachJonesZachJonesSinging

Zach also stepped out from behind the drums to sing some background vocals.

Misty Boyce sang wonderfully. Not quite the barn-burner that caused me to describe the aftermath of her song at the last show as “we were all reduced to a puddle”. Misty also played the keyboards on some songs.

MistyBoyceSinging

Deena Goodman was exceptional. I’ve only seen Deena sing once before, at a Livestrong fundraiser, 2.5 years ago. I praised her mightily that night. She did a lot of charity work and then I heard she returned to get a graduate degree, so I wasn’t surprised not to see her performing. Perhaps she needs to rethink that!

DeenaGoodman

Adam Minkoff was amazing (hence earning the only double-nickname, since Tony believes he’s very faithful to Michael McDonald). Adam also played bass and I even saw him wield an electric guitar.

AdamMinkoffMartinRivasAdamMinkoffElectricGuitar

Julia Haltigan continues to impress every time we see her (which will continue to be frequent if she keeps up this level of performing). That said, she’s playing tonight, but I’ll be typing away at this while she’s doing that.

JuliaHaltiganSingingJuliaHaltigan

Charlene Kaye did a great job, also playing lead electric guitar for her own number! In addition to singing lead on Go Your Own Way, Charlene also sang backup on a number of songs.

CharleneKayeGuitarCharleneKayeRobDiPietro

Emily Long was wonderful on her number. Like most of the other lead singers, she returned to sing on the finale.

EmilyLongSingingCharleneKayeSethFaulkEmilyLong

Greg Mayo sang lead on Private Eyes. There was a delay in starting the song for a wardrobe change (calm down folks, this wasn’t a wardrobe malfunction). Greg left the stage while Tony explained that Greg needed to get a special jacket from the green room. Greg emerged wearing a leather jacket that was originally owned by Daryl Hall. I wrote about the jacket, and the song (Private Eyes) when Greg performed it at his last Greg Mayo Band show.

GregMayoSinging

He was great then, and again last night, but it was really cool to see him perform it on lead guitar last night, whereas he was behind the piano at his last show. Of course, Greg also played electric and acoustic guitar (amazingly, as he always does) on many other numbers.

GregMayoElectricGuitar

Casey Shea was once again wonderful. Once again (consecutive shows now), he descended into the audience to serenade a woman within inches of her face. This time, he sat down (last time he lay down on the table). It was the same woman though, Lois. So, to see whether she was his target, or just convenient, I’m going to have to have her sit in the balcony next time Casey sings. We’ll see if he climbs up there to sing to her. If so, I’ll know what the deal is. Winking smile

CaseyShea

Casey also sang backup on some other songs.

Brian Collazo (of Live Society) thrilled (as he always does) when he sang lead. He was also one of the primary backup singers on many songs, and he was oh-so-tasty on each and every one.

BrianCollazoSinging

Patrick Firth sang wonderfully while playing the keyboards. He was also the primary keyboard player on most of the numbers (though he did relinquish it occasionally). The relinquishing was perhaps reluctant. On one number, he hung around and played the top of the double-decker keyboards while his replacement played the bottom.

PatrickFirthPatrickFirthSingingMartinRivas

Morgan Paige didn’t sing lead, but she joined Patrick to sing on Sailing. Since I didn’t notice her on stage for any other numbers, I’m mentioning her here.

MorganPaige

Josh Dion ripped it up again, vocally and on the drums. How anyone can watch him perform and not be mesmerized is beyond me. Of course, I shouldn’t assume that there’s anyone who isn’t mesmerized, so my hypothesis might just be incorrect.

JoshDionSingingBrianCollazoJoshDionTonyMaceli

Martin Rivas sang his way into our hearts. In addition to singing lead, Martin was on stage as much (perhaps a bit more) than Brian Collazo was, singing with everyone else. He played some tambourine too (as did a few others that I failed to note above).

MartinRivasMartinRivasSinging

That leaves the big finale, where most of the singers took a turn at the mic. In a small-world twist, two posts ago I mentioned that The Vanity Belles performed Africa by Toto during their set (which was on the same stage, a few hours earlier). Their acoustic version was fantastic. To end the night with a stage full of people, supported by a top band, performing the same song, was an interesting contrast. Both versions were amazing, even though they were totally different.

On to the band. I’ll mention them in the order that they appear on the set list. If you pay attention, many of them played on multiple songs. I won’t repeat anyone who is mentioned above.

Dan Tirer on electric and acoustic guitar. I’ve only seen him once before, at the last Full Vinyl show. Must… see… more… of… him… He’s so good!

DanTirer

Matt Simons on saxophone and electronic keyboards. At the last show, Matt played only the keyboards. That’s great, but if you really want to add some awesome sauce to the mix, make sure you catch Matt on the sax, he’s incredible. One one number, he was the only brass. On another, he and Tony played together, with Tony whipping out his trumpet. More, please!

MattSimonsSaxophoneMattSimonsKeyboardsMattSimonsTonyMaceliBrassSection

Andrea Longato on electric guitar. Holy smokes, what a nice surprise. I’ve only seen Andrea once before, when he played with Carley Tanchon in February. I was blown away that night and I’m happy to have gotten a taste again last night.

AndreaLongato

Matt Basile on electric bass. Another in a string of great NYC bass players who never disappoint.

MattBasile

Jamie Alegre on drums. Jamie always delivers. For me, that’s usually when he’s playing with Derek James. He was great at the last Full Vinyl show as well.

JamieAlegre

Steve Dawson on acoustic and electric guitar. I can’t say that I really made out his acoustic guitar (tough to hear it over all of the other instruments), but I can tell you that his spirit (demeanor) fit in perfectly. He was having a blast (like the rest of them were), as we all were too.

SteveDawsonElectricGuitarSteveDawsonAcousticGuitar

Rob Calder on electric bass. Excellent! My first time hearing Rob.

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Spencer Cohen on drums. Spencer is fantastic, whether he’s on drums, percussion or cajon. Last night, it was the drums.

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Scott Chasolen on electronic keyboards. He’s a great pianist, no further information required! I mentioned above that Patrick Firth hung around to play the keyboards with someone else. It was Scott. Smile

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Ignore the next name on the list, as Mark Marshall didn’t end up making it to the show…

Ben Zwerin on electric bass. Another stellar performance from Ben.

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Tommy Diehl on drums. My first time, won’t be my last. He did a great job.

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Rebecca Haviland on electronic keyboards and vocals. Rebecca backed Charlene Kaye on Go Your Own Way, singing (great) and playing the keys (also great).

RebeccaHavilandSingingRebeccaHavilandKeyboards

Rob Jost on electric bass. Another winning performance.

RyanVaughnRobJost

Robert DiPietro on drums. Again (as with the last Full Vinyl), a superior effort on the drums.

RobDiPietro

Ryan Vaughn on percussion and drums. Ryan is always one of the most masterful percussionists. In addition to playing on a number of songs, he was joined on percussion by Josh Dion for the finale, complementing the already-mentioned drumming of Zach Jones. Ahhhhhh.

RyanVaughnTambourine

Oscar Bautista on electric and acoustic guitar. I had already gotten to enjoy a full set of Oscar earlier, when he played with The Vanity Belles. When they were setting up for Full Vinyl, I saw Oscar and Greg Mayo on stage at the same time, tuning and sound-checking their guitars. What a lineup of guitarists, independent of the others who I have already oohed and ahhed about.

OscarBautistaAcousticGuitarOscarBautistaElectricGuitar

Seth Faulk on drums. Man, it’s been way too long since we’ve seen Seth play. Over three months to be precise. It’s not our fault. He was on an extended tour across the country and just recently returned.

SethFaulk

Chris Anderson on electric bass. As with Oscar, we enjoyed a full set of Chris’ play with The Vanity Belles earlier. You can never get enough Chris, so having more of him in the same evening was fine in my book!

ChrisAndersonSinging

Kenny Shaw on drums. Kenny wore sunglasses, so he might have been trying to hide from me. It’s been roughly two weeks since I’ve seen him play, which is an unusually long stretch for us to go without Kenny. Fantastic job on the drums!

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Tom Welsch on electric bass. Tom was superb. It was my first time seeing him.

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Paul Amorese on drums. Another tremendous performance!

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I think that’s everyone. Someone will spank me (and I’ll gladly update this) if I missed anyone.

A few group shots:

BrianCollazoMartinRivasCaseySheaBrianCollazoMartinRivasRebeccaHaviland

PatrickFirthBrianCollazoZachJonesMartinRivas

We got home around 2am. I have to say, I was still really energized and was not at all hoping the show would end. On the other hand, I went to bed at 2:45 and woke up at 7am (and have been up since), so the candle can’t be burned at both ends every night, no matter how much fun it is at the time.

AmyDaveAdamChristgauKevinJason

HadarCaitlinBrianCollazoManishGosaliaKennyShaw

Jeff Taylor and Dumpster Hunter at Rockwood Music Hall Stage 2

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Jeff Taylor and his band Dumpster Hunter headlined a set at Rockwood Music Hall Stage 2 last night.

JeffTaylor

Quick aside. The link to Dumpster Hunter currently redirects to the same site as Jeff Taylor’s link. In the future, it might not, so I decided to give both links. That leads me to say that I don’t really know if there are any official members in Dumpster Hunter other than Jeff, though I suspect at least one of the other people on stage is a permanent member.

I have heard about Jeff Taylor for the past couple of years, in the most glowing of terms, from both fellow music fans and musicians for whom I have enormous respect. So, I was particularly happy to catch this set, as it was sandwiched between two others that I was intending to see anyway.

From what I understand, most previous Jeff Taylor NYC shows have been solo affairs, which is what all my friends were raving about. Dumpster Hunter sounds like a reasonably new endeavor to deliver a full band sound around Jeff’s creations.

Jeff has an excellent voice, but he’s not a traditional vocalist. In addition to singing, he also produces a number of different sounds (including melodic yelling, for example). He whistles on a song or two as well.

He sang without playing an instrument for roughly the first half of the show, then picked up the electric guitar for the second half.

I would describe last night’s set as Dream-State Rock/Pop. Jeff had extremely high reverb on practically every song, so that every note he sang lingered for a long time. It was executed very well.

Jeff was supported by three band members, left-to-right on stage:

Steve Wall on electric guitar, electronic keyboards and vocals. If I had to guess, Steve is a permanent member of Dumpster Hunter. He traveled to CA with Jeff for some shows out there. Steve added to the dream-state with his play on the electronic keyboards, but spent more time on the electric guitar, which I had trouble distinguishing. His harmonies with Jeff were very good.

SteveWall

Mark Guiliana on drums. Excellent on every number. The drums were an integral part of the experience and Mark was right there on every strike.

MarkGuiliana

Chris Morrissey on electric bass. This was my second time seeing Chris. The first time he was supporting Vicci Martinez (before her fame on NBC’s The Voice). Here’s what I wrote about him that night:

Chris Morrissey on electric bass. Given the tempo and power of Vicci’s set, the bass player is key in keeping it all together. I was extremely impressed with Chris’ play, even though there were no flashy leads. As Vicci herself said of her band, they are all P-R-O-F-E-S-S-I-O-N-A-L-S.

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Last night he took quite a number of blazing leads, as Jeff’s music called for it significantly more than Vicci’s did. So, I continue to be really impressed by Chris and look forward to seeing him again!

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I only had complimentary things to say above, so I understand why my friends recommended Jeff. I also noticed that many people in the crowd were in trance-like states enjoying the music. Still, while I appreciated each person’s talent, and I enjoyed the set in general, the music didn’t grab me in any particular way.

It’s possible that I need to experience Jeff solo to get it, but I don’t know if/when he’ll be playing solo.

For those that love him (and I was wildly outnumbered last night), Jeff noted that Dumpster Hunter’s CD Release show will be back at Rockwood Music Hall Stage 2, on May 5th (Cinco De Mayo), at 10pm. It’s a ticketed show, so grab them now if you’re interested. Mark Guiliana’s band, Beat Music, will be opening.

P.S. I doubt this affected my reaction too much, but the setup time was longer than most 4-piece bands take, which may have made me more antsy than normal.

The Vanity Belles at Rockwood Music Hall Stage 2

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The Vanity Belles are a couple of hard-working ladies. Roughly 28 hours before headlining a set at Rockwood Music Hall Stage 2 last night, they were in Charlotte to sing the National Anthem at The Bobcats NBA game:

I’m sure they blew away the large crowd there, but those fans only got to hear one song. We got a full set, with their regular (awesome) band, so we win. Smile

I’ve written about the Belles a lot in the past three months, so rather than repeat all of that, if you’re new to them (or me), please read this post.

As with that show, everything clicked last night. Their voices were great, the band was great, their set selection was great.

TheVanityBellesCarrieWelling

JessiRaeWaltzJessiRaeWaltzSinging

One of the hallmarks of The Vanity Belles (TVB) show is getting baked goods by Jessi Rae Waltz. Given their hectic schedule the day before, she couldn’t pull off her usual magic. Not to worry.

Patryk Larney came up on stage early in the set and read a poem that he wrote about saving the day. Rebecca Haviland held up his fold-out carboard teleprompter. His treat? Hershey’s Kisses, connected in barbell form (a kiss on each end). Patryk used one as a prop to act out the poem. Extremely well done! (Rebecca might have been auditioning to replace Vanna White on The Wheel of Fortune.) Smile

PatrykLarneyBoxOfTreatsPatrykLarneyActingOutPoem

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The Belles often produce a custom video to promote an upcoming show. They did one for last night, around the theme of the opening number, Superman:

The Vanity Belles promote their Rockwood Music Hall show

Sitting one table over from us was none other than the star himself, Superman.

Superman

As is their custom, the Belles picked up their instruments for one song, Bottle. This time, Jessi introduced it and explained where the inspiration came from. Then they nailed it, with Jessi on the electronic keyboards and Carrie on acoustic guitar.

JessiRaeWaltzKeyboardsCarrieWellingGuitar

TVB recently completed a successful Kickstarter campaign. Their new CD will be released in a few months. One of the reward levels was getting them to arrange and record a cover song of your choice. I think that included playing it at a show as well. The person who chose that reward picked Africa by Toto as the song. The Belles did a wonderful version, accompanied by two acoustic guitars.

Great job all around Ladies. On to the always amazing band, left-to-right on stage:

Patrick Firth on double-decker electronic keyboards and background vocals. Patrick never disappoints (as you will see if you read two posts from now, as yet unwritten).

PatrickFirth

Oscar Bautista on electric and acoustic guitars. Oscar thrills at every show. Last night, when taking a lead, he gave a hand motion to the others to take it down a bit. They all complied immediately. He worked the guitar soulfully, building up to a crescendo as the rest of the band followed. One of the songs that he played acoustic guitar on was the Toto cover.

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Zach Jones on drums and background vocals. Another of our favorites (have I mentioned how much I love this band?). TVB has so many driving songs and Zach keeps the action moving at just the right pace.

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Chris Anderson on electric bass and vocals. It’s been 72 hours since we’d seen Chris perform (at a house concert in VA), so we were due. Thankfully, since he’s another that always delivers!

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Cameron Mitchell on electric and acoustic guitars and vocals. Cameron plays rhythm guitar to Oscar’s lead (for the most part) and does it extremely well. He’s also co-written with the Belles. Typically, Cameron is on acoustic when Oscar is on electric and vice versa. Last night they mixed it up a bit. Cameron opened the show on electric (with Oscar also on electric) and Cameron joined Oscar on acoustic for the Toto cover.

CameronMitchellElectricGuitarCameronMitchellAcousticGuitar

Here’s the set list:

SetList

Last year, we used to consistently be out of town for TVB shows. I’m glad to say we’re in a nice zone at the moment, catching them in a variety of configurations and venues. Keep it up ladies and we’ll keep coming out to see ya. Smile

PatrickFirthCarrieWellingOscarBautistaJessiRaeWaltz

Chris Ayer, Rebecca Haviland and Chris Anderson at a House Concert

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Two weeks ago I announced that we were no longer involved with Zope Corporation. That was supposed to mean not driving up and down I95 every month. Apparently, our love of music and friends didn’t get the message. Winking smile

Lindsie Davis runs regular house concerts. We’ve been lucky to have attended three of them (including last night). In addition to loving every one of the shows, we’ve become good friends with Lindsie, which in the long run (even the short run) is more valuable to us.

Update: Lindsie just forwarded three photos that she took. We’re in two of them. I’ll post the first here, then the others down below.

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Before we knew we’d be out of Zope, we were discussing coming to Lindsie’s next show, which she was trying to put together but hadn’t set a date yet. By the time the date was set, we were already out, but we decided to make the trip, and turn it into a going away party as well. I’ll cover the party aspect briefly after capturing my thoughts about the show itself.

Rebecca Haviland and Chris Anderson opened the show. They have now named their group Rebecca Haviland and Whiskey Heart (I guess that makes Chris’ name: Whiskey Heart). It works for me, but I’m probably just going to call him Whiskey from now on. Winking smile

RebeccaHavilandAndWhiskeyHeart

We see them perform a bunch, recently in a variety of configurations, but I have to admit that I was still taken by surprise last night (a most pleasant surprise). On March 21st, we saw them perform as a duo (for the first time) at Watercolor Café. The big difference last night was no vocal microphones.

Rebecca and Chris each had their instruments (electric guitar and electric bass respectively) plugged into amps. But, they had them dialed softly (perfectly). That Rebecca’s amazing voice could easily be heard above the amps was not a surprise. That Chris sang loud enough to be so perfectly balanced with Rebecca was the giant surprise. They sounded better together vocally than at any previous show. That means that Chris will have to sing louder, or the sound guy will need to crank him more, at future full band shows.

ChrisAnderson

The acoustics were perfect and every song was fantastic. After missing If You at the last show, they performed it last night. Even though it was new to probably 95% of the people in the room (it was a very well attended show!), this was the best crowd participation in singing the Oh, oh oh oh oh part (along with me, of course). Really great!

RebeccaHaviland

Whenever Rebecca was tuning, she was quite funny telling us stories and informing us that this was her first-ever house concert performance! I’m willing to bet that it won’t be her last. I have a strong suspicion that she had every bit the blast that we in the audience did. Chris Anderson is an old pro at this. In fact, he was at all of the previous house concerts that we attended at Lindsie’s.

ChrisAndersonRebeccaHaviland

After their set, Lindsie announced that there would be a 10-minute break to eat the amazing desserts and stretch the legs. Those rarely last only 10 minutes, so I was impressed that this one was officially ended (with blinking lights) at the 14-minute mark. Well done running a tight ship Lindsie!

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Chris Ayer took to the stage (OK, the front of the room) and captivated everyone with his incredible songs, voice and guitar play.

ChrisAyer

Chris always gets a ton of requests for particular songs (many of them long out of his regular rotation). He told us about one guy in Europe who took to the Interwebz to hammer Chris when he didn’t get his desired song. That dude needs to chill (see, I’m still young at heart). Winking smile

Last night, Chris decided to finally perform two songs he’s been promising someone for a while now (two different people, if I understood, both of whom were at the show). One was Opening and the other was Warmer. Bravo! It’s such a treat to hear great songs that rarely get played live nowadays.

As with Rebecca, whenever Chris was tuning, he had us cracking up. Aside from his typical tuning, he complained that the capo the guy at The Guitar Center talked him into was a bad choice. I noticed it once, it doesn’t put equal pressure across the fret, so Chris had to play with it to tighten it, but also compensated by retuning the string it wouldn’t catch. That gave him plenty of time to make us laugh.

ChrisAyerTuning

While I could recite Rebecca’s set list by heart (but won’t), Chris provided his official set list for Lois to photograph:

ChrisAyerSetListChrisAyerSetListFlipped

Our host with the performers:

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Our host with us and Chris Anderson:

ChrisAndersonLoisHadarLindsie

It was a great show, well worth the long drive down (unreal traffic once we got into Friday afternoon Washington rush hour). Afterward, we headed to our friends’ house in Leesburg, where we spent the night (and where I’m now typing this). Shortly I’ll be off to watch the older son play baseball (he’ll be the starting pitcher) and then after lunch, the long trek home.

OurGreetingParty

Back to the party aspect of last night. We reached out to a bunch of current and former Zope employees and their families. 15 of us met for dinner at Portabellos in Arlington. Wow, such a great meal, excellent company and everyone in the restaurant was nice and treated us very well.

PortabellosDinnerParty

After the meal, 13 of us headed to the house concert. So, Zope was very well represented at the show. In a nice twist, one of the current Zope employees (Satchit) won the merch raffle, so he walked away with two of Chris Ayer’s CDs and two of Rebecca’s. Score!

SatchitRebeccaHavilandChrisAyerSatchit

An absolutely fantastic night, beginning to end. So glad we never hesitated to make this long drive to implant those memories.

AnneDonFamilyMembers

Bishop Shanahan High School (PA) Choral Ensemble Sings at Trinity Church (NYC)

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The following is a guest post by our very own Lois. Smile

Their voices soared in stunning harmonies, filling the Cathedral as worshippers and visitors gathered after the noon mass to hear the Bishop Shanahan High School (BSHS) Choral Ensemble.

BishopShanahanChoralEnsembleBishopShanahanChoralEnsembleTrinityChurch

BishopShanahanChoralEnsemble2

Under the direction of Chuck Keating, the School’s Music Director, the students sang nine songs, all but two in Latin. Most were a cappella (a few with light background piano).

ChuckKeatingPianist

There were three special additions: a flute solo, several songs conducted by a student and one highlighting a solo singer. About half-way into the performance, sections of the ensemble went back to their seats as the remaining students continued singing. Their voices were concentrated even deeper, yet as moving and inspiring in smaller parts, as with the whole group.

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SoloSingerStudentConductor

The performances were breathtaking, eliciting huge applause and appreciation from the audience. It is no understatement to call this an uplifting experience for those of us lucky enough to participate. The school’s motto is “Quae sursum sunt Quaerite” (“Seek the things that are above.”) The group delivered, raising our eyes and our hearts in unity.

ChoralEnsembleSinging

Here’s the program:

Program

The Choral Ensemble was recently chosen by B101, WBEB-FM as the best school musical group in Philadelphia (the station’s 2nd Annual Christmas Choir Contest in the grades 7-12 division.) Here’s the song they sang for the contest.

Trinity Church is a beautiful structure at the tip of the Island founded in 1697 “a sacred oasis amid the busy downtown streets”. The Church (and Trinity Choir) are well known throughout the world for their rich musical heritage and contributions. Trinity presents many free concerts every year.

They have a wonderful youth music program which “emphasizes the social aspect of singing, brings together collaborative neighborhood partners, and teaches the importance of building bridges within our community.”

Why did I attend? A ‘few years’ back I worked with an amazing girl in her first job straight out of college. She proved over and over how much she could take on with grace and dedication: marriage, motherhood, burgeoning career – and still remain the kindest of people! We kept in touch over the years as each of our lives took their twists and turns. While we haven’t seen each other as much as we’d like, yesterday gave us the chance to correct that :-) finally in person, sharing this incredible experience….hopefully the first of many more to come.

AnneEileen

As Hadar & I have found, our lives are continually enhanced and blessed with the music – and musicians – who create the ‘joyful noise’ we all can share.

Ian and Chad at The Standard Hotel

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Ian and Chad is the new name for what used to be known as Ian Axel (which always featured Chad Vaccarino). Last night they headlined a show at The Standard Hotel (formerly known as The Cooper Square Hotel). They announced it as their first show of 2012. If you accept the notion of officially sanctioned shows then that’s true.

IanAndChad

On March 29th, they played a secret show (so it wasn’t real). We were there and I wrote about it. I thought that part of the reason for the secret show was to test some new material in public, before debuting it officially last night. As such, I assumed that I could save a lot of typing by pointing people at that post and saying “Read that, but imagine it in a more stunning setting.” To a large extent that was true, but the deviations surprised me.

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I’ll talk a bit about the venue and the promoter below, but first let’s dive into the performance.

Last names weren’t even mentioned. They introduced themselves separately, simply as Ian and Chad. They opened with the same sequence of three songs as they did at the secret show: 1) Cheer Up, 2) Rockstar, 3) This is the New Year. Again, they reversed which verses they sang in This is the New Year. Both did a great job with the other’s verses, but in the first surprise of the evening, the same spot that Chad came in late at the secret show (“I pass it back to you”), caused him a bit of trouble again last night. At both shows that ended up being a charming/disarming moment.

At the secret show, that was the only song performed that is on the current CD (same title, This is the New Year). Quick aside, you can download that entire CD and pay whatever you want!

This is where my big surprise came. After that song, Chad left the stage. I expected Ian to play the same brand-new song he played at Rockwood, a song about/for his parents, and his love of/for them.

Instead, he played Gone (also a song written for his parents). I wonder whether he’s simply not ready to play that song in front of his parents just yet (they were there last night, but not at the secret show). Still, in rebranding themselves Ian and Chad, he picked a song that was on the current Ian Axel CD. OK, no biggie.

IanAxelSinging

At the secret show, each played a single solo song. I expected Chad to come right back up (either solo, or for another song together). Instead, Ian played two more songs solo, Waltz and Say Something. Both are on the current CD (again, much to my surprise). Ian was amazing on all three solo numbers, so I’m not complaining, but it was totally unexpected (perhaps that’s a good thing!).

Chad did play his one solo song on the guitar. It’s gorgeous and I look forward to more of his efforts on the guitar and singing from his heart. I don’t know if the song has an official title, but I’d call it “I Don’t Want to Love Somebody Else”. Awesome.

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Chad had a special seat for when he played the guitar. Winking smile

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Mike Campbell joined Ian and Chad for two numbers. Mike played acoustic guitar and sang harmony. Ian played the ukulele on both. The first was a song they all co-wrote, Amory. It would be hard to describe how incredible their harmony was and how absolutely pin-drop quiet the packed-in crowd was.

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They followed that up with their signature Shorty Don’t Wait, which Chad crushed (as did Ian and Mike).

ChadVaccarinoSinging

Ian and Chad closed out the show with Homeward Bound/The More We Love/I Really Want It (no, not three songs, an untitled song, with any of those three titles fitting perfectly, so take your pick!). Winking smile

That brings me to a general observation. This was one of the most amazing crowds I’ve been a part of, both for Ian and Chad, and the opener, Elizabeth and the Catapult as well. Absolutely hushed silence during the songs, followed by thunderous (and long) applause, whoops, cat-calls, etc., the second every single song was over. Exactly as it should be for such spectacular performances.

Back to the venue and the promoter. We’ve been to this venue once before, when it was called The Cooper Square Hotel. It was also to see Ian and Chad (though then they were called Ian Axel). That night, they were the openers.

The shows are held in the Penthouse, which I believe has more outdoor than indoor space. The wrap-around deck/terrace is one of the wonders of NYC. While it’s only 24 (or so) floors up, there are no other tall buildings around, so the view is quite sweeping, including the Empire State Building, MetLife and Chrysler Buildings, etc. The start time for the show allows for the full transition from bright sunlight, through twilight, to complete night-time scenes of NYC. That the music complements and exceeds the visuals makes the entire experience all the more amazing.

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Both shows that we attended are part of a series put on by Annie Ohayon, called the Annie O. Music Series. There used to be a page dedicated to that on the Cooper Square site. I’m sure The Standard will put one up when they get around to it.

AnnieOhayon

Anyway, Annie O. has great taste in music and will continue showcasing Ian and Chad (I believe the next show is on May 7th, same place, with Teddy Geiger opening). She’s already announced a few other acts later this month. Get on her mailing list and be prepared to be wowed by her musical choices and the venue she has partnered with.

Lois didn’t get to capture everyone that we knew who attended, but she caught a representative sample:

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JonHadarJasonKristaJason

LinaElyseTerryElyseTerry

HadarDougNellDoug

RachelChockyStacey

Elizabeth and the Catapult at The Standard Hotel

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Elizabeth and the Catapult opened a show at The Standard Hotel last night. Well, to be honest, there were no catapult in sight, so let’s also give credit to her as a solo artist, Elizabeth Ziman. She mentioned that last night was her first-ever solo show. A bit hard to believe, but I have no evidence to refute that, so let’s go with it.

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It’s a bit hard to believe that we’ve only seen Elizabeth and the Catapult (E&TC) once before. That was 2.5 years ago, when they co-billed with The Paper Raincoat for TPR’s CD Release show at Joe’s Pub. Here’s what I had to say about Elizabeth that night:

Elizabeth Ziman is the heart and soul of the group. She has an absolutely extraordinary voice, completely captivating. She plays the piano exceptionally well. She played accordion (well) on one number, and guitar on one other number. Still, even though her piano skills are top notch, it’s the voice, the voice, seriously, it’s the voice!

Every word I said then was true last night (except that she didn’t play an accordion). That said, without any other instruments supporting her, I might tone down the last sentence and tone up the piano skills to mesmerizing. The voice was a good as I remembered it (so I don’t mean to downgrade it), but the piano (actually an electronic keyboard) was an equal match.

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In the opening number, Elizabeth’s fingers were in a constant wave of motion up and down the keyboard throughout the song. This wasn’t just chords, nor constant lead (melody) either, but an actual wave (like you might see going on at a sports stadium). Fast, silky smooth and to repeat myself, mesmerizing.

Later in the set she played a piece where the piano was straight out of an extraordinary classical piano concerto, yet she was singing jazz-like vocals/melody over it. Wildly impressive piano play and a cool song to boot.

Sorry about the quality of this shot, it’s the only one we have of her playing the guitar:

ElizabethZimanGuitar

She opened the show with Thank You for Nothing. I loved the entire song, and all of the lyrics, but I promised myself I’d remember the following lines (and I did!):

Thank you for loving me
Thank you for leaving

I won’t be able to name the rest of the songs. Not only didn’t Elizabeth have a set list, she seemed to change her mind early on and decided to play a few new songs, including one on acoustic guitar. She also played a cover of a new Greg Laswell number (beautiful song, performed equally well). Elizabeth is opening for Greg on his upcoming tour (starting in about a month).

Like I said above, it’s a little surprising that it’s taken this long to catch another E&TC show, even though technically, we caught an E show last night. I won’t let that happen over the next 2.5 years…

As you can see in some of the photos, the space itself is quite magical. I’ll spend a few more words on that in the next post.

In addition to Lois capturing photos during her performance, Manish Gosalia was right to her left snapping away throughout the set. It seemed only fair for one photographer (with the toy camera) to capture the other one (the professional) with the performer. Smile

ManishGosaliaElizabethZiman

Bryan Dunn CD Release at Rockwood Music Hall Stage 2

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Bryan Dunn headlined a set at Rockwood Music Hall Stage 2 last night. It was his official CD Release show for Sweetheart of the Music Hall. Three weeks ago I did something I rarely do, I reviewed a CD. It happened to be Brian’s CD.

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Before you read another word about the show, go buy the CD (if you don’t trust me blindly, you can stream it at that link for free, but then buy it).

If you read my review, I hope you took two things from it:

  • Bryan is a masterful lyricist
  • He delivers unfooled-around-with rock

I’d like to add something that I didn’t really mention in the review (and should have!). Bryan has an excellent voice. I don’t know why, but last night I realized that it strikes me as extremely reminiscent of Paul McCartney (someone slap me if it reminds them more of John Lennon, but the point is that it brings me back to some of my earliest memories of loving The Beatles).

BryanDunnSinging

(Off topic: Bryan’s previous CD, Vicious Waltz is also fantastic, I’ve enjoyed it many times, and am listening to it again now as I type!)

All of the above was totally evident last night. The rock was hard-charging and driving throughout. Even the zombies couldn’t resist a little hip swaying (something they typically have trouble doing). Reproducing the sound/feel of this CD on stage is no small feat, but Bryan, along with an incredible band (including a number of special guests) were more than up to the task.

Bryan played both electric and acoustic guitars and generally thrilled the crowd on vocals and mainly unfinished sentences in between songs.

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The set was absolutely fantastic, we were both still buzzing about it this morning. I’m going to cover each of the core band members first, then the special guests, then a summary of how we discovered Bryan to begin with.

But wait, one not-so-quick aside before doing what I just said I would do. Bryan opened the show with the title cut, Sweetheart of the Music Hall. If you followed my instructions above, and bought the CD before reading this, then you know that there’s a wonderful trumpet lead on that number.

Before playing the song, Bryan called out for Tony Maceli a few times (ending with: “Going once, going twice, gone…”) before starting the song. Someone called out from the audience to say that Tony just texted him to say he was almost there, but the song had just started.

Most of you know that when I write about Tony, it’s almost always about his amazing bass play (both electric and upright). But, if you are addicted to this space and read everything I write, then you know that I’ve also written a couple of times that he’s played the trumpet and even guitar.

Tony was supposed to play the trumpet on Sweetheart of the Music Hall. Obviously, he didn’t. Tony walked in right at the end of the second song, peeked at the set list on stage and noticed that he missed his song.

Do you want to know what my definition of class is? It’s Tony Maceli. Instead of sulking, he watched the entire set, applauded loudly for each number and performer, and put money in the tip jar when it came around (in fact, he was the first to toss money in).

TonyMaceli

Now the band, left-to-right on stage:

Joe Brent on mandolin and acoustic guitar (perhaps more, but I was in a bad vantage point to see him for much of the set). Joe came up on the second number and played on all but one after that. Joe plays on the CD too, so it was great to hear that sound live as well. The mandolin is one of the reasons I said that some of the songs have a Country Rock tinge. Joe’s great (as I find myself repeating a lot lately) and I really enjoyed his play last night.

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On one number he sat at the electronic keyboards and I thought I was about to hear him on yet another instrument. But, I think he was just resting for a minute. Ah, just looked through Lois’ photos, and it does indeed looked like I missed Joe doing something on the keyboards!

JoeBrentKeyboards

Ah, no I see from the photos that Joe also played the banjo. Thank goodness Lois documented all of this for me!

JoeBrentBanjo

Wait, what’s this? A Guitolin? Manduitar? Who knows. It’s very cute though. Winking smile

ManduitarCloseup

Ryan Vaughn on percussion and drums. Ryan is always great and was at the top of his game last night. He was the primary percussionist last night. That included a floor tom and cymbals as part of his bag of tricks, so it was quite a full sound. In the middle of the set, he moved over the to the full drum kit and ripped it to pieces (that’s a good thing, he didn’t take a knife to the drum kit).

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Drew McKeon on drums and percussion. Drew was the primary drummer last night and he was fantastic (my first time seeing him). When Ryan switched to the drums, Drew took over Ryan’s percussion station and was just as good on that. The two of them created the driving beats that I mentioned above, forcing every cell in your body to want to shake it a baby (sorry, couldn’t resist another Beatles reference).

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I’ve written a number of times about wanting multiple drummers on stage at the same time (like The Allman Brothers Band perfects) and last night was a completely satisfactory version of that!

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Jim McNamara on upright bass. This was our third time seeing Jim on bass (the first time was our first Bryan Dunn sighting) and he has impressed every time. I would like to see more of him, so I’ll have to see what I have to do to make that happen.

JimMcNamara

Jeremy Goldsmith on lead electric guitar and vocals. Like with Jim, this was our third time seeing Jeremy. While he was great both previous times, I have to say that neither showcased his skills like last night’s set did. A quick digression first.

JeremyGoldsmith

Bryan Dunn is quite the guitarist himself. In fact, half of the times that we’ve seen Bryan, were as the lead guitarist for Jeff Litman, where has been excellent each time. Whenever I see someone who is a great guitarist pick someone else to be the guitar player for them, I know I’m going to see someone special on the guitar, as the guy doing the picking clearly knows what sound he wants and who can deliver it.

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Back to Jeremy. Holy cow, he was great on every number, but on a few he let loose with leads that were faster than greased lightning, but still clear as a bell and smooth. I was surprised that my ears could keep up with his fingers.

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Jeremy sang quite a big of background vocals, extremely well, including three-part harmony with the guests. He was already firmly on my list of people to see whenever I could, but he jumped up a few spots last night. Smile

JimMcNamaraJeremyGoldsmith

Now the special guests, in the order they appeared (song-wise, not position on stage):

Misty Boyce played keyboards on two numbers, including opening the show on Sweetheart of the Music Hall. I don’t know her own music at all, but I’m a huge fan from the previous guest appearances I’ve seen (most recently, at Tony Maceli’s Full Vinyl show). I’m going to do whatever is in my power to correct my lack of knowledge of her own music next Sunday night, 4/15, when she has a set at Rockwood 1 at 10pm. She’s part of a set tonight at 8pm, but I don’t believe I will be there, nor do I know if that’s her music either.

MistyBoyce

Abby Ahmad sang with Bryan on at least three numbers. I’ve been writing about Abby a lot recently. She’s a great singer and songwriter as well (fronting at least two bands that I’m aware of). She has the power to keep up with last night’s sound and was well matched with Bryan. For all the times that I’ve written about her, I hadn’t met her until Lois introduced herself last night and then grabbed me to say hi too. Smile

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Andy Mac on vocals and tambourine. Andy did a great job of singing harmony with Bryan on one number, then was invited back for the finale with lots of others. Ryan Vaughn handed Andy a tambourine to keep him amused. He did a wonderful job of keeping us entertained on it as well.

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Chris Cubeta joined to play the harmonium on one number (I told you this was straight up rock, right? so of course there had to be a harmonium Winking smile ). Chris produced this CD, which I’ve already told you is a masterpiece. I’ve only seen Chris perform once before, also at Tony’s Full Vinyl show.

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Mark Marshall joined for the finale, grabbing Bryan’s electric guitar, while Bryan played the acoustic. I’ve mentioned a number of times how good Mark is on the electric. Last night, right after Jeremy totally blew my mind (for the final time, during the finale), Mark took an awesome lead as well. Considering that was on someone else’s guitar, it was all the more impressive.

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DJ Brik Mason joined for the last number as well. He sang harmony in the beginning, but then Bryan turned it over to Brik for a full-on rap. After rapping, he urged the crowd on after each verse, in a rap-like bridge. It fit in perfectly with the song and kept the energy way up for an already high-energy show.

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BrikMasonUrgingCrowdBrikMasonBryanDunnDrewMcKeonMarkMarshallAndyMac

One more shot of the finale:

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Well, the finale wasn’t the final song, of course, Bryan had to take an encore. The previously mentioned people left the stage, but Misty returned to the keyboards to help Bryan close out the show, along with the core band.

To repeat, the CD is great, the show delivered that feeling better than we could have expected. What a night.

Here’s the set list:

SetList

Unfortunately for you, if you’re one of those people who have to read all the way to the end, this post isn’t quite over yet.

Lois and I have a huge overlap in the music we love, but we also have tastes that diverge. For most people/groups, one of us is typically a bigger fan (sometimes very slightly). In Bryan’s case, we’re equally fanatic. As I’ve mentioned in two previous posts, Lois listened to the new CD before I did, and was bugging me by calling out lyrics non-stop while I was blogging about Jesse Terry’s show (which was where we bought the CD from Bryan).

She chided me for not including one particular lyric in my CD review. Thankfully, I can appease her now by inserting it here. When she listened to 6 Black Horses (probably her favorite song on the CD), she quoted from the song:

The poet and the pauper, it’s all the same to him
Spend hours in the raging while the lights are growing dim

Lois was struck by the ode to Dylan Thomas. There’s also a reference to The Parting Glass in that song. So struck, that she reached out to Bryan to ask if it was purposeful. It was indeed!

Circling back to the beginning. I’ve mentioned many times that we often serendipitously discover someone because we show up to an earlier set in order to grab a seat, or catch a set between two that we came out for.

Such was the case two years and two weeks ago, when we came early and caught Bryan doing a full set. We were both really impressed. Since then we’ve seen Bryan do a few of his own songs here and there, at a Backscratch and at a few benefits, but mostly, we’ve seen him support Jeff Litman.

Amazingly, it took two years to see him play a full set again. At least the wait was more than worth it!

And, the obligatory (in the best sense!) photos of people we shared the spirit with:

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PartialCrowdShot

SamTeichman

Leave a Lasting Mark Soul Benefit The Bitter End

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Leave a Lasting Mark is a benefit concert series conceived and produced by Sam Teichman. We’ve been to a number of them, but have sadly missed some of the more spectacular ones (or so a number of people have told us). Our very first one was a Soul Revue (just like last night) 14 months ago. You can read about it, though it’s super long, as this one is likely to be as well. This one was also held at The Bitter End.

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Instead of expecting you to read that long post, let me just pull out a single paragraph that I wrote about Sam right up front:

First and foremost, I need to bow to Sam Teichman (@samteichman on Twitter) as deeply and humbly as I can. Sam is a perfect example of one person, single-mindedly focused on getting something done and achieving that goal (actually, exceeding it). On November 4th, 2010, Sam sat next to me at Rockwood Music Hall as we enjoyed sets by Jesse Ruben and Alex Wong. Even on that night, Sam was doing for others, as I noted across three paragraphs toward the end of my post about that show.

I highly encourage you to read the next two paragraph from that post, but I’ll leave it to you to click through if you’re interested.

SamTeichman

These benefit shows are really important to attend (in particular if you’re a music lover) for a number of reasons. First, you’re contributing to charity (100% of the entrance price goes to whatever charity is being supported at that show). Last night’s charity was Foundation Fighting Blindness, specifically targeted for their Vision Walk 2012 initiative later this month. Seems like a good enough reason to attend the show.

Second, you have an opportunity to discover local musicians that you otherwise might never hear about. Every one of them donates their time to perform in these shows. Sam does a great job of paying them by constantly reminding the audience that they create their own music (often inspired by the people they’re covering at these shows!) and that we should all make it our business to follow up and check out their own sites and music.

That’s been true for me, starting back at my first Leave a Lasting Mark (LALM) show and solidly continuing last night. I’m going to follow the format I used for that first Soul Revue. I’ll group all of the sidemen (yes, there was a sidewoman as well) by instrument, first. I’ll skip mentioning the backup singers, because each of them took a turn singing a song on lead. Then I’ll cover each of the lead singers, in the order they appeared.

The real point will be for me to call out a few people I’ve never seen before, some of whom completely blew me away (repeating a trend that’s happened at each of the LALM shows).

Apologies for the varying qualities of the photos. Tons of people on stage, often obscured or very far away. So many of the lead performers were constantly moving, so it was tough to catch them in focus, or with un-passionate expressions. This is the best our little compact camera could do.

The brass section was up for nearly every song (not every person was up on every number that included brass). They performed yeoman duty and I imagine most are resting their lips and lungs today.

Ian Schaefer on trumpet, Mitch Marcus on sax and clarinet, Chris Hiatt on sax (@chrishiatt1, no good individual link), John Liotta on sax (also no good link), Steven Salcedo on sax.

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Ian took a number of trumpet leads (in particular on I Just Want to Make Love to You and This Little Light) that were awesome. We typically see John Liotta light up a baritone sax with the Greg Mayo band. Last night he lit up a tenor sax equally well. Mitch, Chris and Steven were amazing too, in any combination that happened to be on stage for a given song.

IanSchaeferTrumpetIanSchaeferChrisHiattJohnLiottaMitchMarcusClarinet

Sarah Stern joined for one number, late in the show, on the flute (I couldn’t find a good link). Delightful! She’s (possibly) the only person who didn’t make it on to the program. She stood with the brass section. This was our first time seeing Sarah.

SarahSternFlute

Bass players: Chris Kelly, Justin Goldner, James Preston (how can you not fall in love with someone whose middle name is Peanutbutter?), Jeff Litman and Sean Murphy. We’ve seen Chris, Justin and Jeff many times (they’re always great). In fact, we discovered Jeff at that first Soul Revue, and Chris and Justin at a LALM benefit featuring the songs of James Taylor and Carole King. This was our first time seeing James and Sean, probably not our last.

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One more of James Peanutbutter Preston:

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The first time I saw Jeff I really liked his bass play. But, it was after reading one of his blogs that I really started paying attention to him as a person, then discovered that he’s an excellent singer/songwriter and musician (guitar is his primary instrument for his own brand of rock). He just released a new CD, Outside, get it, and get his previous one, Postscript.

I note how I discovered Jeff because he just put up a new blog post this morning (or at least tweeted about it today) and it’s another amazing piece. So well considered and written. I learn from Jeff, both in his writing and in his music. Both Lois and I agree 100% with Jeff’s thesis in this post (at least with regards to the part about the MET, the music can be a little more nuanced IMHO).

Drummers: Justin Hofmann, Stephen Chopek, Alex Cohen, Mason Ingram and Matt Arbeiter (still no good link). Justin and Alex were new to us (both excellent). Stephen always delivers, as do Mason and Matt. Matt is another that we first discovered at a LALM show (the James Taylor / Carole King one).

JustinHofmannStephenChopekDrumsAlexCohen

MasonIngramMattArbeiter

Guitarists: Mark Marshall, Mike Bell (no good individual link, but here’s a link to a band he’s in, BELT Band), Jeremiah Birnbaum (also sang lead), Joe Brent, Hudson Mueller (also sang co-lead). Mike and Hudson were new to us. We’ve seen Joe once before, but not on guitar. Late in the show, Joe also joined on two numbers playing the fiddle. He’s a major talent, whatever instrument he touches.

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JoeBrentFiddle

Keyboards (grand piano and electronic): Megan Cox, Scott Chasolen, Nick Semrad (also sang lead), Kenneth Harris (also sang lead), Scott Stein (also sang lead). A first for us seeing Nick and Kenneth. In addition to playing the keyboards wonderfully on every number, each sang lead from the piano, so more on them later.

MeganCoxKeyboardsScottChasolenNickSemradKeyboards

KennethHarrisSingingScottSteinKeyboards

Scott Chasolen is a great pianist and proved it again last night. He has an excellent voice, but wasn’t one of last night’s leads.

Scott Stein is also great on the keyboards. More on his lead performance below.

We’ve seen Megan play fiddle, when we first discovered her at the first Soul Revue. This was our first time seeing her on the keyboards (very nice!). I lied above when I said all of the background singers sang lead. Megan sang background but didn’t sing lead. Sam told me this morning that Megan was scheduled to sing lead, but came down with a bad cold and couldn’t do it. What a trooper for playing the keyboards and singing background even though she wasn’t feeling well!

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One last piece of reporting before moving on to the lead singers. The show was broken up into smaller sets to keep the transitions among musicians to a minimum. Each set had a Musical Director (M.D., as you’ll see below). Here’s is the order that they appeared on stage:

Mark Marshall, Justin Goldner, James Preston, Joe Brent and Scott Stein. Considering that there was only a single, five-hour rehearsal for everyone to come together, each of the M.D.’s deserves a huge round of applause (as do each of the musicians!).

Finally, the divas, both male and female. Winking smile

Chrissi Poland opened the show. Such a powerful voice. She’s currently raising money to record a new EP. Check out Chrissi’s music and help if you like it (and can afford to, obviously).

ChrissiPoland

Terry Brennan (no good individual link, but he’s in BELT Band with a couple of the other performers from last night!). I’ve seen Terry in the audience at a number of shows, but never knew his name, or that he was a performer himself. His voice was great last night, so now I know and can again count on LALM for introducing me to new talented people.

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Abby Ahmad put on yet another passionate performance.

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Martin Rivas was the only singer to sing two songs. In addition to killing it with a full band, he returned later to do the only solo, accompanying himself on acoustic guitar.

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Stephanie White’s vocals soared above the music. Incredible power with a laser-like precision. Stephanie was supposed to sing another song late in the set. The entire program ran over by 20 minutes, and Stephanie’s second number was an unfortunate casualty, getting cut at the last minute. You can catch Stephanie as part of Philth Harmonic (a band she’s in with Robbie LaFalce).

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Crystal Durant is another person we discovered at a LALM show (The Blues Bothers tribute). What a wonderful voice, both lead and background vocals.

CrystalDurant

Jared Saltiel was another first for us. He was impressive, but I’m actually liking the music on his site even more, so click the link and check him out. Smile

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Eva Alexander was also new for us. We were both extremely impressed with her voice.

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Abby Payne is someone we’re very familiar with. In fact, I’ve written (glowingly) about her a number of times in the past few weeks. So, you’d think she couldn’t really surprise me, especially in an extremely positive way. Wrong. Backtracking for a bit. Abby is yet another performer that we discovered at the first Soul Revue. Here’s what I wrote about her lead singing that night:

Abby Payne did a very nice job (yes, the same Abby who nailed the piano parts!). The only issue is that it took Abby a bit to crank up the volume on her voice, which was necessary because she (and all of them) were competing with tons of instruments and other vocalists. Abby had an all-male backup singing contingent.

Note that my only complaint was that her voice didn’t soar above the music. Holy moly, last night Abby delivered all of the power, passion and clarity you could want in a voice that was clearly soaring above a stage full of awesome musicians. I was already a big Abby fan, but it seems that my fandom can grow.

AbbyPayne

Speaking of being a fan of Abby, please help her make a new CD (pretty please?). Nine days left as I write this. I have faith in all of you. Smile

Jeremiah Birnbaum did a wonderful job on his lead song, in addition to all of his guitar play and background singing throughout the set.

JeremiahBirnbaumJeremiahBirnbaumSinging

Nick Semrad was new to us. During the set that he played keyboards, he also sang lead on one song, very impressively.

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Ashley Lehmann sang (Sittin’ On) The Dock of the Bay, perhaps the best known song of the night (though there were a ton of real soul fans, who likely knew every song just as well as this one).

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Dani Tersini was awesome, hard to describe it any other way. Also new to us, but won’t be a stranger going forward. Her red dress seemed perfectly appropriate for her song, I Just Want to Make Love to You. Winking smile

DaniTersini

Scott Wolfson yet another first for us. I liked his voice a lot, and he did a fine job on his number, but I’m guessing that I’ll like his own shows even more.

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Maddy Wyatt was an extremely nice surprise for me. I was very impressed by her the only other time I’ve seen her, supporting Jeff Litman. That night she sang a ton of harmony (beautifully, but quite mellow) and played the flute (also beautifully). To see her come out and belt out a soul number with the full band was not what I expected. Oh yeah, she also accompanied herself on the acoustic guitar. Very nicely done, both vocals and guitar!

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Akie Bermiss continued the hit parade of firsters who did a marvelous job, with Crystal Durant doing heavy duty harmony with him. Akie is part of a band called Aabaraki (who we haven’t seen). You can stream and buy their album.

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Alec Gross has to be put in the same camp as I put Abby Payne earlier. I’m a fan, and I’ve enjoyed his sets before. But, I think of him as a fairly mellow folk singer. Not last night. He lit it up, completely. Very impressed.

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Andy Mac is someone we’ve seen do one full set before, plus one song at the James Taylor / Carole King benefit. He cranked it up a couple of notches last night and really delivered. He also played acoustic guitar, both while singing lead, and supporting Ashley Lehmann.

AndyMac

Bri Arden sang This Little Light. Ha, I fooled you, because I said sang, like that’s what Bri did. If you read this space regularly, you know Bri is the subject of a lot of posts. That’s because she’s always awesome. So, it shouldn’t come as a surprise that she took this song and created a soaring vocal masterpiece. Seriously, it is not possible to describe it in words. You’ll have to wait until Sam uploads the individual videos (which he will do) to see a poor reproduction of what we were all treated to live!

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Above, I showed a picture of Crystal Durant and Megan Cox singing background. That was on Bri’s song. Dani Tersini and Ahsley Lehmann also sang background during this song:

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Brian Collazo is another one of our favorites, any time, any place. While there’s no good individual link to him, he’s best known for fronting the incredible band, Live Society. Brian was extraordinary when he sang lead, as he was on the numbers he sang background. That we couldn’t keep our eyes open to see him sing with Martin Rivas at Slane right after this show is something we’ll regret until we get to see him again (soon, I hope!).

BrianCollazoBrianCollazoSinging

Brian also sang background on a number of songs. On this one, he was part of an all male contingent:

BrianCollazoAkieBermissChrisKellySingingBackground

Here’s he was standing in front of the brass section:

IanSchaeferBrianCollazoJohnLiotta

Kenneth Harris sang lead on one song, in addition to playing keyboards on one of the mini-sets. He was awesome. This was a first time for us seeing him, definitely not the last. By the time he sang lead, he didn’t surprise me. When Brian Collazo sang lead (the song before), Kenneth sang primary harmony with him and he was absolutely amazing on that number. Keeping up with Brian is no small feat, and Kenneth was definitely up to the task.

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Scott Stein came to center stage to sing his lead, after playing keyboards for the remainder of the mini-set. Excellent, on both the keys and on lead vocals!

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Evan Felts and Hudson Mueller (of The Gold Magnolias) shared lead vocals, with Evan doing most of the singing. Both new to us, both impressive. Evan did a classic soul dance throughout (a la James Brown himself). He had the crowd completely worked up in a lather. Tons of energy, great vocals.

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Grace McLean was the final newcomer to us. Grace performed perhaps the second most famous song (to me at least), Chain of Fools. Let’s see if I can be succinct in describing her: Wow! (OK, that was succinct, but not sufficient, how about: Holy Wow, Unreal!, yes, that’s better).

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Closing out the show was someone who we also discovered during that first LALM Soul Revue. He blew us away that night, and topped it last night. He had a gig of his own earlier that evening and rushed over to close out this one.

Jay Stolar stolar’ed the show (ba dum chi!). What a voice, what stage presence and delivery. In addition to singing his you-know-what off, he put on a show. He climbed on a table, got everyone to get up and shake it, dropped to the floor (as did a few of the performers) and generally got the blood rushing everywhere.

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For that last song, Sam was up on stage, first playing the tambourine in the back (his signature) but then coming forward to sing background, sharing the mic with Dani Tersini.

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After Martin’s second number, roughly halfway through the show, Sam introduced a representative from Foundation Fighting Blindness. I won’t get her name right, so I won’t attempt it. She described the work they do and the Vision Walk, and invited all of us to learn more about it, and join on the walk on April 21st.

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Whew, made it to the end (that comment was for me, not you!). Winking smile

Some closing notes and a treat!

When we were waiting for the doors to open, four German tourists came up to ask if we on line for the club next door. We told them what we were there to see. The guy in front of us in line went into a hard sales pitch to get them to join us. They seemed interested, but left to grab a bite, saying they might return.

Indeed, they got there in time for the start of the show. Both of us noticed them having a blast throughout, whooping louder than most people at the more feverish parts. Glad they believed us and joined. Even gladder they enjoyed it! Smile

As I noted up front, in addition to the artists donating their time, it’s also a showcase for them to be discovered. Sam does an amazing job of not only promoting them during the show, but of ensuring that they’re easy to find online. Sam had a two-page handout which listed every performer (except for Sarah Stern). You can find out what bands they play in, what site they’re at, what their Twitter handle is, etc. Here are both pages of the program:

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Here’s the set list (remember, they had to cut Stephanie White’s second song):

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Finally, the treat. Sam cut a short highlight reel. It’s great and will give you a good sense of some of the performers, but you simply have to trust me on two points: 1) Many of the ones that didn’t make this reel were awesome and 2) no video will ever sound and feel like the live version does! Sam will also be uploading a longer highlight reel, which will have at least a bit of every single song in it, so keep checking his YouTube channel:

Leave a Lasting Mark Highlights from April 3rd, 2012

As always, we were surrounded by friends, some of whom Lois captured:

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StephenChopekHadar

Chris Ayer, Matt Simons and Adam Barnes at Rockwood Music Hall

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Chris Ayer, Matt Simons and Adam Barnes have toured together in the UK and Europe a couple of times. March saw Adam crossing the pond to tour the US with Chris and Matt (by now you should have figured out that Adam is the Brit of the three). Last night they headlined a two-hour set at Rockwood Music Hall to close out their month-long tour.

In typical fashion, I’ll cover them in the reverse order that they appeared on stage. Each of them called the others up to sing on at least one song.

It’s been five months since we’ve seen Chris Ayer perform. That’s practically crazy talk, but at least the drought is now over.

Chris opened the show with a new song called Turnip. He noted that no one seems to like the title, but that’s what it is. Regardless of the title, the song is fantastic, so let’s allow Chris to call it whatever he wants.

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I don’t think it had anything to do with our five-month deprivation, but everything aligned last night in a way that we both felt Chris delivered a flawless performance.

His guitar play was stellar (which isn’t unusual, I’m just noting the various components of flawlessness). His voice was great. He chose a wonderful set list. When he invited Matt and Adam up (separately and together), the harmonies were heavenly.

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Matt joined for a few songs in a row, playing the grand piano and singing their patented gorgeous harmonies.

Adam joined for two numbers. On the first, they sang stunning three-part harmony. For the second, on the first verse/chorus, Adam sang harmony with Chris (while Matt sat patiently at the piano), and that two-part harmony was awesome too. Then Matt joined for the remainder of the song, again, incredible.

Chris announced that he was going to close the show with his signature performed-in-the-crowd version of Roy G Biv. All three of them descended into the audience and Chris had most people singing along with him. Always a treat to see/hear that song, whether it’s in the audience or on stage.

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When the song was over, Chris was done. But, there was still more than enough time for him to play another, and the crowd simply wouldn’t have it any other way. He was forced (quite literally) to plug back in and do an encore. A number of songs were called out. Lois asked for Wintertime, I asked for Snakeskin Heart. I heard at least five other song titles yelled out.

Chris was amused, but asked us whether it would be OK if he sang Hiding Place. No one objected. Winking smile

It’s a great song, and he nailed it, so it was a very fitting encore.

Here’s the set list (in traditional style), and you can fill in Hiding Place in your mind:

ChrisAyerSetListChrisAyerSetListFlipped

Matt Simons played a set at the piano. I think that all but one of his songs was off of his upcoming CD, Pieces, which will be released in June.

MattSimons

Matt recently released a single off that CD, Gone, which he played last night. You can buy it for a buck and/or pre-order the full CD for digital download or a physical copy.

Matt typically mixes it up between the grand piano and the electronic keyboards. Last night he played the piano only. I nearly always prefer the spacious sound of a piano, so I was very happy. Matt’s play was excellent on his set and on Chris’. His vocals were great too.

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Even though the CD won’t be released until June, Matt had copies of it at the show. They are labeled Promotional Copies, Not for Resale. As Matt pointed out, they don’t say Not for Sale, just not for resale. Winking smile

So, you could buy one at the show. We bought two, so I could put the second one up for sale on EBay and accomplish two things: 1) Get $500 for the CD, because it’s not yet available to those who want it! and 2) flaunt the law and see if I can get away with it! Winking smile

I already mentioned that all three were on stage during each other’s sets, so I will redundantly report that Chris and Adam sang with Matt, beautifully.

Chris also joined Matt for a song that Chris played guitar and Matt sang lead, without playing the piano. They sang harmony on the chorus. It was gorgeous, with the mellowness of the guitar, coupled with Matt’s vocals.

The one older song was also performed with Chris: I’m Already Over You. Excellent!

Kicking the whole thing off was the one person we hadn’t seen yet, Adam Barnes.

Adam has an excellent voice and plays the guitar nicely (a few songs finger-picked, the rest, rhythm).

His songs are very slow and soulful (at least this set was) and he delivers the lyrics with a deliberate passion, so the pacing becomes a critical part of the feel of the song.

AdamBarnesSinging

Adam broke out the harmonica on one song and shared a bit of TMI about mustache hairs and the potential hazards thereof. Winking smile

AdamBarnesHarmonica

As with the others, he first invited Chris up to sing harmony with him, then Matt joined so that the three could dazzle us together. This was proof that no matter who the songwriter, Adam, Matt or Chris, each is capable of writing songs that support this type of harmony.

We grabbed some Adam Barnes stickers after the show. Who knows where you’ll see one. Smile His guitar is an advertisement for Chris Ayer though. Winking smile

AdamBarnesGuitarStickersAdamBarnesGuitarStickersCloseup

We were both so happy to be able to make it out to this show.

While I mentioned how amazing the performances were, the evening itself was not without a hiccup. Right before one of Matt’s songs, he asked for a glass of water. The waitress brought it over to him. As she left the stage, the woman across the table from me moved a bit hastily to let her get by. In the process, she knocked over her full glass of red wine all over me (shirt and jeans). C’est la vie. At least, whenever I need a quick hit, I’ll probably be able to squeeze a few drops out of those jeans.

As is typical at Rockwood, we got to share the experience with a bunch of our friends, some of whom Lois captured. The two ladies had birthdays on consecutive days. Matt gave a shout-out from the stage to the one whose birthday it was yesterday. Smile

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